Indianapolis Times, Indianapolis, Marion County, 23 April 1937 — Page 34
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———
Foils Suave Gang in Role
| CONVENTION SOLOIST
THE INDIANAPOLIS TIMES
CHARLOTTE GREENWOOD SPARKLING
" FRIDAY,
IN LEANING ON
APRIL 283, 1937
LETTY
Of Spinster
Shaicht Dramatic Role Achievement Against Hilarious Postlude.
By JAMES THRASHER
The “perfect crime” is filling English’s with gasps and chuckles this week-end. Engineered by a suave band of mobsters, foiled by Charlotte Greenwood in the role of! Letty Madison, spinster, it's a delightful masquerade under the title Letty.”
If you have seen “Post Road, » Wilbur Daniel Steele’s and Norma Mitchell's |saga of the natch
“Leaning on}
racket,” you'll find it here ‘again with minor changes. But what evidently brought last night's audiehca to the theater and kept them cheering in their seats was the promise of seeing the Charlotte Greenwood of musical comedy fame, a fame that extends back through many and blessed years.
Prolonged Plaudits
Miss Greenwood’s ovation night gives an indisputable, I rather surprising, answer to the] question of who is the most popular star in the galaxy that has visited us this season. The prolonged applause and delighted bedlam of laughter has .not been
matched by anyone. So it is of the afterpiece rather than the play that I shall speak of first. Miss Greenwood's first curtain call is delayed, but when she takes it she has changed from the drama’s drab and canny spifkter to the radiant good-nature of her greatest fame; And through a toobrief epilogue of songs and dances —the apotheosis of ungainly nonchalance—last night's audience took her to its heart. There were flowers and some ¥ozen curtain calls. In short, a triumph. In contrast to the familiar Miss Greenwood of the hilarious posttude, her performance of Letty Madison stands as an achievement. It is, I understand, her first straight dramatic part on the Americas stage. She brings to it a sort of lavendar-scented burlesque which is delightful. Her Letty is more than Charlotte Greenwood in a minor key, despite the reminiscent movemehts and gestures. It is a new creation by one of our chief contemporary godesses of comedy.
Letty Foils Kidnaping
As for the play—if you know your “Post Road” no further comment is _necessary, and if you don’t, the secret can’t be given away. It's one of those. Enough to say Letty, who runs the ancestral New England home on the Boston Post Road as a rooming house, foils the kidnaping by masterful shrewdness.
It is a play which, by nature of its plot, is sure-fire. The result is a triumph of conception’ rather than craftsmanship. There is a pretty | general lethargy until ‘the middle of the piece, and there is also a confusion of character comedy with nicre obvious laughs of the “gag” variety. But once the plot is wound up you hunch to the edge of vour chair and stay there until the final curtain. Individual performances throughout compete with a direction none to skilled. There is more than a suggestion of comic-strip pantomime in places, and the production doesn’t ride the laughs with the skill seen | in “Idiot’s Delight,” for idstance— to make an admittedly odious comparison. It’s a Safe Item
Yet there is no cavil with the players themselves. - Romaine Cailender and Boyd Irwin, the Cartwrig>t and Dr. Spender of the original New York “Post Road” company, give admirable psrformances. And ine e is an equal measure of praise for the other principals, who are Russell Fillmore, Isabell Withers, Virginia Howell, Beverly Younger and Jessie E. Pringle. With whole-hearted praise for Miss Greenwood both as Letty and as herself, and with a minimum of reservations for the performance, “Leaning on Letty” is a safe item for your “must” list before the season ends.
Chaplin Pirated Ideas, Charge
last
Buy.lUnited Press NEW YORK, April 23.—A French film company, seeking an injunction to prohibit further showing of the picture “Modern Times” and asking an accounting of profits from charged in Supreme Court here today that Charlie Chaplin pirated many ideas for the picture. The French concern, Films Sonores Todis, Societe Anonyme, claimed that it. produced the film “A Nous la Liberte” in 1931 and that Mr. Chaplin “lifted” from it many scenes for “Modern Times,” produced in 1932. The Charles Chaplin Films Corporation and the United Artists Corporation were named defendants in the action. The Prench company said its pie‘ture was directed by Rene Clair.
‘HIS TROUBLES are sev emnPol on the offensive side now.
CLARK
IgE
late, but it is the result of careful
it, |.
The distinguished American pianist. composer. and educator, Beryl Rubinstein, was to be the National Federation of Music Clubs’ first convention soloist in the Indiana Theater at 2:30 p. m. today. His program
consisted of six of his compositions.
‘Romeo and Juliet’ Called Truly Artistic Triumph
America is full of persons who shy at the word “classic” and are filled with a subconscious resentment when Shakespeare is mentioned.
For them the picture version of ° should be a revelation and an item force be necessary to get through the door. Dry literature, has been stuffed down school chil- | dren for so many years that this] feeling of resentment is natural. But | the thing that movies have done to Shakespeare, in a way that no other | medium could do, is to make the] Bard's play really live. | The lines have been cut, but the | remaining ones are not tampered |
with. In place of much of the dia-
living, breathing picture of 15th | Century Italy. Anyone who saw the picture when it was shown here be- | fore at road-show prices, scarcely can fail to remember this aspect. One feels the midday heat of Verona’s street. The daily scenes come to life as the spectator ‘“trudges about through fair| Verona” with Romeo and Mercutio.
Hollywood failed in its first attempt at Shakespeare by making “A Midsummer Night's Dream” look like ‘a film “musical.” Both fantasy and Shakespeare got lost in a mass of tinsel and detailed decoration. “Romeo and Juliet” |also is elabor-
research into the life| of the time, its architecture, dress, music, customs. It is the sort of picture that truly stamped the late Irving G. Thalberg with the title of “artist” in a city where superlative titles come cheap. The cast, of course, is one as befits the setting. Headed by Norma Shearer, and Leslie Howard, it includes John Barrymore, Edna May Oliver, Basil Rathbone, C. Aubrey Smith, Ralph Forbes, Reginald Denny, Henry Kolker, Andy Devine, Conway Tearle, Violet Kemble Cooper and many others. “Rcmeo and Juliet” stands as tlie fine achievement of a truly artistic endeavor. But its highest. recommendation, by any standard of judzment, is the fact that it is “swell” entertainment.— (By C. W.)
‘SHALL WE DANCE
Harriet Hoctor, America’s greatest ballet dancer, presents two ballet numbers in “Shall We Dance,” latest Fred Astaire-Ginger Rogers co“starring picture.
WHAT, WHEN, WHERE
APOLLO
“Wake Up and Live,” with Walter Winchell, Ben Bernie. Alice Faye, Patsy lly, 11:29, 1:29, 3:29, 5:29,
7:29 an CIRCLE
“Internes Can,t Take Money,” with ol McCrea, Barbara Stanwyck, at 11, 1 4.49, 7:30 and 10:20. “Fou re in the Army Now.” with Wallace Ford. Grace Bradley, 200 Lee, at 12:35, 3:25, 6:15 and 9.
ENGLISH’S
‘Leaning on Letty, with Charlotte Greenwood. Curtain at 8:30. Burs ‘Petticoat * Fever,’ presented by
DePauw University as guests of Federal Theater. Curtain at 8:15
a LOEW 5
“Romeo and Juliet,” with Norma
Shearer. Leslie foward, John Barrymare, at 11, 1:20 :50, 6:25 and
LYRIC
“Mountain Justice.” with Crorge Brent, Jopen)) ine Hutchinson, screen at 11:28, 2;10, 5:02, 7:54 and
“Stars
and Strips” on stage at 1:05, 3: 8
47, 6:39 and 9:31 OHIO
‘“The_Man Who Lived Twige.” with Ralph Bellamy. Also ‘‘Moulin Rouge,’ with Franchot Tone and Constance Bennett.
AMBASSADOR
“Love Is News.’ with Lorgtta Young and Torone Power. Als “Maid of Salem.” with Claudet Colo bert. and Fred MacMurray.
ALAMO
with Sylvia Tracy. Also
and and
“Pury.”
Sidney Spencer .
‘Law
Lead.” with Rex Bell.
[IETS IT
®U SATURDAY!
F SALEM”
y—Claudette Colbert
Fred MacMurra)
“LOVE 1S NEWS Sone
—ENGLISH-
TONIGHT
Tomorrow Night at 8:30 P. M. { Matinee Tomorrow at 2: 30
America's: Incomparable Comedienne
GREENWOOD
3 IN THE EXCITING NON-STOP LAUGH SUCCESS ‘LEANING on LETTY" |!
DIRECT FROM RUN OF
MARION ts “CAIN AND MABEL” Sally Eilers— “WITHOUT ORDERS”
SIX MONTHS IN CHICAGO | Nights 85c to $2.75. Mat. B5¢ to $2.20.
Ww
®
‘Romeo and Juliet,” now at Loew’s, of required seeing, even if physical
them®
Short Takes
ANNY BRICE and Elsa Maxwell. have signed for Universal's “Everybody’s Acting.” . John Golden invites Joan Crawford and Franchot Tone to do a Broadway
| olay with a Japanese background. log there has been substituted a | .
." Fred Astaire practiced dance steps for “Stepping Toes” behind zlosed doors; precaution against
| routine thieves. . .
Ld u 8
The movies snatched Brian Don-.
'evy out of the collar ads; an admirer of Clark Gable, his first suctess’ came when he wore an eye:atching costume that Gable had vorn. . .. Gus Kahn is writing lyrics or four pictures at one time for VM-G-M. . . . RKO Radio is con+idering Lily Pons for Madame
3utterfly. . . 2
Margot Grahame has abandoned baby-pink dye and become light blond. Claudette Colbert snips her bangs. . . . Barbara Stanwyck and Marion Marx, wife of Zeppo Marx, installed violet ray paraphernalia for sick horses at their jointly owned breeding farm. . . . Albert Wayne Sweatt of Hot Springs, Ark. is set for
Sid Sawyer in “The Adventures of Tom Sawyer.”
a a
” 2
San Francisco’s new eight-mile bridge is being written into “A Star [s Born.” . . . Simone Simon rated a new portable dressing room. . . . francis Lederer ends personal appearance tour Friday to go into Columbia's “The Life of Chopin.” . Tilly Losch sent for mother in Austria.
n
”n un =
ELEN BRODERICK, amateur photographer, makes stills of fellow actors on set. . . . Barbara 2epper seals her letters with a lip.ticky kiss. . . . Robert Taylor gave 3arbara Stanwyck a tiny watch set n a ring. Groucho Marx placed telephone all for “Turkish Bath House” in a icene from “A Day at the Races.” Groucho: ‘Hello. Turkish Bath? Are my frankfurters done yet?”
a # a
Some of the Negroes who re-
| mained here after the filming of | “The Green Pastures” have formed {a film company to make pictures
for Negro trade. George Randol, who was Ol’ King Pharaoh in the play, is president. He also has written the first script for filming a
| story about the Harlem numbers
racket.
HUNTS ‘SECOND ROBERT ERT TAYLOR!
| By United I'resa
HOLLYWOOD, April 23.—A Paramount studio scout was en route for the South today for a “second Robert Taylor.” Oliver Hinsdell, who discovered the one-and-original Taylor at Pomona (Cal.) College, will reach Dallas tomorrow to look over a Southern Methodist University’s handsomest. From there he will go to Tulane, Washington U. of St. Louis, Northwestern and Drake.
‘not too lavish to be credible.
Winchell And Bernie Star in Film ‘Wake Up and Live' Pre-
sents Feudists on Screen With Realism.
Actors will tell you that the hardest dramatic job of all is to “play themselves.” But Walter Winchell and Ben Bernie may be seen at the Apollo this week impersonating Walter Winchell and Ben Bernie, in a natural, breezy and enjoyable manner. The picture is titled “Wake Up and
Live.” “Wake Up and Live” is a musical and, as far as I could see, has nothing to do with the book of the same name. It is an unusual musical, however, in that it has a new sort of plot that maintains interest te the end. It also has an excellent cast of supporting players including Alice Faye, Jack Haley, Patsy Kelly, Ned Sparks, Grace Bradley and Walter Catlett. ‘Mike Fright’ the Villain
The whole trouble starts when Eddie Kane (Mr. Haley) gets an acute attack of “mike fright” while trying out for a radio job. His vaudeville song-team partner, Jean (Miss Bradley), leaves him and hooks up with a chiseling manager, played by Mr. Catlett. Through his sister, Patsy (Miss Kelly), who is Mr. Winchell’'s secretary, Eddie gets a job as studio usher. He isn’t a very good usher because he likes to hang around Ben Bernie's broadcasts and listen to the good-cheer programs broadcast by Alice Huntley (Miss Faye). Determined to conquer his “mike fright” he sings one night into what he thinks is a dead microphone, to the accompaniment of the Bernie orchestra. But the song is carried by remote control to the night club where Bernie is playing, as well as over the whole network. The “phantom troubadour” becomes a sensation.
Phantom Is Discovered Alice learns who the “phantom”
{really is, but doesn’t tell him lest
his “mike fright” return. Instead, she coaches him in front of a “dead” microphone and the songs are picked up on the Bernie program. All this time the Winchell-Bernie feud is going on. The columnist, of course, wants to find the unknown singer before the orchestra leader does. Eventually they both learn that Eddie is their man. But meanwhile Jean also has recognized his voice and she and her manager kidnap him. In a ludicrous and frantic escape and chase, Eddie finally arrives for the opening of Mr. Bernie's new night club, finds out that he is the famous singer, and is launched on the road to success. At the fadeout, he also has won Alice’s heart, and caused Messrs. Bernie ‘and Winchell to bury the hatchet. Who- Sings the Songs? Mr. Haley is the real hero. of the piece, and if he really did the singing credited to him, he’s better than most of oun cinema crooners. Mr. Winchell agts like the Winchell of one’s imagination, and his banter with Mr. Bernie seemed to one spectator much more bearable than .on
| the air.
The tunes are good and the sets ‘For plot, performance, laughs, music and a lively pace, “Wake Up and Live” fills the bill for grade A comedy. It should afford you a diverting 90 minutes.—(By J. Q. T.)
MAE WEST PLANS BIG HORSE FARM
By United Press HOLLYWOOD, April 23.—Mae West, with 50 newly purchased acres in nearby San Fernando Valley, today was planning to go in for horse breeding. She reportedly will establish g $200,000 horse farm, complete with one-mile track, on her land at Tarzana, and will build a home there for herself and brother, Jack West.
TRUNK FOR SKATES
Sonja Henie carries her skates— three dozen pairs of them—in an especially fitted trunk when she goes on her periodic personal appearance tours.
ROLLER DERBY
REG. U. S. PAT. OFFICE
COLISEUM
STATE FAIR GROUNDS
DOOR OPEN 7 P. M. GENERAL ADMISSION 40¢
This coupon will admit t 25 ER your entice party at Cc PR ON \ Void After April 24
‘ “TODAY”
I ANWYC INTERNES
ST ; REIL LE
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7% Wallace Ford, ean (Y'Au A
his e risked 70 He and W
samara
Tal “TAKE MO
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ACTION—and FLENTY OF ITI
"YOURE IN THE ARNY NOW!" CIRCL
rat so oe Pe
JOEL
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Grace Bradley
4OcCAFTER BL
PORKY IN SPOTLIGHT
Few movie actors ever get °
‘in the spotlight” quite as thoroughly as
this young man. He's Eugene (Porky) Lee, one of the shining lights in
Hal Roach's “Our Gang” comedies.
Film Stars Sensitive on Doggy ldeas, Expert Says
Times Special
HOLLYWOOD, April 23.—“Love me,
Take it from Charlie Ruggles,
love my dog.” Hollywood's number one authority
on the movie city’s canine population, owner and operator of a leading | dog store, that the above words are the flaming credo of such dog owning stars as Carole Lombard, Claudette Colbert, Harold Lloyd, Gary
Cooner and many others.
Pressed yesterday for a statement on what breed of dog was most
suitable to Hollywood and its stars, “Young man, I intend to live in #®
Hollywnod for some time. I in-
Chariie replied:
known as “The Terrier Shop,” and
tend to retain as many friends jt nandleqd that breed a ex-
among the stars as possible for two reasons. First, because I don't like to hurt people's feelings; second, because I want them to keep coming to my dog store. : “All of which leads up to this important roint. Movie stars are more sensitive about their dogs than they are about their last performance on the screen. There are some ladv stars who would rather be told they have a cronked nose than to have von make disnaracing remarks about their favoritz dog.
Every Star to His Breed
“Now then. if I said that oreat danes were the hest dres for Faw. wood that would make me stand ace hich with Harold Lloyd and Ernst Lubitsch, who hanpen to own that breed; but Carole Lombard. whose favorite is Pushface. a peke. and Claudette Colbert, who loves her Smokie. a Franch noodle. would not onlv strike mv dog store from their lists. but they wonld refuse to 20 see this ‘Twn Off tha Moon’ nisture that Fleonnre Whitnev, Johnnv Nnwns, and I are makine, - “And if thev eq see it bv aceident, thev wend Jrova tha theater mumbling: ‘What did T ever see in that euy Charlie? He surz is slippine.” Ruagles was hlvdeeoned into making one definite statement, however. He did say that dachshunds right row seem to be leading in the race for popularity among the sters. Terrier Ts a Weakness Gertruda Michael and the late Sir Guy Standine pioneered in HnlIvwood with this breed. Ruggles stated. Among the many stars wha have recently acauired dachshinds Are Frances Nee. Joel McCrea. Caro's Lombard (Pinchface is still her favnrite, however), Joan Crawford and Franchot Tone. Charlie srefuses to be auoted on this point. but his favorite breed— and the one he probably thinks is best suited to Hollywood and the stars—is the terrier.
Originally his dog store was
| clusively. | spoke yesterday about playing no
But the words that he
favorites express something that
his business has taught him with the passing of the months and years. > That is why the comedian today has a catholic taste in dogs. He loves all breeds, and the terrier has been taken down from the pedestal and put into the kennels to romp democratically with great danes, dachshunds, poodles and pekes. Charlie, good actor that he is, is also a good business man.
D mmm TONIGHT smmmm D A PAUL COLLINS A
. and his orchestra Cc _ C. E 25¢ Before 9 E
INDIANA
Presenting
“A GIRL WHO 0UTSTRIPS EM wl yr
HUTCHINSON GEO. BRENT /~v
STON—FATS WALLER
SELEY 0
CYT PE. EEE CERRO
(rk pry
[$1,722 a ra
STARTS,
Bomar Crame
&
Co-ordination, Endurance
tion and endurance besides ag
Virtuosity in Recital of Chopin Etudes
r clos
elivering
, Mood Perception and
Power of Local Pianist Stand Out in Program Before Matinee Musicale.
To play the 27 Chopin Etudes on one recital long has been considered Lhe ne plus ultra of virtuosity, and rightly so. These taxing compositions exact something more: than the usual requirements of their performer. The pianist must bring to them a maximum of co-ordina-
2, \
ility and power, and he must
changing. mood to his tech-
nical powers. That Bomar Cramer lived up to these arduous demands in his program before the Matinee Musicale yesterday will not surprise those acquainted with the local pianist's gifts. In the midst of a week of consecutive and varied recitals, he delivered the program with the ease of an everyday occurence. A surprisingly small crowd that half filled Ayres’ auditorium applauded him with enthusiasm. The first half of the program was given over to the 12 etudes in Opus 10 and the F Minor Etude from the “Trois Nouvelles Etudes.”
Contrast Is Provided
Following the intermission, Mr. Cramer played the 12 items in Opus 25 and the remaining two of the “Trois Etudes.” There were scme slight changes in the num- | bered order of performance, made with a discerning eye to contrast and better key relationship. It is impossible. and needless to comment upon performance of individual etudes. In running the gamut of pianistic hurdles Mr. Cramer kept his playing within sane tonal and emotional bounds. From limpid pianissimo to crashing forte his tone remained full, clear and unforced. Nor was there anything pathological in the interpretations. It
seems probable from the simplicity land similarity of form that Chopin | meant what he said when he labeled Studies
these 27 pieceg “Etudes.”
add a quick perception of¢®
® they are, though delightfully poetic or heroic. The interpreter took due stock of each naunce as well as the general character, yet there was no rhapsodizing. He wisely chose to let the music speak for itself.— (By J. Q. T.)
RABBIT STANDS IN
The ultimate in stand-ins is being used by Director Mal St. Clair in “She Had to Eat,” featuring Rochelle Hudscn, Arthur Treacher, Eugene Pallette and Jack Haley,
Cactus, the 25-pound record-breake ing trained rabbit, has another rahbit as a stand-in.
Tomorrow! First Run! §
15¢ Texas Ploinemen to 6 Thundering the Trails for Thrills
“DODGE CITY TRAIL”
Another REASON TO GO TO LOEW'S TODAY!
EXTRA! "EXTRA!
of “Romeo and Ju
$1,000.00 IN
Here's another reason
for going to the a i showing
. Screen’s First Romantic (Ask in the lobby for details...
liet” at Loew's . . .
CASH PRIZES
OVIE QUIZ!
you may be a winner!)
ADDED!
MICKEY ‘MOUSE
Robert Benchley
Tonight’s Presentations at Your
Neighborhood Theaters
“110; S. Meridian St ORIEMTAL mosh races “BELOVED ENEMY” “WHITE LI LEGION”
GARFIELD 2203 Shelby ¢ St.
Double Feature Humphrey Bogart “BLACK LEGION” ” “MIND YOUR OWN BUSINESS
LINCOLN S. East at Lincoln
Double Feature Freddie Bartholomew LITTLE LORD FAUNTLEROY” m. Boyd “TRAIL DUST”
“FOUNTAIN SQUARE
Double Feature Edward Afnold “JOHN MEADE’'S WOMAN” Jo “GIRL OVERBOARD”
SAN D SANDERS At Fountain “Squarc
Double Feature Alice Brady “THE HARVESTER” ____“LOVE LETTERS OF A STAR” Pros., Churchman AVALON Double Feature Tex Ritter “SONG OF THE GRINGO” “THE LONGEST NIGHT”
GRANADA 085 Virginia Ave.
Day ble Feature Grace M~ore “WHEN YOU'RE IN LOVE” _“WE_WHO ARE ABOUT TO DIE”
EAST -SIDE
=~. 22 1332 E. Wash. St. STRAND Double Feature Genres O’Rrien “PARK AVENTVE LOGGER” “BREEZING HOME = 411 E. Wash. Barbara Stanwyck
Pa ram ount Preston Foster
“THE PLOUGH AND THE STARS” ___ Comedy—News—Ace Drummond
111 E. Washington Bl | J 0 U Double Feature Bohhv Rreen “RAINBOW ON THE RIVER” “THE BORDER PF PATROLMAN"
RIVOLI 3155 E. 10th
Donre Onen 5:45 “DR. BULL”
will Rogers __Beautiful “CL “CLOISTERED” ~t } 2442 E. Wash. St. Double Feature
TACOMA Humnhrey Bogart
“BLACK LEGION’ hs —_.. TARIZONA } MAHONEY”
4020 E. New York TUXEDO Double Feature Vreddia Pa-ihalomew “LLOYD'S OF T.ONDON” Leo "OUR RELATIONS” 5507 E. Wash. St. | R VY | IRVIN G Double Feature Freddia Pavrtholomew “LLOYD'S OF LONDON” “DANGEROUS NUMBER”
_“HEADI!
Hollywood | ZARIM UPTOWN AT THE OPERA” ST. CLAIR UDELL TALBQ R E.X GARRICK Stratfo
NORTH SIDE
~ Noble & ; Mass. CA
Double Feature Chas. Laughton “REMB RANDT Jones “EMPTY SADDLES” ii 2361 Station St.
Double Feature y sElaRur
ME C|
DREAM
Hen “LOVE LETTERS OF i's TAR” ' FOR THE RIO. GRANDE” _
, Illinois and 34th R | TY 4 Double Feature yrone “LOVE IS NEWS” Paws NORTH OF NOME” 1500 Roosevelt Ave. Double Feature LAR InIn,, Bruce
M “iw INTERSET”
Central at Fall Crk" ( Double Feature
Victor M “SEA DEVILS cLaglen
“WIOMEN OF G Burges Merideth
42d & College Double Feature
oree B . “DANIEL BOONE it Obrien Co tmay _WHO_LIVED TWICE” St. CI. & Ft. Wayne Daubls Feature en 4 “DANIEL BOONES © Dries ~~ “NORTH OF NOME” Ude'l at Clifton Double, Feature “DANCING LADY" rawiord MacMurray “CAR 99” i Talbott & 22d TT Double Feature G
Minand n __ William
Fred
ay DRUMMONY EST! APES” “OUTCAS 30th at Northw’t'n A Super Special! Edward Arnold Frances Farmer—Joel Mc rea - ‘COME AND GET IT" 30th and Wlinois Double Feature 2mes Dunn “MYSTERIOUS CROSSINGS Ue (MOAPTAIN CALAMITY” .
19th & College rd
Double Feature 1 “THE CAPTAIN'S KID/ °° | Huston. “DODSWORTH”
WEST SIDE o ~ W. Wash. & Belmont INT Dis Feature m. BREEZING HOME” Argan D GRANDE RANGER” 2349 W. Mich St. Y Double Feature ex Rit ITTIN’ THE TRAIL" ter WHITE HUNTER”
“BULLD( Warr
4620 E. 10th EMERSON Double Feature Joan Rennett “TWO IN A CROWD “CRASH DONOVAN” . 2116 FE 10th St. Double Feature
| HAMILTON
MA Carroll LLOYD'S OF LOND “THE GREAT O'MALLEY" :
}
\RD Howard & Blaine
Robert Young T'S LOVE AGAIN”
Jesse Matthews Dur Gang Comedy E 2702 W. 10th St. Clark G OF THE WILD Dl
Double Feature “ INCE A DOCTOR”
*