Indianapolis Times, Indianapolis, Marion County, 27 February 1937 — Page 11

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SATURDAY, FEB. 27, 1937

THE INDIANAPOLIS TIMES

PAGE 11

GRACE MOORE SWINGS AND MIRIAM HOPKINS SAVES AN ACTOR

Colorful Act Showing on Lyric Stage

Diva Sings Hot Tunes for | Movie Playing at Loew's;

English Film Is at Circle

Secretary of Critic Stops Cary Grant Cast in Male

Murder of Wife by Lead: Helps Stranded Tragedian.

Artist in Mexico. | A movie that is a frothy, | delightful comedy one or. ment and seriously dramatic] with the best of them. After the next tests the histrionic | several futile tries it has abilities of any cast. “Men managed at last to contribute Are Not Gods,” now at the! a first-class “skat” singer to Circle, is such a picture, and | the ranks of hi-de-ho.

the lavers yarticularly The singer is Grace Moore. She Cc . p . lig 1 y | swings “Minnie the Moocher” in Miriam Hopkins, pass the ex- | “When You're in Love” now at : 3 x. | Loew's. She does it very well, too. Az | 3 pminstion " with a good | Not like Ella Logan or Helen Ward strong “A. (or Ethel Waters, but good just the Miss Hopkins is supported by two | same. English players, Gertrude Lawrence, Of course, they haw to leave Miss a comparative newcomer to Ameri- | Moore out in the rain with Cary can film audiences, and Sebastian | Grant, get her soaking wet, dump Shaw, who is reasonably competent | her in Mr. Grant's own farm house,

Well, the Metropolitan Opera can hold its head up

in his first important role. A fourth whose talent combines with the cast to make “Men Are Not | Gods” another creditable Alexander | Korda presentation is Walter Reisch,

author and director of the produc- |

tion. His direction is well nigh flawless, if we overlook occasional slowness of action, a shortcoming ap-

parent in most British pictures. His |

Miriam Loses Job

By altering her boss’ critique of Edmund Davey's (Mr. Shaw) Othello, Ann Williams (Miss Hopkins) loses her job and acquires a longing to see the actor whose reputation she saved. The reason for her tampering with the caustic review is the

story

actor’s wife's pleas that the criti- |

cism not be published.

Ann sees Edmund in the title role

of “Othello,” and, like all London

women, falls in love with him. They |

meet when Barbara (Miss Law-

rence), his wife, invites her to sup- | They meet again at tea, and |

per. Edmund confesses love. to end the affair with a note explaining they can never be happy together and that his wife as long as she lives.”

his passionate

Edmund then plans to murder his |

wife at the theater as she plays opposite him in “Othello.” Ann's presence in the gallery and her scream at the right moment saves Barbara's life and Edmund's career. As for Ann, there's been a newspaper reporter solicitously near through most scenes, and doubtless he is happy to have her back.

Othello Scenes Praised

Rex Harrison and A. E. Matthew are seen as the reporter and dramatic critic, respectively. The latter is excellent in his small supporting part. Miss Lawrence and Mr. Shaw give their best performances in the brief “Othello” scenes. “Men Are Not Gods” (the title is from *“Othello”) is Miss Hopkins’ picture through most scenes. While it may not be comparable to her more auspicious roles in “Becky Sharp” or “Barbary Coast,” it is pleasant to have her back. Indeed, she makes me wish all reviewers might have secretaries. The Circle's second picture brings together Edward Arnold and Francine Larrimore in “John Meade’s Woman,” a story of exploitation of forests and soil. Briefly, Teddy Connor (Miss Larrimore), forced from her farm by a mortgage holder, goes to Chicago to earn a living. Destitute, she meets John Meade (Mr. Arnold), who gives her food and treats her kindly. She marries him, believing he loves her. However, she discovers he married her to spite his fiance. She leaves him to return to the soil. Meade, learning dust storms are ruining the farmers, buys up mortgages and tries to force

landowners to evacuate their homes. |

Teddy leads a revolt against him, but discovers after he has been shot . that she really loves him. They are reunited, but whether John dies from the shot wound or lives to be happy with Teddy is something you ‘Il have to decide for yourself. “John Meade’s Woman” is pretty flimsy stuff at the best, and often it is implausible. Edward Arnold ap- " pears bored most of the time, and he has good reason to, so inconsequentia] is his part, even though he plays the male lead. As Teddy, Miss Larrimore gives the picture what distinction it has. Though Teddy certainly is an emotional person, she (as played :by Miss Larrimore) often is difficult to

She flees from him and tries |

“he belongs to |

| garb her in the caretaker’s work shirt, corduroys and house slippers and drag in a local dance band by the hair of the head in order to do | it. But it’s worth all the trouble. Marries Cary Grant in Film | The picture starts out in a much {more dignified manner. In fact, | Miss Moore sings “Vissi d’arte” from | “La Tosca” while the titles are being shown. When things really start, we find her a stranded Australian singer in Mexico. She has overstayed {her passport time limit in the United | States and has had to leave. Now | she is waiting for a new quota num|ber to let her back in. She has a date to sing at a music festival con- | ducted by her old benefactor, Uncle | Walter (Henry Stephenson.) Eventually she has to marry Cary | Crank in order to regain admittance as an American wife. It all is a matter of convenience, but Mr. | Srant insists on taking her seriousHe doesn’t like the hangers-on

[whi have attached themselves to |

| his bride. | They do take a ride together, | finally, and wind up in the “Minnie {the Moocher” episode. They dis- | cover they are in love, but just when {Mr. Grant has her won over to |chucking it all for a trip to the | White Mountains, Miss Moore remembers the festival. Goes Back to Mexico So Mr. Grant goes back to Mexico and gets her a divorce. This breaks | Miss Moore's heart, and she almost gives up singing her second number at the festival. But Mr. Grant reappears at the right: moment, dries her tears and lets everything end as it should. Miss Moore is about the only opera star in the movies who is a creditable actress. This, with her “swinging” ability, makes her a happy chcice for the picture. It certainly isn’t another “One Night of Love”—the story doesn’t have that light touch and subtle humor, and the music is not as good. There are two new Jerome Kern tunes, however, that are pleasant, and Miss Moore sings as charmingly as ever. One cannot add up the virtues of Miss Moore's singing and acting and Mr. Grant's excellent perform{ance and balance the heaviness of { Robert Riskin’'s story and direction. The gifted author of “Mr. Deeds Goes to Town,” “Lady for a Day,” “It Happened One Night” and other hits, seems to have found his new two-fold job a little too much to handle gracefully. It is, in short, a good show but not a distinguished one. (By J. QT)

MICKEY IS SQUIRREL

Another Mickey, not a mouse, has a big edge on the stars of “The Toast of New York,” Edward Arnold and Frances Farmer. Mickey, a pet | squirrel, has three stand-ins, and { when he tires of his revolving cage, one of the stand-ins takes over.

fathom. Obviously no naive country girl surprised at big city wickedness, she frequently appears more ruthless than the exploiters she is supposed to conquer. Why Hollywood imported such a |capable and talented stage actress |as Miss Larrimore for such a commonplace film remains a mystery. (By R. N.) \

MARTENS CONCERTS, Inc.

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§1.10, $2.20, $2.35, $3.30—TAX INCLUD.

ean Muir, Warren Hun “FUGITIVE IN THE SKY” Mary Astor, Ricardo Cortez “I AM A THIEF” (Midnight Show) “Gentleman From Louisiana”

D SSN——— TONIGHT SE D A Chie Carter A

AND HIS

c N. B. C. ORCHESTRA c E 40c All Evening E

ON THE

WAY TO ENGLISH'S

As Charlotte Bronte's heroine, Katharine Hepburn will come to English’'s Monday night in Eyre” for three evenings and a matinee. Players in |

WHAT, WHEN, WHERE

APOLLO

“On the Avenue,” with Dick Powell Madeleine Carroll, Alice Faye, the Ritz Brothers. at 11:31, 1:31, 3:31. 5:31, 7:31 and 9:31. .

CIRCLE

“Men Are Not Gods,” Boplins ena gelirude Lawrence, at 2:3 5:44 and 8:54. Also Non Meade's Woman,” with Edward Arnold and Francine Nsrrimbre, at 12:48, 3:58, 7:08 and 1

KEITH'S

with Miriam

pghing Boy." a new play prese) y the Federal Players. Cur=tain at 8:15.

LOEW'S

“When You're in Love,” Moore and Cary Grant, at 12:25, 35, 6:50 and 10. Also ‘Sinner Take A with Bruce Cabot and Margaret Lindsay. at 11:05, 2:20, 5:30 and 8:45.

LYRIC

“Love Is News’ (on screen), with Loretta young, TYE he Power and Don Ameche, 230. 2:15, . 5:10, 7:55 and 10: 30." tA ay Midnight > stage) at 1:05, 3:50, 6:45

with Grace

OHIO

“Fugitive in the Sky,” with Jesh Muir and Warren Hull, A “x a Thief,” with Mary Astor Ricardo Cortez.

ArBASSADOR

“Great Guy.” with James Cagney. Also ‘‘Camille,” with Greta Garbo and Robert Taylor.

ALAMO

“Stowaway,”” with Shirley Temple. aso ‘Ghost Patrol,” with Tim Mecoy.

Sarawak Ranee To Make Movie

By United Press SHANGHAI, Feb. 27.—Her Highness, the Ranee of Sarawak in India, the wife of the world’s only white rajah, Sir Charles Wyner Brooke, arrived here today on her way to Hollywood to help make a motion picture for Warner Brothers. It will be based on a play she has written about Sarawak in the last century. She said her play depicted the life of Sarawak’s first white rajah, Sir James Brooke, the present Rajah’s great-uncle, who subdued a rebellion there and, gaining the throne, made Sarawak a British protectorate.

LLL EBLE i 198

"LAS1 Jas. Cagney, “GREAT GUY” DAY! and Robt. Taylor, ‘CAMILLE’

STARTS TOMORROW

MIRREN OF 1337

“PERFECT SETUP”

Plus,

3 Days Only! ° i5c to 6

MOST EXciTive PICTURE!

TIM McCOY

FIRST LUN HIT

“Ghost Patrol”

ICT

+ STAGE FUN

PPAGALAXY OF X GAGS-A CHORUS 3 pg DANCES

[IE K!

yao BURLESK, NO FOOLIN/, a.

ma LAUGYS Wi TH— THOSE TWO ETW IOP"

MW LEY & LEWIS

KEITH'S THEATRE

First Presentation Outside of Paris, London and New York of the Fanciful Stage Production—

FEDERAL PLAYERS ANNIVERSARY WEEK

NIGHTS, 15¢, 25¢c, 40c. SAT. MATINEE, 10¢c, 20c, 30c

STARTING MONDAY NIGHT AT 8:15

NOA

BY ANDRE OBEY

WEEK MARCH 3—“CORRESPONDENT UNKNOWN”

RED FLETCHER

AND HIS Charlie Grow,

GET uP A PARTY AND A

ana onryEXClUSIVE BURLESQUE MIDDLE WEST

SWING GIRLS

Wizard of nal Ivoriet iw Js Baby Grand and A

thn Meh

TIEGIRLS

| mood :

“Jane Miss Hepburn.

George Newton Recital Is Given

If the fusion and interdependence of words and music is considered the song composer's goal, then Modeste Mussorgsky deserves a place among the elect. Few concert-goers have the opportunity of close acquaintance with this Russian master’s songs, but thanks again to George Newton, admirable presenter of neglected vocal works, Mussorgsky’s genius in this field was revealed amply and ably in a recital at the Y. W. C. A.’s Green Parlor last night. There were 19 songs listed, including two “cycles” of generic “Songs Without Sunlight” and “Songs and Dances of Death.” Mr. Newton and Walter Whitworth, accompanist, happily chose to present the songs in their original versions rather than in Rimsky-Kor-sakov’s effete “arrangements,” Mr. Newton likewise was responsible for several of the poems’ translations. Mussorgsky, the recital revealed, was an unique song composer as well as a truly great one. Some of the poems he wrote himself, and the others he chose were off the beaten path of poetic thought. An everyday occurrence, a brief dramatic incident, a moment's musing—these were enough to furnish material for a stirring, moving composition. Few, if any writers ever merged poetry and music so completely. Much of the music would be meaningless without the words, and certainly the text's emotional content is heightened immeasurably in its setting.

Sketchy Music Education

The composer's faults are not those of a sketchy musical education which Rimsky-Korsakov, with a vicarious blush, tried to correct. They are, if one must be captious, simply

CIRCLE

Now Showing

EDWARD ARNOLD and FRANCINE LARRIMORE

ILL Meade's Woman WX

Miriam Hopkins **Men Are Not Gods,”

25¢ Until 6

the above scene from the play are (left to right) Viola . Roache, Dennis Hoey,

Patricia Peardon and

the all-pervading melancholy of his | thought in song. Music surely needs variety, and if Mendelssohn may be criticized for his lack of depth, one

Mussorgsky will come to the surface. This does not deny the moving beauty nor the tremendous power of the songs. Such things as “Death’s Lullaby,” “On the River Dnyeper” and the “Trepak” are indescribably poignant. The occasion found Mr. Newton in particularly good voice. His tone had more opulence and his phrases more beauty of line than in the season's other recitals. Dramatically he was superb, reaffirming his enviable reputation as an interpreter. When a little lightness crept into the program, as in “The Classicist” and “The Seminarian,” he might, however, have met them with more lightness of approach. Mr. Whitworth was confronted with a task of virtuoso proportions, which he encompassed in his usual excellent manner. He presided over the stormy accompaniments with authority, and was at all times a collaborator of equal artistry. Mr. Newton's next recital, on April 2, will consist of Vaughan-Williams’ “Songs of Travel” and Somervell’s

J.Q. T)

FILM MUSIC PRAISED

The orchestration to “The Woman I Love,” drama of France's war aviators, starring Miriam Hopkins and Paul Muni, is said by music critics to be an outstanding interpretive work. Arthur Honegger, distinguished modern composer, wrote the score.

NOW @ 2 HITS @® 25¢ to 6

ENGLISH

GLORIOUS 1937

JANE PICKENS ©

NIGHTS, ORCH., MAT., ORCH., $2.75; BALC,, $2.20 and §1

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RHOLISH Vor Teen Tih 8.5 19. el

LEE SHUBERT (in association with Homer Curran} presents AFTER SIX MONTHS ON BROADWAY

TALLULAH

A © Comedy i ted (/ ELLY

The Greatest Hi; of Her Career

With Clay Clement, Ann Andrews, Phillip Reed and Original Broadway Cast AN: 2. 5, $2.20, $1.65, $1.10, 55¢

® For Mail Orders Worn — De or money order and self-addressed, stamped envelope

TAX

$220, $1.65, $1.10, 55¢ INC.

Olrected by Worthington Miner «te

ENGLISH oor, ved Er 0 THETHEATRE GUILD, INC., Presents

elen Jerome's Dramatization of Charlotte Bronte's Novel

KATHARINE HEPBURN

(IN PERSON) And a Distinguished Cast Settings and Costumes by Lee Simonsen

EYRE

GOOD SEATS AVAILABLE

Evenings @ $2.75 Including Tax

Beauty Galore and Humor Featured in Variety Production.

By JAMES THRASHER There’s no cover charge at the Lyric this week. But the atmosphere on the stage is‘ very night-clubby, all the same, where N. T. G. (Nils Thor Granlund, if you must know) is presenting his

“Broadway Midnight Follies.”

N. T. G. wanders on the stage at the show's opening, distributes noisemakers to the audience and puts everyone at his ease right from the start. has all the color, speed and intimate | informality of a cabaret floor show. It should have, of course, because |

Then follows a revue that

SOLOIST

Marian Thomas (above) and Alfred Halliday will be soloists at the Indianapolis Maennerchor’s concert Monday night in the Athenaeum. Mrs. Thomas will sing Lieder by Schillings, Brahms and Mahler and Sibelius’ “Black Roses.” Mr. Halliday has chosen songs by Rubinstein, von Felitz | and Tschaikowsky.

N. T. G. is one of Broadway's top paper offices which exist only in

is permitted equally a hope that |

setting of “A Shropshire Lad.” (By |

night-spot impresarios and knows full well what the public wants. There is beauty galore, in tableau | and parade. There is an attractive | {and capable girl acrobatic dancer | and an excellent rollerskating trio ‘which winds up tae performance | [with the hilarious assistance of a ‘hefty lady “stooge” planted in the audience.

Three Sailors Enjoyable What you probably will enjoy most,

|however, is the presence of the Three

Sailors. Quite the maddest of the many acts which don naval uniforms, these boys clown, tumble, dance very effectively and wander in and out of the hour’s presentation. Their mirthful antics are a big drawing card on a bill that is gay, refreshing and entirely off the beaten vaudeville path. The Lyric picture, “Love Is News,” boasts a cast headed by the new screen favorite, Tyrone Power, supported by Loretta Young, Don Ameche, Waiter Catlett, Dudley Digges and Slim Summerville. It is another story of those newsDanes Cork’s

1. SKY 2, HARBOR

Saturday, 50c¢ Couple Before 2:30—75¢ Couple 9:30 to 12—50¢ Couple 12 to 1— 25¢ Couple After 1. Sunday 30c Couple.

Harold sat

Oue Block South Municipal A Airport

| Hollywood's imagination. It's

{ rough-and-tumble, tof scoops and counter-scoops in | which a publicity-exhausted heiress | turns the tables on a young re- | porter, The story idea is good. Miss Young, as the heiress, having been plagued by Mr. Power, the reporter, gives a fictitious story of their engagement to all the rival New York papers. They get in deeper and deeper before reaching the inevitable conclusion. But it’s all mixed up with so much obvious and threadbare comedy that the action is slowed down to a walk in many

Ts WN

B22 ile CARL = * EF TeRTE Bots ua GEORGE BARRE

a | slapstick affair |

Alfred Lunt

Will Be Here On March 25

Ziegfeld Follies’ to Bring Fannie Brice to Local Theater Fans.

Two new and important bookings were announced for English’s today by Vincent Burke, manager, to round out an imposing list of March attractions. The “Ziegfeld Follies,” with Fane nie Brice heading the list of stars, will play a three-night and Sature day matinee engagement beginning March 18. On March 25, Alfred Lunt and Lynn Fontanne will open a threee day showing of their current success,

[ Robert, Sherwood’s “Idiot’s Delight,”

WE ASK YOU!

Is Our Stage Show Too DARING For Indianapolis ? ? LYRIC THEATER hesitated before booking it, but went ahead and signed it up when audiences in other big cities

applauded it. See for yourself.

N.T. G. wo us

Broadway Midnite Follies

Also Featuring

THREE SAILORS International Comedians “Great Ziegfeld Girls”

Famous Art Models *‘4 Seasons in a Nudist Camp’

PLUS ON LYRIC SCREEN TYRONE LORETTA

POWER YOUNG

“LOVE IS NEWS”

with DON AMECHE

The Week End’s Best Attractions

At Your Neighborhood Theater

SOUTH SIDE -

1045 Virginia Ave. Granadasipin Dick Powell-Joan Blondell “GOLD DIGGERS OF 1937” Judith Barrett-William Hall “FLYING HOSTESS”

Fountain ‘Square

Double Feature Zazu Pitts “SING ME A LOVE SONG” “LONELY TRAIL” ble Feature—Deanna Durbin “THREE SMART GIRLS" “Charlie Chan at the Opera’ anders Prin le Feature Sanders *sitras

“DOWN THE STRETCH” “BACK TO NATURE”

Sun, Double Rar OLEL Gable “CAIN AND MA

Dionne Quintuplets ABE TON" Pros., Churchman Double Feature

Ava lon June Travis

“BENGAL TIGER” “RIDE ’EM COWBOY”

Sun. Double Feature—John Howard “valiant Is the Word for Carrie”

“TWO-FISTED GENTLEMAN” Oriental " Double Feature Ann Sothern “SMARTEST GIRL IN TOWN” “STAMPEDE”

Sun. Double AN Mr RN Stanwyck “BANJO NEE”

ON MY K

05 S. Meridian St

“WITHOUT ORDERS” 2203 “Shelby St. Double Feature

Ga rf e d Robert Armstrong

“WITHOUT ORDERS” Joe E. Brown “POLO JOE”

Sun. Double Feature—Martha Raye “HIDEAWAY GIRL” “PENNIES FROM HEAVEN”

8S. East at Lincoln Double Feature

L. | Nn CO Nn Dorothy Lamour

“THE JUNGLE PRINCESS” “MYSTERIOUS AVENGER” Sun. Double Feature—Frank McHu “THREE MEN ON A HORS Shirley Temple, “DIMPLES”

EAST SIDE

RIVOLI 3155 E. 10th

Doors Open 5:45 James Milton “SING ME A LOVE SONG” “KING OF HOCKEY”

EXTRA! Last Show Tonight Only! Jas. Cagney-Ann Dvorak “G-MEN”

h ”

Sun. Double Feature Gary Cooper

“THE PLAINSMAN” “MYSTERIOUS CROSSING”

2442 E. Wash. St. Tacoma “eee Festi “A FUGITIVE IN THE SKY” Joe E. Brown “POLO JOE” Sun. Double Yeature—Barbara Stanwyck “BANJO ON MY KNEE” “WEDDING PRESENT” Double Feature

Tuxedo Joan Crawford

“DANCING LADY” “BlIG HOUSE” Sun. Double Featnre—Jjack Benny “COLLEGE HOLIDAY" “CAN THIS BE DIXIE”

1 RV IN G 5507 E. Wash. St. Double Feature Nina Nasting “THE GAY DESPERADO” “THE BIG GAME”

Sun. Navhie Fasture—William Pawel]

“AFTER THE THIN MAN” “OUR RELATIONS”

4020 E. New York

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Favorite Program

EAST SIDE 4630 Tr 10th 7 Emerson sos ere “OUR RELATIONS” Dionne Quintuplets “REUNION” Sun. Double Feature—Lilly Pons “THAT GIRL FROM PARIS” “BANJO ON MY KNEE” Gc ld dle E. Washington olden pub, fw “BORN TO DANCE” “LONGEST NIGHT” Sun, Double Featnre—Fred Mae Murray EXAS RANGERS “SINS OF Ck CHILDREN” shit Hami |t 8116. 10th St. ‘eature ami on DO an Boies “CRAIG’S WIFE” “MR. CINDERELLA” Sun, Double Feature—Wm. Powell “AFTER THE THIN MAN” “SWORN ENEMY” P k r 2036 E. 10s St. Double Feature a r € Blea Whitney “THREE CHEERS FOR LOVE” Henry Fonda “SPENDTHRIFT” Sun. Double Featnre—Walter Houston “DODSWORTH” _ “ALL- AMERICAN CHUMP” YI E, Wash. St. t Strand ‘Hdd "COME CLOSER POLS” First Run East . Chas. Langhten "REMBRANDT" —G avmon SYFHAT GIRL FROM PARIS” James Cagney “GREA1 GUY First East Side Showings *ntinuous Matinee Paramount «i & we Double Feature Frankie Darro “HEADLINE CRASHER “CODE OF THE RANGE” Sun. Donhle Feature— Wheeler- -Woolsey MUMMY’S BOYS” “PIGSKIN PARADE” D1 1731 | 114 E. Washington B | J ou Double Feature Lovetta Young “RAMONA" “HARD HOMBRE” Double Feature—Claire Trevor SUN.STAR y FOR A NIGHT” “THEY MET IN A TAXI” ~ NORTH SIDE CEE e=y [Mlinois and 34th R TZ Double Feature Claire Trevor “CAREER WOMAN “King of the Royal Mounted” Sun. Double Feature—Clive Brook “LOVE IN EXILE”

_ Shirley Temple “STOWAWAY”

Holl ywood seme

Roy Ave. Doubl~ ywe Nino Martini “THE GAY DESPERADO” “MAD HOLIDAY”

Sun. Double NO DANCE” Powell

BORN TO DA

“WITHOUT ORDERS” mou at Fall Crk. Double Feature

Zari ri ng Dick Powell “GOLD DIGGERS OF 1937” John Wayne “CONFLICT”

Sun. Double Feature—Deanna Durbin “THREE SMART GIRLS’ “ONE WAY PASSAGE”

oy 42nd & College Double Feature

U Pp town Warrer Baxter

“THE WHITE HUNTER” “THE LONGEST NIGHT”

Sun. Double Feature—Stuart Erwin “ALL AMERICAN CHUMP” __ “Charlie ie Chan a at the Opera”

Garr rr i C k 30th and Illinols

Double Feature Clark Gable “CAIN AND MABEL” “Luckiest Girl in the World”

Sun. Double Feature—Irene Dunne

“THEODORA GOES WILD”

Howard

NORTH SIDE Wayne Double Feature

St. ( fr C | a i r Jean Arthur

“ADVENTURE IN MANHATTAN" “WHITE HUNTER” Sun. Hilda Feature-—Ele anor Jowell ORN TO DANCE “Gentleman From Louisiana”

st. on & Ft.

Udell at Clifton Double Feature Jack Benny

“BIG BROADCAST OF 1937" “Headin’ for the Rio Grande” Sun. Sneninl Fea “The GENERAL DIED AT DAWN"

Popeye Cartoon

—e

Ta Ibo bott Double Feature Irene Hervey “DON’T TURN EM LOOSE” Sun, Double Feature. —Flna nor Powell ____"MipEAWAY GIRL” REX Double Feature Warren Hull “LADY BE CAREFUL” Sun. Double Feature—JIean RBl'andell “TARZAN ESCAPES” Double Feature Stratford ouble Featur “TRAILIN’ WEST” Sun. Double Feature—Ross Alexander “HOT “END OF THE TRAIL” MECCA "Noble & Mase Irene Dunne “GENTLEMEN ARE BORN” Sun. Douvle Feature--John Boles “SNOWED. UNDER” ———————————————— DREAM Double Feature Frank McHugh “SONG OF THE GRINGO” Sun. Double Feature—Wm. Powell “HIDEAWAY GIRL” WEST | SIDE - 2702 W. 10th St., Double Feature “LAUGHING ATI TROUBLE” “END OF THE TRAIL” “CAN THIS BE DIXI “CRACRUM" B t W. Wash. & Belmont e€ mon Bobby Breen “RAINBOW ON THE RIVER” Sun. Double Featnre—Jack Renn “COLLEGE HOLIDAY” A LC\/ 2510 W. Mich St. DA | SY Double Feature “CASE OF THE BLACK CAT” Sun. Double Feature—D'ck Powell “GOLD DIGGERS OF 1937”

Talbott & ind “ALONG CAME LOVE” “BORN TO DANCE 80th at Northw't'm “FUGITIVE IN THE SKY” “THREE MEN ON A HORSE” 19th & College “MR. DEEDS GOES TO TOWN” TONEY” Double Feature “THEODORA GOES WILD” “CRAIG'S WIFE" 2361 Station St. “THREE MEN ON A HORSE” “AFTER THE THIN MAN” STATE “uta un. Double Feature—Slim SE evitie Bele Double keature “ALL AMERICAN CHUMP” “GARDEN OF ALLAH” Ricardo Cortez “RANGER COURAGE” James Cagney, “GREAT GUY”

Howard & Blaine Double Feature Dirk Foran “CALIFORNIA MAIL” “JAILBREAK” Sun. Nanble Foatnre—RBing Croshy “PENNIES FROM HEAVEN” “TARZAN ESCAPES” =

“THE CAPTAINS KID”

> ea

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