Indianapolis Times, Indianapolis, Marion County, 11 January 1937 — Page 11
MONDAY, JAN. 1, 1937
THE INDIANAPOLIS TIMES
PAGE n
FILM INDUSTRY BEGINS TO RECOGNIZE WORTH OF TS HISTORY
Permanent
Exhibition Is Planned Now|
First Reels. Earl Early Posters And Many Other Relics Sought.
By PAUL HARRISON ~ HOLLYWOOD, Jan. 11.— (NEA)—Not so long ago, the movies’ didn’t in the least mind being called “the infant industry.” But recently, and gradually, there have come ~ stirrings of a consciousness of tradition. These things are not manifest in impressive forms, yet they prove Hollywood is beginning to realize that it has a history worth recording. Even the footprints of the screen great in the forecourt of Grauman’s Theater are significant. So is the statue of Rudolph Valentino in a. local park. So are the Will Rogers plaque and memorial sound stage. Two carved lions from “The King of Kings” guard the entrance to a country club. In Cornell University’s library reposes the shooting script of “Romeo and Juliet.” In the Library of Congress is a recording, on metal, of the rebel yell heard in “Operator 13.” A permanent exhibition of movie relics has been placed in the Los Angeles Museum at Exposition Park. Those are some scattered examples of the infant industry’s awakening pride. Up to this time, of course, the movies have no literature worth. mentioning. Books about Hollywood have been mostly satire. For years the Academy of Motion Picture
Arts and Sciences did little more |
~ than present annual awards in the
form of gold-washed statuettes to deserving players and technicians. Now it is getting together the nucleus of a library of motion pictures. So far, a lot of stuffy technical pamphlets have been collected, and a good many shooting scripts of famous pictures. The latter should be priceless relics some day. 2 un 4 ” MAZINGLY enough, almost no attention has been paid by Hollywood to the preservation of actual films. You can’t’ just toss film into a vault and expect it to keep indefinitely. It won't. The ‘only determined’ move for the perpetuation. of early flickers has been made by the Museum of Modern Art in New York. Thanks to the foresight of some of the Rockefellers, Warburgs and Whitneys, future generations will be able to see “The Great Train Robbery,” Sarah Bernhardt in “Queen Elizabeth,” “Intolerance,” ‘Steamboat Willie,” the first Disney, and other such significant efforts. The exhibit at the Los Angeles Museum will assume importance, too. Just now it is pretty much of a hodgepodge good for a snicker here, a reminiscent sigh there, and sometimes a whoop of delight. For example, there’s quite a collection of slides used during the “Just a Minute to Change Reels” days. Remember the “Good Night” one, with a picture of a dog howling at the moon? And the “Ladies Please Remove Their Hats”? And the one so often used—“Just a Minute for Repairs,” which showed a women sewing a rip in a youngsters pants? ..There’s a fine collection of early posters, one a Pathe Newsreel of 1911, which showed President Taft unveiling a statue of Columbus. A Vitagraph epic of 1907 was titled “The Mill Girl” and had Hector Dion and Florence Turner as stars. 2 ” = HE collection of scripts ranges from some which were handwritten by D. W. Griffith. An autograph book from the home of Mabel Normand is to be seen. Also Valentino’s signed petition for ‘United States citizenship. Another collection of slides carrics pictures of early stars such as Wallace Reid, Matt Moore, and Raymond Griffith. One shows Wallace Beery dressed as a sheik. There are some likelife wax fig«res, too, of Marie Dressler, Will Rogers, and Chaplin, in the actual costumes they wore in “Anna Christie,” “A Connecticut Yankee,” and “City Lights.”
WPA Players Bill Comedy New York Actors to Make Debut Here Tonight.
“Mad Hopes,” a comedy written by Romney Brent as a starring vehicle for Billie Burke, is to be given its first Indianapolis performance by the Federal Players at 8:30 p. m. today at Keith's. Geoffrey Power and Wilson Walters, two of the group of players recently loaned to the local Federal company by the New York City unit, are to make their first appearances here in “Mad Hopes.” Also’ in the cast are to be Alice - Arnold, Ruth Richmond, Jack Duval, Ira B. Klein, Frederic Winter, C’Marica de Schipper, Hal Hawkes, Ruth Benefiel, Bernice Jenkins, Gene Brittain and William V. Schneider. “Mad Hopes” concerns the Hope ‘family, which lives in comfort and unhappiness in a French chateau. Financial troubles, as well as romantic difficulties, arise and are - said to provide several amusing sit‘uations before a satisfactory solution is reached. - “Mad Hopes” is to be presented each night this week, with a Sat‘urday matinee. EVERY NIGHT
? K E | T M SAT. MATINEE
FEDERAL PLAYERS in the Merry Farce Comedy
‘‘MAD HOPES"
By ROMNEY BRENT
‘ who pays all the checks.
graph of mimsen,
TENSE MOMENT IN THE EQUALLY TENSE "WINTERSET
|
Film Folk Do
Odd Things,
A Look About Reveals
OLLYWOOD, Jan. 11.—(NEA)—Going places and seeing people: When Clark Gable stands seside a roulette table, the other players
watch him and forget to bet. Carole Lombard is the coolest of
feminine gamblers.
W. S. Van Dyke is a frequent and ¢€ welcome customer at. the Clover Club, but he just dines and talks; never gambles. Every day at the writers’ and directors’ table in:the M-G-M cafe there is a brief play for rather high stakes. A bird cage (with dice) is brought in and the diners roll to see The bill usually runs above $25. Spencer ‘Tracy, the only actor who sits at the “table regularly, can’t lose, it seems. Favorite party tricks are impersonations, and one of the ablest but shyest mimics is Janet Gaynor. Tallulah Bankhead, while here recently,” lampooned practically every celebrity who wasn’t present when she consented to perform. Gloria Swanson still does Charlie Chaplin, and Chaplin likes to imitate John Barrymore. 2 2 = ARRY BLAKE was a professional imitator before he won a contract at Universal, hut doesn’t like to parade his accomplishments socially. George Gershwin is a little resentful of the fact that, no matter how many hits he may write, he’ll always be identified first as the author of “Rhapsody in Blue.” Noel Coward: feels the same way about his “Cavalcade.” Bing Crosby hasn’t worn a whole suit of clothes in years; his trousers, coat and. vest never match. The other day even his socks didn’t match, but he said that was an early morning oversight. Fanciest portable dressing room in Hollywood belongs to Simone Simon. It’s all white silk, yellow leather, and mirrors. ” u ” ARY COOPER'S = permanent dressing room is the least pretentious—and not a single photo-
”n ONSTANCE BENNETT always insists on being able to cook in her dressing room, wherever she happens to be working. Warner Baxter cooks, too; stirs up big batches of chile con carne con frijoles, hotter than a firecracker, and inyjtes a dozen of the cast to lunch. °
Mae West’s dressing room, whereever it happens to he, always has a few regular fixtures—a piano, two telephones, a considerable area of mirrors, and a dressing table so jammed with creams, lotions, unguents, paints, powders:and perfumes that she never can find anything. Photographs on the walls are changed frequently, but a long-time favorite is a picture of James J. Braddock. ” n 2 George Raft’s dressing room has a number of autographed pictures on the walls, but only one of a girl. And she’s Virginia Pine. Myrna Loy acts less like a star, off stage, than any other actress. Harry Cohn, at Columbia, has the largest desk in Hollywood; runs along for about six feet, then curves into a right-angled turn. Bustling around the Fox lot, Darryl Zanuck wears an overcoat turned up and tightly fastened at the throat, and a green hat with colored cord where most hats have bands. Samuel Goldwyn, one of the colony’s best poker players, also is a topnotch bowler. . Joseph Schenck is the only Hollywood celebrity who actually has a house on Hollywood Blvd. Ketti Gallian is fun to talk to, but, after leaving, her interviewers usually find that they haven't anything to print. vol Ernst Lubitsch usually! isn’t thought of as a joker, but his favorite gag is to hail a married couple with, “Well, it looks like you
ened out.” Sometimes the people are indignant, but more often than not they think he knows something and
BEAUTIFUL
Barbar Stanwyck, Gene Raymond “THE WO. IN RED”
HES Atwell, Fay Wray f the Wa
1 Wax Museum”
two have got everything straight- |.
proceed to tell him all about the quarrel they had. ; Ginger Rogers, after rehearsing routines all day with Fred Astaire, likes to go dancing in the evening. Jimmy Cagney must be a very clean fellow. When you try to get him on the telephone, his man says, “Mr. Cagney is taking a bath.” The answer is always the same, even if you call 10 times a day.— (By P. H.)
Powell Film Is to Return
'After the Thin Man' Booked For 4-Day Run.
“After the Thin Man,” starring William Powell and Myrna Loy in a sequel to the popular “The Thin Man,” is to return to Loew’s for a four-day run beginning Friday. On Tuesday, Jan. 19, Loew's is to present “Romeo and Juliet,” star-
ring Leslie Howard and Norma Shearer and a large cast of prominent players. “Romeo and Juliet” will remain four days, with two performances at 3 p. m. and 8:30 p. m. daily. The “After the Thin Man” cast includes James Stewart, Elissa Landi and Jessie Ralph. The story concerns the activities of Nick Charles and his wife, Nora, who have returned to San Francisco aftter solving “The Thin Man” crime in New York. They plan a rest and vacation, but are not long in San Francisco when a new and baffling crime presents Powell plays the master detective who solves the mystery.
Plans New Film For Nino Martini
Times Special HOLLYWOOD, Jan. 11.—Jesse L. Lasky, recently signed as a unit producer at RKO Radio, has started developing a screen story around the tentative title, “Song of India,”
which will bring to the screen again the famous Metropolitan Opera star, Nino Martini. Although few details have been made public, it is understood that the picture will portray Martini as a dashing, romantic figure in a Far East locale. Martini last appeared as the star of “The Gay Desperado,” the last picture made by Pickford-Lasky Productions before Lasky dissolved partnership with the former feminine screen star. Prior to that, Martini has appeared in “Here's to Romance.”
ADRIAN MORRIS IN ‘LOVE TRAP' ROLE
Adrian Morris, who is the brother af Chester Morris, has been assigned a character role in B. P. Schulberg’s picture, “The Love Trap,” riow in production under the direction of Elward Ludwig.
LOEW'S
NOW! 25¢ to 6
PWHarbeme. DIETRICH
Chartes BOYER ‘J GARDEN
PLUS! THIS ADDED HIT! = 60 Hilarious Minutes with JAMES DUNN in CLOSER, FOLK
. wi g | Marian Marsh and Wyrine Gibson J:
itself. And again William |
» A dramatic moment in “Winterset” when Trock, the gangster, enters the home of old Esdras, intent on killing Judge Gaunt and Mio Romagna. Burgess Meredith and Margo, stars of the picture, are shown at the left. Eduardo Cianelli plays the part of Trock. “Winterset,” originally scheduled for opening at the Indiana, will be .seen at the Circle for a week beginning Friday.
WHAT, WHEN, WHERE APOLLO
“Three Smart Girls,” with Deanna Durbin, Binnie Barnes, Charles Winninger, Ok 11:42, 1:47, 3:52, 5:57, 8:02
an CIRCLE
“The Plainsman,” with Gary Coop- + er and Jean Arthur. at 11:33, 3,
4:40, 7:15 "INDIANA
“Great Guy,” with James Cagney and Mae Clarke, at 11, 1:50, 4:40, 7:30 and 10:20. Also “Mind Your Own Business,” with Charlie Ruggles and alice Brady, at 12:36, 3:26, 6:16 and
KEITH'S
‘Mad Hopes,” presented by the Federal Players. Curtain at 8:15,
LOEW’S
“The Garden of Allah,” with Marlps Dietrich, 2nd Charles Boyer, at 2:16, 2:49, 7:55, :28. “Come es Rolie» Dunn and Marian Marsh, at 11:09, 1:42, "45 6:48 and 9:21,
LYRIC
‘Charlie Chan at the Opera,” with Warner Oland, on the screen at 11:46, 2:24, 8: . Also y on the Siage at 1:07, 3:56, 3:56, 6:45 and
ALAMO
“The Mysterious Crossing, 3) James Dunn. Also age,” with Bob Allen.
AMBASSADOR Co West, Young Man,” with Mae
West. Also “Women 2 Trouble,” with Stuart Erwin.
OHIO
‘The Woman in Red,” with Barbara Stanwyck. Also “Mystery of the Wax Museum,” with Fay Wray.
with “Ranger Cour-
Speech Expert Will Teach Here
Dates have been announced for the second annual series of courses by Miss Marjorie Gullan of London, internationally known speech authority, at the Arthur.Jordan Conservatory of Music. Miss Gullan is to conduct classes at the conservatory from Feb. 23 to March 6. She will be available for private and group instruction. The curriculum is to include courses in dramatics, choral speaking, acting and reading. All glasses are to meet in Odeon Hall. Miss GuHan conducted a similar series of speech classes at the conservatory last January.
Irvington Group To Meet Friday
The Irvington Light Opera Co. is to meet for membership enrollment and tryouts at 7:30 p. m. Friday in the Irvington School of Music, 5657 E. Washington St. Mrs. Frederick Sabin, who is to direct the group’s spring production, will select the cast. Last season the company presented Gilbert and Sullivan’s “Mikado” and “Trial by Jury.”
STOKOWSKI IS TO USE SWING TUNE
Composer Ralph Ra Rainger’s symphonic “swing” number, “La Bomba,” which he wrote for “The Big Broadcast of 1937,” will be included in the concert repertoire of Leopold Stokowski, Boris Morros, head of Paramount's music department, revealed recently.
HOME OWNED HOME OPERATED
4 LAST DAYS
AX Revue xT
: FOLIES
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ARISIAN EXTRAVAGANZA 12 FOLIES BEAVIS)
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Modeling Has Boosted Men to Film Heights
Times Special
! HOLLYWOOD, Jan. 11.—Magazine editors ture
p requently use a girl's pic-
on the cover page to attract attention. Et, if they were aiming to attract the attention of motion picture direiifors, it would seem that they should use a man’s picture—for there are ‘ibout three times as many
actors as actresses whose previous experience
Although successful girl models, such as Gwili Andre, have commanded as much as $300 for a single sitting, they seem to command far less attention when they approach the Hollywood casting: offices. The explanation seems to be that the competition is keen because pretty girls head for Hollywood in great numbers all the time. Men, on the other hand, usually seek stage or other experience elsewhere before attempting to break into films.
One of screenland’s most promising young actors who found modeling provided the way to film success is Michael Whalen. The per= sonable leading man had found himslf stranded after the closinggof a New York show. He chanced to meet James Montgomery Flagg, famous illustrator. Because Michael was good looking and broke, Flagg gave him a chance as a model.
Soon other artists as well as photographers were seeking out the young man, and at one time his face was appearing for six national advertising campaigns. His friendship for Flagg continued, and when the artist offered to finance a trip to Hollywood, Whalen accepted.
Robert Kent is another actor who turned to photographic modeling when parts were scarce and found his way to Hollywood through that “build-up.” After a year or so of posing, Kent, who was a little more of the saving kind than Whalen, had saved enough money to pay his own way to the coast. Allan Lane reversed the usual procedure by leaving films fo enter photography. Things had not gone so well for him in Hollywood, so he set up in business as a commercial photographer. While in that business, he chanced to hire Delma Byron, sloe-eyed Kentucky beauty, a model. Believing she had screen possibilities, he sent her to a studio. Eventually she was placed under contract with . 20th Century-Fox, the only girl model on that studio's player list. Not long afterward, Delma was assigned a leading role in “Laughing At Trouble.” And her leading man was a new contract player— Allan Lane, who once more had yielded to the charms of a film career, this time with evidences that success will be prompt and lasting.
DE MILLE TO HEAD RESEARCH TRIP
Times Special HOLLYWOOD, Jan. 11.—A research expedition into the swamps and bayous of Louisiana, the first research expedition he has peronally conducted in this country, will be led by Cecil B. DeMille during January. The object of the search is to scour the Jean Lafitte country for data on the illustrious patriot and
privateer, who is to be the central |
character of DeMille’s next film, “The Buccaneer.”
TNT
‘Mino Your OWN BHSINESS
POSITIVELY
LAST 4 DAYS! AGARY COOPER
iy Ban | ARTHUR
The LAINSMAN, osc ON
EIR
ncluded modeling.
Four Billion Visit Shows
Records Show Big Increase; Revenues Reach Peak.
By United “ress WASH: NGTON, Jan. 11.—Motion picture tox offices registered 4,576,000,000 missions in 1936, an average 0. 35 trips a year to the movies for every person in the United &ifates, it was estimated today by the Department of Commerce. This “epresented an average of 88 million admissions weekly. The average | admission price was 21 cents on the basis of estimated gross revenue of $1,000,000,000, highest since the boom year 1929. “With zeneral economic improvement within the United States continuing =t the present rate coupled with the production of high-qual-ity pictures which have been scheduled by the producing companies,” said Na'han D. Golden, chief of the motion picture section of the Foreign ané Domestic Commerce Bureau, “iiiere is every indication of increasiiigly larger - patronage at motion picture theaters in this country during the coming year.” Approximately 500 feature pictures were produced during the year at a cost of $135,000,000, higher by $10,000,000 than in 1935.
Ai
BARHYMORE GETS
FENWICK ESTATE!
By Unitce Press
HOLI,.YWOOD, Jan. 11.—The will |
of the late Irene Fenwick, wife of Lionel Barrymore, today provided that he! entire estate with the exception of a small bequest should go to er husband. Miss Fenwick bequeathed $5000 to her maid, Katherine Sturgis. Value of the >state was undetermined in the will dated Oct. 30, 1925. She flied here last Dec. 24 after a long illness.
IETS
FEANNA “DURBIN BI} NIE BARNES ALICE BRADY RAY MILLAND
[241i 6-40%rTER6
REMEMBER—~
J FRIDAY!
i
| composer’s
peal
indianapolis Pianist Gives
Evidence of
Added Skill
And Versatility in Recital
Bomar Cramer Delights Audience With Interpretation of Romantic and Modern Music; Brahms Numbers Pleasing.
By JAMES THRASHER Concert-going is a precarious business, entirely at the
mercy of such things as mood
and health of the performer,
Yet we have learned, through experience, to expect at all times from Bomar Cramer a highly enjoyable and satisfying
brand of piano playing.
We have learned also to await patiently this Indianape olis pianist’s yearly public recital, knowing that we shall be
well rewarded.
Yesterday at English’s, Mr. Cramer came forth from his pedagogic
seclusion to delight a good-sized and admiring audience.
His program,
from the romantic and modern schools of musical thought, was one which
never sacrificed musical worth to® virtuosity. Wisely planned and admirably performed, it was one to test any ‘player's versatility as well as his fingers. In both departments Mr. Cramer was master of the Slugs tion. It seems the office of the focal pianist to bring to us, from time to time, the Schubert Andante and Variations which opened the program. Hearing them again yesterday, one was reimpressed by the heaven-sent melodic gift and simplicity of expression. The artist brought to them the lyrical conception and serenity of interpretation which they demand.
Brahms’ Works Played
Mr, Cramer has not devoted a great deal of attention in past recitals to Brahms’ music, but the group included on yesterday's program qualified him for the rather limited category of pianists whose Brahms-playing brings satisfaction. Three capriccii and an intermezzo were heard; to open and close the group were the Capriccii Op. 116, No. 1 and Op. 76. No. 8, in which the pianist carried his listeners to the impassioned heights of eloquence which Brahms attained. Second in the list was the brooding, nostalgic Intermezzo, Op. 116, No. 4, and following, that most capricious of the capriccii, the one in B minor, Op. 76. Mr. Cramer’s Brahms has both dignity and warmth. It avoids dryness and sentimentality, and delivers the composer's meaning with a self-effacing discernment. The Chopin B Flat Minor Sonata brought the first half of the recital to a close. Mr. Cramer’s command of technical resources left him free to build a structure of interesting dramatic proportions. With due regard for detail of phrase and section, he gathered the parts into a cumulative narrative. Wholly absorbing and believable were the first movement’s stormy conflict; the ghostly chattering of the scherzo; the eerie solemnity of the funeral march (despite its tawdry middle theme), and the vaporous and cryptic finale which, whatever it may be, certainly is no song of triumph.
Early Numbers Best
Mr. Cramer’s best playing came in the~better music of the first half of the program, especially the Brahms and Chopin. Two Ravel compositions, “Oiseaux Tristes” and “Alborado del Gracioso,” followed the intermission. A certain abstraction and lack of composure marred the fullest enjoyment of the latter, exhilerating as was its delivery. There followed a suite, “Scenes d’Enfant,” by the Catalonian composer, Mompou, a diverting and unpretentious collection ‘of six pieces. The closing group contained the Etudes, Op. 8, Nos. 5 and 3, and the F Sharp Sonata of Scriabine. Their
prodigious difficulties offered the
pianist no obstacle, though whether the sonata rewards the task of per= formance seems open to question. It suffers from monotony of -mood and figuration, even under Mr. Cramer's flawless ministrations. Encores included the C Minor study from the second book of Chopin Etudes; Debussy’s “General Lavine”; “L’Arlesienne” Suite, and a transe cription of the “Serenade” by Rich=
ard Strauss. Of these the second
and third served especially to dis play one of the most remarkable sides of Mr. Cramers ability. We refer to his rhythmic buoyancy and electric sharpness of dynamics. No
other pianist we can think of, with -
the exception of Rachmaninoff, possesses these qualities to such a marked degree,
Increasing Skill Noted
In addition Mr. Cramer has an increasing abundance of the tools which the modern virtuoso requires, There is great fleetness of finger, of course, and a sumptuous tone ranging from a velvety pianissimo to clarion proportions. He knows how to build a crescendo as not every pianist does, and there is symmetry, unity and intelligence of design which, with a strong emotional -compulsion., maintains interest at all times. Mr. Cramer's growth as an ine terpretative artist is noticeable from year to year. We are privileged to count him as a member of our musical community and to enjoy, if too infrequently, the evidence of his unswerving devotion to the art,
GOWNS ELABORATE
The elaborate taffeta hoopskirts Jeanette MacDonald wears in an early sequence in “Maytime” are
seven - feet in diameter at the
AND HIS ORCHESTRA One Night Only—Next Sunday
Tickets now on sale Indiana Theatre News Shop
C incl. tax,
till 6 P. M. next Sunday. After that_85c,_ incl. tax.
Dance Tomorrow—Johnny Burkarth
Tonight’s Presentations at Your
NEIGHBORHOOD THEATERS
NORTH SIDE Illinois and 34th R | T Z Double Feature Joan Crawford “LOVE ON THE RUN” __- “WALKING ON AIR” Central at Fall Crk. ZARING Special Feature redric March “ANTHONY ADVERSE” Mickey Mouse “POLO TEAM” 42d & College U PTOWN Double Feature Dionne Quintuplets REUNI . “GIRLS DORTMTORY” 30th and Illinois A ARRIC K Double Feature Wm. Powe! ‘MY MAN GODFREY” “THREE CHEERS FOR LOVE” St. Cl. & Ft. Wayn ST CLAIR Double Featuro . Jean Harlow “LIBELED LADY June Travis’ “BIG GAME” Udell at Clifton UDELL Double Feature R-_ Gary owk “MR. DEEDS GOES TO TO “THE SINGING COWBOY Talbott & 22d TALBO r I Double Feature Jean Harlow LED L. ” : “HOLLYWOOD BOULEVARDIER” 30th at Northw’t’n R E X Special Feature Wm. Powell STHE GREAT ZIEGFELD” Mickey Mouse Cartoon Two Performances—6 and 9:10 19th & College Double Feature Stratford Randolph Scott “LAST OF |THE MOHICANS” THE SEA SPOILERS” Noble & Mass. M E C C A Double Feature Fred Bartholomew DFVIL IS A SISSY! HEART a THE WEST”
2361 Station St. D R I. A M Deiible Seature «THE BIS BROADCAST OF “1037” “STRAIGH? FROM THE SHOULDER”
1500 Roosevelt Ave. Hollywood ]
Special Feature m. Powell Myrna hind Mor; THE GREAT Z
pa fannie Brice EAST SIDE
GFELD 3155 E. 10th RIVOLI Doors Open 5:45 ONE ne Quintuplets 5 «UNDER FYOUR SPELL” 2442 E. Wash. St. T ACOM A Double Feature , Fred MacMurray “TEXAS RANGERS” “SING, BABY, SING”
TUXEDO 4020 E. New York
ae
"Double poature ac “BIG BROADCAST OF 1987 “CRAIG'S WIFE” 5507
IR VING an
“mg acincir
4630 E. 10th St. EM ERSON Double Feature Clark Gable “LOVE ON THE RUN ee Shirjey Temple “DIMPLES” HAMILTON 35k poms Double Feature “LOVE ON T oan Crawfor “KELLY THE ECON PAR KER 2936 E. 10th St, Double Feature ean Harlow : IBELED LADY” __ “GENTLEMAN FROM. LOUISIANA» _ S T RA N D 1332 E. Wash. st, Deuble Feature “TUGBOAT PRINCESS” oly. ‘IN HIS STEPS” First East Side Showings : 411 E. Wash, Pa ramount Double Feature “RAM .oretta Young “THE MAGNIFICENT NT BRUTE” 114E. Washi B JO U 1 bY a cardo Cortez “PO. TAL INSPECTO “THE OLD HOM ES TOAD" SOUTH SIDE ———— —— E. Wash. at Rural Hil- Gen Double Feature e Cantor “STRIKE ME PINK” “BRIDGE OF SIGHS” Double Feature %! k Gabl - OVE ON THE RUN” DON'T TURN ’EM LOOSE” a
SANDERS “seuiciiiue
dolph Scott “LAST OF THE MOHIC “MEET NERO WO OLFES
AVALON Pros., Churchman
Louble cawiord o “GORGEOUS HUSSY Tawtord “MUMMY’S BOYS”
Oo Ri EN TA L Bal Re
artholo “DEVIL IS i soy “END OF THE TRAIL”
Tar GARFIELD @ Zumigryst Wm. Powell wr LIBELED LADY” ‘MY AMERICAN WIFE”
LINCOLN ‘Sait
S. East at Lincoln a “CHINA CLIPPER”
Double Feature 'Brien “SING, BABY, SING” WEST SIDE 2762 W. 10th St. S T A T f= Double Feature allace Beery “OLD HUTCH” “BURNING GOLD” W. Wash & Belmont BELMONT Double Feature es “Go WEST YOUNG MAN” “A WOMAN REBELS”
DAISY 2540 W, Mich. St.
Double Feature “CAIN AND M
senna
MEER Davies “ADVENTURE IN MANHATTAN"
Howard Babe Fears”
Fred Bartholomew
the Minuet from Bizet’s
1105 S. Meridian S§,
i ST 5 WT RI RAL a Gia