Indianapolis Times, Indianapolis, Marion County, 7 August 1937 — Page 9

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JACK BENNY STARS AT CIRCLE;

“

Funny Man Does Good Job In “Artists and Models’;

Hilton Story Is Romantic!

————m

Martha Raye Sings and Miss Dietrich and Donat

Armstrong Trumpets In Light Tale.

By JAMES THRASHER Spectacular pictures have a

way of being dull. But “Artists and Models,” now at the Circle, has turned the tables. Its stupendousness doesn’t come up and smack you in the face.

This unusual picture's chief assei Is the fact that the cast is as good as the production numbers. Jack Benny heads the list, with Ida Lu- | pino, Richard Arlen, Gail Patrick, | Ben Blue, Judy Canova and a 1ot of others to keep him company. The list of “bit” players reads like | radio's blue book. Martha Raye | sings—in blackface. Louis Arm- | strong trumpets and Connie Bos- | well sings. Andre Kostelanetz, without his glasses and with more hair than his head has known for many a day, is there with his orchestra. And what an orchestra. The world of commercial art likewise is represented. John LaGatta, McClelland Barclay, Russell Patter- | son, Peter Arno, Arthur William | Brown and Rube Goldberg have a | few lines and some drawing to do | at the artists’ ball which brings the picture to a pleasantly “colossal” |

Its | Dietrich.

Are Personable Pair of Lovers.

Those who delight in Miss Dietrich’s screen appearances should be much gratified by the Alexander | Korda transcription of the James | Hilton novel, though it probably is

| Director Feyder more than Mr. Kor- |

da they should thank for present- |

| ing Miss Dietrich as the exotic—yes, |

very exotic—Russian heauty. |

But unfortunately, it seems Mr. | Feyder apparently forgot “Knight |

Miss Dietrich’s face, as though we | must be reminded again and again |

|that she is beautiful, that she is | | suffering, and that she is in love. |

Miss Dietrich’s personable knight without armor is Robert Donat, who | like the actress is a quiet and placid

| lover. Not until the last scenes does

the action ever become more than |

| leisurely paced, though the countess

and her young and handsome Eng-

PAL STEPS IN FR

EDDIE'S SHOES

The strong ties of friendship in evidence here between Freddie Bartholomew, left, and Douglas Scott underwent their greatest test

when Douglas, not quite 12, replaced Freddie at M-G-M after Freddie and his aunt collaborated in a “strike” to raise his salary above $1100.

Douglas was hired for $900 a week, three times his former pay and besides finishing the picture Freddie was working on, is slated for the

Bartholomew role in another picture. J chance to play his interrupted role in real life.

Meanwhile, Freddie will have a The picture on which

he was working was titled, “Thoroughbreds Don't Cry.”

Tay Garnett Violates Old

Traditions

Times Special

HOLLYWOOD, Aug. 7.—Tay Garnett, the movie director, is in the | gram.

of Hollywood

THE INDIANAPOLIS TIMES

1 Ng

he J

Re agent WR

IS EXOTIC AT

'MARLE

Gene Austin | Sings as of | Old at Lyric

| |

Comedians and Acrobats Well Received in

Stage Bill.

If you didn’t hear him sing, | [it really is Gene Austin who is headlining the Lyric stage | (seems to have been reducing | ment, and the former corpulent crooner now looks like | producer's dream. Aside from the loss of girth, Mr. | {world has moved along in the past, | | 10 years,

you never would guess that! show This week. Mr. Austin | ‘during a temporary retirethe answer to a Hollywood | { Austin hasn’t changed much. The | but Gene Austin's per- |

| formance remains the same as in | his popular recording days. His | Lyric contribution includes “My Blue | | Heaven,” “Melancholy Baby” and | | some other old favorites which he | | helped make popular. If vou liked | {him in his heyday, you'll probably like him now. Assisting Mr, Austin are Candy

bass. humor to the headline act. less you've heard* them with Mr. | Austin on Joe Penner’s radio pro-

and Coco, two rustic-looking per- | formers on the guitar and double | They add a pleasing touch of | Doubt - |

THEY'RE

BOTH STILL TERRY

When this picture was taken the persons in it were, reading from

left to right, Terry Ray and Terry Ray,

| much for them, so the two screen keep the name. Miss Ray won, so known as Terry Rains,

The confusion got to be too players drew straws to see who'd now the gentleman on the left is

'Booers of Film

| because | through lengthy film ads.

they are forced to sit

“I discovered,” he said, “that in

SATURDAY, AUG. 7, 1987

LOEWS.

Di Maggio Is Actor Now

Yankee Slugger to Appear In Republic Film.

Marauding movie moguls are raiding Murders’ Row. Another member of the New York Yankees

starting lineup, youthful hard-hite ting Joe DiMaggio, has stepped out of the batter's box to put his name on a film contract. This puts Joe on an equal footing with Lou Gehrig, who swapped spikes for a leopard skin last spring and qualified for the “Tarzan” role in a screen test. Young Mr, DiMaggio is to have a featured part in Republic Pictures’ “Manhattan Merry -« Go - Round.” [Shooting is to be done this week |in the New York Biograph studios, | With Henry Armetta appearing | with the young slugger, | The DiMaggio deal was ene [gineered through Fanchon and Mare [co. Dorothy Haas, their publicity director who was through Indians | apolis recently with the A! Pearce | radio show, forwarded the informas | tion,

ACTRESS FILES WEDDING NOTICE

By United Press HOLLYWOOD, Aug. 7.--Notica of intention to marry was on file in Santa Barabara, Oal, today for Paula Stone, actress daughter of Fred Stone, movie comedian, and Walter Mason of Hollywood The date for the wedding had not been set.

| | | |

GRANADA Tonite—Sundny ES

| some theaters in California, Oregon and Washington, paying patrons are forced to sit through almost an hour of paid advertising. They had By United Press | to see these ads before the running HOLLYWOOD, Aug, 7.—The So- of the featured attraction.” leiety of Booers of Paid Commercial . | Advertisements in Motion Picture

close. | lish lover move through revolution | thr Benny ‘Done Right’ By [and counter revolution, Ee eel | vite. be : face death and always fear it. i My temptation is to talk about Mr. | a di m Benny to the exclusion of every- | Donat Banished | n I ute, De Sy ii : = EI as possible. thing else. The Paramount people | ponat for his revolutionary activ- | “oy Ri recent film. “Slave® have “done right” by radios No. 1 ities js banished from Russia, and | hip.” is ‘doi hat Variety terms | comedian. They have given him & | returns as an English spy disguised | Ship,” is ‘doing wh wy t the (he world adventures. Some time part that fits him like a glove, that | : | a “socko business” throughout the ago, when he had finished directing

oes of artistic creation again. Mr. Garnett is a disturbing factor on the Hollywood scene. He is ghified and quiet worker who tries to make the best pictures he can In

| Comedians, Acrobats Favored | Ads Are La uded Favorites of yesterday's opening | audience, however, were Abbott and | Robey and the acrobatic turn by the | Lucky Boys. This latter act originated in Kendallville, and their of-

ANITA PLAYS ON HARP

of a Kindly, pleasant and slightly bewildered advertising man. There is no slapstick to the part. Mr. Benny can be funny without be- | ing ridiculous, and his performance

ions again cause his downfall,

as a Russian. Revolutionary connect- | and | he is exiled, this time as a Russian, | to Siberia. He returns when the Red ! movement makes headway, and a | comrade of exile days makes him as-

But that's ancient history | nov. In Hollywood, once your la- | test effort is “in the cans” (the Bev-| erly Hills explanation for a completed film chore), it's ancient history. The big thing is your forth-

nation.

Victor McLaglen and Freddie Bartholomew in “Professional Soldier,” he threw some clothes into a trunk and was off with Mrs. Garnett for

fering proved again that they are always popular in Indianapolis. Ab|bott and Robey, assisted by Sylvia | Brill, do some comedy dialog after { which Mr. Abbott plays the violin

| Theaters, which made its noisy de[but in Little Rock, Ark. this week, drew cheers today from Hollywood. It should be the writing on the wall for theater-owners all over the country, Arthur Hornblow Jr, Para-

Anita Louise, already an accom- | plished harpist, is learning to play |

the cymballum, the most difficult of | all stringed instruments. }

WEEE

FRANCES LANGFORD

“HIT PARADE"

sistant commissar of a small village. : . ; all with considerable skill His first duty is to escort {he COMUNE production. vi go oe Countess Alexandra to Petrograd. Silent About Work

Disguised as peasants, they escape | Corner Mr. ‘Garnett ‘on ‘the Jot

| Shanghai, Africa, India and those far-off places the very men-| Keaton and Armfield also were tion of which conjures romance and iat Miss ve Is a murderous revolutionaries and reach | « In” | intrigue. | cor a oe and BR 2 K a |a railroad station. The countess| Petween scenes for “Stand-In” rel rus ‘thie GH ich | ompleting the bill are Jac ireg- | saves her guard's life, and he turns | and you'll find he violates the | heir boat was t > ene, whic ory and company, who do deft tricks | | her over to the White Army where | Hollywood tradition of talking of Mr. Garnett eS UFC Haed ty ey with rolling hoops. Ihe thinks slic will be re And | his current job. Prodded to the mad ge Originally built as & The Lyric picture fis when the Red Army is victorious. | point where it would be pretty ‘contender for the America S Cup | Charlie, Dance.” adapted he saves her life. and ‘they escape | embarrassing all around if he ans the late Sir Thomas DR George S. Kaufman's play, \ into a forest. , y | made no comment on “Stand-In, | Shamrock I, she is a slee and | gytter and Egg Man,” and starring | Tiere, ih idviiic setting, they wis. | Mr. Garictt relented wna ‘wen [handsome hull Incidentally, |stynrt Erwin. | cover they love each other, “They | tured it will be all right. | rougnou e ast e a S$ Yokels Buy Show Mr. and Chester Clute

try to escape to the border. but the “I don't see why it shouldn't do found themselves and their cameras | (who played in “Three Men on a |

countess is suspected by a young nicely,” he says. “Leslie Howard the objects of intense curiosity. In | Bre” WIS wie, Yoo ire V+ The Week End’s Best Attractions

| Red, who escorts them by train to and Joan Blondell, its stars, are ex- crowded Indo-China and Malaysia, struck yokels who buy a show from ! . At Your Neighborhood Theater | |

. 3 ins ance hev were nea rl y two unscrupulous produc ers.

is a relief from our current rash of “mad” comedies, pleasing though they are. The story is about as effervescent as most plots for musicals, Mr. Benny and his prize model try to land a big silverware account. Eventually they get it and, in the process, Miss Lupino, the mdoel, gets the voung silverware tycoon. Mr. Benny wins the young man’s former girl friend.

Settings Are Clever

mount Studio producer, said. | ———— He said a survey shows that many " fans are being driven from theaters A gain Presenting by Popular Request

The Renowned ESCAPE ARTIST Sunday<BROAD RIPPLE PARK

THE CHINESE WALKING FISH Free Admission

“Dance, ||

LAST DAY! Adolphe Menjou—Loretta Young

“CAFE METROPOLE"

Plus. Gen. O'Brien “Hollywood Cowboy.” Midnight Show-—-Andy Clyde “RED LIGHTS AHEAD"

DON'T MISS SEEING THIS

Of course, the settings are sump- Riwin tuous. However, they don't cover so much space as to offend one’s sense

of proportion, Moreover they are

clever, especially the Russell Patter- the ‘countess, and, Tather than ‘turn |tant than Stars it has an ‘enter. | ever they set up their instruments. ae ih very Ns her over to officials, shoots himself. | taining story. And Shakespeare | [DiS Was embarrassing. par) Sere gE Sg gti a > n "| certainly hit the mark when he in- | They wanted to catch people in CE Tau ut Pair Escapes sisted that the play's the thing. |natural poses, not staring into the | aE oy PF “ Kelland WH wrote ? the | lens. To do this they had to em- | puppet chorines, along with the fa- anil er ‘escort ‘escape to & tn . oy an or wi be few [Ploy trickery. Hence Mrs. Garnett | And. ev. Ther miliar Mr. Esquire. Ben Blue (in the | When they Anni routh " ot uns § or he rg? A |would set up A dummy camera on | original owners wan to : n flesh) wanders onto the stage about | No on he gis { devia WS I HD red NE Ee |a street corner, and while the na- | back. With advance Hier in = - his EN TW we an near colbipse. Wer lover goes Goes to Lown, Harold Lloyd's | tives were in the act of almost mob- a Siig on 4 —i a S d etter, : h S | | , YU | . Nip ; ould ) ssrs. Erw Jlute A If all this isn't enough, there is | for medical aid, but is arrested, ‘Cats-Paw,’ Eddie Cantor's ‘Strike [ons Dey oo. aan BS ous a are more than willing to unload. anders an accompanying comedy at the| and barely escapes being shot. He | Me Pink’ among others. I golfed | | After which they retire to the

| The young soldier falls in love with | fice attractions. But, more impor- |SWamped by curious natives whenSomehow the two babes-in-the-

woods set the show to working |

In the excitement, the countess and making money. Then the

Rl iim || - ——— |

SOUTH SYDE ; NORTH SIDE 7

Za ri ng Preston Foster

“OUTCASTS OF POKER FLAT” Jean Rogers “NIGHT KEY”

Sun, Double Feature—Gene Raymond “THERE GOES MY GIRL” “THE MAN IN BLUE" ate Showings y and Sunday Nights ——

1 Saturda - 16th & Delaware Sta. Double Feature

C | nema George Brent

Central at Fall Ork. Double Feature

EAST SIDE 1332 KE, Wash, St, First Oily Neighbors

S t ra nN d hood Showing

Naturday and Sunday Gene Raymond-Ann Sothern

“THERE GOES MY GIRL" Preston Foster—Jean Muir

“OUTCASTS OF POKER FLAT*

Continous Matinee Sunday Mon, ~Tues.-WedGrand Oomedy Onst

“AS GOOD AS MARRIED” Roger Pryor “MISSING GIRLS"

Paramount vem ren

At Fountain Square Double Feature George O'Brien “HOLLYWOOD COWBOY” “MIDNIGHT COURT” Double Feature—Winchell-Bernie | “WAKE UP AND LIVE" | “THAT MAN'S HERE AGAIN"

Ava lon Boh Allen

“RANGE COURAGE"

Sun,

Pros. & Churchmap Double Feature

KE.

SWIM - DANCE

WESTLAKE

PAUL COLLINS’ ORCHESTRA Featuring JENNIFER SHEFFER Every evening except Monday

114 E. Washington Double Fenture Whenever eddie Bartholomew DON"

Circle which features the droll Ed-| clambers aboard the hospital | with Kelland just before we started Roos a utlwwmy waiing pic comparative peace of the hotel | ward Everett Horton. The film is | train carrying his sick countess | Work on ‘Stand-In’ He's a funny | od conceal themselves and the | Dusiness. : oi} based on a Paul Gailico story, with | as it leaves the station, and we | chap. : [comers behind a canvas flap in & With acomplished comedians like Louise Campbell of the New York| know theres a happy ending Kelland Writes Story | truck and shoot through an aperture | Mr. Erwin, Allen Jenkins, Glenda stage and Lynne Overman as the | ahead. “You know, most authors who |in the CHIVAS while the vehicle | Farrell and Mr. Cluté going through | chief supporting players. Though the story be conventional | come out here to watch their stories | moved through the streets. the Kaufman paces, the picture mt and leading characters be unexcit- | fiimed go back Bast and tell their] Mr. Garnett made some rapid can't miss being entertaining. Jean SYRIAN THEATER (Ing, background scenes paint the arty friends that the movie colony | computations and figured that he Muir also appears to good hi | Russian revolutions with bold |js a ‘mass of illiteracy. Mr. Kelland [and Mrs. Garnett had traveled 18,- | tage as the consolation for Mr. ErINVITES CORNELL strokes. ‘Horror, terror, anger and hasn't even visited our set as vet. 000 miles in seven months. They | Win's theatrical Ep + ) puoery all are there, as Miss Die-| He says putting a story on paper |could have covered the same terri- | By J. @ T. ito Press trich and Mr. Donat move from and getting it sold is his business. [tory in 18 days by other means. But = — United Press . . | brink to brink of destruction. | Setting it before the camera and he doesn't think they'd have had as | NE OR A oaagianne! Hee is Yith Ene Photography | selling it to movie fans is our busi- [much fun Cornell's proposed jaunt ine he | in “Knight Without Armor,” and it | ness, and he lets us do it our wav. i —— ———————— world next year in repertory al-|would be unfair to fail to mention : i ir 1 ns | ready has brought invitations from | the much-publicized bath which | Huon a os, thres| OBJECTS TO CROWDS the Community Theater of Honolulu | Miss Dietrich took for the camera | significant writers, have recently | | Ri is | and the University of Beirut in and which Mr. Hays is Supposed 10 | flown into the teeth ‘of &ll ‘tradition, | Boos So) Rib nS Syria. : | have ordered left in the cutting |py publicly announcing their com- Out &ny intensely dramatic scene, | " Ns Coutiel & et | room, | Wen, one bah ic there, plete satisfaction with movie ver- |she asks that the sound stage be fw mon nevertheless, ough it’s no more | gj ir . Pit | ; ’ “ " ; off ‘the Massachusetts coast, where | exciting than dozens of other screen | oe eye most recent ‘writing. | cleared. When she “died” for a she will have plenty of time and |gblutions which are almost standard | . Maybe there's hope yet of con- | sequence in “Lancer Spy,” only two quiet to work out her plans for the | equipment of “smart” films |vincing the public that Hollywood | cameramen, two sound technicians | world tour | i | does have some citizens who are able | ana Director Gregory Ratoff were | > > | Marlene at Exotic Best (to read and think. Making movies | un the set.

. She sacrified her honor to save a nation!

COG First Run

Plus y Wh . q Noel Madison TS Lila e

Chas, Starrett, “ONE MAN JUSTICE"

| is a fabulous business, and fabulous J ntion hat 4 I've already mentioned tha ‘methods are necessary. But—I seem |

Roa. me hd to be quoting Shakespeare quite | a 4 : often these days—there is method to | Armor.” Aside from that, her |. Se: " lis {this Beverly Hills madness. PA RI is OT re Yuiy Mr. Garnett is probably the most y R continuous expression of |. yeled of all the Hollywood direc. | HH Wi oh. Yeyitve |tors. He likes to talk of his ‘round | suspect the director never gave him a chance to really warm up to the role, The film definitely is for Miss Dietrich’s admirers. The ladies doubtless will find many of her costumes glamorous, though much of the time she is garbed in ragged peasant clothes,

”

S. East at Lincoln Double Feature Bruce Cabot

“SINNER TAKE ALL" “NORTH OF NOME” Sunday Double Feature—Jean Warlow “PERSONAL PROPERTY” “THAT MAN'S HERE AGAIN”

WHAT, WHEN, WHERE APOLLO

“You Can't Have with Don Ameche, Alice Pave, Brothers and Louise Hovick, at 1:08, 3:18, 5:28, 7:38 and 9:48.

CIRCLE

“Artists and Models,” with Jack Benny, Ilda Lupino, Gail Patrick and Richard Arlen, at 12:32, 3:42, 6:52 and 10:92. Also "Wild Money,” with Edward Everett Horton and Louise © Campbell, 8% 11:23, 2:23, 5:43 and 8:53

LOEW'S

Without Armor.” Merlene Dietrich and Robert DoRt. 12:27. 3:38, 6:4) =nd 1b ‘Married Before Breakfast ™ Robert Young and Florence at 11:11, 2:22, 5:33 and 8:44,

LYRIC

Charlie, Dance,” rein and Jean gt 11:42, 2:32, 5:22, 8:12 and Vaudeville (on stage), sat 1, 6:40 and 9:30.

Everything.” Rit% 11,

ee - — |

| | ing, but a lot happens in one might for Mr. Young who starts out to! help a couple get married and ends | up in jail and in love with the brideto be. Of course, she jilts the oe | | inal sweetheart—who wasn't much | anyway — and marries the hero. | It's well worth staying through, | Nh and after all, “Knight Without Ar-! 4 = | mor” is the feature at Loew's this | ——. week. (By R. N)

Fountain Square

Our New Cooling System Keeps You Comfortably Cool Alwavs Double Feature— Tony Martin

“SING AND BE HAPPY” “BOLD CABALLERO" Sunday Double Feature—Gene Ravmond “THERE GOES MY GIRL" Pat O'Brien “SLIM”

NORTH SIDE

MECCA Noble a Mass,

Double Feature Virginia Bruce “WHEN LOVE IS YOUNG” “THE HARVESTER” Sunday Double Feature—James Dunn “COME CLOSER FOLKS” “MOUNTAIN JUSTICE” te als 19th & Ooftere Double Feature

Stratford ome

“CHEROKEE STRIP” “HAPPY GO LUCKY” Sun. Double Fea.—Gene Stratton Porter's “THE HARVESTER” “Tor OF THE TOWN” DREAM Bowiveien arlie “T'URN OFF THE MOO ‘“LCEFT-HANDED LAW” Sunday Double Feature-Janet Gaynor “A STAR IS BORN" “WAY OUT WEST” RITZ Senwihe Mudge Evans “THYRTEENTH CHAIR" “SECRET VALLEY” Sunday Double Feature—~Robert Taylor “THIS IS MY AFFAIR" “TROUBLE IN MOROCCO”

Hollywood —

Dothle Feature— George O'Brien “HOLLYWOOD CO x" “KING OF GAMBLERS” Sunday Danhle Feature—Charite Ruggles “TURN OFF THE MOON” “WOMAN

CHASES MAN”

“Knight with

»n

Loew's second picture is “Married Before Breakfast.” a mildly amusing romance of the madcap | variety, starring Robert Young and | Florence Rice, with several other | prominent young players in sup- | porting roles. OHIO | The story—about & young play “Hollywood Cowboy,” with George || boy who makes a fortune and sets O'Brien. Also “Cafe Metropole. |out to make all his friends happy AMBASSADOR | —is preposterous enough to be enapo Darnell, with Clark Sable, apd | Joyed, and the young players speak yrna Loy, Also “Sing a their not-too-clever lines with en. With Why. SPIN Wau tose enough enthusiasm to keep one inALAMO terested. «Nation of Flame,” also “One-Man The story is not suitable for brief-

Justice,” with Charles Sterrett. ance Saturday % Covered

i SKY wii HARBOR

Sst., 60c couple before 9:30; 80c ple 9:30 to 12:00; 50c osuple after 12:00. Sun. $5¢ couple ore 9:15 50c Couple After 9:15 One Block South Municipal Airport

"SWIM and PLAY" “The Longacre Way” FORGET THE HEAT at LONGACRE

SWIM in pure filtered water—Enjoy the SAND BEACH-—Bring the family for an OUTING in our cool, shady PICNIC GROVE-— OVENS — Playgrounds for THE KIDDIES — PONY TRACK = LUNCH SERVICE—BOATING and many other attractions.

LONGACRE

4700 Madison Ave., South on State Road Sl. DR-4523

Rice, o

LYRIC

COOL OZONIZED AIR

Radio & Records Star

with Muir, 10.30. 3:50,

“Dance, Stuart

D Open Air

ATTRACTION EXTRAORDINARY

NEW YORK'S FEATURE o%:x STH WEEK

THE 10,000 DOLLAR BEAUTY

SUNYA smies) SLANE

WITH SHOW OF SHOWS

Walter Budd, Harry Kahler, Warten Candler, Ray McClelland, Arthur Watts, Jack Moore, Ernest Candler, Opal Feuts, Betty Louden, Dorothy Brown And a New Youthful Dashing Chorus Mat. 2:15 Two Shows at Night, 7 and 9—Continuous on Sunday

SPECIAL MIDNIGHT SHOW TONIGHT

“WE HAVE OUR MOMENTS" | “God’s Country and the Woman’. ] unday Double Feature—Wallace Beery | “GIRL FROM SCOTLAND YARD” | uur “THE GOOD OLD SOAK” | Sunday Double Feature—Winchell-Bernie | “SING, COWBOY, SING” Boris Karloff “NIGHT KEY” | “WAKE UP AND LIVE" Ann Dvorak “MIDNIGHT COURT* PN 110s S Meridian | WRT BLOND Sunday Double Fenture~<Charlie Ruggles uble Feature © ys F 1:80 “ " Oriental RAM |__ coin imo | "SRE ol Tae ook “Charlie Chan at The Olympics” | Uptown Double Feature —a— dhol ADA Sylvia Sidney “STREET SCENE" | Warner Oland | 3 | JOU Sunday Double Feature—Wallace Beery | “Charlie Chan at the Olympics” | - “GOOD OLD SOAK” “CAREER WOMAN” “LLOYD'S OF | Patsy Kelly “NOBODY'S BABY” Sunday Double Feature—Janet Gaynor Buck Jones “SAND FLOW” - . 2208 Shelby St, “A STAR IS BORN” | Sunday Double Feature-Victor Melnglen Ga rfield vow Feature | Jones Family “BIG BUSINESS” “SEA DEVILS" Charlie Ruggles y y ' . . OL. . Jane Withers “HOLY TERROR” “TURN OFF THE MOON St Clai r st Nod Bi. Wave : a “PAROLE RACKET” . Anton Walbrook R | VOL | Doors’ Open wt >: unday Double Feature—Loretta Yuung “SOLDIER AND THE LADY” | Comfortably Ovol “CAFE METROPOLE" Edw. E. Horton “OH! DOCTOR” Jones Family “BIG BUSINESS® “I PROMISE TO PAY” Sunday AR re ORY Gaynor THY OF MYSTERY” “A S Lig A A! Last Show Tonight Only! “Charlie Chan at the Olympics” | Wallace Beery “BIG HOUSE -— - i ed + | With Robt. Montgomery-Chester Morris Talbott Feiner’ | GREASE HAPPY Air-Conditioned v Double Feature Gary Cooper Geo. Brent “GO GETTER” “YF Y HAD A MILLION" "EE Wa Ee Ann Dvorak “RACING LADY” Tacoma Jhouble entire Sune Double Bl Agere “PURN OFF THE MOON" | Ta ™ AY" “Bulldog Drammond Escapes” I PROMISE TO PAX Sunday Donhle Feature—Tanet Gavhar 80th at Northwestern “A STAR IS BORN" REX Two Ace Wit Patsy Kelly “NOBODY'S BARY*® aN . -— - “I'HE PLOT THICKENS" Tuxedo Nw, Yury “Aopalong Cassidy Returns” Lanrel-Wardy n y “WAY OUT WEST” Sun. Double Peatnre—Claudeite Colbert . 3 " ol ATM IN PARIS" “MAN OF THE PEOPLE a NET OF GAMBI ERS” Sunday Double Feature—George Brent KING Nomis AEE “MOUNTAIN JUSTICE" J D E L L Double Feature Jane Withers “Angel's Holiday” - Helen roderie 5507 ©. Wash, Sb « o » 2 roy ¥ 1 ¥1 wn TF IRVING wits Sun. Double Feature—Joe E. Brown Muston! Comedy and Cartoon “WHEN'S YOUR BIRTHDAY” Sunday Double Feature—Edw. G. Robinson owe wat ween |" inl . 80th and Tilinots | __ _ 4 - Garrick Cemerwes® | wper gp “RACKETEERS IN EXILE” ST ATE 2702 W. 10th Se. Double Feature “23% HOURS LEAVE Bod Livingston Sunday Dowdle Peature—Astaire-Rorers | “THE THREE MESQUITEERS® “SHALL WE DANCE?” “SONG OF THE CITY” “MEN IN EXILE” Sunday Double Feature-Laurel-Hardy A —— “WAY OUT WEST” EAST SIDE “THIS IS MY AFFAIR” Gi a a W. Wash, & Belmont 4630 E. 10th, Emerson gee ta [Belmont ™ Felines Open 5:45 Double Feature Karen Morley Jane Withers “GIRL FROM SCOTLAND YARD® “ANGEL'S HOLIDAY " » ‘ SMOKE TREE RANGE “TOP OF THE TOWN” Starts Sun. <Olark Gable, Myrna Toy Sunday Double Feature—Jack Benny “PARNELL” “Transatiantic Merry-Go-Round” Lewis Stone “13th CHAIR” _Gary Cooper “If 1 Had a Million” pr TTINTEN] 6116 E. Wa th. St. 2540 W. Mich, SW GOLDEN SIS ie ah. DA | SY Double Feature Astaire-Royers “ ; George Banoroft a We gp Pr Tom on "REBELLION" “TR LE IN XAS” Suh Jove Peature—Nelson Bady Sunéiay Double Feature—Bdw, G. Robinson “NAUGHTY MARIETTA" “KID GALAHAD"” — VENUS MAKES TROUBLE” | “THE MIGHTY TREVE> Gs. 2118 BE, 10th St, Howard & Blaine Hamilton Double Pexture Howa rd bauble Fuytire “WAY OUT WEST" “California Straight Ahead” “ANGEL'S HOLIDAY” “MURDER GOES TO COLLEGE" Sunday Donble Feator w. G. Rohinvon Stnday Donble Featnre-Robt. Tavier “KID GALA AD" “THIS IS MY AFFAIR" | “cnarite Chan at the Olympics” | “CHARLIE CHAN at THE OPERA”

vy i § a. :