Indianapolis Times, Indianapolis, Marion County, 18 October 1937 — Page 6

PAGE 6

ATC A SH EY 4

THE INDIANAPOLIS TIMES

WEE. a

Paul Muni Calls Zola

PRIZES AWAIT SILHOUETTE CONTEST WINNERS

Role Easy

Actor Finds He Has, Much in Common With French Novelist.

By JAMES THRASHER As regards public and critical reception, there is a similarity between “The Life of Emile Zola,” which comes to the Circle screen Friday, and “King Richard II,” due at English’s early in 1938. There

note in ihe chorus of praise that has greeted Maurice Evans’ Shakespeaie revival and Paul Muni's portrayal of the great French novelist. Just what preparation fortified Mr. Evans’ portrayal of the weakwilled monarch hasn't been publicized as yet. But word of Mr. Muni’s rigid training for the Zola portrayal has preceded the picture's siiowing here,

Chooses Own Roles

In the first place, of course, Mr | Muni’s artistic integrity is | |

well | known. He is one actor whose tal-!

ent has brought the blessed recom- | pense of being permitted to choose his own parts. So he brings to each

performance a sympathy and enthusiasm. The preparation for “Zola” began | With several months of research by | the star. From all available sources | he gathered a list of Zola's manner- | isms and characteristics. During this period he also grew a beard to! add a realistic touch He practiced these mannerisms and tricks of gait and gesture until some who had known the pic-| ture’s subject declared the star looked more like Zola than Zola himself.” He spoke his lines into a dictaphone, then plaved the recording back for further correction. By the time the picture went into pro-| duction, Mr. Muni could be seen| shuffling about in Zola’'s middle- -aged | gait—off the set as well as on.

Wanted to Be Successful

In addition, it seems reasonable to | believe the report that the actor's | characteristics parallel those of his | subject in many instances. Zola, it | is known, was a poor lad who de- | termined some day to have fame and | the comforts then denied him. Mr. | Muni, in his boyhood dreams, seems | to have been fired with an enthusasm for material success along with | his artistic ideals. At any rate, he followed his father's footsteps into the Yiddish theater despite the protests of the elder Weisenfreunds (that being Mr. Muni's name), who had hoped for their son a more secure financial existence. Zola never took the easy way ta fame and fortune, nor did his screen | interpreter. The Frenchman revoit- | ed against the stagnant, artificial | literature of his day. He dared to! write with unrelenting realism and ; expose many of the overlooked cor- | ruptions in social and political life. The actor, too, shunned the frothy | entertainment of Broadway plays to | cling to the artistic but unremunera- | tive Yiddish theater until his chance | came in “We Americans.” As a champion of human rights, Zecla is famous. Mr. Muni's contri- | bution in this line has not been so significant, yet almost all of his pictures have been in the nature of social documents of one sort or ancther, as well as capital entertain- | ment. Both Threatened to Retire

Then, too, there was the urge in' both men for retirement. Zola's creative activity seemed almost at an end—certainly his crusading fire had burned out—when the Dreyfus case brought him back into the thick of the fray. Mr. Muni periodically threatens to leave the screen for his home in Palos Verde. But each year finds him again before the camera. His present European vacation, which will take him to Russia for guest appearances with the Moscow Art Players, his first prolonged absence from Hollywood in many | seasons. All these comparisons may be far- | fetched, but they do secm to indicate that Mr. Muni is the man for the part. As he recently said: “I had less trouble in assuming the character of Zola than any other person I have ever portrayed. It was no effort for me to think as he did, to react to things as he | did. I think we must have quite a | bit in common.’

Augment Jepson Recital Audience

iS

music lovers from outside | the city are to augment the local audience which is Jepson in the first Martens Concerts recital at English’s tonight. Groups from Crawfordsville, Kokomo and Marion are among the! school, college and sorority representatives who have purchased season subscriptions. Other outside subscribers are from Rushville, Madison, Anderson, Mun-

Many

hasn't been a dissenting |

| office | plenty of cash since the opening. That was the first immediate suc- |

j part in the show, [role and by chartered plane he flew

to hear Helen |

| own way back from a crackpot cult |

Bloomington, { —

Identity the star whose silhouette appears above.

15

Then keep

the accompanying photo as an aid to identification of another star

whose silhouette will also appear.

Keep all silhouettes and photos

and send them to the Silhouette Contest Editor of The Indianapolis

Times when you have the complete set of 28.

After you have

identified the star in the silhouette write in answers to the follow-

ing questions:

SHOP'S Tim INES «ss osnsvssssstatstvssusussssessussseuss

BIA PIEGE oo vosvsusssssnsvsrsnsrsnsusirisvsunsetnrisees

Name one Rim this Shar WBS I. cvssisstusssesssvssessnee ss

PLR EEE EEE EEE EE EEE EL EE EEE A NEEL ELA E EERE YEA rae

Name not more than three films in which this star will appear

in this coming season.

(Note: Complete list of coming films and

stars appeared in the special Hollywood Forecast Section of The

Times Oct. leave the space blank.

If the star's name did not appear in that section If the star appears in only one or two films,

specify them only. Any coming films not mentioned in the Hoilywood Forecast Section will NOT be considered in the judging.)

0 0 0 000 EERE IEEE EEE PEPE EI IEEE LEARN EN EEN ANIA

S800 P EIEN ENE EEA A NEA E ANNA Er ENN

B20 0 000 0B EN ENE NEE PEE ENE LENE LERNER rE raat

IN NEW YORK —s, ctrorce ross

Maxwell Anderson's

Newest Play Draws Crowds

Despite Critics’ Slams.

EW YORK, Oct. 18.—The Stage: When “The Star Wagon,”

| Maxwell Anderson's play with Burgess Meredith and Lillian Gish, be- |

came an instantaneous hit, the | drama critics also were surprised. |

For the faults they found with the | [play did not keep away Mr. Ander- | | son's,

Mr. Meredith's Gish's devoted public and the box till has been ringing with

the season. Then John Golden brought Rachel new play, “Susan and God,” to

Broadway and added hit No. 2 to

cess of

and Miss | Vas pl Hecht is one of our leading Amer-

Crothers’ |

an otherwise dawdling month in the |

theater, Only a fortnight before, death had deprived “Susan and God” its leading man, Osgood Perkins. one of the ablest and most admired actors of the New York stage. For several days, grief and confusion. Overcome by the tragedy, Gertrude Lawrence collapsed just before a performance | in Washington. Rumors ran that | Mr. Golden frantically tried to replace the Mr. Perkins with a film star of great prominence.

8.8 GOLDEN,

2 R. however, Paul McGrath, had another

into the vacant

wno

| Morgan Farley from Broadway to ! the Capital as Mr. McGrath's suc- | cessor. | brought “Susan and God" | Rialto, where it was revealed | Miss Crothers’ finest stage work; a Istudv of a woman who finds her

to common sense and her husband ! |and daughter, { There were such critical bravos for Miss Lawrence as few actresses {have been accorded in recent seasons and Mr. McGrath earned

| | Praise, not as a competent substi-

cie, Newcastle, Lebanon, Greencastle, |

Bediord and numerous other cities.

ENDS TONIGHT

Midwest Sports, Inc., Presents

OLLER DERBY

Reg. U. S. Pat. Office

COLISEUM

General Admission

NOW-25¢ To 6 WARNER BAXTER JOAN BENNETT “VOGUES OF 1938" Plus Mystery “London By Night"

FRIDAY! DOUBLE FUN with WM. POWELL MYRNA LOY “DOUBLE WEDDING"

Martha

Raye

“Mountain Bob Music” Burns

Gloria Stuart

“Girl Overboard”

of |

there had been |

did

nothing of the kind. He moved | shows

| with

| |

| tute, but for his truly fine portrayal

in a difficult spot. ”

NE of the most touted offerings of the new stage semester has

o Ld

fallen by the wayside. The setup for |

Ben Hecht's plush

“To Quito and Back” and impressive,

ican fictioneers. The play was pre-

| sented by the distinguished Theater

Guild. Sidney, Hollywood's

Its leading lady was Sylvia

ballvhoo. Its leading

man, Leslie Banks, had been drafted | The |

all the way from England. whispering campaign had run for | months that “To Quito and Back” was a play of exceptional merit. But upon “To Quito and Back's” arrival in New York, it was greeted

[in such vicious contempt by the re-

viewers that they might as well have expressed their opinions chine guns instead of typewriters. They were equally contemptuous of the play—which, by the way, is not only as dull as dishwater, but as hard to swallow—and of the players,

{singling out Miss Sidney for their | direct hits,

= ” HAT Miss Sidney seems to be

u

suffering from. the diagnosis |

“the Kkliegs,” a bad attack |

a case of or in simpler terms,

is

. : | of movie technique. She seems to

be in constant need of a mentor a megaphone tb tell her | where to move next, when to raise

A week and a half later. he | ber voice, when to lower it and

to the! - as |

'RULES--

Mr. | | show was not much in symphathy

whose name is hallowed in |

with ma- |

ENGLISH

ALFRED de LIAGRE, Jr., presents

LAWRENCE

$110:

3 DAYS E BEG. THURS, OCT. 21 MATINEE SATURDAY

Gayl

FLORENCE REED

AND A DISTINGUISHED CAST

“A daughter tells her mother the Facts of Life. A charming comedy from all angles. Highly recommended.” — The New Yorker Magazine

9 MONTHS ON BROADWAY R\ Eves.—Orch., $2.75, $2.20; Balc., $2.20, $1.65, Gal, 3c. Sat. Mat.—Orch., Gal, 55¢, incl. tax. SEATS NOW GN SALE!

Merk Reed's Comedy Hit WITH

GROSSMITH, OWEN DAVIS JR.

$2.20, $1.65; Balc., $1.65, $1.10;

16

Identify the star whose silhouette appears above. Then keep the accompanying photo as an aid to identification of another star whose silhouette will also appear. Keep all silhouettes and photos and send them to the Silhouette Contest Editor of The Indianapolis Times when you have the complete set of 28. After you have identified the star in the silhouette write in answers to the foiiowing questions:

Star's Film NAME: sc ovsnsssssnsssesesssorsrerresssrsnsces

Birth PlB6e «ovisvisssnettssscsssisssssssssnsssscesesee

Name one Tira $hicielar WBE Meas sssssssvasssesssrecsens

$0 0 0 8A EEE NIE ANIA EISNER ANY YEN

Name not more than three films in which this star will appear in this coming season. (Note: Complete list of coming films and stars appeared in the special Hollywood Forecast Section of The limes Oct. If the star's name did not appear in that section leave the space blank. If the star appears in only one or two films, specify them only. Any coming films not mentioned in the Hollywood Forecast Section will NOT be considered in the judging.)

© 5 00 0 50 8 00 CIEE EON EBENL INLINE RINE ENRLIEENNIELENENENEE La

© 0 00 0 8 8 80 EPEANEP EIEN INGIE EB ENENIIIEEE, a

| 1. Identify the silhouette (not the photo) , 13. Any coming films net mentioned which res daily. in this edition will not be considered in ! ep all photos and silhouettes and | the judging. seal them together with answers to the 5. Employees and their families of The | Silhouette Contest Editor of The Indianap- | Indianapolis Times, Scripps-Howard Newsolis Times, following completion of «he | papers. American Airlines or of any movie contest. Send with them the name of vour | concern. branch or local theater are barred | favorite movie star and an essay of not | from participating mere than 100 words telling why. 6. In case of a tie, equal prizes will be Judging will be based on: awarded.

"A. Correctness of identification. i. Upon entering

Submbyon of answers, B. Correctness and completeness | cepts these rules as binding and agrees answers to questions in coupon. | that the decision of The Times in all mat. 100-word essays, | ters affecting the conduct of the contes © Nost Jactiteriens J judges. | and making of awards shall ne final and | | conclusive. he Times will not be re4. Answers to the question concerning K sponsible for submissions or communicacoming pictures in which the stars will | tions unduly delaved ~r lost in the mail. appear can be gleaned from the list of | Each entrv and submission becomes the coming pictures which appeared in the | property of The Times and will not Hollywood Forecast Section of The Times, ' returned >

Oct. n

this contest and

of

, when to put it out of hearing alto- | gether. The critical survey of the |

101 SILHOUETTE CONTEST PRIZES

First Prize—Roundtrip plane trip to Hollywood via American Airlines, with tour of studios. Second—$100 in cash. Third—$50 in cash. Fourth—Vacation trip to Chicago via air. Fifth—$25 in cash. Sixth—$10 in cash. Next 10 Prizes—$5 each.

with Mr. Banks, either. As for the show, it is Mr. Banks | who sums it up neatly in the first | act by commenting, "We seem to | be here without ryhme or reason, | and besides we talk too much.” | Trouble is, they all talk too much in the manner of Ben Hecit. What Author Hecht will do after | | this snub is a matter of conjecture. | | He may take it standing up and continue to write plays for the | | highly speculative theater. Or he ' may shove off to Hollywood where || Next 10 Prizes—$3 each. they appreciate him better to the | Next 75—Pair of theater tick- > 9, ( | . A ng | extent of $260,000 per year. ets each. |

REMEMBERS NAMES

Dolores Costello, who has returned | | to the Warner Bros. lot after an ab- | | sence of many years, surprised all | the prop men, electricians and carpenters who worked with her in the |

{old days by remembering all their first names and family problems.

Dance - Compelling

Syncopator

and his

ORCHESTRA

LAST 4 DAYS! “Plus Other

Brightest Comedy of the Year!

25¢ Until 8 40c After 6

LLL 3X OLAND. |

| BF (I on Bread 24

ZR 1“ TEMPLE

4 0)

HEIDI -

'TRY A WANT AD IN THE TIMES

CIA —Thurs., Fri., Sat., Oct. 28th, 29th, 30th MATINEE SATURDAY at 2:30 o'Clock Sensational Dramatic Event

LAURENCE RIVERS, Inc., presents

TALLULAH BANKHEAD

A Magnificent Production of

ANTONY

AND

CLEOPATRA

By WILLIAM SHAKESPEARE WITH

CONWAY TEARLE and Distinguished Cast of 65

PRICES: Evenings, Orch., $2.75, Balc., $2.20, $1.65, $1.10; Gal, 55c—Saturday Matinee, Orch., $2.20, Balc.,, $1.65, $1.10; Gal., 55c. Incl. Tax.

MAIL ORDERS NOW

Seat Sale Opens Wednesday 20th

by | the contestant ac- |

L HALLETT

Templeton’s

APPOINTED

Piano Genius

| Blind Musician Displays Gift as Improvisor and Caricaturist.

To hear Alec Templeton is quite the most unusual musical experi- | ence of this or any other musical season. Mr. Templeton is the young English pianist, blind since birth, bey speaks a vivid language from his world of darkness through the | medium of the piano. The young artist opened the In- | dianapolis Town Hall series Satur- | day morning with a performance in | the Columbia Club. He deployed his | unusual gifts as recitalist, improvisor, “swing” pianist and musical carjcaturist. : As a recitalist, Mr. Templeton | showed himself to be a poetic, sen-

C

a

A

Wins Praise §

pointed

tor in drama and speech. uate of the school, where she was

Mrs. Meyers also will teach at the Conservatory's extension division in

Miss Alma Meyers has been apto the Arthur Jordan onservatory faculty as instrucA grad-

pupil of Miss Frances Beik and Jane Ogburn Bruce, Miss

nderson.

sitive player who, as has been said, | “makes no concession to affliction.” | His playing has remarkable assur- | ance, his technique is fluent and his | tone songful. He was heard in compositions of Bach, Brahms, Richard | Strauss, Schubert, Chopin and Debussy. From this group he moved into a field that is almost his exclusive | possession today. Pianists, if they | improvise at all nowadays, do so in | | private. But Mr. Templeton’s im- | | provisations on themes suggested by the audience recalled the golden | days of Bach, Handel, Mozart and Beethoven and their jousts of extempore playing with vaunted rivals. His hearers gave Mr. Templeton five such unrelated notes as A flat, C sharp, B flat, D and G. In this sequence he improvised upon the theme in the styles of Bach, Mozart, Johann Strauss and Gershwin with an ingenuity both amusing and astounding. Even more of a whimsical tour de force was his combination of four random tunes suggested by the audience into a short, integrated “piece.” The amazing concentration required for these feats of impromptu contrapuntal weaving is difficult to imagine. But let any first-rank pianist attempt a coherent pot-pourri of Rimsky-Korsa-kov's “Flight of the Bumble Bee,” Rachmaninoff’s Prelude in C Sharp Minor, Gershwin's “Rhapsody in Blue” and “The Merry-Go-Round Broke Down,” and he will see what { Mr. Templeton was up against, Gives Informal Program

Even more aelightful was the

E. Thomas.

ettes,

Cabot and Beatrice Roberts, 2:40, 5, 7:50. 10:20.

with nett, at 12

Jer s orchestra, 3:30

Jack he Edward Everett Hopton 5: 56. )

Also Stuart.

and George Raft. s0 Shot,”

Don “Ranger Steps In,”

WHAT, WHEN, WHERE

APOLLO

for Madame,” with and Joan Fontaine, 7:26, 10:15. Ro Naughty Girls, Gleason and Zasu Pitts, 3:34, 6:23, 9:12,

CIRCLE

Please,’

“Music Nino Marui at 11, 4:37 " with James at 12:45,

“This Way with Buddy

| Rogers, ENN “nd | Ned Sparks,

at 11. 1 “On Such a Night.” Richards and Karen Morley, » 8:14. 9:03.

with Grant at 12:36,

3:25

CIVIC THEATER

‘““No More Ladies,” comedy by A. Jadics at 8:15.

KEITH'S Vaudeville on stage, with Saxonat 1:40. 4. 6:50, 9:2 “Love Takes Flight,” ith Bruce at 12,

LOEW'S

“Walter Wanger’s Vogues of 1038.” arner Beier and Joan Ben=- : 30. 6: 50 Night.’

“London 2 with Boone

My rolty and Rita R hnson, at 11:1 25. 5:35, 8:50.

LYRIC Vaudeville on stage with Mal Halat 1:09. 3:46, 6:43,

nger—Love at Work,” with

Ann Sothern, at 11:32, 2:09,

7:53. 10:30. OHIO

with Bob Burns.

“Mountain Music,” with Gloria

“Girl Overboard,” AMBASSADOR

“Souls at Sea,” with Gary Cooper Al “The Big

with Guy Kibbee. ALAMO “You Can't Have Evervthing,’ with

Ameche, Alice Faye. Also with Gene Autry.

MONDAY, OCT. 18, 1937

Seek Double

For Fighter

Warner Bros. Offer Role

Of John L. Sullivan.

Times Special HOLLYWOOD, Cal, Oct. 18—If you look like John L. Sullivan, one= time heavyweight champion of the world, in his prime and also have some boxing ability, the Warner Bros. studios would like to hear from you. And if Warner Bros. agree that you actually do resemble the Mr. Sullivan there'll be a nice, juicy role for you in the new Techni« color production, “Gold Is Where You Find It,” starring George Brent, Olivia de Havilland, Claude Rains, and Margaret Lindsay. For nearly two months now the studio has been looking for an actor to portray the late champion, but without success. Casting offices and agencies, it appears, don't have a Sullivan double on their lists. Michael Curtiz, director, has talked to a dozen prospects without resuit, “Sullivan's moustachioed face is

pianist’s informal program at a luncheon following the recital. He gave some devastatingly funny impressions of German Lieder singers; a walk down the halls of a music school; “musical portraits” of the luncheon guests; “Home Sweet Home” in the style of Rachmaninoff, and what not. Alec Templeton cannot be classed among other pianists. Music to | him is not a profession or amuse- | ment, but a “second sight.” One | does not feel pity for this afflicted young genius. Rather, he envies | him his unique gift, his charming manner and his delightful sense of

FO ~~ GIRLS JAMES GLEASON

od 1)

Aa

A 25¢

| humor. Undoubtedly this is what | Mr. Templeton would wish. «J. T.)

THEY HAVE REUNION

Rigaud, Argentine importation, and Olympe Bradna renewed their | acquaintance when they met for the | first time in five years. Olympe, 12 | years old at the time, danced at the | premiere of Rigaud's first picture (in Paris inr 1932.

WRESTLER GETS JOB

| Hans Steinke, well-known heavy- | weight wrestler, has entered another | branch of the acting business. He ( has a role as Tarsus, gigantic pirate, lin C. B. DeMille’s “The Buccaneer.”

ee MARTENS CONCERTS, INC. emer

ENGLISH—TONIGHT 8:30

Opening Concert of Season

HELEN

JEPSON

Lyric Soprane of Opera, Radio, Screen

Limited Number of Good Seats on Sale.

Seats on Sale Martens Office, Room 20] 18 Monument Circle until 5 P. M.—6 o'clock Theatre. Prices $1.10, $2.20, §2 $3.30

2.35

“",

ENGLISH

In Ibsen’

Eves., $2.75, $2.20, $1.65, $1.10, 55 $1.10, 55¢, Incl. Tax,

TUES., WED., NOV. MATINEE WED.

sTAR A CAST

2ND, 3RD

SAM

GORDON in (KAS JAFFE

NS

“A DOLLS HOUSE"

Production by Jed Harris

c. Wed. Mat., $2.20, $1.65,

Mail Orders NOW!

so well known from old photographs [it would not do to put someone in | the part who does not closely re=semble the famous champion,” he explained. “I talked to one man who did | look like Sullivan, but he was too fat to play the part. The man I need must have an excellent | bhysique and be a pretty good | boxer. He will work in a prize fight | at which most of our principals are spectators,” he said.

FAMOUS WRESTLER

Nat Pendleton won the A. A. U, wrestling championship three times, the Metropolitan title six times and the Olympic championship once. MARY LIVINGSTONE NOW! Fibber McGee and Molly Charles “Buddy” Rogers in

/ PAUL MUNI

ZOLA

Season Tickets Now

ON SALE

to 1937-38 Concerts by the

INDIANAPOLIS SYMPHONY ORCHESTRA

Ferdinand Schaefer, Founder FABIEN SEVITZKY,

Conductor

a

The_ Life of Emile

80 Musicians 8 Soloists SIMON BARER, Pianist LEA LUBOSHUTZ, Violinist LOTTE LEHMANN, Soprano FRANK SHERIDAN, Pianist ALBERT SPALDING, Violinist RICHARD BONELLI, Baritone

EMANUEL FEUERMANN, Cellist BOMAR CRAMER, Pianist

Also 2 Appearances The Indianapolis Symphonic Choir Elmer Steffen, Conductor Season Nov. 19-April 3 10 Friday Afternoons at 3:30 10 Saturday Evenings at 8:30 at the MURAT Season Prices for Either Series $7.50, $10, $15, $18.50, $22. The Indianapolis Symphony Orchestra

MURAT THEATER Rl ley 9597

Tickets will be mailed to Subscribers early in November,

At Your Neighborhood Theater

EAST SIDE

WEST SIDE TE

EMERSON

“TOAST OF NEW Guy Kibbee “BIG SHOT”

"6116 E. Wash. St. GO LDEN Double Feature Robert Armstrong “THREE LEGIONNAIRES Gable-Harlow “SARATOGA”

HAMILTON 2116 E. 10th St.

Double Feature Robert Donat “KNIGHT WITHOUT HONOR “DANCE. CHARLIE, DANCE”

1332 E. Wash. St. S 1 R A N D Double Feature Edward Arnold “TOAST OF NEW YORK" “ONE MILE FROM HEAVEN”

411 E. Wash Double Feature

Pa ram ount George DQ. ‘Brien OLLYWOOD COWBO

4630 E. 10th Double Feature

ST

HOWARD

BELMONT

DAISY

AVALON

ORIENTAL LINCOLN

SANDERS

Howard Double Featute Shirlev Temp “WEE WILLIE WINKIE” ___ “GREAT HOSPITAL MYSTERY"

TATE 2702 W. 10th St.

Double Feature Allison Skipworth “TWO WISE MAIDS Constance Bennett “TOPPER”

Double Feature Ralo B Bellam “IT CAN'T LAST FORE Paul Muni “GOOD FARTH 2540 W. Mich. Double Feature Claudette Colbert “IT HAPPENED ONE NIGHT" “DANCE, CHARLIE. DANCE"

SOUTH SIDE i

HE GROVE opie siaiure

Dick Powell a" ‘THE SINGING MARINE” REPORTED MISSING”

Pros. Double Feature Dick Powell THE SINGING MARINE" “THE WILDCATTER"

Double Feature Penner ' NEW FACES OF 1937” “BORN RECKLESS" East at Lincoln Double Feature Spencer Tracy “CAPTAINS COURAGEOUS” “COME ~ CLOSER. FOLKS’

FOUNTAIN SQUARE

Double Feature Gary Cooper OULS AT S _______ BLOND TROUBLE"

Double Feature Shirlev Temple “WEE WILLIE WINKIE “DEVIL IS DRIVING’ 5

NORTH SIDE

“H Pat O’Brien ‘SAN QUENTIN" 114 E. Washington B | J o u Double Feature Bettv Furness AIR WARNING” Edw. E Re “OH! DOCTOR” ~ 3155 E. 10th St. KR | Y O L | Doors Open at 5:45 Barbara Stanwyck “STELLA DALLAS” “HOTEL HAYWIRE"” EXTRA! Shen Fields and His Orchestra - a 2442 E. Wash St. TACOMA Double Feature Shirley Temple “WEE WILLIE WINKIE “LAST TRAIN FROM MADRID” oh Tae "4020 E. New York 1 Double Feature TUXEDO Robt. Montgomery “EVER SINCE EVE” ___ Fred MacMurray “EXCLUSIVE” 5507 E. Wash. St. | IR Y | N el Double Feature Edward Arnold “EASY VING” Pat O'Brien * “SAN QUENTIN” WEST SIDE c AJ AV Speedway City SPEEDWAY Double Feature A va, MODELS" TO SPARE”

R

"Illinois and 34th | T 7 Double Feature Lorett 2, Young “LOVE UNDER: FI ¥ “ONE MILE F VEN"

Blaine

W. Wash. & Belmont

St.

& Churchman

1105 S. Meridian

At Fountain Square

NORTH SIDE

- re 1500 Roosevelt Double Feature

H Hollywood Featu

‘EMPEROR’ S CANDLESTICKS’ Jack Oakie ‘SUPER SLEUTH"

ZARING

“MOU NTAIN MUSIC” Francis “CONFESSION”

Central at Fall Crk, Double Feature b Burns

Kay

CINEMA

“DANCE. CHARLIE, DAN Warner Baxter “SLAVE SHIP” Continuous from 1:30 Double Feature

UPTO N Alice Faye “YOU CAN'T HAVE EVERYTHING” Brian Donlevy “BORN RECKLESS" ST. CLAIR *'pounie Fae

“THE ROAD BACK” Cary Grant “TOPPER”

TALBOTT Talbott & 22nd

Double Feature

16th & Delaware Double Feature Stuart Fiwin

12nd & College

St

Norma Shearer MEO AND JULIET” ME A LOVE SONG"

0 “SING 30th at Northwestern

R E X Double Feature

E. Horton MONEY” Constaney Bennett “TOPPER” A her 30th and Illinois

GA R RIC K Double Feature

oods “CASE OF THE STU TTERING BISHOP" TWO WISE MAIDS “Noble & Mass. Double Feature Preston FoSter “OUTCASTS OF POKER FLAT” “THUNDER IN THE CIT, "19th & College

Stratford

“THUNDER IN THE C “CASE OF THE STUTTERING BISHOP” Double Feature

D R E A M Shirley Temple

W Patsy Kelly. Lion A STAR”

2351 Station St.