Indianapolis Times, Indianapolis, Marion County, 22 November 1937 — Page 2

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ATANTNART . ATAXT an

PAGE 2

1n0m

Astaire on Own Feet in

READING O

HOUSEMATE'S

SUCCESS

Latest Film

Separated from Ginger

Rogers in 'Damsel In Distress.’

For the first time in four years,

the RKO people are going to let | own | “A

stand on his That will be in which will be

Fred Astaire dancing feet. Damsel in Distress,” the Indiana's pleasant digestion on Thanksgiving Day. Somehow, this scion of Omaha Austerlitzes has been tied to someone's

out his theatrical career. Fred and

contribution to your |

the |

apron strings through- |

his sister Adele were dancing part- |

time they Miss Astaire mar-

the But

ners from youngsters.

were |

ried a Briton of noble lineage. Soon |

Fred found the able, blond and Rogers.

afterward, teamed with beautiful Miss Ginger Story by Wodehouse But the RKO people are giving Mr. Astaire plenty of support, just in case his dancing feet falter on their first solo film flight. For one thing, a story of P. G. Wodehouse. by the late George Gershwin, composed eight songs for the movie a few weeks before his death. Gershwin, the late brother and collaborator sponsible for the lyrics. In the cast are George Burns and

The music

was re-

Gracie Allen, who will do their best | Miss | was an indispensable |

to make everyone forget that

Rogers ever part of an

Astaire picture. Ray

Noble, the English boy who showed | tricks in their | own dance music, will have an act- |

America some new

ing part. Joan Fontaine plays the distressed damsel, and the stage comedian, Reginald Gardiner, seen as a butler with a penchant for match-making. It goes without Damsel in Distress” will go in heavily for dance routines. Fred does some routines with Burns and Allen, who were vaudeville hoofers themselves, once upon a time. And he does several solo numbers, climaxing in a drum dance.

Rhythmic Assault

A dozen assorted bass, snare, jungle and other drums, plus a few

saying that “A

cymbals and tom-toms, were placed | As- | of drum- |

in a U-shaped formation. Mr. taire was given a pair sticks and placed amid the percussion section. Then, if advance notices are correct, the dancer cut loose with hands and feet in a rhythmic assault that lasted for 3 minutes and 57 seconds, exactly. That, except for the slight matter of boy getting girl, winds up Fred Astaire's first single-starring picture. And Fred and the RKO people and Col. Coilins at ana all hope you'll like it.

Ritz Boys in Hot Water:

Canal Heated as Precaution Against lliness.

HOLLYWOOD, Nov. 22 (U. P).— Influenza was sweeping the motion picture industry today and as one of the results, the Ritz brothers were working in steam-heated canal waters and being drenched by chillproof rains. The Hollywoed-Venetian canal in which the three comedians were being ducked among the gondolas was heated to a comfortable temperature. Al Ritz was given a close-

fitting rubber suit to wear beneath |

his clothing. He wore it one scene, came out soaked with perspiration, and took it off,

WHAT, WHEN, WHERE

APOLLO

“Second Honeymoon,” with Tyrone Power and Loretta Young, at 12:52, 4: 03 7:14, 10.15. “45 Fathers,’ ' with Jane Wi ald Thomas Peck at 11:41, 2:52

CIRCLE

“Blossoms on Proadway,” with ward Arnold, Shirlev Ross and Trent. at 12:46, 3:51 6:56 0:0 “Over the Goal,” with Johnn! e Davis and June Travis. at 11:43, 2:43,

5:53, INDIANA “Merry-Go-Round of Mischa Auer, Alice Bra ahd Jimmy Savo, at : win Ideas,”

Kent

thers 6:03, EdJohn ks

1988.” with dy, Bert Lahr 12 40, 3:30, 1, with Taylor, at

KEITH'S

sare Lasky's tage at 1:3C, 4. “Thanks For L 5 Rg » Tomlin and Maxine 2:30, 5 7 50, 10:20.

LOEW'S

“The Awful Truth.” wih Ralph Bellamy, Alexander D’ re and Ceci OL eg at 12:35, 3:45,

“Between Two Women.”

Franchot Tone, Mau reen and Virginia Bruce at

LYRIC

Fardeville on st sug age,

Wendy 11:35,

Jronch, ibd on

with Pinky Doyle, at 12,

at 12:57, 3:46,

with Leslie Olivia de 5:01, 7:50,

Hee] Hive I'm After,’ Howard, Bette Davis

an Hayiland, at 11 9 10:28.

2:02,

OHIO

“Exclusive,” with Fred MacMurray and Frances Farmer. Iso “The Crime Nobody Saw,” with Lew Ayres.

AMBASSADOR

“Prisoner of Zenda,” Colman. Also with June Travis

ALAMO “Public Cowboy Neo. 1,” with Gene

Autry. Also “Flight from Glos, ” with Chester Morris,

with Ronald “Love Is In the Air,’

Starting Tomorrow Nizht . COLLINS AND HIS ORCHESTRA Nes nly

who |

Ira | composer's |

the Indi-

himse!f |

should

they have given him | from the effervescent pen |

iS |

success story about one of mates in this scene from

English's Monday night. Joan Ben

Girls of the Footlights Club read a Hollywood their “Stage Door,”

RR Ph RANA co RN

former housecoming to the star, is

nett,

Disney Fan Finds Mick

EW YORK, Nov. 22.—You won't

IN NEW YORK —sy ceoree ross

ey Mouse in Egyptian

Tomb; Expensive Phone Call Sells New. Song.

learn much about archeological sub-

jects from this column, but there is one musty matter that you ought

It concerns Prof. Jean Ca Well, some t

to hear. leading Egvptologists.

part of Belgium, one of the world's ime ago the Professor made one of

his frequent explorations of Egyptian tombs and, on the walls of one,

came upon an item of intriguing interest. traceable to the artisans of® Pharoah's time, and Prof. Capart |

{ rodent detected something vaguely familiar | about it. He didn’t quite know why. | The scene then shifted from the Egyptian catacombs to the Brook- | lyn Museum whither the professor had gone to deliver a lecture on his recent findings. In the course of his talk, he held a reproduction of the stone carving aloft | and confided to his audience that | iL looked like someone he knew but | couldn't place. Then someone rose | hastily and exclaimed that the rodent looked like Mickey Mouse. And it did, surely enough. When Walt Disney was apprized of Mickey's Egyptian ancestry, he in-| vestigated on his own hook and dis- | covered that, indeed, Mickey could ! be traced, genealogically to proud | pets around the Pyramids, And that | in other stone carvings could be found graven likenesses of Donald Duck and others Mickey's friends. | Prof. Capart has since written a | book about the whole thing which | he aptly calls “The Story of the] Mouse.” It is in a lighter vein than | his reports on the mummified Tut- | ankhamen whom he helped find.

among |

» =

HOSE febrile gentlemen who | dictate the policies of Tin Pan Alley rarely do things in the conventional way. Thus, the other day, Vincent Rose got the idea for | a new song with the title, “I Kissed | You in a Dream Last Night—Do | You Mind?” wrote it with a couple of collaborators, and rushed it to Jack Robbins, the publisher.

Mr. Robbins perceived in it im- | mediately a good song for pictures. So he telephoned Buddy De Sylva, the producer, in Hollywood, and told him he had a hit coming up. “I'll airmail it,” he said. “What,” screamed Mr. “and waste all that time? to me right now.” | Mr. De Rose cleared his throat land warbled his tune across the | continent (at $3 per minute). “I'll take it,” said Mr. De Sylva, and the telephone clicked.

| i |

De Sylva, Sing it

® # 2

It was a stone carving of a

AIDS CONCERT

Pluto, | °

Joseph L. Sexton is chairman of the patrons and patronesses committee for the Notre Dame University Glee Club concert in the Murat Temple on Dec. 8. The local concert is being sponsored by the Cathedral High School Boosters, of which Wiiliam J. Hurrle is president and the Cathedral Mothers Club. of which Mrs. Theodore Wolf, is presideni.

here to certain rules of gas "mic etiquette. So, if you style yourself a gourmet, you must not (1) sip cocktails just before dinner; (2) smoke before or during dinner (tobacco blunts the appetite) (3) dine in a hurry; 4) get into a political argument while dining; (5) add seasoning to foods and thus insult the chef who is supposed to know, to the fractional part of the soupcon, how much seasoning was required; (6) drink water during a meal—it robs the palate of all taste. =

= LJ

less on the high seas, they seized |

the phone and asked to be con- | | nected with Buchanan's stateroom | somewhere in mid-ocean. They in- | quired if he knew anyone aboard | who could take down notes. He replied in the affirmative. So they called in their musical director and | had him dictate from shore to ship, all of Buchanan's vocal selections, at a cost of more than $300. When { Mr. Buchanan reached port, he was | conversant with the score of the | vehicle which, appropriately enough, (happens to be called “Between the | Devil.”

» ”

HE gourmets have, at long last. | issued an authoritative list of | “don’ts” for food fanciers. Merely | being on familiar terms with the (culinary best, it seems, isn’t | enough. A true gourmet must ad-

Rha

ENERAL INFO—“Camille” has been banned in Germany— ¢s retaliation for the ban over | here on the Olvmpics pictures. | Add Success Stories—Judy Starr

will receive $650 a week when she | appears in the new Ziegfeld Follies, {which is $637 more than she earned a year and a half ago. Tyrone Power already has booked passage for sailing to Europe next | May. Margaret Sullavan. Burgess Meredith and Henrv Fonda have | Started a movement to bring big | Hollywood names east to appear on the Broadway stage for at least | two months every year. It is an | attempt to restore young blood to the theater.

PALSY WOOLSEY

Bert Wheeler has been a comedy partner of Robert Woolsey for 11 years, eight of them in pictures. They appear together for perhaps the last time as a team in “High Fliers,” Woolsey being forced to retire from the screen because of ill health.

Tra

4 LAST DAYS!

THE SCREEN

aA)

IRI VA1eW 1]

| second from the left. Others are, left to right, Barna Ostertag, Helen Waren, Pat Donohue, Rosalind Rouisten and Edith Tachna. The engagement will be for three nights and a Wednesday mainte.

' Sutherland Actors

Revive Play About Duke

Prepare Windsor Drama.

{rono- |

| Boris Schwartz, {chestra’s new

| ghetto by Handel, the Mozart Rondo lin G, Kreisler's Prelude and Allegro,

A. E. Thomas’ 16-year-old com-

THE INDIANAPOLIS TIMES

Kate Smith

Slated for Movie Role

Studio Figuring on Billing Her as Double Feature, Writer Observes.

By PAUL HARRISON

HOLLYWOOD, Nov. takes: to make a picture, is figuring on billing her as a double feature. It'll be a relief, at that, to see a physically substantial actress. Most of the gals here are so thin they look like a couple of profiles pasted together, Hedy Keisler, who lost all her clothes in that foreign film “Ecsta-

der the name of Hedy La Marr.

“Ecstasy” again, Although sorad to the point of dullness, still causing a lot of headaches. Just as most of the new model automobiles came on the market, Greta Garbo decided she'd buy al car, Arrangements were made for a couple of agencies to show their wares.

it’s

Miss Garbo scarcely glanced at the sleek job he was driving, but asked | what he had in the second-hand line. Finally bought a large and still elegant 1934 limousine for $1700. Pairing Off When Comics Laurel and Hardy buried the hatchet and agreed to resign with Hal Roach, a ceremony was arranged contract drawing. But for a while it looked as though the deal was off again, for the pair staged a furious quarrel, beginning with an argument, over first. Just a rib, though. Most antagonistic pair who've worked together in years, were Glenn Morris and Eleanor

| edy, “Just Suppose,” which suddenly has gained a new timeliness, is to be presented tonight and tomorrow night by the Sutherland Players. | This rather topical play was sug- | gested by the visit to this country |of the Duke of Windsor, then | Prince of Wales. It enjoyed con- | siderable success, and the produc- | tions included one at English’s by | the Gregory Kelly Stock Co. with | Ruth Gordon in a leading part. | Now, with Edward VIII's abdicapton nearly a year old, and the American visit of the Duke and | Duchess of Windsor still promised, [the play has taken a new lease on | life. So the Sutherland thespians | searched their files of eight years (ago, saw that they had done it be- | fore, and decided on a repetition. | For the present performance, {James McDaniel will play the | Prince who called himself “the | loneliest beggar in the world.” | Catherine Fyfe will be the South-

Holm, the Tarzan and Cynthia of

| the soon-to-be-released jungle epic. | He

was uneasy about with her because of her

appearing

| cause she’s involved in a divorce suit, | Gregory Ratoff, apparently not {busy enough as an actor, director, | writer and producer, is going to | | manufacture vodka. Big-business | note: | Agent Myron Selznick earn more than $300.000 a month. An agent collects 10 per cent of his clients’ salaries.

152 Speaking Parts If all the players who'll have speaking parts in Norma Shearer's | next picture, “Marie Antoinette,” | were to receive screen credit, picture would require an extra reel. The cast will include 152 articulate actors. Universal,

‘ern belle who captivates him, and | the supporting cast will include | Fannie K. Fort, Paul Rouse, James Bowling, Jane Applewhite, Nathan Scott and Norman Green, who directs the production. The curtain for both performances is set for 8:15 p. m., and the production will be presented in the usual location — the Sutherland Presbyterian Church, Guilford Ave. at 28th St.

Violinist’s

Bergen and Charlie McCarthy under contract all this time, finally has a part for them—in “Day of Promise,” with Irene Dunne. Rex Ingram, director of such celebrated silents as “Four Horse- | men” and “Mare Nostrum,” has been in Hollywood for months finishing a book and poised for flight |

back to his beloved desert solitude. |

But there's talk now that he'll | remain after all and resume direct- | ing. Three major studios have been after him. House Hold-Out Home-Sweet-Home notes—Grace

Schwartz’ First Recital Here Wednesday.

The Indianapolis recital debut of the symphony orconcertmaster, is to take place at 8:30 p. m. Wednesday in Odeon Hall, 106 E. North St. Mr. Schwartz, who is also a member cf the Jordan Conservatory of Music, will be presented under the conservatory’s auspices in the first of a series of Wednesday faculty recitals. His program will offer the first local performance of a Suite from the incidental music to “Much Ado About Nothing” by Eric Wolfgang Korngold, the Viennese composer now in Hollywood. Other listed selections for the violinist’s recital include Corelli's “La |Tolia,” the Bach Chaconne, a Lar-

formerly attributed to Pugnani, Paganini's Sonatina in E Minor and the Spanish Dance by de Falla-Kreis-

ler,

GABLE'S DISCOVERER

Lionel Barrymore, who was a director at the time, saw Clark Gable in a play and induced him to take a screen test.

Debut Set =

Moore’s $75,000 house in Brentwood |

will be ready by Christmas.

| : : bard x | finishing, feminine touches to Rob- | ert Taylor's new hacienda in prepa-

ration for his return from England. Anatole Litvak is building a house of his own on the hilltop estate of his wife, Miriam Hopkins, They have different routines for living,

| and pet staffs of servants, so they've

decided tp have separate but neighborly establishments. Forecast: It looks like a hard winter. The migratory flight of actors to Palm Springs has started earlier than usual. Wallace Berry is having twinges in his wounded leg. The oldest citizens say that never in their memory have panhandlers heen so numerous and busy on Hollywood Boulevard. And trappers report that chorus girls are protected by unusually heavy coats of fur.

Mon. Nov. 7]

Seats Wed. 9 A, ‘M. —Mail Orders Now SAM H. HARRIS presents

3 Days

| ENGLISH

N.Y. MUSIC BOX COMEDY HIT BY GEORGE S.KAUFMAN and EDNA FERBER

WITH

HOLLYWOOD'S LOVELIEST STAR,

PERSON &——

Nights 55¢c, $1.10, $1.65, $2.20, $2.75, WED. MAT. 55c¢-$1.10-$1.65

Ine. Tax

HURRY! LAST DAYS!

RANE

SP 1"Ta Te GT | Maureen OSullivas

Virainia Rrur

TL > hs TRARY

J 7 Vey, Tg

BETWEEN aa

Tham Cominnnn Np

SACRED

22. —Short | Kate Smith is coming out |

sy,” is working for Metro now un- |

So some of the little independent | theaters around town are showing | cen- |

When the first salesman arrived, |

little | for the |

which should sign |

though, |

dismissal | | from the Olympic team and be-

The distinguished clients of |

the

which has had Edgar |

The | swimming pool was completed first. | . Barbara Stanwyck is putting the |

and her studio |

In “It’s Love I'm After,” now

(left) is in love with Leslie Howard (center), With such a combination there is sure to be trouble

Davis (right). and fun a-brewing.

| on the Circle screen in | beginning Tuesday,

at the Lyric, Olivia de Havilland who is engaged to Bette

Ballet From L

ouisville

| the European theater,

Delights Local Audience

By JAMES THRASHER

It may come as a surprise to many Midwesterners to learn that the

exotic and rather precious art of the ling city of Louisville. That, however, is the case.

ballet is flourishing in our neighbor- |

Under the guidance of Miss Lilias Court- |

(him the Russian theater

ppm Aa PSI a

MONDAY, NOV. 22, 1937

Stage Needs

Leadership, Actor Says

Oscar Homolka Believes Casts Must Keep Together.

With screen stars flocking back to Broadway in increasing numbers this season, it is interesting to hear the opinion of Oscar Homolka, Austrian star of British films, on the oft-repeated question, “What's wrong with the stage.” Mr. Homolka, who will be seen “Ebb Tide,” loaned by Gaumont-British to Paramount for this feature. But before his film career he was a recognized artist of In the light | of many years’ experience, he finds | the drama today lacking in leader | ship. In recent said: “The abroad—now and at and future—must have leadership. Tt needs someone with a plan, a leader who knows what he wants to accomplish and who has the organizing genius to carry out his plan. Stanislawsky Praised “Stanislawsky had it and under reached a high stage of perfection,” he continued. “He selected his plays and

was

interview, the actor theater here and all times, past

| picked actors whom he regarded as

worth while. Because he had the

ney, who presented her company at the Civic Theater Saturday hight, the | qualities of leadership he was able

| more serious aspects [have been gaining headway for sevleral years in the blue-grass locality oi fast horses and beautiful women. Those who rejected the orchestra, the ice revue and other activities in favor of this performance found | several things to delight them. | There was the skillful and promising work of such young dancers as Dorothy Etheridge, Kevin Hargrave Smith and Donnie Weismueller, as | well as that of Miss Courtney herself. There was also an interesting | | exhibition of assimilated techniques. | The opening ballet, “Romance,” was of classic design, with music by | Tschaikowsky. And it was an ad- | miring bow to the Russian example. There followed a dance-drama, “Strife,” patently modeled after the | Jooss Ballet, so recently seen here. {Lighter classicism was evident in | the choreography to Enesco’s “Ru- | manian Rhapsody, ” which brought the evening's best performance. | Lastly, there was Miss Courtney's dance impression of Beethoven's | Fifth Symphony, called “Transcen- | dence.” Promises Much for Ballet

Considered as student dancing, | the exhibition by Miss Courtney’s | pupils promises much for American ballet in the future. From the | standpoint of creation and interpretation, however, it proved a magnified version of many of this art- | form’s faults. | In “Strife,” neither the spirit nor {letter of the Jooss example was fol- { lowed. Too classic a technique was {emploved in this pantomime of rather pointless “realism.” The re|sult was superficial, cumbersome | and, except for a couple of tableaux, | ineffective. As for the Fifth Symphony, it is a moot point to quarrel with any- | one’s reaction to a nonprogrammatic { piece of music’ or, for that matter, lits interpretation in motion. This | composition being what it is, how- | ever, its only conceivable excuse as a ballet would be to heighten and clarify the spectator’s appreciation. Miss Courtney's choreography | scarcely accomplished this. The mighty genius of Beethoven seems to me to have spoken too clearly | { for such misinterpretation. My enjoyment of the work will not be increased for remembering the first | [movement's principal theme, on its return, “jigged” by a dancer representing Folly. Confusion of Procedure

There was a confusion of procedure in the Andante alternating between a Wigmanish symbolism and the conventional style, and accom- | plished with a fluttering of hands and a creaking of toe slippers. The Scherzo approached nearer to satisTacuion, But When, Sm the mystic

BER BILLY HOUSE

Yiie T 2

ag I) ROUND 77:5 [8

Wildest Love Story of the Year!

“A Girl With Ideas’

With WENDY BARRIE KENT TAYLOR—DOROTHEA KENT

I LB 3)

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JOHNNIE DAVIS “OVER THE GOAL”

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POWER -YOUNI Second PATTY

The “Comedy You’ re Hearing About!

JANE WITHERS in “Forty-Five Fathers”

of dancing®—

foreboding of the transition, the Finale’s music breaks forth in joyous liberation, the spell was broken. For the choreographer saw in this last movement the triumph of death over hope, folly and desire, to say nothing of restive, tragic and defiant humanity. All these embodie¢ emotions, jointly and severally, st.ccumbed to the Grim Reaper, who looked like nothing so much as Count Dracula. \ Somehow, I cannot imagine that this is what Beethoven intended. And, against the advent of more prescient and inspired choerography,

in the concert hall,

STRINGING "EM

Comedian Parkyakarkus took violin lessons from Actress Ann Sothern so he could assume the proper posture in a scene of Everything.” Miss Sothern Gene Raymond head the cast of the comedy picture.

Symphony

it might be well to leave the Fifth |

to keep those actors together. For polished performances it is necessary for actors to keep working together until each knows every facet of the other's act and can match it smoothly with his own. “Again, Reinhardt was a leader, an organizer. His genius attracted to the continental stage the best actors and authors. He knew what he wanted, and he got it. He had a plan. Every part in a Reinhardt play was filled by a star, and he kept his people together.” Mr. Homolka believes the should never try to compete with the screen. “It doesn’t need to do 0.” he observed. “The two mediums are as different as opera and the symphony. “Technical trickery on the stage silly. The screen can do it so much better, and anyhow it isn't at all necessary. A stage genius will spend his money on actors, not

stage

[on scenery. “She's Got | and |

Given a good play and a director. can stage

a good cast, in front of a

his performance

[ painted drop and send the audience

out cheering.”

Tonight’s Presentation at Your

Neighborhood Theaters

NORTH SIDE : 30th at Northwestern

Double Feature Bobby Breen

RE X a

“MAKE “HOLLYWOOD cow BOY” Double Feature

GARRICK ‘Bhi

“TOAST OF NEW YORK Kay Francis “CONFESSION” Double Feature

ME C C A Kenny Baker

“MR. DODDS TAKES THE AIR” _ Boris Karloff “NIGHT KEY”

Stratford 19th and College

Double Feature Laurel Bo Hardy “OUR RELATION “GOOD OLD SOAK’ ’

DR RE E A M 2351 Station St.

Double Feature “THIN

Jones Family

RITZ

ssi

‘Hollywood

30th and Illinois

Noble and Mass.

®t Henie

I Nor WATER"

Illinois and 31th Double Feature - Gloria Stuart LIFE BEGINS IN COLLEGE Peter Lorre “LANCER SPY"

1500 Roosevelt Double Feature Bobby Breen

A WISH’ “GOOD EARTH”

AKE Paul Muni Central at Fall Crk. Double Feature

ZARING onald. Cojeman

“THE PRISONER OF ZENDA" _____ Jean Arthur “EASY LIVING”

CIN 16th and Delaware MA Dotible Feature lice Fa “You SANT HAVE EV FRYTHING” OVE TAKES FLIGHT a] from 1:30

UPTOWN 42nd and College

Double Feature “FIND THE

Roig Keith Dick Powell TVARNITY SHOW’ 4

ST. CLAIR St. Cl. & Ft. Wayne

DyTile Feature eanor Powell “BROADWAY MELODY OF “LIFE OF THE PARTY"

Bn Talbott and 22nd

Double Feature “MAKE A WI

Rabhy Breen Errol Flynn WOREEN TIGnT” EAST SIDE 11 Double Feature

B I J @ U Anton Walbrook

“SOLDIER AND THE LADY’ “GREAT HOSPITAL MYSTERY’

RI V O L 3155 E. 10th St.

Doors Open at 5:15 Gloria Stuart “LIFE BEGINS IN COLLEGE" Dolores Del Rio “LANCER SPY’

TACOMA 2142 E. Wash St.

Double Feature Edward Arnold “TOAST OF NEW YORK “CRIMINALS OF THE AIR"

TUXEDO 4020 E. New York

Double Feature Loretta Young “LOVE UNDER FIRE’ we "MEET THE MISSUS

I IRVI VING 5307 E. Wash St.

Double Feature “THINK FAST, MR. MOTO"

E. Washington

Peter Lorre Sonja Henie _"THIN ICE’ }

sitting! perfect

standing or for instant, foreign reglorious to i Complete with Fate Aeria

. .

THE “ROAD 1105 S. Meridian Double Feature

EAST SIDE Double Feature Sonja Henie Tyrone Power Bruce Cabot “BAD GUY” a Double Feature Edward Arnold 0OAST “ CSWEETHEARTS OF THE NAVY" HAMILTON 2116 E. 10th St, Dick Powell 1938" “FLIGHT FROM GLORY’ he ST R A N D 1332 E. Wash St. Gloria Stuart “THE PRISONER OF ZENDA" ol P + 111 E. Wash. aramoun will Rogers Jean Arthur “EASY LIVING” WEST SIDE Double Feature Pai O'Brien “SACK IN CIRCULATION” “LOVE UNDER FIRE" Double Feature Deanna Durbin “100 MEN AND A GIRL” Brian Donlevy “BORN RECKLESS” Double Feature Sonja Henie “THIN Guy Kibbee : W. Wash. & Belmont Double Feature “BACK IN CIRCULATION” Sylvia Sidney “DEAD END” Double Feature ‘robsy “DOUBLE OR NOTHING “SPEED TO SPARE’ : © Pros. & Churchman AVALON Double Feature “MARRY GIRL’ a BACK ORIENTAL “Hale Yori “THIN

~~ 21S 1630 E. 10th EMERSON o “THIN ICE” GOLDEN 6116 E, Washington OF NEW _ YORK” Double Feature “BROADWAY MELODY OF Double Feature “LIFE BEGINS IN COLLEGE" Double Feature “DAVID HARUM’ SPEEDWAY Speedway City svi HOWARD Howard and Blaine 2702 W. 10th St. STATE ICE’ - “BIG SHOT” BELMONT Joan Blondell 2540 W. Mich. DAISY : Atiire SOUTH SIDE Frank McHugh John King Harrv Carey

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East at Lincoln Double Feature Chester Morris “I PROMISE TO PAX" Cary Grant “TOPPER”

2202 Shelby ‘New Garfield » a

jibe ature Burns “MOUNTAIN MU Ic Pat O'Brien “SLIM”

FOUNTAIN COUARE ~

Double Feature Ritz Bros. LIFE BEGINS AT COLLEGE’ “BAD GUY’

Bruce Cabot . At Fountain Square Double TEature

SANDERS he

“YOU CAN'T HAVE EVERYTHING” Conrad Nagel “NAVY SPY Cr—

Beech Grove OVE Double Feature Tom Brown “MAN WHO CRIED WOLF" Phil Regan “HIT PARADE”

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