Indianapolis Times, Indianapolis, Marion County, 2 October 1937 — Page 7

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SATURDAY, OCT. 2, 1937

‘High, Wide,

Handsome’

Is Movie Compromise; Aquatic Stars at Lyric

Musicale nd B Epi Ideas Mixed to Make Circle Film.

By JAMES

Take a story of Pennsylvania’s early oil boom, a musical score by Jerome Kern, a finale full of fighting men with bull whips and wrenches, add the heroine leading the rescuing parade of elephants and circus wagons, and what

do you have?

Paramount has called it “High, Wide and Handsome,” and it is now on view at the Circle. For good measure the bill also offers John Barrymore, in various disguises and as himself, in “Bulldog Drummond Comes Back.” Apparently Oscar Hammerstein II didn’t know whether to make another “epic” of: American frontier life, or another musical film. So he compromised, not always combining the best features of both. The resulting effort is a little too much of a load. \Mr. Hammerstein should have made two trips. \ As is often the case, Mr. Hammerstein and Director Rouben Mamoulidn had the makings of a forth-

right and lively action picture in|

their grasp. It’s all about the young Pennsylvania farmer who has an idea that the “rock oil” that seeps out of the. ground can make him

.some money. When his drill hits a

“gusher,” a lot of other people have the same idea.

Complications Set In

Meanwhile the farmer has married a young girl whom he and his grandmother had taken in when her father’s medicine-show wagon burned. They are married. But oil takes so much of the bridegroom's time that, after a quarrel, the bride goes back to circus life. Meanwhile, a Philadelphia railroad group has raised the ¥oil farmers’” freight rates to prohibitive heights, hoping to get control of their wells. Finally Peter, the young farmer, hits upon the idea of piping his cil to the refinery. His pipe line is raided and broken several times by rival mobs. Some of the farmers desert to the other side. When only one day remains to lay three miles of pipe, things look black. Then Peter decides to run the pipes over the face of a high cliff. Here the final fight takes place. The young wife, just as she was closing a deal to be starred by P. T. Barnum, hears of her husband's plight. She rounds the circus iogether. Riding proudly ahead of a cavalcade that contains practically everything but the Marines, she leads clowns, elephants and all to

victory with the famous cry of “Hey,

Rube!” Song Idea Deadly All of which sounds not too bad. But there is a plethora of incidenta® songs. It is not my opinion alone that stopping the action many

.times for music is only slightly suc-

cessful on the stage, and deadly in the movies. Especially in such a stern and adventurous story as this one. The marvel of hearing the human voice singing from a shadowy screen long since has grown commonplace, but the early talkie tecnnique still persists. Mr. Kern’s tunes are pleasant, to be sure, and Irene Dunne sings them charmingly. Randolph Scott is a manly and acceptable hero. The best performance by anyone, however, is by Elizabeth Patterson as Randolph’s grandma. Others in the cast are Dorothy Lamour, Raymond Walburn, William Frawley, Ben Blue and Akim Tamiroff. “High, Wide and Handsome” is overlong, and on the dull side much of the time. - But the kiddies surely will enjoy the fight scene at the end, what with the elephants and all,

John Thompson, Pianist, to Talk

John Thompson, widely known pianist, pedagogue and composer of teaching pieces, is to return to Indianapolis for two lectures Monday and Tuesday mornings. His engagement again is spoasored by the Gladys Alwes Music Shoppe, 33 Monument Circle Building, where he will be presented. Dr. Thompson, who once taught piano here, has been Kansas City Conservatory director for several years.

Warner Baxter—Wallace Bey “SLAVE SHIP” Helen Mack “CAN'T BUY LUCK”

ANADA

1045 VIRGINIA AVE.

GUY KIBBEE “THE BIG SHOT”

| Diving Experts Present |

| Unique Show With | Water Ballet.

THRASHER

* This week one might yield to an obvious and well-inten-tioned pun and call the Lyric a “dive,” since its stage houses a large tank for Lottie Mayer's “Disappearing Water Ballet.”

- Before going further into a dis-

cussion of this aquatic spectacle, it might be well to clarify the title. It is the ballet, not the water, that disappears. In fact, the water is quite evident, especially to the orchestra. When some of Miss

Mayer's “12 diving Venuses” hit the tank, the musicians come in for a dousing.

The rest of the bill necessarily plays in front of the curtain, for the water ballet’s tank is a huge affair, and takes up the whole stage. The “spectacle” is effectively staged and lighted. Two of the young women act as living fountains at the beginning, holding hoses which pour thousands of gallons of water (this is on the assurance of Manager Ted Nicholas) while the remaining 10 go through a bone-dry ballet.

Quick Change in Depths

When the tank is filled sufficiently, the “Venuses” walk down into the tank and disappear, returning almost immediately in different costumes. This submarine quickchange is repeated twice more. Finally, having slipped into something comfortable in the shape of rubber bathing suits, the mermaids settle down to the business of doing some fancy diving. They fly through the air in all manner of graceful and difficult dives. Finally there is a tableau, with more streams of water and soft lights, to bring this unusual and entertaining act to its close. Among the other performers is Britt Wood, who rivals Mr. Tennysc ’s brook among life's changless things. He still tells the same story about his trip to Chicago. He still plays the same tunes on his harmonica. And he still gets the same thunderous applause.

Ritz Brothers on Screen

Ross Wyse Jr. and Jean Mann have a clever act which includes a Leon Errolish lesson in adagio dancing and some very energetic tap and acrobatic dances of 8 straight nature. Then there are the Keller Sisters of radio fame, who croon in agreeable harmony. Ritz Brothers fans will have a holiday in the Lyric's picture, for the three balmy brothers are featured in “Life Begins in College.” Their adventures as the college tailors are a romp of slapstick and “mugging,” culminating in a burlesque of the “big game.” Nat Pendleton, Gloria Stuart, Joan Marsh, Fred Stone have a part in the academic antics, as does Ed Thorgersen, radio sports announcer,

WHAT, WHEN, WHERE

APOLLO

“Lancer Spy,” with Dolores Del Rio, Peter Lorre, George Sanders, at 11:4o, 1:44, 3:48. 5:52. 7:56 and 10

CIRCLE

“High, Wide and Handsome, with Irene Dunne, Randolph Scott, Doro$31, Lamour, at 12:21, 3:33, 6:45 and 5

“Bulldog Drummond Comes Back,” with John Barrymore. at 11:22, 2:34, 5:46 and 8:58.

KEITH'S

Vaudeville on Sane Thomas, at 1:40 10, 6:50 and 9:20, ain,” on a with Joan Crawford and Walter Huston, at 12, 2:30, 5, T and 10:1

LOEW'S

“The Prisoner of Zenda,” with Ronald Coleman, Madeleine Carrslt and Douglas Fairbanks Jr. .» at 12:30, 3:40, 6:45 and 10. “Bad Guy,” with Bruce Cabot and yirpmia Grey, at 11:10, 2:20, 5:25 an

LYRIC

Vaudeville on stage, with “DisapJerre W water Ballet,” at 1:09, 3:53,

“Life Bin at College,” on screen, with the Ritz Brett Jers, at 11:25, 2:09, 5:03, 7:47 and 1

OHIO Ship,” with Wallace Beery. Can't Buy Luck,” with

with Chick

“Slave Also, ‘‘You Helen Mack.

AMBASSADOR Mr Dodd Takes the Air” with Kenny Baker. Also, “ ‘Outlaws of the Orient” with ‘Jack Holt ALAMO “Super Sleuth,” with Jack Oakie. Also “Battle of Greed,” with Tom Keene.

Harold Cork’s Orchestra

OR

ATURE HIS BASS VIOL Sat.,, 60c couple before 9:30; 80c couple 9: 3 to 12:00; 50¢ couple after 12:00. Sun. 35¢ couple be ate 9:15 50¢c Couple After 9:15 One Block South Municipal Airport

Dance Saturday Sunday

The strangest'iove

any woman ever News!

Comedy! Cartoon!

GEORGE SANDERS PETER LORRE

MUTUAL

- Starting at Special Midnight Shows at Night

NEW YORK’S PERSONALITY

GIRL

10,000 Dollar BEAUTY

TH

SUNYA [smiLes] SLANE SWING GIRLS

And Seven Featured Comedians Mat. 2:15, Two Shows at Night 7:15 and 9, Continuous on Sunday. Get up a party and attend our famous Hissin show tonight.

PAGE 7

Here is Tallulah Bankhead absorbed in a

last-minute checkup

of her script of “Anthony and Cleopatra,” in which she is to open

‘Rain’ Drama Disappoints Miss Crawford Plays Her 'Bad' Role Well, However.

“Rain” was a good story when Somerset Maugham wrote it, a good play when it was carpentered for the stage, and it may have been a good movie in 1932 when Maxwell Anderson adapted it for the screen.

But something seems to have happened to it since then. The version of “Rain” now playing at Keith's, while it still has dramatic moments, limps rather badly. Cynical moviegoers may incline to the belief that the film has been severely cut by the Will Hays office.

The story, if anyone has forgotten, concerns a girl, Sadie Thompson (played by Joan Crawford) and a reformer, Mr. Davidson (played by Walter Huston), who seems a lot better than he turns out to be. Reformer and girl, with others, are thrown together on a tropical island where a great deal of rain is falling. He tries to show Sadie the error of her ways and is suecessful until passion overcomes him.

He Commits Suicide

This lapse on the part of her would-be savior shocks Sadie out of her conversion. The reformer commits suicide. Sadie and a marine (Mr. Maugham did not have any Marines in his version of “Rain”) look forward to a happier life as the film ends. The Marine is played by William Gargan. Guy Kibbee, the philosphically alcoholic proprietor of the general store where all the participants in the \drama of sin and weather stay,|adds merit to the film. Mr. Huston works hard at a difficult role, but many of his scenes lack plausibility. Miss Crawford is Miss Crawford, and for her legions of admirers that is doubtless enough. Mr. Gargan is a good Marine. On the stage, Keith's presents a bill featuring Pat La Vola, who does an agile wire-walking and dancing turn. Then there is Lynn Jordan, who croons popular tunes, and Everett Sanderson’s musical act. Comedy is provided by the veteran monologist, Chic Thomas, and by Gavin and Marguerette, who also mix their fun with dancing. (By J. H. J.)

HE PREFERS 'HAM'

Jimmy Hollywood, brought down from Seattle for a featured role in “Blossoms on Broadway,” says he dines at the Trocadero because he likes to mingle

.| with “Who’s Through in America.”

Midwest Sports, Inc., Present

OLLER DERBY

Reg. U. S. Pat. Oilfice.

COLISEUM

Gen. Admission 40c, 65c. $1.

This Coupon Will Admit Your Entire Party.

At 25¢c Per Person

VOID AFTER OCT. 5--T

IS TRI) A103 et . RANDOLPH. Fail Plus Mystery! Thrills!

"BULLDOG DRUMMOND COMES BACK™

with John Barrymore

recently |-

Monday night at Rochester, N. Y., and which she will bring to English’s for a three-day engagement opening Oct. 28.

IN NEW YORK —sy ceoree ross

Harlem's Glory Dims as Salons of Sepia Move To the Region of Times Square.

EW YORK, Oct. 2—Only four oases in Harlem remain hospitable to excursionists from Times Square. Plantation, the Savoy Ballroom and Small’s Paradise and cater chiefly to the swing tastes of Lenox Ave. although venturers from downtown are welcome. In the past year or so, that local Mason-Dixon line at 125th St. has become the Great Divide. Broadway doesn’t go above it any more.

They are Dickie Wells’, the

is because it has moved downtown. With the migration of the Cotton Club to Broadway, other salons of sepia followed suit. The Harlem Uproar House, a close competitor of the Cotton Club, virtually is across the street on the Gay White Way, and going well. The Kit-Kat Club, in the east fifties, has become as popular in the wee hours before dawn, as was Harlem’s Connie’s Inn in the old days. Ducky dens have moved into Broadway's Swing Alley, 52d St. and even Greenwich Village has one. And with the transitory flight of the Sepians to the purlieus of Times Square, the leading Negro entertainers have come along—Cab Calloway, Bill Robinson, Ethel Waters, Duke Ellington, the Nicholas Brothers, Buck & Bubbles, Ferdi Washington, Ella Fitzgerald, Erskine Hawkins, Chick Webb, Don Redman and Noble Sissle among them. ”n ” ” EW YORKERS aren't half as affected by this exodus from Harlem as visitors from abroad and out-of-town. Harlem always was primarily upon the visiting firemen’s minds and one of the first nocturnal sights they desired to inspect. Now New Yorkers must patiently explain that to see Harlem, it is necessary to safari from Times Square to Broadway. Incidentally, that new dance rage, “The Big Apple,” which gravitated from the deep South to the transplanted Harlem, is considered by most Negro entertainers to be not much more than a composite of “The Lindy Hop,” “Black Bottom,” “Truckin’ ” and the “Susi-Q.” Nevertheless, “The Big Apple” has taken over the town. Not only is there a song called “The Big Apple.” Department stores feature an artificial flower named after the dance. Two movies before the cam-

DANCING IS A NECESSITY

WE GUARANTEE TO TEACH YOU ALY AND QUICKLY IN TEN LESSONS FOR ONLY fu Bo, PAYABLE IN CONVENIENT TERM JOIN OUR NEW Roo CLASS OPENING MONDAY, OCT. nu AT 8:30 P. M.

Stockman Dance Studios 16th & Illinois Sts.’ © RI-1610. “Indiana's Largest and Finest School of Dancing”

INS PAUL, COLL

TRA orc ab, One Night “Only

NEXT WED.

INCENT ! EZ

You Men! You're All Alike! Pigs! Pigs! | Wouldn't

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* AND OTHER &

LATE FW EXORMSAT,

One reason Harlem has lost caste®

eras in Hollywood feature the dance. And the last word in campus fashions is the “Big Apple” sweater covered with a design of the fruit. -

T= Doh ® previucers — they always seem to be getting in and out of jams with the critical clan. A few weeks ago, Gilbert Miller, who sat down with London Play Reviewer James Agate and explained why, in several instances, Albion’s play jury has not rendered a fair or well-considered verdict. Soon afterward, a column signed by Mr. Agate appeared in a New York daily, purporting to record that Mr. Miller had said New York play reviewers were not so hot. Mr. Miller argued that he had said nothing of the sort, had merely told Mr. Agate of a case or two of London critic’s ineptitude. And to back up his denial, Mr. Miller has sent to all Manhattan reviewers copies of a letter addressed to Mr. Agate protesting that he had been misquoted. There the matter rests.

” ” s : Y the way, London got the story of Wallace Beery's shooting accident slightly twisted. The Britons’ version was that Beery was shot while defending his son from kidnapers, Beery has no son.

‘Prof.’ Lopez Is to Teach

He'll Lecture on Jazz Music To N. Y. U. Students. ~

For years pianists have been called “professor,” but Vincent ‘Lopez will have a rather legitimate claim to the title when he brings his orchestra to the Indiana Roof Wednesday night. - Mr. Lopez has been invited. to be guest lecturer in the new jazz course to be offered at New York University’s University Heights Center. In making the invitation, Prof. Alfred M. Greenfield, the center’s administrative chairman of music, said: “I feel that it is just as much a function of the university to teach the origin of modern American music as it is to offer instruction in the classical forms and origins.” Mr. Lopez said he would interpret the “jazz formula” through music by himself and members of his orchestra. “Through this medium of expression,” he said “the student will familiarize himself with the construction of the various forms of jazz. He will become sensitive to the vibrations of the good in jazz.”

LY RIC

ALWAYS A GOOD SHOW

Aquatic Spectacle!

DIVING 'VENUSES oe Ohecs o

BRITT WOOD

“The Harmonica Boob™

SETS TONY MARTIN Jr Gloria STUART

Film Villain

Plays Double Role of Hero

'Hissable Heavy' Towers Above Apollo Movie, ~~ 'Lancer Spy.’ The week's new films are

putting considerable emphasis on double roles, double deal-

ings, skullduggery and deeds

of derring-do. At Loew’s, Ronald Colman is playing the brave Rudolf Rassendyll and Rudolf of Strelsau, the wastrel king in “The Prisoner of Zenda.” On the Apollo screen, George Sand-

‘| ers portrays a young /English lieu-

tenant and a captured German offider in “Lancer Spy.” Like Mike and Ike, the Englishman and the German look alike. So much so that when the captive is brought in, the lieutenant, whose name is Michael Bruce, is brought home {i the Baltic, coached in the German’s mannerisms, and sent to Berlin.

Becomes National Hero

There he meets Prince Ferdi (Joseph Schildkraut), Dolores Doria (Dolores Del Rio), Gen. von Meinhardi (Maurice Moscovich) and several others who “knew him when.” Bruce carries off the deception well, becomes a national hero for his prison break. But two intelligence officers, Sig Rumann and Peter Lorre, smell a rat in the officer’s easy escape from a supposedly impregnaole prison. So they set Dolores on his trail. But Dolores falls in love with her victim, upholding the tradition of emotional instability in cinema espionage. Finally, of course, Bruce escapes with the all-important plans after many harrowing -adventures.

Presenting George Sanders

The picture is important in the fact that it really introduces us to Mr. Sanders, the suave and hissable villain of “Lloyds of London.” A towering mountain of a man—he stdnds 6 feet ‘3 and weighs 215 pounds—this Briton is also a com-

petent actor. His work is effective throughout “Lancer Spy,” but it seems a shame that the screen must lose such an excellent “heavy.” Though it retells an oft-told story, “Lancer Spy” is excellent entertainment, thanks to a capable cast and the direction of Gregory Ratoff, reformed dialect-comedian. Mr. Schildkraut scores in his performance as the vapid, weak-witted prince, and Mr. Lorre is good in a minor role. The lovely Miss Virginia Field also has a small part. (By J. Q. T)

GORDON RETURNS FROM ENGLAND

HOLLYWOOD, Oct. 2 (U. P.).~ Leon Gordon, playwright and movie scenarist, returned to Hollywood today after eight months in England on a writing assignment for a stue io. H

Martens Concerts, Inc.

Room 201, 33 Monument Circle

—ENGLISH THEATRE— ALL-STAR ARTIST SERIES

6—~CONCERTS—6

ONLY 10 DAYS LEFT TO BUY

SEASON TICKETS —AT Popular Prices

$56.50, $6.60, $8.80, $i, $13.20 Incl. Tax

Take advantage of low cost of season tickets. Single admissions (advanced in price) on sale Oct. 14th.

Opening Concert Monday Eve., Oct. 18

LEN JEPSON

Glamorous Soprano. a Opera. Radio "10% Evening, November 15th

JOOSS BALLET

Return Engagement by Popular Demand

Sunday Afternoon, December 5th

JASCHA HEIFETZ

Eminent Violinist in Jecital after an absence of 10 year

Wednesday Evening, nar 19th

St. Louis Symphony (90 Men) Sunday Afternoon, February 6

V. VRONSKY—V. BABIN

Two Pianos Monday Evening, April 11th

RICHARD CROOKS

Internationally Famed Tenor of

Metropolitan Opera and Radio

Sensational Husysn Pianists in Recital §

ENGLISH

ALFRED de LIAGRE, Jr., presents

3 DAYS BEG. THURS. OCT. 21 MATINEE SATURDAY

Lea hy Dorlisg Dass

Mark Reed's Sotedy Hit

{\ FLORENCE REED

AND A DISTINGUISHED CAST

“A daughter tells her mother the Facts of Life.’ A charming comedy from all angles. Highly recommended.” — The New Yorker Magazine

9 MONTHS ON BROADWAY Eves.—Orch., $2.75, $2.20; Balc., $2.20, $L65,

$1.10; Gal, 55¢. Sat. Mat.—Orch.,

$2.20,$1.65;

Balc., $1.65, $1.10; Gal, 55¢, including tax. MAIL ORDERS NOW.

AMBASSADOR

HAS ALL THE BIG HITS! STARTS TOMORROW!

2 PARADE OF OCTOBER HITS!

arth,” Lost Horizon,”

Good E Sea, ”» “Toa

“Souls At

to New York,” “Thin Ice,” Ce fasion 7 Under Fire.”

BARGAIN MATINEES

SOUTH SIDE

NORTH SIDE

0 of 1105 s Meridian uble Featur rienta 3 Richard Dix “DEVIL IS DRIVING” “NATION AFLAME” Sun. Double Feature—Shirley Temple

“WEE WILLIE WINKIE” Jack Oakie “SUPER SLEUTH”

Lincoln ®ve feta Jane Withers’ “ANGEL'S HOLIDAY” “SONG OF THE TRAIL”

Sun. Double Feature—Karen Morley

' “GIRL FROM SCOTLAND YARD”

_Gable-Loy “PARNELL”

Fountain Square Double Feature Rochelle Hudson “THAT I MAY LIVE” John Beal “BORDER CAFE” Sun. Double Feature ; Alice Faye “You Can’t Have Eve “MEET THE MISSUS”

At Fountain Square eatin Sanders * pois Fears “KELLY THE SECOND” “NIGHT OF MYSTERY” Sun. Double Feature Ray Milland “WINGS OVER HONOLULU” Jones Family “BIG BUSINESS”

Ava lon Pros. & Churchman

Double Feature | Madge Evans “THE THIRTEENTH CHAIR” “VALLEY OF TERROR” Double Feature—Robt. Monigomery “NIGHT MUST FALL” Buddy Rogers “DANCE BAND”

NORTH SIDE Zari Ooi in . a ring Warner Oland “CHAN AT THE OLYMPICS” “DANCE, CHARLIE, DANCE” - Sun. Double Feature—Bing Crosby “WAIKIKI WEDDING” Brian rian Denlevy *) MDNGR TAXI”

Cine h & Delaware inema “op Feats . “ROMANCE AND RICHES” “SOLDIER AND THE LADY” Sun. Double Feature—Robert Montgomery . “EVER SINCE EVE”

“YOU CAN'T BUY LUCK” Coutinuous Matinee from 1 Double’ Feata Feature.

Uptown Rosalind Keith

“CRIMINALS OF THE AIR” Native Cast “ELEPHANT BOY” . Double Feature—Gloria Stuart

"THE LADY ESCAPES” g

San.

[REX

NORTH SIDE st. CL & Ft. Wayne Double Feature

St. Clair * peu Feature

“MAN IN THE MIRROR” “I COVER THE WAR” Sun. Double Feature—Wm. Powell “EMPEROR’S CANDLESTICKS” Jack Haley “PICK A STAR”

Talbott & 22nd Westinghouse

Ta bo tt Air-Conditioned

Double Feature William Powell “EMPEROR’S CANDLESTICKS” Jack Haley “PICK A STAR” Sun. Double Feature—John King “THE ROAD BACK” “LEAGUE OF FRIGHTENED MEN” 80th at Northwestern

Double Feature Loretta Young

“CAFE METROPOLE” “CHEROKEE STRIP” Sun. Double Feature—Joe Penner “NEW FACES OF 1937” - “ANOTHER DAWN” 30th Double Feature

Garrick “pouicresim

“Charge of the Light Brigade” “THE BIG SHOW” Sun. Double’ Feature—Dick Powell “THE SINGING MARINE” “RIDING ON AIR”

Noble & Mass. M ECC A Double Feature Lee Tracy “BEHIND THE HEADLINES” “Charge of the Light Brigade” Sun. Double Feature—Kay Francis “ANOTHER DAWN” “SILENT BARRIERS”

Stratfor

“B Sun. Double Feature—Preston

“OUTCASTS OF POKER. “FLY AWAY BABY”

DR EA 2361 Station

Double Featu Robert Wilcox “ARMORED CAR” “EMPTY HOLSTERS” Sun. Double Feature—Gable-Harlow “SARATOGA” Jones Family “BIG BUSINESS” linet and 34th

Double Feature Doug. Fairbanks Jr.

and Illinois

th & Jollege Double Feature Astaire-Rogers TME”

; 1500 : Hol lywood Roosevelt - Ave. Double Feature : Walter Connoly “LEAGUE OF FRIGHTENED MEN” Noah Beery Jr. “MIGHTY TREVE” Sun. Double Feature—Marx Bros. “A DAY AT THE RACES” Jack Jack Haley “I “PICK A STAR”

EAST SIDE

2116 E. 10th St Double Feature

Hami [ ton Rosalind Keith . . “MOTOR MADNESS” Jean Muir “WHITE BONDAGE” Sun. Double Feature—Marion Davies “EVER SINCE EVE” ‘Cary Grant “TOPPER”

. 1332 E. Wash, 4 Stra nd First Local Nelghe borhood Showing Alice Faye Don Ameche “You Can't Have Eve Guy Kibbee—Cora Witherspoon “THE BIG SHOT” Matines Sat., Sun. from 12:30 dults 15¢ Till 2 EX SHOWS Every Sat. and Sun. Nights Box Office Open Till 10:30

Wash, Feature Pa ramount sue Featur «A MAN BETRAYED” “TWO-GUN LAW” Sun. Double Feature Wallace Beery “THE SLAVE SHIP” “THE CALIFORNIAN”

B JOU 114 E. Washington

Double Feature Walter Winchell “WAKE UP AND LIVE” “LAW OF THE RANGER” ‘Sun. Double Feature—Claire Trevor “CAREER WOMAN” oF Conrad Nagel “BANK ALARM”

o> E. 10th St. R ! VOLI Doors Open at 5:43 Jean Harlow “PLATINUM BLOND” “Case of the Stuttering Bishop”: EXTRA! Last Show Tonight Only! Diek Powell—Frank McHugh ER-B. AR” » Sun. Double Feature—Kenny Baker “MR. DODD TAKES THE AIR” Andy Devine “THE ROAD BACK” Wash. sat Lo” sun ., Mon.

Tacoma “ssa “A DAY AT THE "RACES" “THERE

St.

i5¢ to 6 P. M. New York

EAST SIDE 4020 E. Double Feature

T u Xe d oO Gable-Harlow

“SARATOGA” - “LAST TRAIN FROM MADRID” Sun. Double Feature—Jean Arthur “EASY LIVING” “BORN RECKLESS”

IRVING “5515 ouble phsature “NEW FACES or on “WINGS OVER HONOLULU” Sun. Double Feature—Dick Powell “SINGING MARINE” Cary Grant foreER”

4630 E. 10th. Emerson oe

Open gs Trae,

“BEHIND THE HEADLINE » _ Ricardo Cortez “The Californian® Starts Sunday—Jean Harlow “PLATINUM BLOND” “YOU CAN'T BEAT LOVE”

GOLDEN 6116 : Wash. h. §&

95le Feature “A STAR IS rsh “RACKETEERS IN EXILE” Sun. Double Fea

66, ‘GORGEOUS HUSSY” “BOHEMIAN

Tos For Gene Autry “THE OLD CORRAL” “LET ’EM HAVE IT” Sun. Double Feature—Shirley Temple

“WEE WILLIE WINKIE” “PARADISE EXPRESS” Belmont ™ %etias on

Westinghouse Double Feature

Air-Conditioned Robert Young “Married Before Breakfast” Harry Carey “BORDER CAFE” . Sun. Double Feature—Norma Shearer “ROMEO AND JULIET” Edw. E. Horton “WILD MONEY”

DAISY 2540 .W. Mich. St. Double Feature Foran “DEVIL'S SADDLE PLEGION® “Case of the Stuttering Bishop” Sun. Double Feature Jack Benny “ARTISTS AND MODELS” “WINGS OVER HONOLULU”

“Howard & Biaine Howard "#i iaiw “SINGING VAGABOND”

-