Indianapolis Times, Indianapolis, Marion County, 10 July 1937 — Page 8

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{. POWELL STRUTS

SATURDAY, JULY 10, 1087

AT LYRIC

THE INDIANAPOLIS TIMES

AT APOLLO; JOE E. BROWN CAVORTS

¥ . y @® |

Dick Croons

as Marine

In New Warner Musical; Comedian Plays Reporter

Herbert Assists Singer |Mouthy Actor in Dim-

With Some of Finest Fluttering.

| Witted Role But Gets

| Girl Anyhow.

To Dick Powell fans, it| Elmer Lane, dim-witted

should be good news he’s again in uniform and back at the Apollo in his newest Warner Brothers musical, “Singing Marine.” To those who aren't especially Powell devotees, it should be equally good news that Hugh Herbert does some of his finest fluttering in “Singing Marine,” and that Dick has a new screen sweetheart—gracious, blond Doris Weston. She sings, too, if not always so very well, and is a very pleasing person, though Dickie doesn’t seem until near the finale. Having sung and romanced through West Point and Annapolis for his employers, Dick now becomes a modest Marine, in a story that’s much like its predecessors, except for change of uniform.

That's not condemnation, for many of us seem to enjoy Dick on dress |

to realize it |

‘journalist and hero of a 'series of weekly mag#zine | stories, comes to the Lyric 'screen this week in all his frustrated glory. He is por- | trayed by Joe E. Brown, artlist at the delayed mental up- | take, in “Riding on Air.” In his second picture un‘der the R-K-O banner, Mr. Brown has been given about

the same sort of background |

for his bag of tricks. Again he is the small-town boy, this time the managing-city-society editor of the Claremont (Wis.) Chronicle. Elmer wins $5000 in a breakfastfood essay contest and promptly falls into the toils of a confidence man, amusingly played by Guy Kibbee. They form a company to market an airplane run by a radio beam. It's the invention of Elmer's | friend Bill, and a good one-—until Doc, the confidence man, gets hold {of it. Meanwhile

Elmer

and Harvey |

BENNY AND BENNY EARN 60 CENTS

RN "

parade, with his accompanying bal- | Schumann (Vinton Haworth) are |

lads.

| fighting it out as rivals for the |

There are six new songs in “Sing- | same girl’s affection and rival cor- |

ing Marine,” two or three being |

respondents for Chicago newspapers.

War Movie

At Circle Is

Nonpartisan

Spanish Conflict Treated Circumspectly, But Not Interestingly.

By JAMES THRASHER A picture of Hollywood toying with a ticklish subject is seen in “The Last Train From Madrid,” which is showing at the Circle this week. Hollywood has world-wide markets among people of all sympathies and beliefs, and consequently this first picture concerning the Spanish civil war is most circumspect. Mythical Graustark might as well be the setting as wartorn Iberia. There are, however, some rather vivid interpolations actually taken in Spain, showing civilians fleeing through city streets for shelter from an air raid.

The plot is of the “Grand Hotel” variety, mainly concerned with the lives of seven persons who are to take the last train from Madrid to Valencia and safety. Main interest is focused on Gilbert Roland and Anthony Quinn, cast as two loyal friends in love with the same woman, played by Dorothy Lamour.

U. S. Players End Activities

With its presentation of Clemence Dane's “A Bill of Divorcement” tonight at Keith's, the Indianapolis Federal Theater Project closes a 15-month engagement. The unit has presented 41 plays, a record for Federal groups vhich were established in most of the larger cities throughout the country.

Leading roles in “A Bill of Divorcement” are played by Betty Ann Brown and Ruth King, who have been prominent in most of the unit's productions, and Bruce Barnard, who recently joined the local group after appearing with the New York players.

by Karen Morley, who is an old friend of Mr. Roland. She murders her gigolo companion to get his pass and let Mr, Roland catch the exclusive Valencia train. Her Kkindness leads to her arrest for murder. So only five of the principal characters are aboard when ‘the train finally pulls out. Prom this it may be seen that

| Hollywood has been careful. Unfor=

tunately, it hasn't been very interesting in the process.

Hampered by uninspiring lines, |

the cast isn't much help. Best performances are by Lew Ayres and youthful Olympe Bradna, who play the reporter and his bride. Miss Lamour, cast in her first nonmusical role, shows little promise of being a dramatic actress. The Circle's other picture, “Easy Living,” was reviewed yesterday and highly recommended.

Brent-Worth Romance Ends

si ———

| By United Press

Stage Must Hit Fascism,

Writer Holds

Kingsley Says U. S. Drama Has "Moral Obligation’; Lauds Poetic Plays.

| By United Press IVORYTON, <Conn., July 10.—The American stage in the future must fight against dictatorship and fascism or “we are apt to lose certain fundamental premises of cive ilization,” Sidney Kingsley, Pulitzer prize winning playwright, said today. “In these high and exciting times of ours,” Kingsley said in an exclusive interview, “new social orders are in the making. Some are bad and

some are good.

“The theater has almost a moral obligation to keep alive to the problems raised by the new situa« tion.”

Seated under a tree in this sleepy, summer=-playhouse town, the aus thor of “Dead End” and “Men in White,” said the theater was under» going a ‘revitalization from the viewpoint of emphasis on dialogue.” “Poetic drama” he called it.

Must Create Own Period

“But,” he warned, “there is one great danger. We must capture the poetic tempo of our own period and

Ray Enright found the chance he needed to stage a big show. Hap-| The story then goes in two direc-| pily, he didn't fall into the common | tions. One deals with the fake airerror of overdoing, and his finale | plane company, in which the citi is staged and presented cleverly. | zenry invests; the other details | Goes on Amateur Hour | Elmer's efforts to redeem his jour- | Dick is not the Singing Marine | nalistic honor by catching up with |

when the story opens—he's just & a gang of perfume smugglers. leatherneck who sings to his bud- | i he wien h b i for 60 cents apiece which they earned as bit players dies at San Diego barracks. When | ; & hero by | i, “This Way, Please.” The two comedians were | | chasing the smugglers in an air- | : Ra - -

gir) Mionds thoy Gocide es Ton | plane and proving, incidentally, that | : ‘ Howard Misses Audience Response in Film Work

July 10.-=Greorge | NOt imitate another period such as Ruth | the Blizabethan, “The verse form is limited. Prose is much better. Prose in flames, Vivid prose. Let's try to find it in the common speech around us, There is beauty in the most com= mon things. All it requires is a perceptive eye.”

Commits Treason | HOLLYWOOD, Mr. Quinn, as a young officer, | Brent, former husband of commits treason in allowing his | Chatterton, will seek annulment of friend, who is wanted by the au- |his six-week-old marriage to Con=thorities, to escape. One infers that | stance Worth, young film star, his he permits him to leave with the |studio representative said today. young lady through unselfish love.| Robert Brent and Miss Worth In the closing scene, he is shot for |eloped to Mexico May 19. Brent, it his pains, after having forced his |is understood, will charge that marcommandante, at the point of a Sh laws of that country were not gun, to let the train proceed. observed. The story also is told of a young | Miss Worth is an Australian who American journalist who meets a got her chance in the movies when slip of a girl fighting with the | her beauty attracted film scouts Woman's Battalion, marries her When she was marooned here by the while heady with wine and awakes |ship strike last year. to rejoice at his excellent ChOICE. | Le a —— Then there is a Spanish lad who | deserts from the army when he is | chosen as one of a firing squad. al | meets a girl of the streets, they fall | § in love and plan to return to his | farm. But she is shot as they reach | the railroad station. Also present is a baroness, played |

| The Week End’s Best Attractions

At Your Neighborhood Theater

A Bt A a —

The year’s En A. Ta a i CFLCLE ous movie!”

Times

visiting Mary Livingstone (Mrs. Benny) on the movie set when they were drafted for service in a theater lobby crowd scene. Robert Flory, director of the picture, is ‘the gentleman looking scornfully at their reward.

Behold the screen's lowest-paid star and cone tract comedians, Jack Benny (center) and Benny--not Kenny—Baker (right) are shown with checks

the gong. and Dick—surprise!—is a | with a machine gun. He shoots | a: | off their propeller with a shotgun |

Comes then Mr. Herbert and an- | and comes to earth a hero. He also |

SC | gets the girl, other agents to sign Dick to luCra-| “mye onodly number of

WHAT, WHEN, WHERE ‘APOLLO

“Singing Marine.” ‘with Diek Powell and Doris Weston, at 11:20, 1:25, 3:30, 5:35, 7:40 and 9:45.

CIRCLE

‘“Basy Living.” with and Pdward Arnold, at 12:42, ' 7:04 and 10:15, Also “Last Train From Madrid,”’ with Dorothy Lamour and Lew Ayres, at 11:24, 2:35, 5:48 | and 8:57. | | | |

to New York to go on “Major Bill's radio beam will work. There | i ————

Brian Donlevy “MIDNIGHT HEAVEN" TAXIY” Midnight Show ‘Step Lively Jeeves”

SUNDAY—“FIFTY ROADS TO TOWN"

Simone Simon “SEVENTH | Dorothy Lamour - Low Ayres * Gilbert Roland | ix" LAST TRAIN FROM MADRID’

By WILLIAM BOEHNEL | 3 " | Times Special Writer { : | oe : i { tive contracts, and Miss Weston | ’ hy ] HOLLYWOOD, July 10.—Wearing shorts only, his body smeared with | goes aiong as secretary. Well, Dick BIW 0 ett should find “Riding | gntan oil to protect it from the blistering sun. Leslic Howard was seated | hromptly sheds his modesty, forgets | eel - Nhe Be, og ok at a table on the terrace of his swimming pool composing a piece on | his leatherneck ne me blos- 'has made and kept him popular. Sereen Belng = a Sraposiuih De Sig when the writer arrived at | soms into a Se ope Florence Rice is the girl in the case. |b Ch We ower Rone n De ¥ arsine et is up. 18 | Crazy Quilt Revue” is the vaude- | ow Bn 8 bis ese ih ; ete forsotten hi ks Cog To 3 = | ville attractions title. and the fea- GN acting? r. Howard was n pe that you get in fine plaype the Marine transport to | Yureq performer 1s \Saminy White, Well according to an article by Whe “pest things I think I have | Shanghai. Ho SI using oN HI James Agate that I read recently in | done on the screen were ‘Animal | His agents spend all his money comedy audiences. ‘an English weekly, screen acting | Kingdom,' ‘The Petrified Forest’ on a super night club in Shanghai, A . | consists of 70 per cent personality, and ‘Berkeley Square,’ because they and the unhappy Marine, no longer | erial Comic Amusing had writing in them that made “Riding on Air." with

| 20 per cent appearance and 10 per the popular lad with his fellows he| One of the most amusing turns is | Soh talent. He claims the reason audiences sit up and take notice. Afr Joe E. : “What I should like to see in the || J%0™ “Vabidevine (on stage) at

once was, faces a pretty blue fu-|y ack | the English studies haven't any fature. But the might club is a suc-| ak LaVier, who bills himself | mous women stars is that the Eng- | fiims” Mr. Howard continued, “is || 12:86. 3:48, 6:46 and 0:35. cess. and Dick gives it to Ma Ma- | 88 T e Man on the Flying Tra- lish women lack personality to be- | an actor-manager system which OHIO rine, who has gone bankrupt credit- | peze.” He comes out with a handle- | Come great stars. would enable actors tc have a defin- "Seventh Heuven ‘With ie the Jee. ind Hee hi bar mustache, roached coiffure and! Cites Two Requisites ite part in the writing, cutting itd Stewart, Also “Midnight ows an e gir eclae e 1IsSn | natty suit— al iw Ww 9 arrangement of the film. Fran ly, J rian Donlevy. such a bad Marine after all, even | - y Su 5 1890 models—and re-| “But what do you think?” MT. | never feel that I'm really giving a AMBASSADOR though he sings. gales the audience wtih some clever Howard was asked. “You've tried | performance on the screen, and “Snail ‘We Dance ‘with ‘Pred | chatter and comedy aerial stunts. | them both?” Astaire and Ginger Rogers. Also an of the People.” with Florence

Jean Arthur 3:53

—————

KEITH'S

“A Bill of Divorecement," presented by Federal Players. Curtain at 8:20.

LOEW'S

“A Day at the Races,” with the Marx Brothers, at 12:10, 3:25, 6:40 and 10. Also “The Devil 1s Driving." with Richard Dix and Joan Perry, at 11, 2:15, 5:30 and 8:45.

LYRIO

——— a —-

NORTH SIDE D R EAM Be “Station St. ouble Feature Bette Davis “MARKED WOMAN" Buck Jones “SANDFLOW” Sun. Double Feature~Wallace Beery “GOOD OLD SOAK" Ivan Hunter “CALL IT A DAY”

A ——

‘NORTH SIDE R IT 7 Uitnons and sith ouble Feature Joseph Calleia “MAN OF THE PEOPLE” Patsy Keily “NOBODY'S BABY”

Sun. Double Feature—Pau] Muni

“THE WOMAN I LOVE” Jane Withers “ANGEL'S HOLIDAY”

~ WEST SIDE

Howard “Howard & Blaine

owa Double Feature Lew Ayres “PHE CRIME NOBODY SAW” “R10 GRANDE RANGER" Sun. Double Feature—Walter Winchell “WAKE UP AND LIVE” “WE HAVE OUR MOMENTS"

2702 W {Oth St Double Feature

James Taxi.”

sn EASTSIDE

H 1 wood Wn A ~ oe a — Hamilton “ow Feature’ “CALL IT A DAY”

STATE ‘mumion

“SANDFLOW”

Double Feature John Howard Tan Hunter

Clinch Closes Film “LET THEM LIVE"

> ies | rounded by leathernecks, but MISS p54 Rollins, comedians; Ben Yost's | continuity. It must begin at a give

There are two pantomime acro-

batic acts, one by Fortunello and | he lighted a cigaret, “acting for the | the | screen is not the real acting medium |

Circillino, European clowns, other by Fitz and Cahill, dead-pan, | knockabout dancers. Both are clev- | er. The bill also includes Masters

as we know it. It's a new kind of thing. It's done piecemeal.

acting requires two things.

Weston makes a belated rush to hiS| ygrsity Coeds, six girl singers, and | Point and go through to the end in

arms to prove that Hollywood is |

still Hollywood.

Besides Dick and Miss Weston, | there is Lee Dixon in several good specialty dances, one with four Busby Berkeley girls; Allen Jenkins, | good &s usual in a small part, and several enjoyable supporting play- | ers. “Singing Marine” is an ideal excuse to enjoy the Apollo's air con- | ditioning any warm afternoon or | evening. And if you need further | excuse, remember the breezy Mr. Herbert, who is far too funny in this picture to be missed. (By R. N)

Mary Pickford | Rejects Offer

a chorus. The current Lyric attraction also | includes an Edgar Bergen-Charlie | McCarthy “short.” as well as hear him makes the famous act twice as funny. (By J. Q DT).

JUDGE SAYS MAE NEEDN'T ANSWER

By United Press LOS ANGELES, July 10.—Mae West need not answer deposition

questions in connection with the suit |

of Frank Wallace, her now admitted husband, Judge Emmet H. Wilson had ruled today in vacating his previous deposition order. Superior Judge Robert Kenny will hear next Friday motions by Mr. Wallace's attorneys to strike from

| the film actress’ answer all refer-

an immediate decision and asked |

that someone else be given the part | if filming was to be started imme-

diately.

CHAMP CAN'T TAKE IT

Delivious Fumsters

Grouch, Chics, Narpe

“R DAY AY THE RACES”

ences to the marriage of Mr. Wallace and Rae Blakesly in New York

in 1916, on the ground the marriage |

is not an issue in this case. Judge Wilson, in canceling the deposition order, held that because Miss West admitted she married Mr. Wallace, who brought suit to determine the validity of the marriage which he said occurred April 4, 1911

| in Milwaukee, the questions he had | ordered answered no longer were

necessary.

THE STRATOSPHERE MAN

At the Top of the Highest Aerial Act in the World. Finishing With a 500-Ft. Slide for Life.

FREE ADMISS 2 Performances Daily 2 SP. M—9 P. M.

Beginning Tomorrow And Continuing Thiru July 24

ALL RIDES 5c

Every Afternoon During Stratosphere Man's Engagement

BROAD RIPPLE

Lo CARR

a continuous flow. Two, a from the audience. .

“In screen acting you get neither. | To see Charlie | The narrative is broken up into bits | production of so that often you act the last scene | he thinks he might have chosen a | first and the first scene in the mid- | better time to present it. | dle of production. And you have no | “Stand-in,” he plans to return to | audience to help you build up your | London, where he will appear in | part from beginning to end the way [two films, possibly for Alexander | Korda, and where, too, he will pro- | duce and act in a revival of “Dear | Brutus,” with his daughter in the Mr. Howard feels that the talking | role of the child. In the meantime he wonders how audiences will accept his slapstick antics in “I's Love I'm After,” which form of acting he insists is “hell” without an audience.

| you do in the theater.”

Speeches Too Long

| picture audiences are not getting |

| the best in the way of entertain- | ment. “The talkies are really the theater done on a mass scale,” Mr. Howard said. “The silent screen was beginning to develop a splendid pho- | tographic medium of its own when | the sound came along to convert it

| into an imitation of the theater. I | jig-saw puzzle—a combination of pantomime, movement and speech. But not long speeches. That's the trouble with the talkies; the | speeches are too long and they sel-

watching it after it is over is irri- | “Well,” hesitated Mr. Howard, as tating.”

Having just completed “It's Love I'm After,” with Olivia de Havilland To me and Bette Davis co-starred OppoOne, | site him, Mr. Howard is spending n | the time before he begins ‘“‘Standin,” writing articles on acting and response | polishing up a play about a British | newspaper publisher he has written. He has no regrets about his stage

“M Rice,

ALAMO t Key," with Boris Karloff.

Writing a Play

“Night Also “Killers of the Sea. or Covered

diy SKY <i H OR

Sat., 60c couple before 9:30; 80c_ covuple 9:30 to 12:00; 50c couple after 12:00. Sun. 85¢ couple before 9:15

Dance Open Air Saturday

“Hamlet,” although

After r 9:15 fcipal Airport

think the movies should be like a |

SWIM-DANCE

WESTLAKE

PAUL COLLINS’ ORCHESTRA Featuring JENNIFER SHEFFER Every evenine except Mondav

aom have the inspirational writing

Forget the Heat at LONGACRE, The Ideal Place to Swim.

, . life guards for .. pienic grounds sand beach . . , dancing

Pure filtered water . xan QUES \ Ww » h_service . . . REN a ’ every Wednesday and Friday nights , , Softvail every Digit except Sat“van ‘ a «+. Pony and horse track........... .+»

LONGACRE

ur protection . .

DR-4523

el bn)

“FOUR DAYS WONDER" Sun. Double Feature—Ben Bernie “WAKE UP AND LIVE” “HOLLYWOOD COWBOY"

DAI SY 254¢ W. Mich. St.

Double Feature George O'Brien “DANIEL BOONE” “LET'S GET MARRIED" Double Feature—Janet Gaynor

“A STAR IS BORN" “STEP LIVELY, JEEVES”

~ SOUTH SIDE .

Ga rfield 2203 Shelby St.

Double Feature Ruby Keeler “READY, WILLING AND ABLE” “Bulldog Drummond Escapes” Sun. Double Feature—Barbara Stanwyck “Internes Can't Take Money” “HAT MAN'S HERE AGAIN"

L nco n June Lang “NANCY STEELE IS MISSING” “SPECIAL AGENT K-7” Sun. Double Feature—Bing Croshy “WATKIKI WEDDING” “LADY FROM NOWHERE"

Sun.

S. Fast ut Lincoln Double Feature

cs ee n——— i ———

Fountain Square

Our New Cooling System Keeps You Comfortably Cool Always : Double Feature “KING OF GAMBLERS” “HOLLYW:! COWBOY” Sun. Double Feature— “I'URN OFF THE MOON” “ANGEL'S HOLIDAY" Double Feature

Sande rs Will Rogers “DR. BULL" Warren William “OUTCAST” Sun. Double Feature—Bette Davis “MARKED WOMAN” Joe E. Brown “POLO JOE”

At Fountain Square

os. & Churchman

Avalon au Peuture

“WOMAN OF GLAMOUR” “COWBOY STAR” Double Feature—Lionel Barrymore “A FAMILY AFFAIR” “MURDER GOES TO COLLEGE”

4 » 1105 8. Meridian Double Feature Oriental “Sui tas “TOP OF THE TOWN” Del Cambre “TUNDRA” Sun. Double Feature—Nelson Eddy

“MA Boris Karloff “NIGHT KEY”

Terry Walker “23: Hours Leave” Sun. Double Feature—Jean Harlow “PERSONAL PROPERTY” “KILLERS OF THE SEA” Central at Fall Ork. ™ Double Feature

Za ri ng Everett Horton “OH DOCTOR" “PARK AVENUE LOGGER" Sun. Double Feature—Miriam Hopkins “WOMAN CHASES MAN" Simone Simon “Seventh Heaven” Double Feature

C nema Pat O'Brien “THE GREAT O'MALLEY” “OFF TO THE RACES” Double Feature—Loret{a Young “RAMONA" “BELOVED ENEMY”

Continuous from 1:30 Every Day Double Feature

U Pp town Loretta Young

“CAFE METROPOLE” “PARK AVENUE LOGGER" Sun. Double Feature—Richard Arlen “STLENT BARRIERS” “MAN OF THE PEOPLE”

St. Clair St. Cl. & Ft. Wayne

Double Feature George O'Brien “PARK AVENUE LOGGER" “TOP OF THE TOWN" Sun. Double Feature—Walter Winchell “WAKE UP AND LIVE” Paul Muni “The Woman 1 Love” Westinghouse

Ta bo t t Air-Conditioned

The Only North Side Theater Controlling Both Temperature and Humidity. No Draft Double Feature—Terry Walker

“231, HOURS LEAVE” “NIGHT WAITRESS”

Double Feat Victor Moore MARE WAY FOR TOMORROW"

“KING OF THE GAMBLERS”

Double Feature

R EX Nelson Eddy

John Barrymore “MAYTIME” Also Selected Short Subjects Sun. Double Feature—Jean Harlow “PERSONAL PROPERTY” “PARK AVENUE LOGGER”

30th and Ilinois Double Feature Warren William “CRIMINAL LAWYER” “House of a Thousand Candles” Sun, Double Feature—Joe E. Brown

“WHEN'S YOUR BIRTHDAY”

16th & Delaware Sts.

Sun,

42nd & College

Talbott & 22nd

30th at Northwestern

Geo. Brent “MOUNTAIN JUSTICE” Sun. Double Feature—Fred Astaire “SHALL WE DANCE” 5 Patsy Kelly “NOBODY'S BABY”

1352 BE, Wash, St, 4 First Neighborhood Strand ir Seinen Joel MeCrea—Miriam Hopkins “WOMAN CHASES MAN” Elizabeth Allen—Anton Walbronk “SOLDIER AND THE LADY”

Continuous Sat.,, Sun. from 12:30 Extra Late Showings Sat. and Sun,

~ 411 FE. Wash, Double Feat Paramount Double Wenture “LOVE AND KISSES” Chas. Starrett “TRAPPED” Sun. Double Feature—Ann Sothern “FIFTY ROADS TO TOWN” “Internes Can't Take Money” B | JOU Double Feature Dick Powell “ON THE AVENUE” Buck Jones “HIGH SPEED” Sun. Double Feature—Olsen-Johnson

“COUNTRY GENTLEMEN" “WE'RE IN THE LEGION NOW”

™ 8155 E. 10th St. RIVOLI Doors Open at 5:48 Comfortably Cool Errol Flynn “PRINCE AND THE PAUPER” “DRAEGERMAN’S COURAGE” EXTRA—Last Show Tonight Only Myrna Loy=-Spencer Tracy . . wr HIPSAW» un. ouble Feature~~Charli “TURN OFF THE MOON" “AS GOOD AS MARRIED”

2442 E. Wash. Sh Tacoma Special Feature Tan Hunter “Let’s Call It a Day” Dick Foran “CALIFORNIA MATL” Sun. Double Feature-—Jean Harlow

“PERSONAL PROPERTY” “MOUNTAIN JUSTICE”

Tux edo T4020 E. New York

By Request Johnny Weissmuller “TARZAN ESCAPES” “STEP LIVELY JEEVES” Sun. Double Feature—Wallace Beery “GOOD OLD SOAK” Joe E. Brown “WHEN’S YOUR BIRTHDAY”

TEN 71 nN 17~ 6607 E Wash She | RVI N Double Feature Doris Nolan “TOP OF THE TOWN” “CHINA PASSAGE” Sun. Doubie Feature-—Joel McCrea “Internes Can’t Take Money” “CALL IT A DAY”

- nnn - 114 E. Washington

Bette Davis “MARKED WOMAN” Double Feature

MECCA All Star Cast

“PENROD AND SAM”

Noble & Mass.

Follow Your Favorite Programs in The Times

-— ——

“SEA DEVILS” 19th & College Joan Blondell

Stra tord Double Feature

“KING AND THE CHORUS GIRL” “NORTH OF NOME" Sun. Double Feature—George O'Brien

RR NN gary

E Tan Eoin. m uble Fei erson Comfortable Coon First East Side Showing Chester Morris “I Promise to Pay” “ELEPHANT BOY" Double Feature—Miriam Hopking

“WOMAN CHASES MAN” Doug Fairbanks Jr. “ACCUSED”

2 J LDE (| 6116 BE. Wash, Sie ( 5 ) Double Feature Joe E. B “WHEN'S YOUR BIRTHDAY” “LADY IN DISTRESS” Sunday-=Monday Charles Boyer—Jean Arthur “HISTORY TIS MADE AT NIGHT"

Sun

“LOVE AND KISSES”