Indianapolis Times, Indianapolis, Marion County, 8 January 1938 — Page 2

ARATE SL

PAGE 2

M'Coy and Bestor Blow

To Draw in Lewis Joins

"Thrill of a Lifetime" Enjoyable; Lamour Sings Title Song.

“The Battle of Swing” Circle this week and, although no one is going to win. this one “draw” that's worth your while If youre an addict of that thing swing, you'll want a ringside seat to tee and hear Don Bestor and Clyde McCoy fight it out with their respective grunt irons, squeal boxes, pistons, licorice sticks and what have you. And, even if you don't understand | the vernacular or the finer points| of “jam” technique, you'll surely recognize and enjov Mr. McCoy's rendition of “Sugar Blues” and the work of Mr. Bestor at the “vi-| bra-harp.” These two well-known | band leaders of the networks have a good show and they seem to know | what to do with it In fact the boys in the orchestras | are their own best audience. Watch | them and you will see how you] look from the other side of the| footlights. They seem to enjoy Dick Ware, the master of cere-| monies, who does a little dancing | on the side; the Bennett Sisters songbirds; Penwicks and Cook, | comic acrobats, and Neil Buckley | and Sunny Rice.

Presented Pleasantly

“The Battle of Swing” is a novel | idea and is pleasantly presented There are no dull spots in the show The tunes are distinguishable, even in Mr. McCoy's “Jam Session,” and that is a novelty for this form of amusement Thrill of a Lifetime.” the screen presentation, telis the story of a young man who has written a play in which he has attempted to prove that there is no such thing as love He knows, for he has been operating a summer camp experimenting with his theory At first glance that may sound | like work for the censors, but “Camp | Romance” turns out to be a very nice place where the members of the cast behave themselves perfectly, carrying the plot to its logical con- | clusion The Plot Thickens The young playwright invites sev. | eral phoney producers to be his] guests in order that he may convince them of the soundness of his idea. He finds it necessary to produce his play at the camp to secure | their backing. At the right moment 2 genuine producer turns up, sees | the show and buys it out, script, ac- | tors, scenery and all. The fact that the author falls in love, disproving his theory, doesn't seem to bother anyone. But “Thrill of a Lifetime” is innocuous and you'll probably enjoy it. Ben Blue, former Taxi Boy. hasn't | the greatest opportunity of his ca-| reer here, but he’s very funny, as usual. Dorothy Lamour sings the| title song for her only appearance || in the film, and the Yacht Club Boys | and Judy Canova manage to contribute enough life to the party to keep it moving along (L. HD.

Evans’ Full | Cast Is Due

Much-Praised Staging to Be te

|earian Peter Lorre

Seen Here.

supremacy

| The most highly praised Shake- | spearean actor of recent memory, his original New York cast, and the original settings for 17 scenes, all will arrive in Indianapolis early Monday for Maurice Evans’ per- | formances of “King Richard II" at English's Monday and Tuesday nights Mr. Evans’ advance representative makes a special point of the fact that the cast which resumed the play's performances in New York on Sept. 15 has been taken intact on the road tour. Included among the supporting players are Frederic Worlock as the rebellious Bollingbroke; Lee Baker as John of Gaunt: Charles Dalton as the Earl of Northumberland; Donald Randolph as Mowbray; Lionel Hogarth as the Duke of York, and Eleanor Phelps as the Queen, The play concerns the first abdication of a British monarch, and for that reason the revival has been of timely interest. Yet the play is 342 years old, and the events described took place in the 1390s. Margaret Webster has won almost as much praile as Mr. Evans for her direction of the play, and many critical compliments have gone to David Ffolkes for his settings which will be seen here.

DUNA SIGNS

Stef Duna, fiery little Hun- | garian actress, has been signed to | play the role of a gypsy spitfire in “Gypsy,” Jane Withers’ newest picture.

IPANCE]

TONIGHT

Paul Collins Orch.

40c All Evening

INDIANA

is on at the

| | apolis girls,

| 1S [ Miss Manon | girl,

| cept the old top hat.

out, {other Ted laid in a 300-pound con-

| With imperturbable

Band Battle; Swing Parade

Is IMaesive s Show Mounted

Handsomely; Orchestra Is Bigger.

Maestro Ted Lewis is in again,

for a week at the Lyric.

he's the same old Ted. But, to quote Mr. Lewis,

acts, new Haven, New Bedford, and happy new year!”

This seems to be about the best show that the histrionic band leader For one thing, it's handsomely mounted. and better | . band, which flaunis Lewis’ tradition | to the extent of giving the custom- | | ers some up-to-date

has presented in many years.

And he has a bigger

“swing.” Local Girls Sing With Coeds

Mr. Lewis also has the assistance of two able and decorative Indian-

Maxine Moore, who sing with Ben Yost's Varsity Coeds. Among the show's new attractions the Sylvia Manon is a blond mite of a and her husky young men. Attired like three Mephistos in a rather gaudy “Faust,” [and catch with Miss Manon, and finally kick her out from behind the goal posts. For the finale,

toward the fly loft. She contrives to | be caught each time and win herself | a deserved round of applause. a rather exciting turn, though adagio dancing isn’t supposed to be very hair-raising entertainment, Another clever act is by

And

dancers, a “torch” singer

Lewis Is Best Part

As usual, though, the best part of the show is Ted Lewis. He is as droll as ever, and as “smooth.”

he puts across like

time Shakespearean, his distinctive entertainment the master showman that he is. Mr. Lewis wasn't quite accurate in saying that everything was new exFor he still has with him “Snowball” Whittier, the Negro boy who has been a part

|of the show for many seasons.

In fact, when “Snowball” first mimicked Mr. Lewis across the stage {in “Me and My Shadow,” he scarcely came above the maestros knee. Now “Snowball” is as tall as

| the boss, but they're still doing “Me

and My Shadow,” sake,

just for old time's

Plenty of Peanuts

Another old standby is “The Peanut Vendor,” in which Mr. Lewis | and “Snowball” continue to endear

themselves to the public by throw- |

ing peanuts into the audience instead of singing. In case you-hadn't planned on going to the Lyric until later in the week, you needn't worry about the peanut supply running Manager Ted Nicholas says the

signment of them to use during his local engagement. They're fresh roasted, too. On the screen, the Lyric has Thank You, Mr. Moto,” second of the projected Mr. Moto series of dective films. In them the Hunis challenging the Scandinavian Warner Oland's in the field of Oriental

crime solution.

This time Mr. Moto is in quest of some ancient Chinese scrolls which are supposed to contain the location of the treasures of Genghis Kahn. aplomb, Mr.

Moto foils adversaries’ wiles and

| weapons and triumphs in the end.

Wh. TI.

PANAY PICTURES BASIS FOR FILM

HOLLYWOOD, Jan. 8 (U. P).— Hollywood, alert to newspaper headlines, prepared today to turn out a movie based on the experiences of newsreel cameramen and cash in on the publicity given the exploits of cameramen aboard the bombed gunboat Panay. Metro-Goldwyn-Maver is making the picture, “To Hot to Handle,” with Clark Gable as hero.

STAR COSTS $100,000 It cost Paramount approximately $100,000 to groom Franciska Gaal for her American cinema debut op-

posite Fredric March in “The Buccaneer.”

Now!

Showing at . 12:30, 3:00, 5:20 7:45, 10:10

Open Sunday! at 12:15 noon!

IRENE DUNNE CARY GRANT

JUNE TRAVIS

“Over the Goal”

Starting at the Sat. Night Midnight Show

New Faces

1938 FOLLIES

THE SEVEN-COMEDIAN SHOW ARLINGTON and CLIFFORD — SHORT and MORRIS

CANDLER and McCLELLAN

D — WATTS and EARNEST

MILDRED GALL and MARIE WOODS wn A Nifty Chorus of Girls

GET UP A PARTY AND ATTEND OUR FAMOUS SAT. MIDNIGHT SHOW

town having moved in yesterday Probably it won't surprise you to learn that

“everything's new but the old top hat. New

people, New York, New new-monia

Ruth Thompson and

Foursome.

assistants are three

these young men play toss

the young lady iS | spiralled on an end-over-end fiight |

It's |

there are |

Dig- | nified and self-possessed as an oid- |

| Wellington,

Irina Baronova sgain will hea Russe de Monte Carlo returns to

d the list of stars when the Ballet Indianapolis for a performance at

the Murat on Feb. i6. This will be the ballet’s third appearance in as many years, under Junior Chamber of Commerce sponsorship.

IN NEW YORK —sy core ross

You Can Have Your Postage Stamps and Match

Books, I'll Keep on Saving Quotes.

NEW YORK. Jan. 8.—Others

pagne corks, playing cards and package string. Several submitted herewith:

been saving Quotes.

H. I. Mencken on Franklin D. Rdosevelt:

manner, a gallantly optimistic view for Arthur: boy, who made good.” George 8 Kaufman: “He frightens everybody, I suppose. But don't let him fool you. I know now, of course, that underneath that beetling brow and behind that acidulous manner of speech there lies, to coin a new phrase, a heart of purest marshmallow.” Arthur Kober on Moss Hart: “He is the wit of two continents—Fire Island and Manhattan.”

Richard Watts Arliss: “I should that George Arliss looks like Alexander Hamilton, the Duke of Cardinal Richelieu, Disraeli and two of the Rothschilds at the same time.” Gene Fowler on | Mickey Mouse: “In the eyes of} Mack Sennett, whose art he displaced. Mickey must always remain a scraggly, mustachioed villain and his mischief will never be done. Alfred Lunt on the late Rin Tin Tin: “He was one of the greatest of emotional actors—simply marvelous.” Maxie Rosenbloom on Noel Coward: “That Coward must be a smart gee, huh?"

” » ”

HARLES COBURN on the late Mark Twain: “Twain's profanity would stop a railroad train. Once a particularly talkative barber, after shaving his face once, paused, razor in hand, and asked, ‘Shall IT go over it again, Mr. Twain?’ And the writer drawled ‘No,’ I remember every damn word.” Adrian, the costumer, speaking of Tallulah Bankhead: “Tallulah's eyes are so heavy, they look like the stout, little stomachs of sunburned babies! Pare Lorentz on Laurel and Hardy: “I honestly believe that Stan Laurel and Oliver

ET a CHEZ PAREE

Downstairs Apollo Theatre Ride PRESENTS HAL BAILEY and His Orch. 3 Floor Shows Nightly Finest of Foods and Liquors at popular [IST IN Danting 7 p. m.

“McArthur is another loco Moss Hart on

Jr, on George

LRP ERT

end: ring bores and nuisances.”

like to question |

collect stamps, match books, chamYour correspondent has

“He has an affable, hearty on life and a tremendous capacity Fullon Oursier on _ Charles Me-

Bs ssn

Hardy are much more important than Greta Garbo and Marlene Dietrich.” Alexander Woolcott on Paul Robeson: “He strikes me as having been made out of the original stuff of the world. He is a fresh act, a fresh gesture, a fresh effort of creation. I am afraid of belonging to his race. For, of course, we both

are members of the one, sometimes fulsomely described as human.” Glibert Miller, speaking of Helen | Hayes: “She knows all the acting | tricks that Elizabeth Bergner knows, only the difference is that, [where Bergner lets an audience | detect them, Hayes is skilful enough | to conceal them.”

HARPER-CALVIN NUPTIALS JAN 21

HOLLYWOOD, Jan. 8 (U. P).— Engagement of Mrs, Cecilia Hoyt De Mille Calvin, daughter of Cecil B. De Mille, to Joseph Harper, member of the Book Publishing House, was announced today in a telegram received by Paramount Studio from the producer, who is now in New Orleans. The message said the wedding will take place Jan. 21 in Kansas City, where a preview of De Mille's latest picture, “The Buccaneer,” will be screened.

FXO

BOYER TOVARICH

“ENGLISH, Tomorrow

The

King

Presented as plaved by Mr. Evans 171

Orch., $3.30, $2.15; Bal.,

BEGINNING

MATINEE The Big New York-

3 DAYS,

"Play that thing by Beethoven you wrote,

Eves., 55¢, $1.10, ORDERS NOW

=",

Maurice Evans

establishing a new all-time American Shakespeare record.

Prices Include Tax

A RIOT OF LAUGHTERY

§ WHY IT WON ot PULITZER PRIZE Anp THATS WHY EVERYONE IS

Sat. Mat., 55¢, $1. *Addressed Envelope With Cheek

and Tuesday, at 8:30

2 Performances Only) Shakespeare Sensation of This Century

a No

Richard Il

times at St. James Theater, New York,

$2.20, $1.66; Qal, $1.10

THURSDAY, JAN. 20

SATURDAY Chicago-Boston Hit!

FLOCKING TO SEE ITI SAM MN. HARRIS »

pagent

A Ed & GEO. 5. KAUFMAN, $1.65, $2.20, $2.75

THE INDIANAPOLIS TIMES BALLET RUSSE TO RETURN

10, $1.65, Incl. Tax

at Boy one Jan. 17

Anniversary

Music Heads Concert Bill

Interesting Program by Local Symphony to Be Repeated Tonight.

By JAMES THRASHER For the symphony orchestra's fourth pair of subscription concerts, Mr. Sevitzky has presented us with another varied and interesting bill. And as soloist, we have the justly admired violinist, Lea Luboshutz, one of our leading feminine exponents of the violin. The program, which was presented yesterday afternoon and will be repeated this evening, containea some rather appropriate “anniversary” music: Mozart's “Eine kleine Nachtmuegik,” which is 150 years old; Rimsky-Korsakov's “Capriccio Espagnol,” vintage 1887, and the “Lone Prairiee” movement from Arthur Shepherd's suite, “Horizons,” which had its first performance 10 years ago. To begin with, however, Mr, Sevitzky played Maurice Revels “Pavane,” in memory of the composer who died Dec. 28. And this sad and stately a dead Infanta was a fitting tribute to its aristocratic and rather austerely cerebral creator. Opening the scheduled program was the Eighth Symphony of Beethoven. It marked the first appearance of the composer's name on any of the subscription concert lists this year. And as the first serving of this staple and delightful fare, we received what is surely the most serene and good-natured of the nine. Movements of the other symphonies may have a more aban-

WHAT, WHEN, WHERE

APOLLO

“Tovarich,” with Clauactic bert, Charles Boyer, at 11, 1:1 5:33, 7:44 and 9:55. CIRCLE

“Battle of Swing.” with Clyde McCoy, Don Bestor and their orchestras, on stage at 12:58, 3:46, 6:34 and

Thrill of a Lifetime,” with Ben Canova, on screen at 4:56, 7:44 and 10:32.

INDIANA

“You've a Sweetheart,” Tbe. at 11, 1:08, 3:16, 5:24,

LOEW'S

Gan

£35 3:22,

with Alice 7:32 and

ster,” with Edose Siradner. at

“8s M Ar Hist, with John Boles: a Deste, at 12: 28, 3:15,

6:05 and LYRIC

Ted Lewis and his orchestra on stage at 1.086, 3:54, 6:42 and 9:30 hink Fast, Mr. Moto,” with Peter Lorre, on screen at 11:36, 2:24, 5:12,

8 and 10 OHIO

‘Back in Circulation, Blondell. Also ‘'Wind-Jammer," Constance Worth,

AMBASSADOR

“The Awful Truth” with Irene Dunne, Cary Grani. Also “Over the Goal,” with Johnny Davis.

ALAMO ppened Out West,” with

“It Ha Richard oir Also “Riding {he Lone Trail,”

Last

" with Joan with

funeral music for | |typical Beethoven struggle and con-

Dance Harold Saturday

E SKY LE. HARBOR

Sat., 60¢ couple before 5:30; Rbe couple 9:30 to 12:00; 508 couple after 12:00. Sun. 35¢ couple before 95:15 50e¢ Couple After 9:15 One Block South Municipal Airport.

Berniece Fee Mozingo has been named organ teacher at the Burroughs School of Music, Jane Johnson Burroughs, director, has announced. Mrs. Mozingo is a member of the American Guild of Organists, a former pupil of Van Denman Thompson, Palmer Christian and Parvin Titus and, is Minister of Music at the Irvington Methodist Church,

doned, bacchic gaiety or more Olympian joy, but the Eighth, as an entity, betrays a minimum of the

quest. The very lack of these dramatic qualities poses a problem of interpretation and performance that was not always met yesterday. Lethargic and inexact moments were encountered here and elsewhere, but that is to be expected. Our young orchstra almost has spoiled us by its mature strides. And, though it is bound to stumble now and then, it has astounded us by learning to walk before it crept. Mme. Luboshutz’ interpretation of the Bruch G Minor Concerto might be described as “intimate.” A player scarcely can avoid emphasizing the melodic character of this work. But even the pyrotechnical moments it contains were made reticent and deliberate. The result was an interesting pro=jection, small in dynamic compass but pure in tone. There was no broad sweep or surge of tonal line, because Mme. Luboshutz obviously dees not “feel” the work ,in the traditional manner. This was evident in the solo instrument's first measures, usually given out as a dramatic declamation. Yesterday they took on a musing, improvised quality, and this subjective mood pervaded the entire work.

wn He Stage /

2 SIZZLING,

iy \

Screen: Dorothy Lamour, Yacht Club Boys, Ben Blue, Judy Canova, Betty Grable

Thrill 2° Lifetime

SATURDAY, JAN. 8, 1938

Robinson Thorough Villain

In Pungent Melodrama;

Triangle Plot of 2d Feature

As Arrogant Overlord of Underworld, Gang Film Star Has One Redeeming Feature; Usual "'Crime Does Not Pay" Moral Triumphs.

Joe Krozac, “hero” of “The Last

Gangster,” now at Loew's, is one of

the most ruthless characters we have ever met on the screen in some

time. No suave and gentlemanly villian is Joe.

He's bad through and

through, and the picture makers have made no bones about it.

Joe had only one slightly redeem- 4

ing feature. That was the love for a son whom he scarcely knew, since the child was born after Joe had been put in prison. For such a villainous fellow as Joe, Edward G. Robinson was the logical man. And Mr. Robinson plays him to the hilt. Gang Turns Against Him The wife, Talya (Rose Stradner) is befriended by a newspaperman (James Stewart), who later marries her. The boy grows up without knowing of his real father. But at the end of 10 years Joe is released from Alcatraz. He finds his gang has turned against him. They try to force him to tell where he has hidden a fortune. Joe resists until they kidnap his son and begin to torture him before Joe's eyes. Then he tells all. Joe and the boy are thrown out of a car at night, and eventually fina their way to the boy's home. Leaving the house, Joe is met by a man who miraculously survived one of his wholesale massacres of years before. Shot down by the patient avenger, Joe kills his adversary and dies holding a school medal of his son's which reads “For Outstanding Achievement.” You may have gathered by now that “The Last Gangster” is strongly flavored melodrama. Your enjoyment will depend upon your taste for such things. Those who go in for pungent entertainment potions will have no cause to complain. Best Supporting Performances are

GEORGE MURPHY KEN MURRAY

and his stooge OSWA

CHARLES WINNINGER ANDY DEVINE NILLIAM GARGAN

by the “hoodlums” of the cast— Lionel Stander, John Carradine, Alan Baxter and Edward S. Brophy. But it's Mr. Robinson's show all the way. As a chaser after this straight shot of realism, Lowe's bill offers “She Married an Artist,” with John Boles, Luli Deste, Frances Drake, Helen Westley and several other popular performers. The plot is another of the wife, artist and model stories, in which misunderstandings and miscon= strued situations abound. In the end, wife gets artist. J. T)

ee ten — ——

1a ORCHES Ty

Plus LVIA

V/V a

THOMAS BECK SENG LL EL LR OY TTY

LOEW'S

Little Caesar Is Back In A Blazing

New Characterization That Makes Other

Screen Gangsters Look Like “Sissies EDWARD G.

ROBINSON

\GANGSTER!

with MGM Cast

JANES STEWART: OSE STRDER

Lionel Stander

NOW! 2-HIT FEATURE

Plus! Tl Cort : SHE MARRIED AN ARTIST

JOHN BOLES LULI DESTE

At Your Neighborhood Theater

Ww ash. St.

’ EAST SIDE 2442 E. Double Feature

Ta coma Deanna Durbin

“1000 MEN AND A GIRL” “ANNAPOLIS SALUTE”

Sun. Double Feature—Loretta Young

“WIFE, DOCTOR AND NURSE” Sylvia Sidney “DEAD END”

“20 E. New York Double Feature

Tu xedo Loretta Young

“WIFE, DOCTOR AND NURSE”

“Charlie Chan on Broadway” Sunday—Four Big Attractions {—S8hirley Temple ewe 2—8pencer Tracy “BIG CITY 3—PANAY BOMBING PICTURE

4—Mickey Mouse Cartoon Double Feature

IRVING now, resior

“LIFE OF THE PARTY” “YOU'RE IN THE ARMY” Sun. Double Feature—Loretia Young “WIFE, DOCTOR AND NURSE” Seite Temple “HEIDI”

5507 E. Wash. Bt:

2116 E. 10th St. Double Feature

H a m | il ton Joan WBlondell

“BACK IN CIRCULATION” “WEST OF SHANGHAI” Sun. Double Feature—Loretta Young “WIFE, DOCTOR AND NURSE” “CHAN ON BROADWAY”

asso E. 10th

Eme FSON Doors Open 18

James Cagney “SOMETHING TO SING ABOUT” “Charlie Chan on Broadway” Actual “PANAY” Bombing and Sinking Pictures Starts Tomorrow—Loretta Young “WIFE, DOCTOR AND NURSE” _"MERRY- GO- ROUND OF nr

Strand 1382 E. Wash. st.

Tonight & Tomorrow Special Double Feature Irene Dunne—Cary Grant “THE AWFUL TRUTH”

Loretta Young<Tyrone Power

“SECOND HONEYMOON" 411 B. Wash.

Pa ra moa un ¥ Double Feature

Zasu Pitts “FORTY NAUGHTY GIRLS” Buck Jones “BLACK ACES” Sun. Double Feature—Ritz Bros. “LIFE BEGINS IN COLLEGE” “SOMETHING TO SING ABOUT”

. : © 114 E. Washington B JOU Double Feature John Howard “LET THEM LIVE” “WEST BOUND MAIL” Sun. Double Feature—S8tuart Erwin “SMALL TOWN BOY” “MICHAEL 0] HALLORAN”

Parker 2030 E. 10th st.

“BROADWAY MELODY OF 1938” DNDC

EAST SIDE .

™ iy 3155 E. 10th St. R | VOL | Doors Open 5:45 1. Chas Boyer “CONQUEST” 2. “GIRL WITH IDEAS” 3. Actual Pictures of PANAY BOMBING AND SINKING EXTRA! Last Show Tonight Only!

Warner Baxter—Alice Faye Jack Oakie—Arline Judge

“KING OF BURLESQUE” Sun. Double Feature—Irene Dunne “THE AWFUL TRUTH" “THE WESTLAND CASE”

: WEST SIDE

Belmont W. Wash. & Belmont

Double Feature Brian Aherne “THE GREAT GARRICK” “WINE, WOMEN AND HORSES” sun. Double Feature—Irene Dunne “THE AWFUL TRUTH” “IT'S LOVE I'M AFTER"

DAI SY 2540 W. Mich. St.

Double Feature Tex Ritter “RIDERS OF THE ROCKIES” “LOVE UNDER FIRE” Double Feature—Ann Sheridan “ALCATRAZ ISLAND” “SOMETHING TO SING ABOUT”

d Boe Vesa Spee wa Ronald Rectan “LOVE IS ON THE AIR" “SATURDAY’'S HEROES” Sun. Double Feature—~John Boles “FIGHT FOR YOUR LADY” Jean Parker “THE BARRIER” Also 3 Full Reels of Norman Alley's BOMBING OF U. S. 8. PANAY Double Feature

H owa rd Stuart Erwin

“SMALL TOWN BOY” “BOOTS OF DESTINY” Sun. Double Feature—James Cagney “SOMETHING TO SING ABOUT” “THE HOOSIER SCHOOLBOY” Double Feature

STAT E Akim fh

“THE GREAT BAMBINI” Mack Brown “LAWLESS LAND” Sun. Double Feature—Eddie Cantor “ALI BABA GOES TO TOWN” “DANGEROUSLY YOURS”

- - i —————

SOUTH SIDE Avalon bm e va on Loretta Youngs “LOVE UNDER FIRE” “MOONLIGHT ON THE RANGE”

Sun. Double Feature—Alice Faye

“You Can't Have Everything” “THE BRIDE WORE RED”

Oriental Sous Poti”

Durbin “100 MEN AND A GIRL” Bruce Cabot “BAD GUY” Sun. Double Feature—Joan Crawford ,

Sun.

Howard & Blaine .

East at Lincoln

SOUTH SIDE Double Feature

Lincoln Joe Penner

“LIFE OF THE PARTY” Tex Ritter “ARIZONA DAYS” Sun. Double Feature—Bing Crosby “DOUBLE OR NOTHING” “THE DEVIL IS DRIVING”

~ New Garfield

2203 Shelby Deanna Durbin “100 MEN AND A GIRL” “NORTH OF THE RIO GRANDE” Sun. Double Feature—Barbara Stanwyck “STELLA DALLAS” “LIFE OF THE PARTY”

Fountain Square

Double Feature James Gleason “FORTY NAUGHTY GIRLS” “ALCATRAZ ISLAND” EXTRA! Authentic Shots PANAY SINKING! Also laurel & Hardy Comedy Sun. Double Feature—Irene Dunne

“THE AWFUL TRUTH” Jane Withers “45 FATHERS”

At Fountain Square Tonight

Sanders Tomorrow

Special”’Double Feature Sylvia Sidney Joel McCrea “DEAD END”

Leo CarilloMary Carlisle

“HOTEL HAYWIRE” Beech Grove Grove

Double Feature Warner Oland “Charlie Chan on Broadway” Dick Foran “BLAZING SIXES” Sun. Double Feature—Ann Sothern “DANGER—LOVE AT WORK” Shirley Temple “HEIDI”

1045 Virginia Ave. Tonight

G ra n a d a Tomorrow

Special Double Feature Loretta Young Tyrone Power

“SECOND HONEYMOON"

Barton MacLane—Ann Sheridan

“WINE, ‘WOMEN AND HORSES” - NORTH SIDE .

R TZ " Ilinois and tn

Double Feature Barbara Stanwyck “BREAKFAST FOR TWO” Sylvia Sidney “DEAD END” Sun. Double Feature—Tyrone Power “SECOND HONEYMOON” “OVER THE Al

[Hol lywood = Bungie Festure “FORTY NAUGHTY GIRLS” “LONDON BY NIGHT” Sun. Double Feature—James Cagney “SOMETHING TO SING AB UT”

Wm. Powell “DOUBLE WEDDING” “— Central at Fall Crk.

Za ri ng Double Feature

Irene Dunne “HIG yea AND HANDSOME”

~ NORTH SIDE

Ci 16th & Delaware ou t inema Tits Ellison “ANNAPOLIS SALUTE” Dolores Del Rio “LANCER SPY” Sun. Double Feature—Errol Flynn

“THE PERFECT SPECIMEN” “DANGER—LOVE AT WORK” Double Feature

U P town Barbara Stanwyck

“STELLA DALLAS” Fred Stone “HIDEAWAY” Sun. Double Feature—Irene Dunne “THE AWFUL TRUTH” “SATURDAY’S HEROES” St. Clair ™ neue rear “THE PERFECT SPECIMEN” “DANGEROUSLY YOURS” Sun. Double Feature—Barbara Stanwyck

“BREAKFAST FOR TWO” Wm. Powell “DOUBLE WEDDING”

Ta bott George Murphy

“WOMEN MEN MARRY” “SATURDAY'S HEROES” Sun. Double Feature—Barbara Stanwyck “BREAKFAST FOR TWO” “THE PERFECT SPECIMEN” REX Double Feature Buck Jones

“SMOKE TREE RANGE” Allen Brook “MOTOR MADNESS” Sun. Double Feature—Barbara Stanwyck “STELLA DALLAS” “FORTY NAUGHTY GIRLS” Double Feat -| Garrick mira “MAMA STEPS OUT” Frank Darrow “Devil Diamond” Sun. Double Feature—Wm. Powell

“EMPEROR'S CANDLESTICKS” “A DAY AT THE RACES” Double Feature

M ECCA Patsy Kelly

“PICK A STAR” Clark Gable “PARNELL” Sun. Double Feature—Guy Kibbee “MAMA STEPS OUT” “LAST OF MRS. CHENEY”

Double Feature

Stratford Hm Fenin

“RIDE, RANGER, RIDE" Cary Grant “TOPPER” Sun. Double Feature—Spencer Tracy “CAPTAINS COURAGEOUS” “DANGEROUS NUMBER” Double Feature

DREAM #uttiinis

“LONDON BY NIGHT” Walter Huston “RHODES” Sun. Double Feature—Loretia Young

42nd & College

- — St. Cl. & Ft. Wayne

Talbott & 22nd Double Feature

30th at Northwestern

. ——— —— 80th and Illinois

” - on — Noble & Mass.

19th & College

T— 2351 Station St.