Indianapolis Times, Indianapolis, Marion County, 11 December 1937 — Page 2
Navy Film at Loew's Tells Straightforward Story; ~ Circle Has Republic Films
‘524 Street’ Droy Drops Plot in Tee Quickie’ Studio Makes
‘Middle, Takes Up Seng And Dance.
By JAMES THRASHER
A three-hour blend of tunes and ac is the antidote for tee much s shepping at * Loew's, where you may see two first-run pictures this week. They are “52d Street,” which is Walter Wanger’s saga of “Swing . Alley,” and “Navy, Blue and Gold,” another pieture of the U, S. Naval Academy, - its life, remance- and football team, with James Stewart, Florence Rice and Robert Young as the stars. Of the two, the latter is more enjoyable because it is a simple, straightforward film with ne more . pretentions than to be entertaining. It tells of three Annapelis reemmates, Messrs. Stewart and Young
and Tom Brown. It follows them.
through from plebes te veterans eof their last Army-Navy game. It also goes into the sorrows eof Mr. Stewart's youthful life, and his contest - with. Mr. Young for Miss Rice’s hand.
James Stewart Unaffected
. It develops, in the trio's last year, that Mr, Stewart's father had been dismissed frem the service, and that . the son had entered the Academy under an assumed name. The father’s dismissal was unjust, however, and Mr. Stewart clears the family name in time to help win the game and win the girl The football sequence is well done, and the picture benefits again from Mr. Stewart’s unaffected approach to the cinema art. Miss Rice likewise is developing into a much more effective performer. There are excellent supporting jobs by Lionel Barrymore, Billie Burke and Barnett Parker as the English butler who knows his football rules. There is, too, a pleasant authenticity of tradition and spirit at the Naval Academy.
Revue Can't Decide
«59d Street” is ane of those rather unhappy pictures which can’t quite make up its mind as to what it wants te be. It starts eut with great promise and winds up in the traditional manner ‘of movie musicals. When we first meet the Rondells of New York's 52 St, Rufus has incurred the undying hatred of one of his twe sisters because he has mairied an actress. This is in 1912, when 52d St. is still a decaraus thoroughfare of brownstone fronts and wealthy families. Rufus’ young wife dies, leaving a small daughter. And the husband promises that he will rear the daughter to be a “lady, * far from the theatrical life which brought so much sorrow to her mather, The years pass, and prohibition brings the speak-easy to 652d St. Then comes the crash, and with it goes the Rondell fortune. Rufus goes into partnership’ with an Italjan cook and prospers. : Prosperity gontinues with repeal. All this time the daughter has not been teld that her father is a night club | proprietor. But she returns from a European schooling with the theater bug in her bleod. She becomes a night club entertainer herself.. And she and her “boy i d” epen a “jernt” of their own the mansion of the spinster Roni sisters, whe rather get inte the swing themselves.
Narrative Abandened
About halfway ~ threugh Mr. Wanger has abandoned his serious narrative and given way te elowning, singing and swing. It would have been more acceptable if the theme did net have such possibilities . for more serious development. For the “swing” addiet, there is plenty of it in the singing of Ella Logan and Collette Lyons. Carrille has a quite delicious dialect .bit as the Italian cook calling the city morgue. Jack White, Sid Silvers and Miss Logan alse score in a burlesque of “Mammy” songs. Most of the perfarmances are better than the material. Pat Paterson is excellent as the Rondell daughter, and Ian Hunter ' and Marla Shelton are good as the parents. If you are a Dick Powell fan, you probably will like Kenny Baker, for the former Jack Benny protege becemes more like the former * Hoasier croener with. picture.
LIFT SCARES SIMONE Simone Simon received the fright of her life in “Love and Hisses” when she rode in an elevator all ene day. For comedy effect, the elevator dropped three feet during each “take,” dumping the actress uncefemeniously on the floor.
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Threat to Major
Producers,
of the Circle deuble feature were made on what was formerly a “quickie” lot. +Republic threatens
the larger studies en two frents.
which has top billing, is a musical
comedy with a star-studded east including three topnotch bands, Louis Prima’s, Cab Calloway’s and Ted Lewis’. . Also in| the cast. are Phil Reagan and Ann Dverak, Leo Carrillo and Tamara Geva, James Gleasen and Gleria Rieh, to pair them off properly. The movie colany also provides Luis Alberjni and Henry Armetta, as well as the cowboy singing star, Gene Autry, and his band. From the radio there cemes Kay Thampsen’s choir and from the Yankee Stadium Joe DiMaggio, but Mr. DiMaggio is a flop as an actor. Opera Falls Flat
The story has no more significance than the musical comedy plots of major studios. It concerns the viecissitudes of a recording company whieh falls inte the hands of an ex-racketeer, played by Mr. Carrillo, and the gangster methods he uses to obtain talent. ©On this flimsy frame the songs are hung. But they are good songs, except far Miss Geva’s attempt at opera—probably doubled. The romance is between Mr. Regan, heart-throb crooner of the company, and the bass' secretary, Miss Dvorak. Because Mr. Regan’s voice is irresistible to the women, Mr. Carrillo uses him to get a recording from the temperamental opera star, Miss Geva. The result is near-disaster for the ReganDvorak romance, but at last all is straightened out and Mr. Carrille gets Miss Geva as well as her record. And Miss® Rieh, with Mr. Regan no longer eligible, accepts sweet nothings from Mr. Gleasen.
Drama Alse Portrayed
Republic’s second threat is in the field of drama. “Portia en Trial” is a dramatization of a stery by Faith Baldwin, a stary with all the elements of drama. Just for a taste, Frieda Inescourt is cast as the woman lawyer defending Heather Angel against a charge of having murdered the father of Miss Inesceurt’s son. The prosecuter meanwhile is Walter Abel, with whem the film Portia foresees a “happily ever after.” Neal Hamilton is he victim and Barbara Pepper the prosecution witness. Tony Marsh is excellent in a part that is alomst a walk-on, that of Miss Inescourt’s son. Both pictures are well-conceived and well acted. The direction, however, in both cases shows too clearly the machinery used to develop the plots. The suspense element is therefore lost from both stories. But major studios must nat overlook the skill in photography that appears in both the upstart producer’s new films. Jack Marta, the photographer, has apparently taken a few lessons from the Germans. (8. E. H)
War Blamed for Fan Mail Slump
HOLLYWOOD, Dec. 11 (U. P.).— War in the Orient has distracted the attention of the world’s most ardent movie fans, the Japanese. Letters to Hollywood stars used to pour in from Japan at the rate of
eight major studios showed scarcely 2000 in a month. Chinese -fan mail had almost ceased. Grace Moore, singing star, received only 50 fo 60 letters from Japan and China, compared ta 450 in ordinary times. Columbia Studios sales representatives in the Far East reported that the films themselves are still showing to big houses, indicating that the war has not killed the need of amusement, but merely distracted fans from expressing applause by mail. War-torn Spain has forgotten Hollywood. No Spanish fan mail has come in six months, studios reported. Irene Dunne said that “Spaniards used to be Europe’s most insistent writers of marriage proposals.”
TECETE
$y 14 PIECE}, N\ BROAD CASTING
Mggogs Hager # WELLS. 4 Powe Comedy Riot
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Republic Pietures this week makes | § its Indianapolis bid for recognition |: as 9 major film producer. Both ends |
“Manhattan Merry-Go-Round,” |
i
' In this scene from
in years as his horse wins the race.
Keith's current movie, “County Fair” the flin hearted J. Farrell MacDonald is shown relaxing inte
his first s Leu Lender, as his daughter,
Mary is the girl in the case. The picture also features John Arledge. Keith's vaudeville bill is headed by Connie and his orchestra, well» known Indianapelis radio and dance band. Others are Nichels and Haley, dance team; Wells and Powell, comedians; Tangini, the “ones man circus”; Sylvia Lane, acrobatic dancer, and Millie Grosse, singer,
of mercy.
Hobart Eldridge, one of Lady Violet's gluiests and an American millionaire, calls ‘her a €@émmunist. She is not that, however. She is merely a hater of oppression and fascism and intelerance. Because of this she gathers about her Rend Eldridge, a healthy, simple explorer and Hobart’s brother; Hugo Willens, an expatriate German Inusic critic with a trace of Jewish blood; Nikelai dJurin, 3a White Russian exile;' Sascha Barashaw, a Russian-American pianist; Clendon Wyatt, a young American Rhodes scholar, and Hobart's wife and daughter, Rand is in love with Lady Vi; that brings him to England. Hobart comes there to enlist aid for an Anglo-American - Fascist youth movement. Hobart deminates Rand and this, with many other things, makes Lady Vielet’s marriage with him impessible.
. Romance Shattered
The romance is shattered, however, only through a train ef dramatic eircumstances. Mrs. Eldridge, who has had an affair with Willens, wrongly suspeets her hostess of being her successor. The accusation krings forth all of Rand's narrow vision and intolerance.
FIRST SOLOIST
Soloist for the Indianapolis S8ymphony Orchestra’s first popular concert; at 3 p. m. tomorrow in the Mursgt, will be. Boris Schwartz, the orchestra's concertmaster. Mr. Schwartz will play the Mendelssohn Concerto in the program which Fabien Sevitky is to conduct. Bagld
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Ee rs Saturday nday
Civic Play Shows Group Of True- to-Life People
The Civic Theater's durrent production, “Rain From Heaven,” has to do, as an obvious baektrdoking of the title will indicate, with the quality
This quality of mercy, and with it, a generous love of humanity, is dispensed by Lady Violet Wyngate, the modern Portia of 8, N
. Behr-
man’s pleasant and thoughtful play.
One Block outh Municinsl Airport
The accusation drives Willens and Lady Violet te a real love, Buta stronger and entirely Teutonic urge drives Willens back. te Germany. There he hopes to lead the drive against humanity’s ills in, we can imagine, a highly impersonal and metaphysical way. Lady Wyngate is content to “muddle through." Rand sees the light and renounces his love, while Hobart weeps for a tottering capitalistic world. That, briefly, is the outline of a diverting play. It is full of Mr. ‘Behrman’s. gentle understanding and sympathy for his fellow man. His is a sort of Galswerthian tel. erance, if of a different sort.
Too True to Life
“Rain From Heaven” misses being a great play threugh being truer to life than te dramatic necessity. Human action has a way of being inconclusive, and the play shares that fault. But that is MF. Behrman's way. He is net ene with a “message.” However, the play contains an assortment of absorbing, shrewdly sketched and developed characters. All are typical, though perhaps Ho-
"bart’s scene of mammon-worship
while in his cups is more facile than believable. Lady Wpyngate is a thoroughly splendid person, and she receives an artistic realization in the work of Marjorie Ropkey. Her performance is of professional polish. If has naturalness combined with strength and dramatic prescience. Charm and wisdom and swift change -of mood are delivered with an ample technical knowledge.
As much can be said for Norman | |
Green’s Willens. His scenes with Mrs. Ropkey may be counted among the most satisfying of the season to date. They are, I think, as good acting as we have seen since the September visit of Eugenie Leontovich and McKay Maorris. Adrian Reiter again is seen to advantage as Jurin, and the ather players. pool their talents to lift the production above the usual amateur level. Emily Tharp has provided a charming set, and once again Alfred Etcheverry has shown himself a highly gifted director, (J. T)
and His New Englanders Adm, Ue, incl: ta,
TONIGHT
HENRY BIA-GINI - and Nis Orchestra
Finsls “Stage Doar Cantest © 44e All Evening
ow
POPULAR
Indianapolis
Tomerrow Afternoon 3 P. M. Murat Theater Boris Schwarz, Soloist.
1 | Prices 25¢, 40c, 50¢, 75¢
Box Office Open After 9 A. " :
Symphony Orchestra
Fabien Sevitzky, Conductor
CONCERT
a
ftiley 397
pre
UTUAL
ATTRACTION EXTRAORDINARY
PEACHES Mi ww SUNYA [Smiles] SLANE wir FOLLY GIRLS
MATINEE 2:15—TWO SHOWS AT NIGHT: 7 ANP 9 P. M, CONTINUOUS ON SUNBAY—ADMISSION 5 AND 400
MILDRED. STRANGE
BHLQU
Big Chorus Ornaments. Lyric Revue
Film Tells of Fading Star
*. Who Marries Prince |
With winter's coming, the Lyric begins 10 Blossom out In ‘the mere
preceedings, The fact that the firstperformance connoisseurs yesterday gave some reusing applause is preef enough that they're good. A weleame return is that of 8ylvia and Sentenne, two diminutive young ladies whe do a bellhop daneing foutine with exuberant energy. Terry Howard appears in a twesome with Jaek Talley, and deez a “brat”
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CIRCLE
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5, 6:55 a Yours Str i Bin toh Dn 0
“Lea Carrillo, at 11:09, 2:18, 5: 25 and
=. LYRIC hay) Girly” on stage at 1:05, 3: 50, :
A A \ OHIO wiligm stb!" alsa Shier “Husband AMBASSADOR
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With the
THREE DEBUTANTES
| should
‘Anderson’s own Ruby Wright, who first appeared on the Indiana Roof with ¢ harley Davis’ orchestra, . ili be back at the downtown dance spot tomerrow night as featured singer with Barney Rapp and his New Englanders. Miss Wright was in the Broadway revue, “Music in the Air,” before Joining the Rapp orchestra.
turn something in the manner of Fannie ~~ Brice’s “Baby ' Snoeeks.” Though she isn’t Miss Brice, Miss Howard is very amusing. The Dorothy Martin Foursome represents the hard-working’ and unrecognized aerobatic profession in excellent fas Latin-
hian, And America is present with the rhumba| { orchestra which Jerry Coe leads| |
when he isn’t dancing or playing. the aceordion. Other acts eombine te keep the program moving through a diverting. hour. You enjoy. particularly the -elaborate production number which brings it fo a close.
‘On the screen, Beverley Roberts is seen as a fading movie luminary in an amusing picture called “Ex- | pensive Husbands.” She takes her ress agent's advice and goes tq ope in search of a titled husband and a new lease on fan popularity. \. The actress falls in love with a waiter wha turns out to be a
prince. They marry and quarrel, | |
and the prince walks out. All that is in the agreement. Buf he turns up again in Hollyweod and things scramble in an amusing sequence of events to the happy ending. Patric Knawles is seen as the prince, and the cast also includes Siaan Oliver and Vladimir Sekel-
LAST TIME FELL oS
DIK POWELL nidiin
“QONVENTION CIT Plus! Wm. Rou “Hurts Rio . Shana
LE
Today Tonight N Presents
& cumedy by Clare ‘Ronthe
pe 8 $2.98 ae Ales $1.10, Sat, Mat. $2.20, $1.65, $110, Bbe fncl. Tax.
Thurs.-Fri.-Sat., Dec. 16-17-18 Mat. Sat.
The repeated visits. of Mildred “home town”-shave served to dispel
Mildred Dilling Creates New Enthusiasm for Harp
Dilling to ‘Indisnapolis—alinost her .
the prevalent prejudice against the
harp as a solo instrument. Enthusiasm for the graceful golden instrument was rekindled yesterday when Miss Dilling was presented in recital by the Matinee Musicale in the L. S. Ayres & Co, auditerium,
becomes a thin-tened instrument of one color, and its music a surfeit of cascading arpeggios and glissandos. But Miss Dilling yesterclay covered’ the musical field from Bach to Prokofiev in a performance to which virtuosity and variety lent unflagging interest, Miss Dilling’s interpretations of the “classic” masters always are particularly satisfying. For she brings te them a clean execution apd unerring knowledge of style that seems to take us back te the peried and instruments for which the music was written.
Plays Modern Works. .
Yesterday she offered, in her first group, a Bach Beurree, Rameau's “Menuets de Platee,” “Le Couceu” by Daquin and the Handel Air and Variations destined to be known as “The Harmonious Blacksmith. n Liszt was represénted: by the
scription of Alabiev's “The Night~ ingale.” given ample attention in music by Tournier, Prokofiev, Debussy, Granjany and Renie, Miss Dilling has het only great
—y TT
ALWAYS A GOOD SHOW
TEER
OnSTAGE |
ik iiNU? ACTION
Be . ARTF 3 Wal Es)
SPECTACLE
LN ;
A TANTALIZING REVUE with SYLVIA & CLEMENCE TERRY_HOWARD
Many Others Others JERRY COE
% : ~Accordioniat* ON GASTALANO Orchestra
TRY IN ANU ATR)
ARMIN TTR BEVERLY ROBERTS
In less capable hands, the harp®™
etude, “Un Sospiro” and a tran- 4
Modern composers were.
digital virtuosity, but the ability to bring forth all the harp’s dynamié resources. There is sensitive and sensible phrasing as well, so that the Lisgt, Debussy and Prokoefiey transeription captured not only the composer's intention and style, bug retained something of the character of the piane, for which they were written originally.
NICE GUY, THOUGH
Paul Guilfoyle, who plays a cone fidence man in Fred Stone's new picture, “Quick Money,” has pore trayed criminals of every deseription on the screen,
A TRE: TN hh
CAB CALLOWAY Boone TST EHH] WERT ERVIN JAMES GLEASON.
ah Baldyies “PORTIA on TRIAL”
is: AY: Ah AND
5° STREET
with == JAN HUNTER LEQ C
LO 7ASG’ PITES
"KENNY BAKER
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EAST SIDE
Ha m | il ton Doubts Feat Feature
“LIFE BEGINS IN C GE” Ricardo Cortez “CALIF QRNIAN” Sun. Ros ble er ENA Colman Dick Figo ABEIEY Y sow
St rq nd Firat a elghe
haorhood Shewing Today and Tomorrow Wm. Bowell Myrns Loy re WEDDING” andell—Erre! Elynn ] “THE CT SPECIMEN” : Mats tenga frm. ? ‘ BEXTRA! LATE Snows
| Every TT il 4 i
. Wash. Bo Feature
Paramount seu estes
SHADOW STRIKES” Dick Foran “PRAIRIE THUNDER” Sun. Double Feature—Ritz Bros. “You Can’t Have Everything” “THINK FAST, MR. MOTO” 4 E. shi ton uv An
“TENDER IN wn ory
Sun. Double Fojues Srohke Hudson “BORN RECK1 pS ® «YOU CAN'T BEA BEAT LOVE”
RIVOLI == ot § Ek pers st.
o 5:45 PERFECT S SPEC “FORTY NAUGHTY GIRLS” EXTRA! Last Show Tonight Only! Joel McCOres—Jean Arthur
“ADVENTURE IN MANHATTAN" Sun, Deuble Feature—Powell-Loy
«COUNBET FOR. ree” Tacoma ™ Guta *
Tomorrow Speci; al Duthie Fea
Rehert Taylo Eleanor "Powell
AABY Fig NOWHERE Heel York Tuxedo ‘BE I “PRISONER OF ZENDA” Guy Kibbee “BIG SHOT!
{Howard
“BROADWAY MELODY OF iil)
. SOUTH | SIDE
reer Te
NORTH SIDE
EAST SIDE - 4630 E. 10th Emerson om Sete “100 MEN AND A GIRL" ° “LANCER SPY” Starts Suynday—Ritz Bras. “LIFE BEGINS IN COLLEGE” Sylvia Sidney “DEAD END”
WEST SIDE
BF ATE 2702 W. ith st
Double Feature Edward Arnold “JOHN MEADE'S WOMAN” “GHOST TOWN GOLD" ' Sun. Double Feature—Deanna Durbin ° “100 MEN AND A GIRL” “HIGH, WIDE AND HANDSOME”
. Wash. & Belmon Belmont "i “LAW FOR TOMBSTONE” . Spencer Tracy “BIG CITY” Sun. Dophle Feature—June Travis “LOVE IS ON THE AIR” . Powell-Loy “DOUBLE WEDDING”
DAISY Tikit
Dauhle ature = Jones “SMOKE TREE RANGE ” Boris Karloff “NIGHT KEY” . Sup. Douhle Fegture—Errol. Flynn “THE PERFECT SPECIMEN" “ON SUCH A NIGHT” Double Feature
Speedway Barton Mackane
WOMEN AND HORSES" “SING, COWBOY, SING” Sun. Double Feature—Warner Baxier
F 1938” PRG
Howard & Blsine Boable Feature
eter Lerrs “THINK FAST, MR. MOTO" “WESTBOUND MAIL” Sun. Double Feature—Rits Bros. “LIFE BEGINS IN COLLEGE”. “League of Frightened Men”
SOUTH SIDE _ Fountain Square
“DANY Feature ANGER—LOVE VE AT WORE” “GIRLS CAN PLAY" Sun. JMouble Feature—Loretia Young 5 “WIFE, DOCTOR AND NURSE" ; “THIS WAY, PLEASE"
Speedway City
alg Tomorrow
: Sanders
Double Feature Ben
«LIFE BEGINS IN COLLEGE”
G nh Lotuve rove . UE Tovar " “THE LADY FIGHTS BACK” . “Mystery of Haoded Horsemen” Sun. Double Feature—Barbara Stanwyck “STELLA - DALLAS” Spencer Tracy “BIG CITY?
Ava lon Pros. & Churchman
Double Feature Bob Allen “RECKLESS RANGER” Guy Kibbee “BIG SHOT” Sun. Double Feature—Marx Bros... “A DAY AT THE RACES" Paul Kelly “FRAMEUP” Double Feature
Oriental pa “LOVE IN A BUNGALOW” " “ROLL ALONG, COWBOY” Sun. Double Feature—Eleanor Powell “BROADWAY MELODY OF 1938” LIGHT FROM GLORY” Double Feature
Li Nco n Olgirg Trevor
“ONE MILE FROM HEAVEN” Larry Crabhe “FORLORN RIVER” | Sun. Double Festure— Richard €remwell “THE ROAD BACK” ' Johnny Downs “Blonde Trouble”
New Garfield
2203 Shel _ Paghle Feature ong & Tomorgew Tony Martin
1105 S. Meridian
East at Lincoln
Ritz
TH HET
NORTH SIDE
Ea 42nd & College Pouble Feature
JU P tow n Ann Sothern
. “DANGER—LOVE AT WORK” “LOVE IS ON THE AIR" 4 . Sun. Double Featur¢—Warner Baxter
wy OR AND NURSE" "CHAN ON ON
BEOADWAY” St. Clair" Su Ba
“LANCER SPY” Sun. Double Fepture-—Barion MagcLang “WINE, WOMEN AND HORSES” Dick Pawell Talbott & 22nd Ronhle Feature “OUTLAWS OF THE ORIENT” Wm, Gargan “Reported Missing”
E UNDER FIRE”
{Stratford
30th at Northwestern Eleanor Powell
REX Robert Taylor
“BROADWAY MELODY OF 1938” Plus Selected Shorts
Sun. Double Feature—Peier Lorre
“THINK FAST, MR. MOTO” Sonja Henie “THIN ICE”
Ga rr ick 30th and Diinpis™
Double Feature All-Star Cast “LADY FOR A DAY” “LOVE TAKES FLIGHT” Sun. Double Feature—Eleanor. Fowell “BORN TO DANCE” “MR. DEEDS GOES TO TOWN”
M ECCA Noble B ase
Double Feature ’ Gary Cooper “MR. DEEDS GOES TO TOWN” “FOOTLOQSE HEIRESS” Sun. PIMAKE WISH Breen Laurel & Hardy “Our Relations”
19th & College Double Feature Wendie Barrie
“WINGS OVER HONOLULU" OVE IN A BUNGALOW”
fa 2 AT HE RAC rs ns
__ Bobby Breen “MAKE A WISH"
2351 tation Bt D R = AM Double Feature Ritz Bros. “LIFE BEGINS IN COLLEGE” ' Mr. and Mrs. Johnson “BORNEO” Sun. Dauhle Feature—Joan Crawford “THE BRIDE WORE RED” ¢ Bruce Cabot “BAD GUY”
Hlineis and ain ITZ Double #5: Fea ture Ronald Colman “THE PRISONER OF ZENDA” © “GIRLS CAN PLAY” Sun. Double E WEDDING “DOUBLE WED Bryce Oabet “BAD GUY”
Hollywood Eieunat Powel o o Robert Taylor. | “BROADWAY MELODY oF 1938” Plus Selected Shorts. Sun. Double Feature—Gene Raymond ° “LIFE OF THE PARITY. Joel McCrea “DEAD
Zaring Central at ho [TN
Double Feature “STELLA DALLAS” “FORTY NAUGHTY GIRLS” All Next Week—Nino Martini “MUSIC FOR MADAME” Sy Sidney “DEAD END"
16th & Delaware’ Double Feature
Guy Kibhee “BIG SHOT" “BACK IN Off ture—Joan Jlondell
Win. Gargan “Reported Missing” “VARSITY SHOW” Talbott wi fa ns, Day Dahle : Faer chasis Stisee
Barbara Stanwyck
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