Indianapolis Times, Indianapolis, Marion County, 10 April 1937 — Page 8

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SHELL ARTA

‘PAGE 8

Bee Ani nuatn ses we ia

FE I NR 2 i DR A SR

THE INDIANAPOLIS TIMES

sa acon ec a

—_—_ ih hh a ..

RAT

SATURDAY, APRIL 10,1037

GRIPPING DRAMA AND FROTHY COMEDY ON LOCAL SCREENS

‘Good Ea th’

As Truly ‘Great” Picture; ‘Fifty Roads’ Way to Fun

Simplicity of Mrs. Buck's Novel on Chinese Life Captured in Picture.

By JAMES THRASHER The adjective “great” is one that most reviewers treat with respect and handle with care. Yet, with the appearance of “The Good Earth” at Loew’s this week, one is inclined to blow the dust off his precious adjective, and proclaim this a great picture. It is to be presumed that nearly everyone who sees the picture will have read the book. Without a recollection of Pearl S. Buck's finely wrought novel, the picture might assume no unusual proportions. As .it is, intensive research, lavish production, large cast and all the typical impedimenta of Hollywood “epics” have comkined to reproduce much of the strength and simplicity of Mrs. Buck's tale of Chinese life. And that is a Hollywood achievement. Much of the credit must go to the late Irving Thalberg, producer, and Sidney Franklin, director, even before the fine performances of the stars are considered. Mr. Thalberg, of course, was the picture’s guiding spirit, even though he died before it was completed. And Mr. Franklin has carried out the: spirit of the basic conception with admirable results. Minimum of Dialog

The picture naturally misses the elegant simplicity of Mrs. Buck’s literary style, which was one of the book’s chief charms. Yet it has approximated this charm through use of a “silent picture” technique. There is a minimum of dialog; there is the dependence on pantomime of a decade ago, but with new subtlety and restraint. The final achievement realizes the unique artistic possibilities of motion pictures better than anything we have had in a long time. Those producers who cling to the mistaken notion that the cinema and the theater are sister arts might ponder this picture with profit. Iuise Rainer and Paul Muni play O-Lan and Wang Lung with power. Miss Rainer is especially good, another reason why she should - he cr~wned Hol'ywood’s First Lady. With only about 80 speeches, with costumes and: makeup whose accents are on plainness, she overcomes such handicaps and contrihutes the most compelling performance of the season. Mr. Muni is best when he plays the younger Wang, and his best is good indeed. All the other players are unfailingly apt. These include Charles Grapewin as the Old Father, Walter Connolly as the Uncle, Tilly Losch as Lotus, the second wife; Jessie

Ralph as Cuckoo, and many Chi-

nese actors. Children Remarkable

The Chinese youngsters who play thé young children of Wang and O-Lan are remarkable. In the famine scenes, they project speechless suffering of hunger. Even the water buffalo seem actually dying of hunger and thirs st before your eyes. There are many scenes in “The Good Earth.” sides the famine, there are the pillage and riqt in the southern city during the revolution, and | the plague of locusts. This last is achieved through newsreel shots

memorable

and carefully collected pictures. of |

the insects. They are “dubbed” into the set with remarkable sults The photography out is of ‘the highest order. Herbert Stothart has another colorful

shrough-

complete

One retains a similar impression | after both book and picture—that | “the drama, conflict and bitter suf- |

fering are but ripples on the surface

of an endless, deathless family ex- | istence, clinging tc the land with a |

tenacity that nothing can defeat.

TRACY BETTER

AFTER SURGERY |

By United Press HOLLYWOOD, April 10. —Spencer Tracey, film actor, today was recovering after an operation to correct a chronic thyroid ailment. His physicians, Dr. Clarence Toland and Dr. William Branch, said the operation performed yesterday was not serious and the actor responded well.

Dance Tonight I. U. NIGHT PAUL COLLINS

- And His Orchestra 40c All Evening Everybody Welcome INDIANA ROOF

the

Be- |

re- |

and | written | and descriptive | musical score to make the triumph |

Bobby Breen-—May Rob «BATNBOW ON THE RIVER”

Peter Lorre—Bryan Dunlavy “CR -UP”’

PRESIDENT’'S MYSTERY” Midnight Show

Proclsimed

‘Apollo Film Successor to | ''t Happened One Night,' Despite Title.

If they had called the current Apollo picture “It Happened the Next Day” or something, instead of “Fifty Roads to Town,” you'd ‘have a better clue to its plot and style. But the fact that the title doesn’t mean anything, as

far as this spectator could discover, doesn’t keep the picture from being the successor to “It Happened One Night” that envious producers have been trying to make, off and on, for the past three years. A lot of people have been raving about Don Ameche’s performance in “Love Is News.” Confidentially, I thought he was awful. That performance got him another comedy assignment, however, and here he really shows that he can play comedy. Probably Norman Taurog’s direction had something to do with it. : Ann Is a Help

Instead of having his players| destroy themselves in a. hysterical lather trying to be funny, he lets the performance stay as frothy and

SINGS HERE TOMORROW

Nelson Eddy, American baritone of screen, radio and concert popularity, is to be heard in recital at English’s at 3 p. m. tomorrow.

The ‘Varlet’ Gets Cursed

digestible. as the plot. Ann Sothern. who is the other lead, helps things |

tremendously. Briefly the plot is about a boy |

and a girl—only fancy—fleeing New York in high-powered motor cars. After being chased by a traffic officer they wind up in the same deserted mountain lodge. Mr. Ameche is dodging a bench | warrant; Miss Sothern is running away to marry a poor young ran with heart of gold. She thinks her companion is a gangster, so he allows her to retain the illusion until a real gangster comes along.

Action Moves Fast

Comes winterset, about the second day, and instead of 50 roads to town, as advertised, there's only one and that blocked with snow. A posse comes along, looking for the real gangster, and all = but shoots the cabin down before the | couple is rescued. There’s a fine supporting cast which includes Slim Summerville, John Qualen, "Allen Lane, Douglas Fowley, Spencer Chartérs | and Stepin Fetchit. Together with the stars they give you the most pleasfot sort of entertainment. (By J. Q.

WHAT, WHEN, WHERE

APOLLO

“Fifty Roads to Town." with Don Ameche and Ann a. at 11: 20 1:40, 3:40. 5:40. 7:40 and 9:40.

CIRCLE

"Waikiki =~ Wedding" with Bing Crosby, Bob Burns Mere, Raye ped 45. 3:5

Shirley Ross, at 11:35 5:55 and 10:05

CIVIC

“Secret Servi Chie Theater

presented Curtain

ni avers at

INDIANA

““Cloistered.”” picture of life in| the Convent of the Good Shepnerl in Angers, France. at 12:05, 2, 4, 6, 7:55

and 9:55 KEITH'S

“Sis Hopkins." Presented, oY Federal Plavers. rs: at 8:

LOEW'S

“The Good Earth.” with Paul Muni and Luise Rainer at 2:30 and 3:30

LYRIC

Marked Woman.” and - Humphrey . 2. 4:51, 7:42 and 10:32 Ridge Follies” (on stage) at 1. 6:42 and 9:23.

OHIO

on the Also

with Bette Bogart, at :32. ‘‘Pihe 3:61.

with with

River.”

“Rainbow “*Crackup.”

Bobby Breen. Peter Lorre

AMBASSADOR

“The Last of Mrs. Cheyney.” with Ih Crawford and William Poel! Duchess.” wit Polly

ALAMO

“Bulldog Drumsigng Escapes.’ Ray Milland and _Heather | Also “Left Handed Law.” with 1) Jones.

Sun.

* with Angel. Puck

outstanding photoplay of this is tremendous,

Perhaps not, but could ask. YOU MUST SEE I

5 Y =D

ax):

ALL SEATS RESEN Prices (Including T

, 83c; |BalC: fap

.—Orei. ’ 3a. Orch.

and this truth is. superbly are apt to remark that there is no such thing as perfection. ‘The Good Baty is as near perfection as you

2D EA

STARRING

And Lustily. Se in Civic Theater Offering.

It is somewhat amusing to realize tha tWilliam Gillette's “Secret Ser-

{ vice,” which the Civic Theater is pre-

senting this week, and G. B. Shaw’s “Candida” are of the same vintage. Mr. Gillette's play has the flicker of gaslight about ‘it, while “Candida” remains at least abreast of the times, if not ahead of them.

Yet Mr. Gillette knew the stage and all the theatrical tricks thereof. And as played by the local group, “Secret Service” gives one a bit more than tolerable entertainment. There has - been, of course, a wholesale pruning of “hokey” lines, but there is still a third-act speech by Capt. Thorne, which is a triumph of lavendar nobility. And Mr. Arrelsford, the villain, is made to chew the i scenery in the best “curse you, varlet” manner.

Setting in Ricimond

Richmond, on the eve of its fall to the Union troops, is the play's setting. Capt. Thorne of the Confederate Army is really Lewis Dumont, a Yankee spy. As in all spy plays, he has“falten in love with a young lady in the enemy camp, in this case Edith Varney. One of the Varney slaves is caught with a message from Thorne’s imprisoned brother. The brothet is released in the hope of catching Thorne, but when they meet in the Varney home, ‘the brother shoots himself to shift suspicion. Edith has secured- her captain a

secret service. suitor for Miss Varney’s hand, so he’s all the more anxious to complete his mission. He almost does, and Capt. Thorne is about to be shot as a spy. But

| Gen. Randolph arrives at the last

SLIM SUMMERVILLE JANE DARWELL STEPIN FETCHIT

—HITS INDIANAPOLIS!

its “truth

year > The cautious

told.

—\Walter RE hitworth, In Friday's News.

Twice Daily, 2:30-8:30

S RT HUN. RAINER

The One and Only

2 BLUSIYE BURLESQUE Middle West

In the

SIA NG With ry

With Those Four Swanky Good Lookers

s M'DNIGHT SHOW TONIGHT

"JAZZTIME REVUE

NANCY MORRIS © NAOMI FLETCHER DOTTIE MAE AND LEONA LARUE

CHARLEY GROW

“GET UP A PARTY AND ATTEND

Wizard of the Ivories and

ALL THE GIRLS OUR MIDNIGHT SHOW TONIGH

minute with the news that Thorne did not send forged orders which would permit the Yankees to swarm into town. So, out of gratitude— though not knowing the Yankee did it for love—Capt. Thorne's sentence is communted to imprisonment. You know that everything will be all right, w hprwits Grant storming the city gates

Naive Melodrama

There is a great deal of naive melodrama in the play, of course, but a lot of good theater as well. The cast plays it seriously and with becoming speed. Fanchon Fattig, as Edith, gives a capable, sensitive performance. And there are two delightful ‘youngsters, Joan Dougan and Bill Shirley, who provide the humor and youthful “love interest.” Recent graduates of the Children’s Theater, we shall be glad to see them again.

Other principals in a first-rate cast are Neil Firestone as Thorne, C. C. Robinson as Arrelsford, and Helen Morton, Jack Chesterfield, Rolla Farmer, Garrett Olds, James Muller, Hershel Brill, Dorothy Morris and Wayne Brownlee. The play will continue through Wednesday. (By J. Q. T)

GLENN MORRIS

TO TURN TARZAN

Ry United Press: HOLLYWOOD, April 10.—Glenn Morris, Olympic decathlon champion from Denver, today had signed a motion picture contract to portray the role of “Tarzan,” famous fictional ape man.

The contract was tendered Morris by Principal Productions which recently tested Lou Gehrig for the same role. Gehrig was not found suitable for the part of “Tarzan” but was given a contract to appear in other pictures. : Sxiumiay,

Eh SKY HAR

OSS1E CORRELL—VOCALIS { Sat.. 60c couple before 9:30; 80c¢ coupple 9: 30 to 12:00; 50c couple after 12:00. Sun., 35¢ couple before 9:15; 5 couple after 9:15—One Block South Municipal Airport.

Dance Harold Cork’s

Orchestra

Fiery Is Word

For Actress Bette Davis

Role in 'Marked Woman’ Well Chosen for Return

To Screen.

Fiery still is the word for Bette Davis. The tempestuous. blond’s long absence from screen changed her none at all, and she returns in a wisely chosen

she does best—‘Marked Woman’—which may “be seen through Thursday at the Lyric. Warner Bros. judiciously surrounded their 1936 Academy Award winner with competent players— and fortunately for it is excellent performance by the entire group, and particularly by Miss Davis. All of which makes “Marked Woman” one of Hollywood's grimmest and challenging pictures for some time. ; The plot is an old one worn threadbare during the racketeer picture cycle, but it makes little difference. The story almost may be forgotten as Miss Davis, Isabel Jewell, Rosalind Marquis, Lola Lane, Eduardo Ciannelli and Humphrey Bogart move through tense scene after scene, playing each for its fullest emotional worth.

‘Clip Joint’ Tactic Seen

Briefly, Miss Davis, as Mary, is hostess in a respectable night club, when a racketeer, Johnny Vanning (Mr. Ciannelli) forces its owner into his organization, turning the spot into a “clip joint.” The girls are frightened into doing their share in leading the suckers on. Then Mary is arrested when her partner fails to make a check good, and his body is found in the river. Mary is a smart girl, and knows it, and she thinks she will come out in front by crossing up the district attorney, clearing Vanning of a murder charge. But when Mary's innocent sister, in town from school,

her mind. She goes to the district attorney, and with help of her terrified hostess friends, convicts Vanning and his henchmen of murder. And then—surprise!—she returns to her friends, and presumably to her old life, leaving the district at-

steps.

“Marked Woman” offers few

_ILLS AT OHIO [7¢

NOW!

SWELL SHOWS

FAVaa

First Run Hit! BUCK JONES

Thrills!

y \~iion!

role in the type of picture.

is murdered by Vanning because she resented |i his friend’s advances, Mary changes |}

torney forlorn on the courthouse

“LEFT-HANDED LAW” |

STARS IN FLIM

The sensational 14 - year - old . soprano, Deanna Durbin, is fea‘tured in “Three Smart Girls,” which will be on the Ohio screen for three days beginning tomorrow. “The second picture is “The Key,” featuring William Powell and Edna Best.

smiles and no laughs. It's grim and sinister throughout, presenting, as it does, that slice of American life

always good for screen melodrama. There is nothing grim about the accompanying stage show, however. It consists of the “Pine Ridge Follies”—folly comes to the Ozarks!— plus some entertainers from nearer home. Among these last is Vaughn Cornish, local baritone, who sings better than any vaudeville entertainer has a right to. His stage ‘presence is equally pleasant. Mr. Cornish should go to town one of these days. The Pine Ridge contingent features the Silver Cornet band of Lum and Abner fame, led by Ezra Buzzington—or so he says. The instrumentalists are pleasing and clever, and .offer a real clarinet virtuoso. There are also able entertainers with the music, and Dick Huddleston, in person, makes a brief curtain speech. If you listen to Lum and Abner, you know who Mr. Huddleston is.—(By R. N.)

SY ETEET TT,

NOW! 3 BIG DAYS!

JOAN CRAWFORD WILLIAM POWELL ONTGOMERY

| conductor and the students.

Indianapolis Symphony To Give School Concerts

Thousands of Indianapolis school children will make or renew ace quaintance with Ferdinand Schaefer and the Indianapolis Symphony Orchestra this week when the annual serios of school concerts is inauge

urated.

Beginning Monday afternoon, the series will be held in the audie toriums of Manual, Technical, Shortridge and Washington High Schools,

There is a mutual affection of®

long standing between the veteran Mr. Schaefer considers the school concerts among the most important of the orchestra's activities for their contribution to the building of a musically intelligent generation. To stimulate interest in the programs and to make the children feel they are a part of the proceedings, Mr. Schaefer some seasons ago inaugurated the practice of having audiences sing with the

orchestra under his direction. This year the numbers chosen are “God | of Our Fathers” and Sullivan's | “The Lost Chord.” In addition, part of fhe students’ music class periods all year have. been devoted to a study of the history, musical structure and significance of the program. The orchestra selections, will be the same at each concert, include the Overture to Wagner's opera, “The Flying Dutchman”;

7) Ts Ie gn BURNS 4

which |

MARTHA LMS SHIRLEY ROSS J CRRA)

the first movement of Schubert's “Unfinished” Symphony in B Minor, and Smetana’s symphonic poem, {Die Moldau.”

NEW MARE FOR TAYLOR

Robert Taylor has the horse fever bad. He has just purchased a fine five-gaited mare—and that makes three mounts in his stable at BelAir.

SEC ELT A

LYRIC

WERT;

PineRidgeSilver

Cornet Band Dick Huddleston

e MANY OTHERS eo

Sis Says:

“Taint No Use t’. Do Nuthin’ fer Nobody What Won’ Do Nuthin’ fer You.”

Federal Players' H

KEITH'S

of the Famous Hoosier Comedy

“SIS HOPKINS”

HELD OVER 2nd WEEK

Hilarious Revival

Night Performance Only [be 2oe-40c

WEEK APRIL 19

.."PETTICOAT FEVER"

NORTH SIDE

= -- illinois and 34tb Double Feature

Rl Z Freddie Bartholomew

“LLOYD'S OF LONDON” “WILD BRIAN KENT” Sun. Double Feature—Merle Oberon “BELOVED ENEMY” “COUNTERFEIT LADY”

Hol lywood seme

oi Ave. Double Featute—Merle Oberon “BELOVED ENEMY” Buck Jones “EMPTY SADDLES”

sun. Double Feature—Gary Cooper

NOW

25¢ Till 6—40c Thereafter

Continuous

From 11 A. M. Children 10c at All Times

CRITICS RAVED ABOUT THE BEAUTY OF

2000 YEARS OF MYSTERY REVEALED

One of the most unusual pictures of the year =N. Y. TIMES

A masterpiece = AMERICA

ISL Strangely moving and beautiful

= DAILY NEWS [Ale

SRL REA

Cameramen have been permitted to . film’ the mysterious {ife of the nuns . livihg in a strictly cloistered Convent — where no man ever entered before

AMERICA'S INCOMPARABLE

“One of the ll yet most exciting of mystery plays=Ashton Stevens, Chicago American

ENGLISH

DIRECT FROM SIX MONTHS IN CHICAGO

Nights at 8:30 "™g Matinee Saturday

RUN OF.

RIL 22-23-24

COMEDIENNE

on Ltty

PRICES

SEAT SALE MONDAY APRIL 19

Balc., 5% “trax nel. $1.65. Balc 55¢. Tax Incl.

“THE PLAINSMAN” “THREE SMART GIRLS”

Central at Fall Crk. Zaring

Double Feature Lee Tracy “WANTED! JANE TURNER” Wm. Gargan “BREEZING HOME” Sun. Double Feature—Sylvia Sydney «YOU LIVE ONLY ONCE” “THEODORA GOES WILD”

/ J : "is College = Uptown nme reature “THE GAY DESPERADO” “MORE THAN A SECRETARY” Sun. Double Feature—Wm. Powell

| “THE LAST OF MRS. CHEYNEY”

“SMARTEST GIRL IN TOWN” S Cl . St. cL. & Ft. Wayne i. ai r Spanky McFarland Burgess Merideth “WINTERSET” Sun. Double Feature—F. Bartholomew Jas. Cagney “GREAT GUY” u DELL Double Feature Laurel & Hardy “TARZAN ESCAPES” Sun. Double Feature—Shirley Jl'emple Jas. Cagney eonrar ouy” b Talbott Sis flit “NORTH OF NOME” Doub'e Frature—Fred McMurray “BELOVED ENEMY”

Double Feature “GENERAL SPANKY” “LLOYD’S OF LONDON” Udell at Clifton “OUR RELATIONS” “LITTLE MISS MARKER” Lalbott & 22nd “A DOCTOR'S DIARY” -Sun. “CHAMPAGNE WALTZ”

~r 30th at Northw't'n Triple. Feature

R REX virginia Weidler

“GIRL OF THE OZARKS” “Hopalong Cassidy Returns? “SING ME A LOVE SONG” | Sun. Double Feature—Walter Huston i “DODSWORTH” | Joe E Brown “POLO JOE”

"30th ana fllinols Double Feature

Ga r r i C k Herbert Marshall

“MAKE WAY FOR A LADY” “THREE OF A KIND” Sun. Double Feature—Paul Muni “The Story of Louis Pasteur”

(1935 Biue Ribbon Winner) “WITHOUT ORDERS”

Stra tfo rd 19th & College

Deuble Feature Katharine Hepburn “A WOMAN REBELS” “IT COULDN'T OF HAPPENED” Sun. Double Feature—Marlene Deitrich “GARDEN OF ALLAH” “WANTED—JANE TURNER” Double Feature

M ECCA Errol Flynn

“Charge of the Light Brigade” “THINGS TO COME” Sun. Double Feature—Dick “Foran “GUNS OF THE PECOS” Walter Huston “DODSWORTH”

‘Noble & Mass. 2

DREAM

NORTH SIDE » 2361 Station St. »

Double Feature Deanna Durbin

“THREE SMART GIRLS” Wm. Boyd “BORDERLAND” Double Feature—Sonja Henie “ONE IN A MILLION” “UNDER COVER OF NIGHT”

WEST. SIDE -

Sun.

Ts Howard & ‘Blaine Howard om fue “ARIZONA MAHONEY” “YELLOW. CARGO” “Ace Drummond”—No. 1 Sun. Double Feature—Fred McMurray “CHAMPAGNE WALTZ” “YOU ONLY LIVE ONCE” 2702 W. 10th: St., Double Feature

STATE ‘Bll ii

“BROADWAY MELODY OF 1936” “GUNS OF PECOS” Sun. Double Feature—Larry Crabbe “ROSE BOWL" “LLOYDS OF LONDON” Double Feature

Be mon t Virginia’ Bruce “WOMEN OF GLAMOUR” “TRAIL DUST” Sun. Double Feature—Joan Crawford “THE LAST OF MRS. CHEYNEY” Roseoe Kars “CLARENCE” Double Feature

DAISY “el kab

“KING OF HOCKEY” Wm. Boyd “BORDERLAND” Sun. Double Feature—Pat O'Brien “THE GREAT O'MALLEY” “MY MAN GODFREY”

SOUTH SIDE

W. Wash. & Belmont

i S. East at Lincoln Double Feature

Li | Nnco Nn Laurel & Hardy

“OUR RELATIONS” “ARIZONA MAHONEY” Sun. Double Feature—Gary Cooper “THE PLAINSMAN” “SMART BLONDE” Double Feature

Granada se & Sunday Kay Francis—Ian Hunter “STOLEN HOLIDAY” Michael! Whalen—Rochkelle Hudson “WOMEN WISE” (Thrill Story of the: Prize Ring Racket) EXTRA! —"Hollywood Extra”

045 Virginia Ave.

Fountain Square Double Feature—Robert Young “DANGEROUS NUMBER” Ann Dvorak “RACING LADY” Sun. Double Feature—Wm. Powell “THE LAST OF MRS. CHEYNEY” "WE'RE ON THE JURY”

Double Feature

Sa nd ers Ray Milland

“JUNGLE PRINCESS” “SEA SPOILERS" Sun: Double Feature—Dick Powell “GOLD DIGGERS OF 1937” “CAN THIS BE DIXIE?”

0s. “Double Feature

Ava lon Kermit Maynard

“SON OF THE TRAIL” “THREE SMART GIRLS”. Sun. Double Feature—Edward Arnold “COME AND GET IT” due E. Brown “POLO JOE”

At Fountain Square

( ‘harchman |

Follow The Times for: Your Favorite Program

The Week End’s Best: Alrictions

At Your Neighborhood Theater

SOUTH SIDE

1105 8. Meridian st. Double Feature

0 r ien ta Deanna Durbin

“THREE SMART GIRLS” “GAY DESPERADO” Sun. Double Feature—Spanky McFarland “GENERAL SPANKY” Walter Houston “DODSWORTH”

| Ga rfie ld Sonja Henie

“ONE IN A MILLION” “CASE OF THE BLACK CAT” Sun. Double Feature—Jack Benny “COLLEGE HOLIDAY” “ONCE A DOCTOR”

EAST SIDE

114 E. Washington . B | J Ou Double Feature : Eric Linden “SINS OF CHILDREN” “WEST OF NEVADA” Sun. Double Feature—Wm, Gargan . “FLYING HOSTESS” “CAPTAIN CALAMITY” Doors Open 5:48

2203 Shelby Sa Double Feature

x s — 3155 E. 10th

RIVOLI ver doen’

“BREEZING HOME" John Trent “DOCTOR’S DIARY”

EXTRA! Last Show Tonight Only! W. C. Fields

| “Mrs. Wiggs of the Cabbage Patch”

Sun. Double Feature—Fred McMurray “MAID OF SALEM” Roscoe Karns “CLARENCE”

Taco Y 1a Myrna Loy ~ Sun. Double Feature—Sonja Henie - - — T d 4020 E. New York uxedao Sun. Double Feature—Geo. Brent IRVING “Bosc titi Gene Raymond Sun. Double Feature—Geo. Brent IE 1630 E. 10th merson Sun. Double Feature—Wm. Powell H | 2116 E. 10th . amilton Sun. Double Feature—Geo. Brent 1332 E. Wash. st ’ Strand Sun. Do ible Feature—Joan Crawford Continuous Matinee Pa rat oun Chas. Starrett Sun. Double Feature—Dick Powell

2442 E. Wash. St. “AFTER THE THIN MAN” “ONE IN A MILLION” Double Feature “FOLLOW THE FLEET” “God’s Country and the Woman” E. Wash. st “WALKING ON AIR” “God’s Country and the Woman” Double Feature “UNDER COVER OF NIGHT” “THE LAST OF MRS. CHEYNEY” Double Feature “ONE WAY PASSAGE” “God's Country and the Woman” Double Feature “WOMAN ALONE” “THE LAST OF MRS. CHEYNEY” 41) E Wash. “THE COWBOY STAR” “GOLD DIGGERS OF 1937”

Tar Double Feature “WHITE HUNTER” “THE JUNGLE PRINCESS” Fred Astaire “LET’S MAKE A MILLION”. “THREE SMART GIRLS” Double Feature “WITHOUT ORDERS” “MIND YOUR OWN BUSINESS” Edmund Lowe Peter Lorre "CRACKUP” “DEV IL'S PLAY GROUND” Wim. Powell “WILD BRIAN KENT” “YOU LIVE ONLY ONCE” Sylvia Sydney John Wayne “CONFLICT” Helen Lynd “HATS OFF” Par { poubte Feature Ann Dvorak “RACING LADY” “COME CLOSER FOLKS”