Indianapolis Times, Indianapolis, Marion County, 7 January 1938 — Page 30
PAGE 30
THE INDIANAPOLIS TIMES
Ae
FRIDAY, JAN. 7, 1938
BY ADELAIDE HUMPHRIES
CAST OF CHARACTERS CONSTANCE CORBY-—heroine; richest girl in the world. BRET HARDESTY builder. RODNEY BRANDON~—Connie’s fiance. KATIE BLYN—Connie’s ‘“‘double.”
hero; bridge
Yesterday: Sick to the soul of rich, pampered living, Connie turns on Rodney at the last moment, threatens she will never see him again.
CHAPTER THREE
HEN Gibbs brought Miss Connie’s breakfast that next | morning, there was no response. | When she returned with it again an hour later, there was still no response. ; Gibbs’ face took on its pinched expression. She knew that this signified a thunderstorm ahead. Whether to risk it now, or postpone it, was the question. Already the day’s schedule overlapped. The masseur would have to be fitted into the same half hour as the manicurist; then there was that little girl coming from Lucille’s with the new frocks to be tried and fitted. Gibbs set her thin lips; knocked once more on the door, pushing if; open at the same time with a decisive jut from her knee, crossed the room like a soldier about to face a firing squad. “It's very late, Miss Connie,” she said firmly. “It's a lovely break-
fast T've brought.” She set the tray on the little table by the mammoth | ped. Its occupant was a tiny mound | buried among the heaps of cushions and the silk and satin coverlet, A | mound that did not stir. Gibbs crossed the room once more with the same purposeful footsteps. She pulled the heavy gold brocade draperies, letting the warm bright sunlight stream in. “It's a lovely day,” she stated, as though expecting an immediate denial of such an obvious fact. “A busy day, too, Miss Connie, if you'll please to remember.” Still the mound did not stir, though there was a faint quiver of the long curling dark lashes on the smooth fair cheeks. “Mr. Brandon already has called three times,” Gibbs ventured, and knew immediately that this was the wrong approach because the mound flopped over and buried itself even deeper. “There's a lovely account about your lovely party last aight.” Undaunted, Gibbs tried again, proving the old axiom that it pays. ” 5 ONNIE stirred, sat up, flung out a rounded white arm. “Let me see,” she said. Sleep had vanished from the blue eyes; fire smoldered in their depths. Her hair hung ih a loose swirl that just brushed the ribbon and lace on her shoulder of the chiffon gown that had come, with trunkloads of other lingerie, from the Rue de la Paix. Gibbs held her the papers, carefully folded at the proper place. Connie glanced at the first one, flung it aside. “I knew it,” she muttered, “The low-down spying sneak. If only I'd been a man . . . Or had one with me.” She gave the pillow next to her a vicious thump. ‘I'll have to send for the guards if you don’t go’,” she mimicked in what was a surprising imitation of Rodney's clean-clipped Harvard accent. Then she slumped down among the pillows again. “Take it away,
please,” she waved Gibbs and the papers, and the whole universe out | of her sight. “Don’t want any breakfast. Don’t think I'll get up—ever. You can tell the newspapers that. Tell them to come take a picture of | me dying — dying of boredom and | nausea. Tell them they can have | one in my coffin, téo, for good measure. Tell them , . .” “Now, Miss Connie, you'll really be ill, if you allow yourself to get all worked up.” Gibbs bent to pick up the scattered papers, smoothing out a crumpled sheet that explained—too late—the bomb that had set off the explosion. A full length portrait of Miss Connie, clasped, somewhat gingerly, it is true, but clasped, nevertheless, in Mr. Rodney's virile arms, his lips pressed—not quite so gingerly— against hers, and underneath the caption: “MILLION DOLLAR PRINCESS BESTOWS BETROTHAL KISS.” “I am il,” Connie muttered from the pillows. “I'm sick. I'm sick of living. I'm sick of myself. Go | way—please. Take the tray and | those papers with you. I don't | want to see anything or anyone | ever. Understand, Gibby?” “Now, Miss Connie,” Gibbs gan severely, purposefully but she saw that it so she did as she was lips set disapprovingly. "2 8 »
FE mound underneath the silk . and satin coverlet lay quiet once more. It did not move an inch or utter a sound until what might have been hours, or days, or years later, when another knock cane &t the door. Tite knock was repeated, louder, more urgently. The door was pushed open, “Didn't I tell you to go 'way?” A pillow, a small affair of silk and Jace, but solid and compact for all that, owing to the force of the velocity with which it was hurled, caught the young girl in the doorway squarely in the middle, sending the big box clasped tightly in her arms to the floor with a smack. “Oh.” Connie sat up, rubbed the sleep, and some of the fire, out of her eyes. She stared at the girl. “Who are you? How did you get in?” she asked. And then, as the girl, without answering, stooped and began to gather the scattered contents from the box together, “I'm sorry I hit you,” Connie said. The girl did not look up. She was intent upon her task. “I said I'm sorry I hit you,” Connie repeated. & & &
HE gir] glanced at her over her shoulder, but she went on repacking the contents into the box. “Cant you talk?” Connie asked. She sat up straight now, leaning forward to clasp her knees in her arms. There was a tiny candle of interest, lighted in her blue eyes. The girl nodded solemnly. Her eyes, blue like Connie's, were wide with wonder, as though they could not credit all they saw, “Why don't you, then?” This time Connie's tone was touched with impatience, She reached for a negligee at the foot of the bed. She slung r feet to the floor, wiggled into Blue silk mules, the heels of which were studded with rhinestones, wal to her chaise lounge
be- | again; was no use, bid, her
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said. “And I was told not to say anything. Just leave the box.” “I won't bite,” Connie said. “I suppose youre the girl from Lucille’'s. Well, you can take those things back. I don’t want any of them.” n " o HE girl just stared at her, not saying a word. “Did you hear asked. The girl nodded. “I said I didn't want to see anyone, or anything, ever again,” Connie said. “And I meant it.
me?” Connie
“Why?” Connie was so surprised that the girl could ask a question that she answered before she thought. “Because I'm sick of living.” The incredulity on the girl's face deepened. “You!” she exploded. “When you have everything in the world you want!” It was Connie who nodded this time. “Exactly,” she said. “That's what my grandfather told me years ago. That's why I haven't anything.” “But you're the richest girl in the world!” the girl said. And then, “Oh, I'd give anything to be you! Just for a little while.” Now Connie stared at her speech-
less.
Copyright, 1938, NEA Service, inc.
“ NYTHING!” the girl went on, speaking rapidly, heatedly, as though now that her reserve had been broken down she could not stop the flow of words. “To have all this, nothing but beauty around you—to sleep in a bed like that— to lie as long as you want. . . . But I'm sorry,”, she stopped, her face coloring. “I didn’t think what I was saying. I didn’t mean to say it.” “I didn’t mean to throw things,” Connie said. There was a new light iv her blue eyes; a flame much deeper than any flickering candle, a flame that grew brighter, more intense. She Béckoned the girl to her
| side, regarded her a long moment,
the cheap little hat that yet had an air of chic, the neat plain suit, worn, but well-pressed, the freshly laundered blouse, the shiny hose, with a runner neatly darned, the brown brogues, scuffed a bit, but bravely shined. An air of pride and defiance about the whole ensemble, matching the lift of the trembling chin and pretty head. Connie nodded as though satisfied, as she said: “Then how would you like to be me—for a little while?”
(To Be Continued)
(Al events, names and characters in this story are wholly fictitious.)
Daily Short Story
IN THE PARK=By Frank K. Levin
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HE day was beautiful and there were many people in the park. | The old man and old woman shuf- | fled slowly along the path. He was | tall and wore a small black hat, In| his fine, sensitive face and hers, | which was kindly, there was hesi- | tancy, uncertainty. Both appeared | bewildered, unsure of themselves. | Yet in both remained a dignity, a quality of bearing. _ They stopped on the path. A hoy 9 or 10 years old was exhorting a small, brown bulldog to jump over a rather high railing. As the dog hung back the boy beat it with a
ASK THE TIMES
Inclose a 3-cent stamp for reply when addressing any question of fact or information to The Indianapolis Times Washington Service Bureau, 1013 13th St, N. W., Washington, D. C. Legal and medical advice cannot be given, nor can extended research be under taken.
Q—Please give me a brief biography of Paul Muni. A—He was born in Lemberg, Austria, Sept. 22, 1897, and is a Jew. His pictures include “The Valiant,” “Seven Faces,” “Scarface,” “I Am a Fugitive From a Chain Gang.” “The World Changes,” “Hi Nellie,” “Black Fury,” “Bordertown,” “Dr. Socrates,” “The Story of Louis Pasteur,” “The Good Earth” and “The Life of Emile Zola.” He was educated in city schools, and on tour with his family, who ware actors. His real name is Muni Weisenfreund. He is married to Bella Finckle.
Q-Does cigaret paper contain arsenic? A—So far as we are able to determine, arsenic is not used in cigaret papers. Many cigaret papers are more or less heavily loaded with fillers, such as calcium carbonate, magnesium carbonate, magnesium peroxide, and china clay. These substances are in no way injurious, and the supposed intoxication by the ash is a myth. Fillers are used to improve combustibility and increase opacity.
QT applied for my first papers in Cleveland, O., and now live in Pittsburgh. Must I apply for my final papers in Cleveland?
A—No, you can make application in Pittsburgh. You must produce affidavits of at least two creditable witnesses, citizens of the United States, stating that each knew you when you were a resident of Cleveland, O, and that you were during that time a person of good moral character.
Q—Please tell me how many Catholics there are in Indianapolis and also how many Protestants. A—According to the U. 8S. Census of Religious Bodies—1926, there were 152,152 church members in Indianapolis. Of these 10,000 were Jews, 38,856 Catholics and the remainder, Protestants. Figures for the 1938 census have not yet been published.
Q—Who first uttered the famous lines, “Don’t give up the ship.” A—"Don’t give up the ship,” are the famous words of James Iawrence when he was mortally wounded, June 1, 1813.
Q—-What was the largest number of American soldiers transported at one time during the World War? A-—The leviathan carried 12.107 on one voyage.
Q-—-Is the son of Robert and Elizabeth Barrett Browning living? A-—-No, Robert Barrett Browning
the rail. The dog danced about, barked, crouched and finally jumped over the rail, just managing to make it. “That-a-boy, Sparky, that-a-boy!” shouted the child. He pulled at the dog’s ears. “Cumon, cumon, do 1t again!” The dog wagged its tail and looked with immense sorrow up at the boy. But its master was not appeased. He again set about beating the dog to make it jump over the rail. The old man and woman moved away. A half-dozen others, mostly men in their shirtsleeves, remained standing about the boy, laughing at him and the antics of the dog.
§F & 4 ° E'LL make ’im jump,” said one of the men, a large, muscular fellow with shaggy eyebrows. “Beat anybody enough and you'll make im jump. That's what they need in this country. It'd do a lot of
| people good, a lot of em that should
be taught to jump right through the hoop.” She was tired, and when they came to a bench the old woman sat down; but her husband was too restless. He needed to move about. “I'll go on just a little way. You stay right here. Don't go from the seat. I will be back right away. Keep right here.” She nodded her head and watched a girl sitting on a bench a little distance from her, sketching. The girl had her eyes intently fixed on some object. Then, putting her pencil down, she sat back. When she glanced up her eves met those of the old woman and both smiled. After hesitating for a moment the girl walked over and sat next to her, The old woman drew back. “I was going to show you my sketch,” the girl said startled. “Oh, I'm sorry, my dear. I'm sorry. I should very much like to see your sketch. But I have just come to this country, I have not been here long. Things are a littis strange yet.” The old woman spoke slowly, choosing her words carefully, and pronounced them with a foreign accent. “Oh, you have. Well, t don't want to disturh you.” “No, no! It's all right. You show me your sketch.”
.* & &
}: was a pencil drawing of a little A girl trying to climb a very large ree,
“There, see? Bhe's still trying to climb the tree—that is, she really OE vant to, but Ie fun for her 0 make feve she does. look like her?” pay The old woman examined the drawing, “Very excellent it is. Yes, indeed, it looks very much like her. A fine likeness. You have much talent.” “Are you in this country just for a visite” “No, not for a visit. To stay. I must.” > “You must?” “It was so difficult in my own country for people like us, you see.” “Oh!” The girl understood. This was one of those who were pérsecuted, beaten, hated, tramped upon in the country in which they had lived all their life, the country they had called home, the country they had loved. It was off somewhere far away when one read about it in the papers. But to be sitting right next to one of those people, a kindly, dear person, one who couldn't i= bly ever have hurt anyone. , . . “We will stay here now. We are fortunate we could come herd” The old woman nodded her head and brushed her fingers across her lips, “Do you like it here?” “It is very beautiful, it is nice but it is not like home.”
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YOU DON'T SEEM TO REALIZE THAT YOU WON TH’ BANK NIGHT TWO HUNDRED BUCKS -LOOK AT THAT CHECK AGAIN? BOY, WHAT A BREAK FOR US! THINK WHAT WE CAN DO WITH (T~TH' THINGS WE CAN HAVE ~TH' FUN WELL HAVE’ THIS IS THE s QUICKEST MONEY WE'LL EVER
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ing. The dog backed up, crouched, made as though to leap over the rail, but ran under instead. The dog looked very tired. Again the boy started to beat it. The dog crouched, jumped. But this time it was not successful. It crashed against the rail, and squealed with pain. Then suddenly there was the agonized cry of the boy, people were running in confusion, the dog with foam at its mouth was seen darting madly about. “A mad dog,” somebody yelled. “A mad dog bit a boy. Get a policeman. A mad dog!”
The old woman and the girl jumped up. People ran wildly in one direction and another. The dog tearing wildly in a wider and wider circle. There were policemen. One fired and missed. Fired again. The dog was wounded. Again he fired. The dog lay panting. The policeman came closer and fired several shots into its body.
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HE old woman stood next to the girl, shaking. “He was a cruel little boy,” she said. “A cruel little boy. Maybe he did not know, but he was cruel. There are so many cruel people in the world. But why did they all stand by and let him beat the dog? Now he is hurt, the poor little boy.” Just then the old man came hurrying along, his eyes wild with fright. “What fs——" he began. “NO, ho, do not be afraid, nothing like that, nothing, only a dog. They shot a dog that a little boy was (C) "Mary, this is playing with.” Blake"? “The boy was beating the dog 4» —" began the girl. cls, vouhe lady, she was shows Answers me her drawing —" ; e old man took the woman's > ane pL Nth atm, Without glancing at the gird 3 Yes if your he aed to move away. have Ao) you think “Why do you talk to strangers?” 4 No. For shy & ‘ : shy people can be he asked. “I told you, you must|| oq very uncomfortable une der such eircumstances.
not do anything—" 5. No. It is much more cons
“But I was so lonely" giderate to say "I am Jane
“Yes,” he said, “lonely. Maybe it will change, maybe it will be dif Smith. We met at Mona Lane's party.”
ferent yet. aybe we will be able to go back before we die.” ——— Best “What Would You De” golution-=(0),
Mind Your Manners
Test your knowledge of correct social usage by answering the following questions, then checking against the authorita« tive answers helow: 1. If you are introducing a man and his wife to a group of persons, whose name should be spoken first? 2. In introducing a child toa grownup, whose name is spoken first? 3. Is it correct to say, “Miss Black, have you met Miss White?” 4 Is it courteous to tell an amusing anecdote when the person involved says, “Please, don’t tell that”? 5. Does a thoughtful person say "Do you remember me?”
What would you do if You are a husband bringing into your house a friend your wife has never met — (A) “Meet the wife, Jim"? (B) "Jim, this is Mary"? Jim
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THE END
(AN events, names and Novy Are wholly nin Hh Yn
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YOUR BEST PO
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YOUR HEALTH
By Dr. Morris Fishbein American Medieal Journal Editor O many new methods for prevention of various types of dis ease have been introduced into modern medical practice that few people are really aware of the most that modern medicine has to offer, Some of these methods are experi= mental and not fully established as to usefulness, but others are now known to be of the greatest possible effectiveness, It is recognized, of course, as was recently pointed out by Dr. BE. B. Shaw, that various methods of inoculation or vaccination against diseases may in themselves carry a certain amount of discomfort, risk and expense, and that the protec« tion against the disease concerned must be equal in value to this out lay in order to justify the routine use of the method. For example, it would be possible to immunize every child in the United States against Asiatie chol= era, but it would be worthless to do this simply because this disease is not a threat in the United States. On the other hand, smallpox is still a menace and every ehild should be vaccinated against it. The vaceination has been proved to be reasonably effective, and the amount of incapacity, expense and bother is slight, # 0» » 1.80 established in value is the use of diphtheria toxoid. After many yeare of experience we have learned enough about the possible complications to make certain that only in rare instances is there likely to be any serious secondary effect from the vaceination. There are to= day in the United States numerous villages and quite a few cities whieh have not had a single death from diphtheria for several years, Whereas typhoid fever is no longs er a menace to the vast majority of the people, it still is a potential threat in some communities and under certain conditic is. If we had in any large city the relative amount of typhoid fever that pres
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vailed in 1800, the number of cases might well be 600 times the number that now prevails, For example, Chicago this year had less than 100 cases of typhoid fever, At the 1800 rate, the oity iy have 60,000 cases of typhoid ever, Since the disease has now been brought under such satisfactory control, it is no longer recommended that everybody be inoculated against typhoid fever, However, whenever a person goes into a soms= munity where sanitation or sewage d is poor, or where the water
well to be inoculated against tye phoid fever, This applies particulars ly to those who plan to travel in the Orient, in the islands of the Pacis flo or some European countries,
SO THEY SAY
There can be no true national life in our democracy unless we give une qualified recognition of religious worship and freedom of education = President Roosevelt, The keys to a man's heart are words of praise and food well served,
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=DFr, L. M, Chambers, New York,
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