Indianapolis Times, Indianapolis, Marion County, 17 April 1937 — Page 8
PAGE 8
Tense Drama and Excellent Scenes Feature ‘Lost Horizon’; New Acclaim Goes to Hepburn
Picture Differs Greatly] From the Novel, But Captures Beauty.
By JAMES THRASHER
Out of James Hilton's in-|
triguing, if somewhat cockeyed, novel of a Tibetan Utopia, Frank Capra has fashioned a picture of gigantic conception, superb | photography and tense elodrama in “Lost Horizon.” It is road-showing at the Indiana this week, with formances at 2:30 and
p. m,
The picture has fully as many faults as beauties, orable beginning and close are quite enough compensation for any discomfort you may experience meantime. How Mr. Capra may have “dubbed in” the Iie scenery in the airplane flight to Tibet or the escape across the glacier I'm not prepared to say. But the result is breath-taking.
Varies From Book |
.If you have read Mr. Hilton's book and enjoyed it to any extent, you are rather certain to disappointed in the picture. In the first place it Pe a melodramatic sort of boo In order to sustain pace and interest, Robert Riskin, the screen playwright, and Mr. Capra have distorted characters, Speechey and ideas until one sometimes wonders what, besides the title, remains from the original. In the screen version, Robert and George Conway, British consular officials; Lovett, a British archaeologist; Barnard, an American embezzler fleeing from police, and Gloria, a ~~ consumptive demimondaine, are kidnaped in a plane when they escape a Chinese revolution. They are deposited in some uncharted spot in the Tibetan peaks. There they are met by Chang, Shangri-La, lamasery. $n Shangri-La they find a little | world of perfection. The lamas— | men and women—live in all mod- | ern luxury, gold pile, yet are removed from the world. The inhabitants retain
sho takes them to the]
their youth until great age in a | | spat, bury the hatchet.
studious life of moderation. Seek to Escape
Eventually the visitors find they will not be allowed to go back to the world. All become intrigued with their existence except George, who finally bribes some porters to take him to the outside world. Meanwhile his brother Robert, the story's central figure, has conversed with the High Lama, who is more than 200 years old. He has been placed in charge of the lamasery by the old man, who knows he is about to die. A Russian girl, Maria, who looks 20, but really is nearing 70, has persuaded George to take her with him. ' Robert refuses to go, but when Maria persuades him that stories told by the High Lama and
Chang are fictions of senile de-
mentia, he agrees to leave. The porters are Killed in an avalanche. George and the girl lose their lives in the same manner after Maria, removed from the Valley of the Blue Moon, withers to her real age and convinces Conway that it was she who had lied. The picture leaves him struggling back toward Shangri-La in a climax which, as I have said, is of pictorial and dramatic . magnificence. : Excitement First and Last
In the novel as in the film, excitement is reserved for the beginning and end. Mr.
" phy, and in the same spot, Riskin has injected a meaningless love affair between the elder Con- |
way and a girl called Sondra, who |
is not in the novel. In-both cases, the plot is pretty weak in the mid- | section. Ronald Colman does an excellent iob as Robert Conway, Howard as his brother also is convineing. as Lovett, divides the book's character of Mallinson with Mr. Howard and, in addition, offers comedy relief in his own delightful manner, The nearest approach to one of Mr. Hilton’s brain children is Thomas Mitchell, seen to splendid advantage as the forthright, wisecracking American. s One could ask little improvement over H. B. Warner and Sam Jaffe, who play Chang and the High Lama. And Margo, as Maria, and Jane Wyatt, who does Sondra, are capable in the smaller roles. The lasting cheers, however, must go to Mr. Capra and his photographers, Joseph Walker and Elmer Dyer, and to Dimitri Tiomkin for Saturday Cork’s
fy SKY Li, HARBOR
‘OSSIE CORRELL—VOCALIST Sat., 60c couple before 9:30; 80c coule 9:30 to 12:00; 50c couple after 12:00. un., 35¢ couple before 9:15; 5 couple after 9:15—One Block ‘South ‘Muni. cipal Airport.
Dance Harold
E. Brown, Frank McHugh “SIX: DAY BIKE RIDER” Heather Angel, George Brite “DANIEL BOONE”
“King of Hockey” (Midnt. Show)
ROLLER DERBY
. 8. PAT. OFFICE
COLISEUM
STATE FAIR GROUNDS DOOR OPEN 7 P. M. | GENERAL ADMISSION 40c
This coupon will admit your en-, rtire party: at 25¢ per person. Void After April 20
but the [mem- |
inmate of the lamasery of |
| girl next door;
thanks to a convenient |
1 ton,
In the middle | H Hilton conducts some lengthy | discussions on his Utopian philoso-
Mr. | Alamo.
| Hayes and Gail
and john | ture of this
Edward Everett Horton, !
- _
| BACK AGAIN
-|arine Hepburn
Dave Apollon
Popular Demand Returns Dave Apollon: to Lyric Stage.
The movies can and do play upon almost every human emotion. But they seldom are able to warm the cockles of their audiences’ hearts in the delightful, quiet manner of “Call It a Day,” which is the Lyric’s picture this week. The picture is from Dodie Smith's successful stage play and its screen version is a- miracle of casting, direction and performance—no less. It’s story .is simply of a well-to-do English family on the first day of spring. Before the day is over Mr.
{ Hilton (not the James of “Lost Hori-
zon’) has been tempted by a beautiful actress -and remained firm; Mrs. Hilton has been “proposed to” in a case of mistaken identity which turned out to be a violent middleaged passion; Catherine, 19 and the eldest daughter, has been crushed by a hopeless affection for a painter old enough to be her father. Smaller Fry Involved
Among the smaller Hilton fry, Martin has fallen in love with the little Ann, with a : passion for the poems and paintings of Dante Gabriel Rossetti, finds her cup running over, Comes bedtime, and the two youngest children retire in-respective hazes of delight, and Catherine in tears. The parents, after an elegant
That roughly, is the story. the resulting picture is the most refreshing, wholesome entertainment since “Three Smart Girls.” As an unpretentious, “folksey” drama, it ranks with “Ah, Wilderness.” Players All Grand The best, and most, that can be done for the cast is to name the players and assure you that they're all grand. There isn't a weak spot in any performance, They are Ian Hunter, Frieda Inescourt, Olivia de Havilland, Peter Willes, Bonita Granville, Roland Young, Alice Brady, Anita Louise, Peggy Wood, Walter Woolf King, Una O’Connor, Beryl Mercer and Elsa Buchanan. On the stage is Dave Apollon, brought back by popular demand
and presenting a rapid-fire bill of yaried
entertainment. Headliners _Charles and Charlotte Lamber-deaf-mute dancers; Bobby Brent, clever puppeteer; Toni Lane, singer; Lyda Sue, control dancer, and many other favorites. It's a first-rate variety offering such as the energetic Mr. Apollon always presents.— (By J. Q. .T.)
Super-Western Film Opens Run \ oda
“Hills of Wyoming,” latest in the op-a-Long Cassidy series, is to have its first Indianapolis showing today through Monday at’ the William Boyd, George Patrick are the principal players.
The picture is based on a story |
{ of life in the Sioux Indian country | by Clarence E. Mulford. A cast of several thousand extras. is a fea-“super-western.” The | added feature is ‘The Outcast,” [featuring Warren William and Lewis Stone.
the musical score. is that Mr. Hilton's “Lost Horizon” Sof not respond gracefully to cinematic treatment, even though the result is a beautiful—and overlong—photoplay.
witttan “im “OUTCAST”
But |:
The chief fault-
Nivatous Actress at Her |]
Best in Film on Circle
| | Screen. | a n |
Cinema patrons have rea‘son to be thankful Miss Kathis a deter‘mined and self-willed young | lady. | Were she not, there might have been no “Quality Street,” in which she costars with Franchot Tone in one of her most vivid, most delight-
ful film contributions. It may
be seen at the Circle through Thursday as part of a double bill which includes Joe E. Brown in “When’s Your Birthday?” This once. at least, theater-goers may be assured the double feature bill really offers two features. Both are superlative entertainment, though they have nothing more in common. “Quality Street” quaint and charming as “When's Your Birthday?” is hearty and robust. They should please a variety of tastes.
Knows Her Stories
Miss Hepburn surely knew what she was about when she was insistent to add another James M. Barrie story to her reportoire, started with her very successful interpretation for the screen of “The Little Minister.” 3 As a period play, “Quality Street” We all the tender charm of her “Jane. Eyre,” which she presented recently at English’s. Too, it is delightfully amusing—so amusing it should be enjoyed as thoroughly by modern comedy addicts as by lovers of 19th century polite winsomeness. “Quality Street” is a light and merry story, and Miss Hepburn’s performance is equally light and always restrained. The story is tender, yes, and occasionally sad, but is never heavy. Romance is treated in “Quality Street” just as it should be in movies—as a very human game and not as a business. Like her companion maiden ladies, Phoebe Throssel (Miss Hepburn) lives on prim Quality St. in a sedate English village. The time, 1805.” Her serenity and the serenity of her sister, Susan (Fay Bainter), and their friends is disturbed by the very dashing Dr. Valentine Brown, played by Franchot Tone.
Time Makes Difference
The dashing Dr. Brown. doesn't propose, but instead dashes off to the Napoleonic wars. He leaves behind an unhappy Phoebe and her surprised and disillusioned companions. Then pass 10 years, years which dare not kind to Phoebe who fades from . beautiful girlhood to commonplace womanhood. Dr. Brown returns from the wars and fails to recognize his erstwhile sweetheart. Heartbroken, Phoebe refuses his invitation to the sisters to attend the village ball, and instead stays
long put away, trying to recapture her lost charm. Dr. Brown meets her and takes her for a niece. Phoebe, anxious to ridicule him, accepts his advances, hoping he will propose so she may laugh at him. He proposes, of course, and Phoebe exercises feminine privilege to change her mind. Miss Hepburn gives us a vivacious but restrained performance, and Mr. Tone's supporting work likewise is commendable.
Supporting Cast Excellent
The excellent supporting cast includes Cora Witherspoon, . Estelle Winwood, Florence Lake and Helena. Grant. The latter three comprise a trio of neighbors who provide much of the film's comedy by their efforts to solve the mystery of the Throssel niece. Eric Blore is Mr. Tone's only male companion of importance in the cast. Director George Stevens
serve credit for some of Street's” appeal, which suffered none at all in the transition from
stage play to screen. designed by Walter . Plunkett
LOEW'S
NOW 2° Nients “HARLOW “TAYLOR
sonal PROPERTY,
REGINALD OWEN
Directed by W. S. VAN DYKE
Plus Racketeers in Exile
George Bancroft Evelyn Venable
The One and Only
EXCLUSIVE
BURLESQUE middie west:
STARTING WITH OUR FAMOUS MIDNIGHT SHOW TONIGHT
FRANK “Red” FLETCHER and BOB LARUE WitH RAZZLE-DAZZLE
FEATURING
NANCY MORRIS --- DOTTIE MAE and NAOMI
CHARLIE GROW, Wizard of the Ivories, and ALL THE GIRLS
+ GET UP A PARTY AND ATTEND
‘OUR MIDNIGHT, SHOW TONIGHT
is as!
i his attempts.
at home to dress herself in clothes.
and | Photographer Robert de Grasse de- | “Quality |
Cosiumes | will |
THE INDIANAPOLIS TIMES
HEAD DEPAUW CAST
$
Leading parts in the DePauw Players’ production of “Petticoat” Fever” at Keith's, beginning Monday, will be taken by John Grady and
Marjorie Peet (above).
The collegians will replace the local Federal
Players for a week, after which the theater will have a week of dark-
ness. On May 3 a traveling Federal Players troupe is to present,
“Altars
of- Steel,” and on May 10 the Indianapolis group will return with a
musical comedy, “Said Pasha.”
Star Isn't Very Funny But Rest of Cast Is
It seems like they do the darndest things out in Hollywood.
For instance, Tyrone Power did a grand job in “Lloyds of London” so they miscast him in a comedy. The result is “Love Is News” and the discovery that Mr. Power is not much of a comedian. Robert Taylor surprised everyone with a pretty competent dramatic
performance in “Camille.” erty” at Loew's this week, along® with Jean Harlow. The results are about the same. Mr. Taylor can’t do it either. For the millions—at least—of Harlow and Taylor fans, that will not make much difference. For the rest, there is a really seasoned and capable supporting cast that takes care of the comedy very nicely. Anytime they put Reginald Owen, Una O'Connor, E. E. Clive, Henrietta Crossnan, Cora Witherspoon and Forrester Harvey into a picture, they're bound to get some laughs.
Widow Wise, Not Wealthy The accomplished director, W. S. van Dyke, has seen to it that the story moves along at as brisk a pace as the principals will allow. The story is from the play, “Man in Possession,” which you may have seen on the stage or in an earlier movie with the play’s title in which Robert Montgomery appeared. Anyway, it has to do with certain misconceptions of wealth on the part of Miss Harlow, who plays a widow, and Mr. Owen. They plan to marry, each thinking the other is the answer to the bill collectors’ threats. Mr. Taylor is seen as Mr. Owen's
delight the women and possibly amuse the men. Joe E. Brown is up to all his old tricks in “When's Your Birthday?” He missed not a one and he is very, very funny without being obvious in R-K-O has done well by their newly-acquired star, and Harry Beaumont's direction is to be commended. Joe does all the things he's always done—he drops dishes, ventures into the wrong dressing rooms; bays, with his dog, at the moon; wins the prize fight and, of course, the girl. And all these things are done as only Joe E. Brown can do them. Enough said, for most of us. The story isn’t important, but it’s reasonable and interesting enough. The supporting cast includes the very attractive Marian Marsh; the very funny Edgar Kennedy, and Fred Keating, Maude Eburne and Suzanne Kaaren.—(By R. N.)
2:30 and
1500 Good
ne
LOST
Now he’s doing comedy in “Personal Prop-
brother—the family’s darkest sheep who has been in jail for selling an automobile that wasn’t quite his. Mr. Owen wants the brother to leave the country, lest the whisper of scandal reach his fiancee, Well, Mr. Taylor sees Miss Harlow. He pursues her home from the opera. He meets a bailiff and gets the job of watching her house— from the inside-—to see that all the attached furniture isn’t moved out. Dinner Is Served When the widow decides to give a dinner, the sheriff's officer volunteers to serve in place of her missing butler. The guests, of course, include his parents and brother. He succeeds in tipping them off and makes things decidedly uncomfortable for Mr. Owen during dinner. Next morning, Mr. Taylor accepts money from his brother to leave the country, but buys Miss Harlow’s furniture from her creditors instead. It happens to be the wedding day, and Mr. Taylor sends in the movers just before the ceremony. When Miss Harlow descends the stairway to Wagner's familiar music, she finds bridegroom, guests . and furniture gone with the wind. All that remains is Mr. Taylor. And that’s all right with her. When the stars have things to themselves it’s all pretty sad and fumbling as regards performance. But few people go to see Miss Harlow and Mr. Taylor with expectation of any great dramatic treat, so it doesn’t matter. When the supporting players carry the load the picture is quite amusing. The accompanying feature at Loew’s is a melodrama about a racketeer who turns evangelist and eventually reforms. George Bancroft, Wynne Gibson and Evelyn Venable are featured. —(By J. Q. T.)
dissin
KasseL
AND HIS ‘“KASSELS IN THE AIR” ORCHESTRA
Indiana coe.
805
Tickets on sale Theater News Shop. incl. tax, till 6 Tonight. After that including tax.
DANCE TONIGHT
PAUL COLLINS
| than that,
Plot Called Weak Point of Musical
d| 'Top of the Town' Goes
In for Size, But Is Shy On Story.
Take a gargantuan set, a bevy of feature players and 1000 extras, swing music and a semblance of a story, film them on a stage the size of Butler Fieldhouse and you have “Top of the Town,” now
on the Apollo screen. If you don’t care particularly for plot, amusing comedy situations or sparkling lines, and if you like lots of music and specialty performers in a night club setting, then “Top of the Town” should please or even
warned.
that includes almost everyone in Hollywood ' but Will Hays, is very tuneful and is costumed attracdecidedly uninteresting, to obvious attempt to challenge filmdom’s “colossal” title, the Warner Bros.” exclusive property. Cast ‘Well Chosen The cast, considering story limitations, is’ far from disappointing. It includes, somewhat in order of entertainment importance, Hugh Herbert, Ella Logan, Henry Armetta, Gertrude Niesen, Murphy, Doris Nolan, the Three Sailors, Mischa Auer, Gregory Ratoff, Peggy Ryan, Ray Mayer and several others.
with his comedy part, but the authors failed to do right by him. Ella Logan, peppy and diverting as a dialect |singer, also is on the asset side of the ledger. Leading
George Murphy are a bit dull, but again the fault largely is with the play and not the players. But Mr. Murphy shines brightest as a dancer, not an actor. Tuneful songs, written by Jimmy McHugh and Harold Adamson, are lilting and colorful.
CIRCLE HEPBURN = TONE (QUALITY STREET
delight you. Buy if you want more remember you were
, The musical comedy boasts a cast
tively. But the product was made this moviegoer, by New Universal's very
heretofore
George
Mr. Herbert is skilful as usual
roles played by Doris Nolan and
They include
the popular “Top of the Town,” which you have heard on so many radio programs.
Brief Story Briefed
What there is of a story concerns a rich girl who determines not to let money handicap her dancing career. She gets a job in an or-
chestra director’s floor show, but |
withdraws when she falls in love with him and learns her wealthy uncles will refuse him the contract for their new Moonbeam Room if she stays in his chorus. When she learns he had given her ridiculous parts to discourage her dancing, she secures the uncle's consent to: manage the Moonbeam Room. The floor show she conceives is too fantastic to describe. Then the orchestra director's troupe hies to the rescue. Hundreds of chorus girls and extras turn the debacle into a noisy “swing jamboree.” The would-be feminine housekeeping job instead—in the maestros house, of course. Everyone, carpenters and
camera crew,
worked hard to film “Top of the | Town” under Ralph Murphy's di- | rection. Had he started with more | story and closed with fewer extras, | the musical might be considerably |
brighter. But whatever
in the film output, Town” certainly stands high in Hollywood's attempt to relieve unemployment. (By R. N.)
LEWIS STUDENTS TO GIVE RECITAL
Three students of Florence Keepers Lewis, teacher at the Arthur Jordan Conservatory, will be presented in recital at 3 p. m. tomorrow at the conservatory’s North branch, 3411 N. Pennsylvania St. The students are Jean Ann Jones, Alma McNeeley and Wilma Jean Todd.
Solos and piano music by Bach, Beethoven, Schumann, Rubinstein, Saint-Saens, © Rachmaninoff and others will make up the program.
its place
SATURDAY, APRIL 17, 1937
impresario decides on a |
and particularly the |
“Top of the |
WHAT, WHEN, WHERE
APOLLO
“Top ‘of the Town,” Nolan and George Murphy. at 11:33, 1:33, 3:33, 5:33, 7:33 and 9:33.
CIRCLE
“Quality Street,” with Katharine Hepburn and Franchot Tone, at 12:45, 4, 7:10 and 10: 20. Also “When's Your Birthday.” with J E. Brown, at 11:30, 2:40, 5:50 and 9.
INDIANA
“Lost Horizon,”’ with Ronald Col-e $n and Edward Everett Horton, ‘at
KEITH'S
*Sis Hopkins,” presented by Federal Players. Curtain at 8:15.
LOEW'S
‘Personal Property.” with Harlow and Robert Taylor, at 11, 1:40, 4:25, 7:15 and 10. Also ‘‘Racketeers in Exile.” with George Ban- | croft and Evelyn Venable, at 12:30, 3:15, 6:05 and 8:50
LYRIC
“Call It 3 Day.” with Olivia Se Havilland and Ian Hunter. at 11:2 © 2:06, 5:01, 7:45 and 10:29. Ih Parade of 1¢37" (on stage). with Dave Apollon and troupe, at 1:06 3:50 and 9:29.
OHIO
“Six-Dav Bike Race,” with Joe E. Brown. Also “Daniel Boone.” with Heather Angel and George O'Brien,
AMBASSADOR
“When You're in Love,” with Grace Moore and Cary Grant. Also '‘Sinners Take All.” with Bruce Cabot and Margaret Lindsay,
ALAMO “Hills nf Old Wyoming."
liam Boyd. ‘‘Outcast.” with William. and Karen Morley.
with Doris
Jean
with WilWarren
CS LET
Year's Best Show Brought Back By Popular Demand §
7 Kt N
i! . (CTL: ro Gnp.-a'e
with OLIVIA DE HAVILLAND . IAN HUNTER ANITA LOUISE - ROLAND YOUNG ALICE BRADY - FRIEDA INESCORT: A COSMOPOLITAN PROD'N - Directed by ARCHIE MAYO - Presented by Warner Bros.
25rd SR.
LAST TIME TONIGHT—'SIS
KEITH'S THEATRE
Mark Reed's Sparkling Broadway Comedy
“PETTICOAT FEVER"
Presented by Duzer Du Dramatic Fraternity Players of
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| EAST SIDE te Tie.
Pa ra mou nN t Donald Woods
' “ONCE A DOCTOR” “GUNS OF THE PECOS” Sun. Double Feature—Fred McMurray “CHAMPAGNE WALTZ” Dick Foran “BLACK LEGION”
and His Orchestra
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EAD j 8 \
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Mat To Be Accompanied by Remittance and’
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BEG. MON., MAY 3 POPULAR MAT. WED.
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Kin gsley with
CAST of 70
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APRIL 22-23 22.93- 24 AMERICA'S INCOMPARABLE
Nights at 8:30 Matinee Saturday at 2:30
RUN OF
COMEDIENNE
JHE NEW NON- N.STOP LAUGH HIT
“One of the funniest, yet most exciting of mystery plays=Ashton Stevens, Chicago American
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SEAT SALE OPENS
st. 68 ‘and, $1.10. MONDAY
114 E. Washington H J Ou Double Feature . Irene Dunne “THEODORA GOES WILD” “TOO MUCH BEEF” Sun. Double Feature—Gene Raymond “SMARTEST GIRL IN TOWN” “CAN THIS Bb DIXIE?” 3155 E. 10th R VOL | Doors Open 5:45 bs Kay Francis “STOLEN HOLIDAY” (First Run in City) | Betty Furness “FAIR WARNING” | EXTRA! Last Show Tonight Only! { Bing Crosby “ANYTHING GOES” Sun. Double Feature—Alice Faye Dick Powell—Ritz Bros. “ON THE AVENUE” Warren William—“OUTCAST” 2442 E. W Wash. st. Tacoma Futint | “GARDEN OF ALLAH" “TRAILING WEST” Sun. Double Feature—Garv Cooper “THE PLAINSMAN" sf SMART BLONDE” Tuxedo 1020 E. New York . Humphrey Bogart “BLACK LEGION” ~ “MAKE WAY FOR A LADY” Sun. Double Feature—Fred McMurray “CHAMPAGNE WALTZ” “YOU LIVE ONLY ONCE” 5507 E. Wash. St. | RVI NG Double Feature Joan Bennett “TWO IN A CROWD” “Luckiest Girl in the World” Sun. Double Feature—Fred McMurray “CHAMPAGNE WALTZ” “THE GREAT O'MALLEY” Eme rson Double aD, ! Brice Cabot “LEGION OF TERROR” “LADY rom IL NOWHERE" WHEN start ace Moore “WHEN YOURE IN LOVE” “FLYING HOSTESS” be a m i ton 1h St Edmund Lowe “UNDER COVER OF NIGHT” “COUNTERFEIT LADY” Sun. Double Feature—Clark Gable “SAN FRANCISCO” “DANGEROUS NUMBER” Strand i BM : Bruce Cabot . “SINNER TAKE ALL” “WE'RE ON THE JURY” Sun. Double Feature—Grace Moore “WHEN YOURE IN LOVE” “MEN ARE NOT GODS” Continuous Matinee NORTH SIDE : 2361 Station St. JP R EA M Double Feature Joe Cook “ARIZONA MAHONEY” “SING ME A LOVE SONG” Sun. Double Feature—Fred McMurray “CHAMPAGNE WALTZ” Humphrey Bogart “Black Legion” Illinois and 34th R | 12 Double Feature : Wm. Powell “LAST OF MRS. CHEYNEY” Peter Lorre “CRACKUP” Sun. Double Feature—Dick Powell “ON THE A SITING ONJEHE 3 MOON"
1500 Hollywood meg Double Feature Paul Kelly “ACCUSING FINGER” “RIO GRANDE RANGER” Sun. Double Feature—Ray Milland “Bulldog Drummond Escapes” “COUNTERFEIT LADY”
Central at Fall Crk. Double Feature
Za ri ng Gloria Stuart
“GIRL OVERBOARD” Dick Powell “STAGE STRUCK”
Sun. Double Feature—Sonja Henie
“ONE IN A MILLION” Ray Francis Francis “STOLEN HOLIDAY” Double Feature
uU p town Tyrone Power “LOVE IS NEWS” “TUGBOAT PRINCESS”
Sun. Special Feature
32nd rg College
WEST SIDE
DAISY
2540 W. Mich. St, Double Feature Jane Withers “CAN THIS BE DIXIE?” “King of the Royal Mounted” Sun. Double Feature—Sylvia Sydney - “YOU LIVE ONLY CNCE”
“DEVIL'S PLAYGROUND”
Howard
STATE
Grace Moore—Cary Grant "WHEN YOURE IN LOVE” St. Clair * sah Fats “COME CLOSER FOLKS” “THE PLOUGH AND THE STARS” Sun. Double Feature—George Brent
“MORE THAN A SECRETARY” “BELOVED ENEMY” Double Feature
u DELL Lewis Stone
“DON'T TURN EM LOOSE” “LADY BE CAREFUL”
Sun. Double Feature—Eleanor Powell
“BORN TO DANCE” “GUNS AND GUITARS” Double Feature
Ta bo i t Nino Martini
“THE GAY DESPERADO” . “KILLER AT LARGE”
Sun. Double Feature—Edward Arnold
“JOHN MEADE'S WOMAN” “MORE THAN A SECRETARY” Triple Feature
REX Edw. E. Horton
“LET’S MAKE A MILLION” “BORDER FLIGHT” “THE BIG GAME”
Sun. Double Feature—Sally Eilers
“WITHOUT ORDERS” Shirley Temple “STOWAWAY” Double Feature
Ga rrick Conrad Nagel
“YELLOW CARGO” Onslow Stevens “EASY MONEY”
Sun. Double Feature—Dick Powell “GOLD DIGGERS OF 1937”
cL & Ft. Wayne
Udell at Clifton
va hl Talbott & 22nd
30th at Northwestern
$o th and Illinois
Belmont
|Garfield
Howard & Blaine Double Feature Tex Ritter “Headin’ for the Rio Grande” “CAPTAIN CALAMITY” Sun. Double Feature—Clark Gable “CALL OF THE WILD”
Roscoe Rams } “CLARENCE”
2702 Ww. 10th So a Feature Errol Flynn
“Charge of the Light Brigade” “ROMANCE OF REVIER” Sun. Deuble Feature—lJ. Weissmuller “TARZAN ESCAPES” “TIME OUT FOR ROMANCE”
Ww. Wash. & ‘Belmont Double Feature Chas. Starrett
“THE COWBOY STAR” Warren William “OUTCAST” Sun, Double Feature—Claudette Colbert “MAID OF SALEM”
“WHEN YOU'RE IN LOVE” “soUra sine 2203 Shelby St. Lily Pons Jack Oakie “THAT GIRL FROM PARIS” Selected Shorts Sun. Double Keature—Gary Cooper “THE PLAINSMAN” “OUR RELATIONS”
Lincoln
. “CAN THIS BE DIXIE?”
S. East at Lincoln Double Feature Jane Withers
“CALIFORNIA MAIL” { Sun. Double Feature—Wm. Powell . “AFTER THE THIN MAN” “THE LONGEST NIGHT”
Granada
1045 Virginia Ave. Double Feature Saturday and Sunday Fred McMurray Claudette Colbert ap OF SALEM” mund Lowe—Florence Rice «UNDER COVER OF NIGHT” Cartoon
Fountain Square Double Feature Ray Milland “Bulldog Drummond Escapes” “THE COWBOY STAR” Sun. Double Feature—Dick Powell . “ON THE AVENUE” “THE LADY FROM NOWHERE”
“DANIEL BOONE” 19th & College Double Feature
Stratford bei sai
“EMPTY SADDLES” . “DANCING PIRATE”
Sun. Double Feature—Edward Arnold “COME AND GET IT”
“THAT GIRL FROM PARIS”
T ‘Noble & Mass. Double Feature Fredric March “ANTHONY ADVERSE” Joe E. Brown “POLO JOE” Sun. Double Feature—Edward Arnold “COME AND GET IT” “WITHOUT ORDERS"
rr en ———
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At Fountain Square Double Feature Lew . Ayres
“LADY BE CAREFUL” Florence Rice “BLACKMAILER” Sun. Double Feature—Fred McMurray “TEXAS RANGERS” “SING ME A LOVE SONG”
Pros. & Churchman Double Feature Dick Foran
“WEST OF THE PECOS” - “WOMEN ARE TROUBLE” Sun. Double Feature—Eleanor Powell “BORN TO DANCE” “WITHOUT ORDERS”
05 S. Meridian st. Double Feature Marlene Deitrich
“GARDEN |OF ALLAH" “BULLDOG EDITION” Sun. Double Feature—Edw. Arnold “COME AND GET IT” 5 “PLOUGH AND THE STARS”