Indianapolis Times, Indianapolis, Marion County, 2 August 1937 — Page 4
PAGE ¢
THE INDIANAPOLIS TIMES
rRNA eee
MONDAY, AUGUST 2, 1937
IT'S FINISHED; SO CAST CELEBRATES RA YEA ENA YR NA CVAHEN THE 83 BLUS OF THE 1ST" reverse AM, THOSE THINNING LOCKS IORI CE
Everyone from producer to prop-hoy attended the recent Hollywood party celebrating the com-
pletion of “High, Wide and Handsome.”
Irene Dun ne, the picture's star, is shown above chatting with
Wally Westmore, makeup artist, Mr. and Mrs. Adolph Zukor are Miss Dunne's neighbors,
| Tn an old-time vaudeville skit with Ben Blue, Randolph Scoft | right is doing an imitation of Bing Crosby.. Mr, Scott plays the lead opposite Miss Dunne in the new picture.
| { |
C. J
Members of various departments have a little fun at the expense of William ¥rawley's thinning locks. Left to right, they are Borris Morros, musical director: rector; Alan Hale, veteran screen player; Mr. Frawley and Raymond Walburn.
Dunphy, Paramount’s publicity di-
Stage Lure Draws Stars From Ease of California
To Bright
Jean Muir, Sally Rand, Frances Farmer,
Arnold Turn to Trouping:;
Lights of East
Edward Miss
Hepburn Tells Secret of It.
By JAMES
Scratch a screen star and, likely as not, find a would-be |
wHRASHER
Duse, Bernhardt or Irving. For the summer heat seems to have caused the celluloid celebrities to break out in a theat-
rical rash.
Up at Cohasset, Mass., where Frederick Burleigh, forme:
Civic Theater director, and
Dick Hoover, Civic publicity
agent, are summering, Jean Muy Teas beh earring with the
South Shore Players in “The™ Night of January 16.” Writes Mr. Hoover: “We have been brushing the cows and townspeople off the front steps to let sold-out houses
flock in to see Miss Muir.”
Farther up the coast in Skowhegan, Me., Sally Rand has swapped her feathers for the gingham gown of the slavey-girl in “The Passing of the Third Floor Back.’ sources think that Miss Rand has a ven to chuck the baubles in the attic and stick to the drama—with a broad “a.” » n Frances Farmer, seen here last week in “Exclusive,” likewise has heeded the footlights' call. She hurried East as soon as her work in
“The Toast of New York” was fin- |
ished for a stage debut last week in the Theater Guild success, “At Mrs. Beam's.” pearance was at the Westchester | Playhouse in Mount Kisco, N. Y. Tonight she is to open in the same play at Westport, Conn. Harry El- - lerbe is directing the play, and Miss Farmer has the leading feminine part. On Aug. 23 Miss Farmer will costar with Phillips Holmes in Petrified Forest” on a similar “tour” of Mount Xisco and Westport. “The Toast of New York.” is rounding up a group of theater-minded Hollywood players, and expects to start on a barnstorming tour as soon as screen engagements will permit, So far, with the exception of Mr. Arnold, we have been considering Si neophytes. established screen favorites who
Reliable |
“The {
Edward Arnoid, who also is in |
But there are oth- |
want to return to the scenes of their first experience, if not always their first triumphs. A conspicuous example, of course, is Katharine Hepburn, seen at English's last season in “Jane Eyre.” Miss Hepburn | Broadway with parts | Takes a Holiday,” | Bottle,” “The Warrior's Husband” and others. Then, with some successful pictures behind her, back as star of “The Lake.” It flopped. But La Hepburn came back bravely in “Jane Eyre.” Now she
started out in
on
is going to do “Jane” or some other |
Theater this fall.
Guild play on Broadway
” Another trouper is Robert Montgomery, who is to trek back to the White Way for a new play in December. Maybe vou're thinking, “Why do | they do it?” Why should high-sal- |
” un
homes in sun-kissed California for the uncertainty and comparatively | {meager pay of a New York engage-
| ment? What is there about a mosqui-
| to-ridden New England barn theater lor the discomfort of split weeks and
| one-night stands on the road that!
lures them?
the question, at least partially, in al recent interview with William Boeh- | nel, New York Worid-Telegram movie critie. Said she: “The things you stricted, and as a result, the scope of your work is limited. On the stage, however, you can say and do | things which would never be permitted in pictures.” Ai any rate, the hunger for “live theater” seems to work oth | ways.
Woarited-=Hiickory Clubs | To Stop Locomotiv
Z'imes Special
HOLLYWOOD, Aug. 2.—Film studio property men ware conducting a search today for a number of stout hickory clubs capable of stopping
a locomotive.
Demand for these somewhat unusual clubs arose during preparation
for filming of Frank Lloyd's new Paramount production, “Weils Fargo,
”
featuring Joel McCrea, Frances Dee, Bob Burns and others.
In the opening scenes, on a location set at ‘Chino, Cal., plicates the railroad station at Batavia, N. Y.
Lloyd is using the “William Gallo-* way,” a Baltimore & Ohio locomotive built in 1837 Discussing the Herman Oberender, engineer who | accompanied the engine from the East, Lloyd said that he wanted the | “Galloway,” pulling a tender and | two or three coaches, to puff | noisily into the scene and stop directly in front of the station-—-and the cameras. “That may be a said Oberender. “Why?” asked Lloyd. “She has no brakes,” neer explained. Stopping Was Problem “No brakes?” rector repeated incredulously. “How in the world do you stop her?” “Well, T'll tell you. days they used to slow her down with the hand brakes on the tender | and coaches. Then as she slowed | down, the fireman and brakeman jumped off, shoved stout hickory | spokes and slid her drive-wheels.” Just like that. Which accounts for the sudden demand for hickory, Mr. Lloyd
sequence
bit
the engi-
wants the thing done properly |
and above all things, he wants to stop the snorting monster in front of the cameras, so that McCrea will be in the picture.
with |
difficult,” |
the producer-di- |
In the old |
which duas it appeareq ° in 1844,
i
MAINE LONGEST SHIP IN INL U.S. NAVY
| Times Special | HOLLYWOOD, Aug. 2~During | | the filming of “Annapolis Salute,” | James Ellison asked a Naval | Academy officer to name the long- | | est ship in the Navy: “The Maine,” was the unexpected | answer. “Her foremast is on the | Reina dock at Annapolis, and her
| mainmast is in Arlington Cemetery.”
{
| SONJA IN "THIN ICE
“Thin fce” finally has
Sonja Henie-Tyrone Power starring picture. For a time during the | making of the production it ap-! | peared this title was not available and the title, “Lovely to Look At”
| was used for a brief time and then | discarded.
| ——
|
“Death | “Art and Mrs.
she came |
Perhaps Miss Hepburn answersd,
can say and do on the screen are re- |
been | | cleared as a title for the current |
WHAT, WHEN, WHERE APOLLO
“The Rnad Back,” with John Xing and ly Cromwell, at 11:20, 1:23, 3:26, 5:29, 7:32 ‘and 9:35.
CIRCLE
“Topper,” with Roland Constance Sennett and Cary 3rant, at 12:30, 3:40, 6:50 and 10. Also “You ant Beat Love,” with Preston Poster, at 11:30, 2:40, 5:50
and 9 LOEW'S
“Saratoga,” with Jean Harlow and Clark Gable, at 11, 1:50. 4:40, 7:30 an ¥ “League of Frightenad Men,” with Walter Connolly and Lionel Stander, at 12:40, 3:30. 6:25 and 9:15
LYRIC
Quentin,” with Pat hat and Humphrey DPogart, at 35, 2:23, 5:11, 7:59 and 10:20. Noble Sissle’s Orchestra (on stage) at 1:06, 3:34, 6:42 and 9:30.
OHIO
‘Wake Up and Live,’ with Ben Bernie and Walter Winchell Also s;ady, Be Careful,’ with Lew Ayres and Mary Carlisle.
AMBASSADOR
“There Goes My Girl,’ with Gene Raymond and Ann _ Sothern. Also “Slim.” with Pat O'Brien and Henry
Fonda. ALAMO “Rustlers Valley,” with William
Bovd Also ‘Charlie Chan at the Olympics,” with Warner Oland.
Rival Takes
Young,
“San
Bartholomew Pay Dispute Induces Shift.
| By United Press HOLLYWOOD, Aug. 2.—Douglas Scott, a bright-faced youngster from a rival studio, was at work today in the role that Freddie
| Bartholomew was to have had in
"the picture, “Thoroughbreds Don't Cry.” | Metro-Goldwyn - Mayer Studio | borrowed Douglas because Freddie's aunt and legal guardian, Miss | Myllicent Bartholomew, has threat-
Her first Eastern ap- | aried stars leave their comfortable | 4 to take him out of the movies |
| unless his salary is raised to $2500 |
| a week. He has been earning $1100
| weekly.
The studio said Freddie's sched- |
in another “Kim,”
uled appearance ture, Rudyard Kipling's | indefinite.
picwas
Juvenile Corsi To Mimic Stars
| By United Press HOLLYWOOD, Aug. 2— Plans | were announced today for a movie with an all-juvenile cast, the young- { sters impersonating grown-up stars, The film, which may start a new [cycle in motion pictures, will be made by Producer John Considine Jr. at Metro-Goldwyn-Mayer studios. It will be called “Baby Broadway Melodies of 1938.” He sent talent scouts on a hunt for bright youngsters who can im=personate Robert Taylor and other famous SHS.
ACTRESS WEARS | PASTE JEWELRY
Times Speeinl HOLLYWOOD, Aug. 2-—-—When Louise Hovick goes into “Ali Baba Goes to Town” as the Sultana, she | will be wearing more jewels than
| Queen Elizabeth did at the Corona- |
| tion—only Louise's will be paste. Her studio
|
| sive collections of paste replicas
| ever gathered for a movie, and Miss | Hovick will be covered from head |
| to foot with man-mede diamonds, | sapphires, rubies, pearls and other | Previow Su Stones.
REACHES GOAL
|
| By United Press HOLLYWOOD, Aug. 2.-—=Georges | | Rigaud, French film leading man, |was in Hollywood today to play op= | posite Marlene Dietrich. “Every actor in Europe wants to | come to Hollywood,” Rigaud said as (he stepped from the train. “For ['me, it is a dream come true.’
|
is spending nearly | | $10,000 for one of the most expen- |
OF HIS DREAMS |
| trained workers study (sands of illustrations and | read piles of books pertaining to
Freddie Role
Actists and Technicians Study Hard Before Film
Work Ever Goes to Lot
Research Is Made Into Historical and Technical | Problems to Assure Authenticity; Crews Travel to End of Earth.
| | | | |
By United Press
HOLLYWOOD, Aug. 2.—Construction of authentic | backgrounds and designating of appropriate costumes for |
pictures are major undertakings in the huge, glamorous business that employs 117 trades and pro ofessions. Tremendous research is :
necessary wefore a single set | | wood-made scenes. or costume can be sketched. | . " ’ | Problems Attacked Together Every studio maintains com- | i ‘ . | Set construction problems are prehensize libraries, where joneq out at a conference comthou- | posed of the director of the picture, | art director, cameraman, casting di- | rector, construction engineer, chief | sound recorder and electrical engithe period or subject dealt with in | neer. the film. | The art director delivers to studio For example, David Selznick has | architects sketches of sets and to | | had his director, George Cukor, [the wardrobe department waterand a large staff at work for many | color descriptions of costumes. The | months supplying background material for Margaret Mitchell's “Gone With the Wind,” which will | be filmed in technicolor. Civil War | histories, town records, southern | bibliographies and other source material is being searched to make the picture authentic.
penters, electricians and painters to follow. A corps of seamstresses in the wardrobe department. works | night and day fitting costumes to | wax models of the stars. Before actual shooting begins, everyone even remotely connected y "DS 2) y Napoleonic Era Soanned iy picture receives a copy of the
More than 3000 biographies, histories and paintings were studied before artists were set to work designing sets and costumes for “Madame Walewska” at M-G-M. | Artists® studied every available por- | trait of the Polish enchantress, por=- | | trayed by Greta Garbo, and of Napoleon (Charles Boyer). Authorities on English court tradition were consulted before Warner Brothers attempted to film the “Prince and the Pauper.”. No ex- | pense was spared to make certain that every detail of the colorful | coronation scenes were authentic. Where a modern theme like “Between Two Women” is featured, | most of the necessary research was | left to a technical adviser, a doctor, who made certain that all equipment was authentic. For example, Franchot Tone had to be in= structed how to hold a scalpel realistically when he acted the part of | a surgeon, and Nurse Maureen O'Sullivan had to become familiar | with anaesthetic procedure and how to attend a siren-convalencent, Vir= ginia Bruce. To the casual first-visitor to a studio sound stage, photographing of a picture appears haphazard. | There is not immediately evident the efficient “construction belt” of an | automobile factory. But it is there, | nevertheless.
sound effects. [Electricians their scripts and blueprints to ar= range for proper lighting. The cast- |
envisions actors for supporting | roles, selecting them from indexed, cross-indexed and catalogued files.
and melodies for the musical background and any features selections | that may appear.
Morosco Ready For Comeback
By United Press HOLLYWOOD, Aug. Morosco, builder of theaters and maker of stars, who ran a $40 stake into $15,000,000 and lost it all, was
Morosco announced that he has financial backing to re-establish a
parable to the old rosco” showhouses the depression. first, in 10 days. The theater man, 1899 with $40, first produced such | hits as “Peg 0’ My Heart,” Paradise,” and “Cinderella Man.” He developed such stage and
string of that he lost in The lease for
One Stage Usually Used
If 50 sets are required, they are constructed in the order used on one huge sound stage, a barn-like shell fitted overhead with intricate | batteries of floodlights and com | | pletely soundproofed from the outside. This compact layout enables | the director to shoot all the scenes | taking place mn one building at va-
| How y= oF the Nim without Eig. | tw Owited Prows mantling and moving equipmen The whole Ronin can — sp | HOLLYWOOD, Aug. feet and take a different scene of | Keaton’s movie earnings have been action, regardless of its final posi- | so reduced he cannot pay $300 a (tion in the completed film. Thus, | month alimony, according to his Bin iy may be shot first and | plea that won a reduction, in a | Authentic backgrounds often w court order on file today. 'obtained by dispatching camera | The alimony to Natalia Talmadge “Romeo and Juliet,” M-G=-M "sent | faced comedian, was cut to $100 a a Camera company and research ex- | month by Superior Judge Dudley pert to Verona, Italy, to obtain back- | 8. Valentine, Keaton, however, must |grounds for reproduction on the | pay up $4200 back alimony as soon ‘Hollywood lot. Samuel Goldwyn | possible. sent a camera crew to the South | — | Seas to get background shots for | | “The Hurricane,” which were | | matched ona “two-acre plot at Unit |
Warner Ba xter.
Keaton Ali mony
.
| He will go to work at Paramount |
| Studio.
| COOLED — THE WEALTHEUL WAY |
prt b
& Y GA I
[3 eo ETI
AWE MES
LN EN ST]
MRRTHA RAY L hart NRL
| Mrs.
| architects strike blueprints for car-
Sound engineers read it to | acquaint themselves with unusual | study |
| ing director scans the scenario and |
Cameramen familiarize themselves | with necessary photographic effects. | | Lyric and song writers select themes |
2.—Oliver |
| preparing to start over again today. |
| nation-wide chain of theaters com= | “Mo=- |
| who started in
“Bird of |
screen stars as Harold Lloyd, Ed- | mund Lowe, Marjorie Rambeau, and |
Reduced to $1 00
2 Buster
Wrong Leg! Times Special HOLLYWOOD, Aug. 2-~ _ Comedy comes at a price, Rob"ert Woolsey learned during the filming of his current comedy vehicle with Bert Wheeler, “On Again—Off Again.” One scene called for the two comedians to do a comedy dance routine, ending with Wheeler kicking Woolsey, who had been prepared with a shin guard. After the scene was shot, Woolsey let out a howl of pain and hopped off the stage. Director Edward Cline shouted. “Great, Bob! That seemed good enough to be true.” “What do you mean, ‘seemed’,”’ Woolsey yelled. “Bert kicked me in the wrong leg.”
Film Safari
ed Artists and fitted into the Holly- |
Is Reported
Osa Johnson African Trek.
Leads
By United Press HOLLYWOOD, Aug. film safari, mapping | scenes in the interior of Africa for | the feature, “Stanley and Living- | | stone,” has entered the Tanganyika | Territory, according to wireless reports. One unit of the expedition under charge of Mrs. Osa Johnson, comprises five white men and 200 | natives. This group will face one of the most hazardous phases of | the five-month jungle operations. Otto Brower is the director in | charge of shooting the African scenes. He has a party of 11 | Hollywood technicians with him. Tt | | is expected that the picture will require more than eight months’ | production work.
5 ®
A motherless 4¢-day-old deer, | found by a motorist along the Rim | of the World Highway, was brought | inte Lake Arrowhead ranger sta= | tion while Shirley Temple was | there doing location scenes for a picture. At Shirley's suggestion, was used in the picture, and its “salary” of $25—the fee usually | paid animal owners whose pets get into films—=was turned over to the rangers for the purchase of food until the little animal grows old enough to forage for itself.
”
2.
5
the deer
u
The topography of the Paramount studio does not admit the use of automobiles as a means of transportation, so bicycles are em- | ployed. More than 100 wheels are use, and some of the
®
| 'n daily
time. ”
Real gems, valued by insurance appraisal at a reported $857.240 were used in a scene in "Easy | Living.”
WE Buy Diamonds
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Motorboat Race Filmed
Newsreel Shows Wood's | Gold Cup Win. °°
Gar Wood Jr., winning the dangerous Gold Cup motorboat race at Long Beach, Cal, is a sports high-
sal newsreel now showing in Indianapolis community theaters. Young boys and girls “enlisting” for training in horseback riding at youth organization schools in Rome |is another feature, Also shown is an
landing; a full-grown elephant taking ‘a swim at Atlantic City, N. J.; movie stars showing pets that match their wardrobes; the opening | of a PublisiNg Yosinees in ve Am
light of the current Times-Univer- |
airplane with folding wings | which takes to the highway after |
all-glass house to be used for busie ness purposes, at Columbus, O.; and young boxing amateurs trading blows and wild swings in a New York City tournament. Graham McName provides narration.
SHIRLEY HOPES TO SEE VOLCANO
By United Press HOLLYWOOD, Aug. 2.—Hoping to see a volcanic eruption, Shirley Temple was at sea today bound for Honolulu. The child star sailed aboard liner Malalo. “TI hope I see a big volcano,” she confided to Capt. Frank A. Johnson,
the
the
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