Indianapolis Times, Indianapolis, Marion County, 23 February 1937 — Page 13

PAGE 18°

_ THE INDIANAPOLIS TIMES

CL ILL PRESENT MIRIAM HOPKINS | Foreign Film TEACHING HERE

Variety for COMING ATTRACTIONS AT LYRIC PICTURED : " . ' ” : | as Changes Booking Film Fans in AN it WEEE PN ToxesHinted JN

Two Movies ~ On Increase

TUESDAY, FEB. 23, 1937

CIRCLE W

The Fountain Square Theater is showing “Rainbow on the River,” | starring Bobby Breen, and “That |'Girl From Paris,” with Gene Raymond, Lily Pons and Jack | Oakie, tonight and tomorrow night [in place of “Camille” and “Smart | Blonde,” originally scheduled. The former pictures have been showing at the Granada with such success that the management de- | cided to continue the run at the | Fountain Square,

Land Destruction. To $5000 a Film.

| JEANETTE LOWRIE DIES IN HOLLYWOOD

By United Press HOLLYWOOD, Feb. 23.-~Jeanette | Lowrie, 75, retired veteran stage | actress, died here yesterday from [heart disease, | The actress was a native of Cara | diff, Wales. She came to America | while a child. During her long ca= reer on the New York stage she aps= peared with such celebrities as Lou Fields, Joseph Cawthorn and others, She is survived by a son, Earle Hampton, a Hollywood writer,

By United Press “- | ROME, Feb. 23.—The Government was reliably reported tonight to be contemplating a 400 per cent in-| f crease of the “dubbing tax” on | ; foreign films, making it $5000 a film. | : : Italian producers urged the tax | {which would nullify the verbal as- | [surances which Will Hays, film arAt the right is the former Ziegfeld show girl, Christine Maple, one of |piter in the United States, was unthe attractions with the “N. T. G. Girl Revue,” which will be the |derstood to have obtained personLyric’s stage feature, [ally from Premier Benito Mussolini | when he was in Italy this winter. Representatives of American pro- | ducers here intend to recommend to | their head offices in the United States their withdrawal from the | Italian market rather than submit | to the Government demands. The “dubbing of films” means the dialogue originally in a foreign

There should be enough attractions about the Circle's coming double bill to satisfy most of screen fans’ varied desire in the matter of entertainment. | For instance, if one is a| Miriam Hopkins admirer, the | blond actress may be seen as the star of “Men Are Not Gods.” Or for those who admire the rugged Edward Arnold, he will be found at the head of the list in “John

At the request of local speech and dramatics teachers, Miss Marjorie Gullan of London, England, has returned to conduct a series of master classes and clinics in good speech at the Arthur Jordan Conservatory. The classes, which began vesterday, will continue through March 6. and are being held at Odeon Hall, Miss Gullan is chairman of the Speech Fellow

Apparently enjoying her stay behind the bars, Loretta Young has a few words with Slim Summerville as Tyrone Power looks on. The scene is from “Love Is News,” coming to the Lyric screen on Friday.

George Newton Will Give Recital

Songs by the Russian composer,

WHAT, WHEN, WHERE

APOLLO

h Dick Powell Fave, the 1:31, 3:31

‘Laughing Boy’ Pictures Authentic Navajo Life

“On the Avenue.” wit Madeleine Carroll, Alice Ritz Brothers t 11:31, 5-31, 7:31 and 9:31

Meade’'s Woman,” the com-

panion picture. The movie-goer who also keeps an eye on the legitimate stage should be interested to learn that the noted actress, Francine Larrimore, is making her screen debut in the Arnold picture. Miss Larrimore is one of the few talented and attractive actresses who have not | heeded Hollywood's call, at least for a time. But though she has been a

excellent adaptation. len crackles with climactic sparks,

highly interesting picture of Indian |life and thought.

By The proverbially silent

eral Players at Keith's.

It is an excellent story, if not an The play oft-

tut the higher interest lies in what may be taken as an authentic and

These are the]

JAMES THRASHER Red Man, collectively, highly verbose tragedy, “Laughing Boy,’ offered this week by the FedIt is a dramatization by Otis Chatfield Taylor of Oliver LaFarge's Pulitzer prize-winning novel, presented, so the program informs us, for the first time on any stage. |

| scarcely more. Doubtless in the | course of the week the players will move | their | roles.

is the hero of the

more comfortably through | difficult and unaccustomed |

Herbert Sloan plays Laughing |

CIRCLE

‘Maid of Salem,” with Claudette Colbert and Fred MacMurray, at 11, 1:51, 4:42, 7:26 and 10:1% Also **Clarence,’”’ with Eleanore Whitney and Roscoe Karns, at 12:46, 3:37, 6:21 and 8:12

KEITH'S “Laughing Bov.”’ a new play pre sented by the Federal Players. Curtain at 8:15.

LOEW'S

Modeste Moussorgsky, will make up the recital program to be offered by George Newton at 8:15 p. m. Friday in the Green Parlor of the Y. W. C. A, 329 N. Pennsylvania | St. | Friday night's recital will be Mr, | Newton's fourth in a season of “in- | timate” programs embracing | lesser-known works of song litera- | ture. Specially priced tickets are | available for students. | Walter Whitworth will be the as-

the |

language—ordinarily English—is replaced by a version of the film in Italian, which is “dubbed” in by the sound technicians and Italian actors.

| TREACHER NO BUTLER

Arthur Treacher, who created on

the screen the character of the fic- |

| tional butler, “Jeeves,” says any [gentleman's gentleman who behaved in real life as he does on the screen

substituted or

ship and Institute in London and organized the choral speaking movement in England.

| A CHROMIUM SCENE

Nearly $8000 worth of chromium | was used in decorating the great windows and staircases of the Cafe | Metropole for “Cafe Metropole,” now

| being filmed with Loretta Young | | and Tyrone Power.

The set covers

| {

“The Last of Mrs. Cheyney,” with Joan Crawford, Robert Montgomery, William Powell, Frank Moga at 11:51, 2:23, 4:55. 7:27 and 9:59.

LYRIC

3 ., ’ » , . " n prominent Broadway player for 15 | things one is likely to remember, years, and has appeared in such

: ; while the spots of too-obvious melohits as “Chicago,” “Let Us Be Gay,” > q : . ; . J : s the diffi“Brief Moment,” “Shooting Star drama may be condoned as the diffi

| sisting pianist.

would promptly “get the sack.”

| Boy, and other principal plavers in | | almost a square block.

| a large cast are Robert Turner, Jud- | son Langill, Jack Duval, Gene Brit- | | tain and Hal Hawkes.

and “Spring Song,” she stepped be- [culties of adapting and condensing fore the camera for the first time for the principal feminine role in! “John Meade's Woman.” Gertrude Lawrence in Film |

| the more leisurely art of literature | Ito the stage.

Director John Cameron has done

| a good job and wisely has permitted |

The story is of the young Navajo. | the lines to be read naturally, rath-

a: his wife.

Another actress currently success- |bear him tales of his bride's im- | ful on Broadway is Gertrude Law- moral life among the white men, he |

rence, starring with Noel Coward in | refuses to believe them. Eight- | are entirely happy, except for the |

the latter's “Tonight at

The two |

Thirty,” a series of one-act plays. | strong pull of family ties which tug | Miss Lawrence appears in the pic- | at Laughing Boy. He and Slim Girl |

ture which stars Miss Hopkins. A further attractive factor is the news that “Men Are Not Gods” is an Alexander Korda production. Although preduction may not mean much to the average fan, and de- | spite the general predilection for American pictures, Mr. name is a familiar one. ish film maker gave VIII” and

While we are waiting for

{are living away from his | saving money for the day when they | | can return with ponies of their own | rand enough to live proudly among | | his clan. |

| learned that all the stories about Korda's | Slim Girl are true. This Brit- | raised in a missionary school, the “Henry | poor waif has been used cruelly by | “Rembrandt,” among the Americans. others, and that alone is enough to | gevoted Laughing Boy in the hope gain him a prominent place in the | that she might escape her life and | become a real Navajo again.

{ nounces the { who once

the (and now tries to brand her before

forthcoming movies based on the |

recent flood (at least two such stories are in preparation), we can be assured of a timely topic in “John Meade's Woman.” Recent drought conditions such contributing factors as

and the

ruthless destruction of timber lands |

serve as the picture's background. Mr. Arnold plays a lumber tycoon who thinks he can treat women as roughly as he does his lumber interests, railroads and wheat crops. Needless to say, the story lets him discover that he must pay the piper on both counts.

MARITIME STRIKE AIDS STAGE STAR

Times Special

HOLLYWOOD, Feb. 23. —The Pa. | tion.

cific Coast maritime strike launched Constance Worth, Australian stage

| can with an arrow

people, |

Early in the play, however, it is |

| | | | |

An orphan, |

She married the |

Works at Mission

So when she leaves her weaving | and her husband to his jewelry making and goes to the town “to work for the missionary’s wife,” it is only to earn money for their | return to the North Country. | Laughing Boy and Slim Girl go to his home for a ceremonial tribal | dance. While there he convinces | his family that he is finding happiness with a good wife. He demalicious Red Man, had coveted Slim Girl

Laughing Boy's people—calls him a liar and warns him to keep away. Soon after the return from the dance, Slim Girl's American lover | comes in search of her. Laughing Boy finds them, shoots the Amerias he flees, sends Slim Girl out, but is unable to kill her. Wounded, she retutrns, | tells her pathetic story and is forgiven. They plan to leave immediately for his homeland. In the last scene, as they are resting on the trail, Red Man sud- | denly appears.

| paratively | October, | closed his season three months later,

to gain a

‘upon the “ghostly arpeggios” which

front of her husband as Red Man |

raises his gun and she is shot.

| Slim Girl steps in |

| Laughing Boy kills himself over her |

| |

body. That, baldly, is the story. are moments of poetic: beauty in the lines, but altogether it is a

There |

reading rather than acting adapta- |

The speeches are of a beauty that require expert handling. Best treatment of them is at the handc of

aughing Boy, who takes Slim Girl | er than with the Indian's monosyl- | Though his friends | labic solemnity.

Jose lturbi To Play Here

Famous Pianist To Appear at English's on Sunday.

Few pianists since Paderewski

‘Stolen Holiday,” with Kay PFrancis, Tan Hunter, Claude Rains, on screen at 11:36, 2:10, 5-14, 7:58 and 10:22. Vaudeville on stage at 1:10, 3:54, 6:48 and 9:52

OHIO

“Three Men on Frank McHugh, tain's Kid,” with

AMBASSADOR

“That Girl Pons. Also

with Cap-

2 Horse." Also “The Sybil Jason.

From Parts,” with Lily “King of Hockey.”

ALAMO

“Sand Flow," with Also “White Hunter,” Baxter.

Buck Jones. with Warner

ties with the baton, Mr. Iturbi still

| have captured the American public | Manages to average about 50 piano

so quickly and completely as did | fecitals a season, as well as making

Many will recall that Mr. Iturbi

in | he

unknown quantity, 1929. By the time

his name had become almost a household word. His remarkable personality helped reputation which his remarkable virtuosity has One reviewer commented

equally upheld.

he played silently up and down the keys before beginning his program

and between numbers. Others were captivated by hisgpoise, good |

| taste and ‘‘patrician style.” |

Appeared in New York During his first brief tour, Mr. | Iturbi played 10 times in New York |

| alone, appearing three times with | the | giving three sold-out Carnegie Hall | recitals.

Philharmonic-Symphony and

Now permanently settled in the |

| United States and gaining fame | | as conductor of the Rochester Phil- | harmonic Orchestra,

the Fain comes to Indianapolis in the course of his eighth American tour. In spite of his increasing activi-

N . C N.B.C

| Jose Tturbi, the Martens series at- | frequent guest-conducting appear-

| traction at English’s Sunday, jn | ances. (his first tour of this country.

umn WON SCHOOL CONTEST

| first played in New York, as a com- |

WE HAVE THE CREAN] OF USED CAR VALUES

Claire Trevor decided to try acting as a career after she won a|

school declamation contest

Larchmont, New York.

n Chie Carter :

AND HIS N

Orchestra C E 25¢ Before 9

Se AT IE T

ESCA 3 4X lL Li:E

in |

TONIGHT HN |

Tonight’s Presentations at Your

Neighborhood Theaters

SOUTH SIDE

NORTH SIDE TTT € Double Feature

BIJOU

Wash. St.

SKIMMED-MILK

FOUNTAIN SQUARE

“RAINBOW ON THE RIVER” “THAT ‘GIRL FROM PARIS”

SANDERS ™ Boiron

Double Fearure t Gene Raymond “WALKING ON AIR” Wallace Beery ‘OLD HUTCH”

q Pros. at Churchman AVALON Double Feature Ralph Bellamy “STRAIGHT FROM THE SHOULDE Wallace Beery OLD HUTCH" 1105 S. Meridian St.

Jack Holt “END OF THE TRAIL” “EVERY MAN'S LAW” Buck Jones “PHANTOM RIDER” No. 13

Ulinois and 34th R | T L Double Feature Olsen-Johnson “COUNTRY GENTLEMAN” Greta Garbo “CAMILLE” H Il d ml Roost vent Ave. ouble Feature ° ywoo Mae West

“GO WEST YOUNG MAN” “THE JUNGLE PRINCESS”

ZARING Central at Fall Creek

and screen star, on her American | .., o . y rT film career, when she was stranded | C'Mari De Schipper, hi plays Slo in Los Angeles while on a world | og dae cruise vacation. | role, she creates a sympathetic and Blocked from returning to her | understandable character. There is homeland, Miss Worth made a cas- | WO pena and SNe Yo. ict th $e : >" cal nuance in her reading. ual visit to the R-K-O Radio studio | At the first performance the other

where she was seen by S. J. Briskin, | characterizations were adequate, but production chief, who signed her to | ow

a long term contract and cast her in | WARNER BAXTER

The 1937 “swing to Ford” has brought the cream of the used car values to our used car displays==but even cream will “freeze” in cold weather, We don’t want “frozen” used car assets on our hands until spring. We

ND) 7 JC

Tn : don’t want to pay the cost of carrying them through the femini™e lead of “China Pass- | : age,” a story of the United States |

the winter,

Double Feature

custom service,

FRENCH ACTRESS

GIVEN CONTRACT

By United Press

HOLLYWOOD, Feb. 23.—Another |

French actress was on the 20th Cen-tury-Fox horizon today with the signing of Germaine Aussey, French stage and screen star. Darryl FP. Zanuck, vice president in charge of production, said the new star would come to Hollywood in March.

| Frank McHugh, Joan Blondell, All Stars “3 MEN ON A HORSE" Sybil Jason, May Robson, Guy Kibbee “CAPTAIN'S KID”

NOW: 25¢ to 6 The Picture Of the Week!

ERB RHE WILLIAM POVELL LUTE [RIN | FRANK MORGAN

The Last of Mrs. Cheyney

YE FRI

Haq A

“THE WHITE HUNTER”

BUCK JONES, “Sandflow”

Mon., Tues,, Wed.,

ENGLISH Mch. 1, 2, 8. Mat, Wed,

THE THEATER GUILD, Inc., Presents Helen Jerome's Dramatization of Charlotte Bronte's Novel

‘JANE EYRE” WITH KATHARINE HEPBURN (IN PERSON)

Eves, $2.75, $2.20. Mat. Wed., $2.20, $1.65.

Sale opens tomorrow 9 a. m.

ORIENTAL

Double Feature Louis Howard “LUCKIEST GIRL IN THE WORLD” “IN HIS STEPS”

GARFI ELD 2203 Shelby St.

Double Feature Joel McCrea “BANJO ON MY KNEE" “THREE ON A HORSE”

8. East at Lincoln LINCOLN Double Feature Jack Benny “THE BIG BROADCAST OF 1937" “ISLE OF FURY” EAST SIDE 3155 E. 10th RIVOLI Doors Open 5:45 Dick Powell “GOLD DIGGERS OF 193%" “ACCUSING FINGER”

Three Dimensional Color Cartoon Popeye “SINBAD THE SAILOR”

2 PAP T4382 E. Wash, St. Do

ON THE SCREEN

KAY FRANCIS

STOLEN <HOL

TACOMA uble Feature Bing Crosby “PENNIES FROM HEAVEN” “THREE ON A HORSE” 4: E, New York TUXEDO Double Feature Joel McCrea “BANJO ON MY KNEE” Joe E. Brown “POLO JOE” : 55.7 E. Wash. St | R Y | N & Double Keature Jane Withers “CAN THIS BE DIXIE?” Joe E. Brown "POLO JOE” — 2m 4630 E. 10th St. EMERSON Double Feature Bobby Breen “RAINBOW ON THE RIVER” Greta Garbo “CAMILLE” 6116 E. Washington GOLDEN Double Feature Bink Crosby “PENNIES FROM HEAVEN” “KELLY THE SECOND” LIAL 2116 FE. 10th St. HAMILTON oubic geatare Laurel-Hardy “OUR RELATIONS” . Greta Garbo “CAMILLE” a 2036 E. 10th St. PARKER Tooube Feature Wallace Beery “THE BIG HOUSE” “‘MUMMY’S BOYS” 1532 bh. Wash. St. S T R A N D ouble Feature alter Huston “DODSWORTH" “RAINBOW ON THE RIVER” P + hn E. Wath, St. nne Overman aramoun ay Mand “THE JUNGLE FRINCESS" y-Novelty

ST. CLAIR

Gene Raymond “THAT GIRL FROM PARIS” Dionne Quintuplets “REUNTON"

Double Feature

UPTOWN Bei toi

“AFTER THE THIN MAN” “EAST MEETS WEST”

GARRICK Simone Simon

“GIRLS’ DORMITORY” “TARZAN ESCAPES"

Double Feature

Double Feature James Dunn “HEARTS IN BONDAGE” Shirley Temple “STOWAWAY” Uden U D E L L Couble Feature Eric Linden “SINS OF CHILDREN” “SINGING VAGABOND" TALBOTT Double Feature Mae West “GO WEST YOUNG MAN” “ALL-AMERICAN CHUMP” R E X ouble Feature Tred MacMurray

“TF XAS RANGERS” “HIDEAWAY GIRL”

ez *F 19th & College Nouble Feature Stratford Warner Bros. “WHILE THE PATIENT SLEPT" “MAN WHO LIVED AGAIN"

ME C C A Frances Langford

“PALM SPRINGS’ “WOMAN IN RED” 2361 Double Feature Eleanor Powell BORN TO DANCE” “CAN THIS BE DIXIE?”

WEST SIDE

STATE

“FRANKIE & Comedy-Cartoon Double Feature Gene Raymond

BELMONT TRL IN TOWN

Greta Garbo ~CAMNLE™

DAI SY "Bout Mich. St.

Double Feature Benny “COLLEGE HOLIDAY” “THE MAGNIFICENT BRUTE”

HOWARD

“SWORN Comedy-Novelties

Double Feature

42d & College

30th and illinois

Cl. & Ft. Wayne

at_ Clifton

Talbott & 22nd

30th & Northw't'm.

Noble & Mass.

Station Su

2702 W. 10th Su

~W. Wash. & Belmont

Howard & Blaine

No. Sir!

so—

OF A LIFETIME?

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WHY THROW AWAY THE USED CAR OPPORTUNITY

We'd rather sell them now at lower prices and get liquid “cream” into our bank accounts.

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you to buy now. We're

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