Indianapolis Times, Indianapolis, Marion County, 9 January 1937 — Page 11
SATURDAY, JAN. 9, 1937
THE INDIANAPOLIS TIMES
JIMMY CAGNEY UP TO PAR IN FILM DEALING WITH NEW
Story Gives
Fast Action:
When Orphans' Home Is
Maybe you that when the bufcher weighs - his thumb with the hamburger he is a potential racketeer. We didn’t either, until we saw Jimmy Cagney in “Great Guy,” which is offered for your approval at the Indiana this week. It is an amusing action comedy, about weights and measures and things, and
gives the star a chance to do
the things he does best in a big way —and we don’t mean Shakespeare. Before we go any farther, we can give you the happy assurance that gangster pictures aren’t on the way out. In spite of repeal and G-men, Hollywood always can think up a new form of law-breaking, if it be only a new produce racket. : We discover, as the picture opens,
that there is a political clique mak- |
ing money with the aid of short weight and crooked scales in the city where Johnny Cave (Mr. Cagney) is employed in the Weights and Measures office. His boss is discreetly framed into an automobile accident, and Johnny gets put in charge. Impervious to Bribes
Now Johnny has the usual Cagney cinema characteristics in -that he is impervious to bribes and such degrading influences. But he is most vulnerable to the overbearing wiles
of his financee, Janet (Mae Clarke). Janet happens to work for one Mr. . Canning, who is the suave brains of said racket. Right away Johnny gets assaulted, mauled and generally mistreated by Mr. Canning and his underlings for refusal to get in line. When he discovers that Canning has been shortweigliting the Orphans’ Home—of all places, the rat!—he springs the story to the newspapers. - Canning, not to be outdone, hires a former wrestler to perform a little impromptu jujutsu on Johnny and get the incriminating evidence from ‘him. This underhand trick is accomplished, but our Johnny isn’t stopped—not for a minute.
Rogue’s Gallery Gives Tip
. He recognizes his assailant from the rogue’s gallery, gets his key and goes through his apartment. But he doesn’t find the papers. Then _ comes the climax, at ‘a farewell party for one of Johnny's ex-pugi-list friends. We won’t spoil your fun by telling how things work out. But Johnny brings the culprits to justice, never fear, and wins back the love of Janet, who has had a falling out with'him about midway through the picture. The chief charm of “Great Guy” is its straightforward and unassuming way of dishing up its guaranteed entertainment. A typical Cagney picture—and not one of his best —it, still succeeds through its fast, rough-and-tumble action, The star dishes it out and takes it in his usual manner. Miss Clarke is prety and witty and altogether competent in a not too arduous assignment.
Brophy Comedy Good
_ Good comedy is furniéher by Edward Brophy as the progperous retired prize fighter, and by James Burke, who appears as Patrick James Aloysius Haley, a sort of Irish Baron Munchausen. "If it should interest you, “Great Guy” is one of the major efforts of the new| Grand National Co,, and the first to reach a first-run Indianapolis playhouse. . It was produced by Douglas MacLean, veteran juvenile comic of silent pictures, with another veteran, John Blystone, directing. As its second feature the Indiana offers those adept comedians, Charlie Ruggles and Alice Brady, in a piece called “Mind Your Own Business.” 3
NEW MARK SET AT BOX OFFICE
Times Special NEW. YORK, Jan. 9.— Radio City ‘Music Hall, holding the Bobby Breen picture, “Rainbow on the River,” over for a second week, did the largest holiday business in its history. The box office exceeded last year’s records for the same period by more than 25 per cent, according to Music Holl officials.
"JUROR SOLVES CRIME
For all its many comedy moments, “We, the Jury,” cofeaturing Helen Broderick and Victor Moore, offers # unique motif in its plot by having a juror solve a murder mystery while deciding the fate of an accused: woman.
| E AU Ti FUL Robert Kent, Rosalind Keith
“King of the Royal Mounted”
Mary Astor, Lyle Talbot “RETURN or Th TERRIOR”
«LAUGHING TRISH EYES” (Midnight Show)
“Where the Crowds Go”
‘THE OLD-INN
End of Beech Grove Carline
DANCE TONIGHT
Donna and Her Rhythm Kings
Pance Harold
SKY.
Cork’ Soar Bun. Orchestra
HARBOR
i Joe Couple Before 9:30—75¢ Couple 12 to 1—
CRAMER TO GIVE ANNUAL RECITAL
Bomar Cramer,
lish’s.
Indianapolis pianist, heard under his own management in his annual “home town” recital at 3:30 p. m. tomorrow in EngMr. Cramer’s program includes the following numbers: Andante and Variations,
will be
Schubert; three by Scriabine.
Capriccii and an Intermezzo by Brahms; the Chopin Sonata in B Flat Minor; “Oiseaux Triste” and “Alborada del Gracioso,” Ravel; Mompou, and two Etudes and the F Sharp Sonata
“Scenes from Childhood,”
Star Player
‘Biography’ Opens
One- of Indianapolis’ best known amateur actors, Norman Green, is to have a leading part in the Civic Theater's production of S. N. Behrman’s “Biography,” which opens a six-day engagement next Friday. Since his first appearance in “The Spring,” in 1921, Mr. Green has been seen in 25 Civic Theater plays.
Among these were “Hotel Universe,” “The Marquise,” “Holiday,” “The Second Man,” “As Husbands Go” and “Riddle Me This.” His current role is that of a senatorial candidate whose portrait is being painted by the writer of the biography in question. Mr. Green is dean of the Sutherland Drama School, and has played in a majority of the 150 plays they have presented. The leading part in “Biography,” created by Ina Claire, will be done at the Civic by Marjorie Chiles Ropkey. William Barley, formerly
active in the Ft. Wayne Civic The-
ater, will make his first local appearance in the coming production. Adrian Reiter, remembered for his recent portrayal of the Belgian doctor in “Libel,” will play a Viennese composer in “Biography.”
[liness Delays Newton Recital
The recital of modern French and Italian songs, scheduled by George Newton for Jan. 15, has been post-
poned until the latter part of April because of a cold, the singer announces. Other recitals in the series remain as scheduled, with the next to be given on Feb. 26. Al] are to be held in the Green Parlor of the Central Y.W.C A. .
SHIRLEY TEMPLE SUIT DISMISSED
By United Press LOS ANGELES, Jan. 9.—The suit of John Hays, theatrical agent, for half the immense earnings of Shir-
ley Temple was thrown out of court today by Federal Judge Harry Hollzer on grounds the court had no jurisdiction in the case. Mr. Hays claimed he got the child actress her first film engagement and previously had held a contract for half her earnings. He charged that the child's Father, George Temple, had conspired to buy the contract for $25 at his bankruptcy auction of assets although in his opinion the contract could not be considered an asset as it had no value at that time. Mr. Hays has a second suit pending in courts.
STAGE LURE HOLDS
a condemned man in the drama of the death house, “We Who Are About to Die,” has a provision in his contract permitting him to appear on the stage at least once a
year. \ WEEK STARTING
KEITH'S MON. NIGHT
FEDERAL PLAYERS
IN THE MERRY FARCE COMEDY
By ROMNEY BRENT
Nights, 15¢c, 25e, 40c Sat. Matinee, 10c, 20c, 30¢
Week Jan. 18—*Ten Minute Alibi”
MARTENS CONCERTS, INC.
Fourth Subscribed Concert
ENGLISH’S, THURSDAY EVENING, JANUARY 21
ST. LOUIS SYMPHONY ORCHESTRA
90 MUSICIANS
VLADIMIR GOESCHMANN, Conductor Hear this great orchestra ang its conductor play BRA TRAUSS — BERLIOZ —de FALLA.
Seats oH Sale. Martens Office. Room , 33 Monument Circle PRICES $1.10, $2.20, $2.75, §!
0 12—50¢ 550. Caasie! After 1. Manic 30c Couple.
In Civic Play
Friday Night for Six Performances. |
state
John Beal, who plays the role of |.
iL Tax incl.
®
WHAT, WHEN, WHERE APOLLO /
“Three Smart Girls,” with Deanna Durbin, Bune, Barnes, Charles Winninger, at 11:42, 1:47, 3:52, 5:57, 8:02
and 1 CIRCLE
“The Plainsman,” with Gary Cooper and Jean Arthur, at 11:25, 2 4:40, 7:15 and 9:50
INDIANA
“Great Guy.” with Jemes, Cagney and Mae Clarke, at 11, 1:3 :40, 7:30 and 10:20. Also “Mind Br own Business,” with Charlie Ruggles and alice Brady, at 12:36, 3:26, 6:16 and
KEITH'S
“The House_of Connelly,” sented by the Federal Players.
tain at 8:15. LOEW’S
“The Garden of Allah,” with Marlene Dlerrich, and Charles Boyer, at 12: 16, 2:49, 5:22, 7:55, 10:28. = Also ‘Come Pes. Folks.” Dunn and Marian Marsh, at 11 1:42, 4:15, 6:48 and 9:21, LYRIC ‘Charlie Chan at the Opera,” with Warner Oland, the screen at 146, 2:24, d 10:31. Also our,” on the 3:56, 3:56, 6:45 and
ALAMO
“Pigskin Parade, » with . Pats Kelly. Also “Wild Brian Kent,” wit Ralph Bellamy.
AMBASSADOR
“Love On the Run,” with Joan Crawford and Clark Gable. Also, “Murder With Pictures,” with L
Ayres. OHIO
“Return of the Terrier,” with Mary Astor. Also “King of the Royal Mounted,” with Robert Kent.
Donald C. Gilley To Play Organ
re= I=
with James 1:09,
stage at 1:07,
Donald C. Gilley, head of the Arthur Jordan. Conservatory of Music organ department and a faculty member of Butler University, is to offer the second of four weekly recitals on the new organ in SS. Peter and Paul Cathedral at 4 p. m. tomorrow. Mr. Gilley, who is also dean of the Indiana chapter, American Guild of Organists, will be assisted by the Cathedral School’s Cantorum, which will sing several motets under Elmer Andrew Steffen’s direction. The benediction of the Most Blessed Sacrament will precede the recital. The organ program is as follows: “Water Music” Handel-McKinley Allegro vivace Air Risoluto inuet Allegretta giocoso 1 Sgro maestoso First Sonata Alle gro 22 non troppo Andante J “Chant a g. fo on uoco ¢ Childress 5 March”
Sarabande Toccata
COAST GUARD HELPS
For location scenes of “Coast Patrol,” with Victor Mciaglen, Preston Foster and Donald Woods, full cooperation of the U. S. Coast Guard Service was received, and the seagoing scenes were filmed aboard the government cutter “Tahoe.”
Jong Grainger-Barnes Corelli-Ciokey
United Artists’ Hit
Al Josho) Solo
PLUS! THIS ADDED HIT! 60 Hilarious Minutes with JAMES DUNN in
COME CLOSER. FOLKS
MARIAN MARSH WYNNE GIBSON
Contract Signed
By Helen Jepsen
By United Press HOLLYWOOD, Jan. 9.—Helen Jepsen, star of opera and radio, today was signed to a long-term contract by a studio which has ambitious plans to build * her , into another Grace Moore of the screen. To insure Miss Jepsen getting the best possible musical direction, Grand National Studio has arranged for Victor Schertzinger to handle her first picture. Mr. Schertzinger directed Grace Moore in “One Night of Love” which sent her to the top of the cinema heap. Wallace Smith is doing an original story for Miss Jepsen. The singer was tested for the screen some time back by another studio but nothing came of it as the organization then had several other opera stars under contract.
School Faculty Adds Organist
The Irvington School of Music has announced the addition of Mrs. Clell T. Rice to its faculty as instructor of pipe organ. Mrs. Rice studied with Blain Owen at the Cadek Conservatory of Music, Chattanooga, Tenn., and was organist in Chattanooga churches for several years. At present Mrs. Rice, who is a member of the American Guild of Organists, is assistant organist and choir director
at the Irvington Presbyterian Church.
ABILITY INHERENT
Betty Lawford, attractive British actress who has a prominent role in “Criminal Lawyer” opposite Margot Grahame and Lee Tracy, is the daughter of Ernest Lawford, veteran stage actor currently enjoying success in a New York play.
TRAVELS TO ACT
Henry Kolker of “They Wanted to Marry” cast has acted and directed in the four corners of the earth—Paris, Rome, London, India and Australia being a few of the places. He appears opposite Gordon Jones and Betty Furness.
x
HOME OWNED—HOME OPERATED
713
PRRISIAN EXTRAVAGANZA
Featuring IER WARNER OLAND
BORIS KARLOFE
Color Film Sets Pace For Beauty
Modern Story Now Is Needed to Take Honors . From "Allah."
It took Selznick International to prove, once and for all, that the desert can blossom as the rose. They did it in “The Garden of Allah,” technicolor film now at koew’s, and produced just about the handsomest thing
ever to reach the screen.
You may or may not number Marlene Dietrich among your screen favorites; you ‘may find Robert Hichen’s 1905 novel a bit out of date, but whatever your tastes, the picture is a feast to the eye, make no mistake about it. The ‘desert setting was chosen wisely. It affords a perfect setting for brilliant skies, mellow sunsets and colorful Oriental costumes against a golden background of sand. The subdued ground-motif shields our unaccustomed eyes against the too-garish hues picked up by the sensitive color camera. Event the troublesome matter of makeup is pretty well solved in this attempt. Desert Story, of Course’
Of course the producers had to have a desert story to fit the picture, which is apt to bring on a rather sad state of affairs. But at least “The Garden of Allah” has no sheiks or abducted heroines. The story is familiar. Domini Enfielden goes to the North African desert, after the death of her father, in search of happiness. There she meets Boris Androvsky, a strangely silent, mysterious man. They fall in love and are married. Taking a caravan on an aimless pilgrimage they find happiness, despite Boris’ silence concerning the hidden chapters of his life. One day Boris is recognized by a Foreign Legion officer as a former Trappist monk who has broken his vows of poverty, chastity and silence and come back into the world. After due deliberation, the sorrowful bride and groom decide that he must go back .to the monastery and expiate a sin. So the heart-broken Domini leaves Boris to become Brother Antoine once more. With the most advanced achievement in color photography, you will find a technique reminiscent of the old silent days. The picture almost amounts to a series of tableaux. There is much gazing into the camera, posing .against the horizon and so on. But it all is beautiful to behold. : Some day they will make a color picture from an originally written and up-to-date story. And then, my friends, we shall have something. (By J. Q. T)
NDE pe
‘Mino Yous Own BUSINESS
2nd Big Week
Action! Thrills!
DEANNA “DURBIN BINNIE BARNES ¢A[ICE BRADY eo RAY MILLAND
[25471 6-40urTené]S §
Last Day! Clark Gable “LOVE ON THE RUN” Lew Ayres, “Picture Murder” STARTS TOMORROW!
YVR} Go West Young Man
THE ONE AND ONLY
CHARLIE GROW
EXCLUSIVE BURLESQUE suisbuiWesr
WIZARD OF THE IVORIES—AND
THE RE HANEY MORRIS "Homa Gat"
HIS BABY GRAND LS FASCINATING
STELLA MIL
[PEP ~ GINGER GIRLS
GET UP A PARTY AND ATTEND OUR FAMOUS MIDNIGHT SHOW TONIGHT
>
PAGE 11
RACKET
\
ACT ESS WED
More romsé itic than most of his plots is the romance of Clifford Odets, Bibadway playwright, which culn inated yesterday: in his marriag to Luise Rainer (above), mov 2 star of Vienna and Hollywood. Mr. Odets says he fell in love with his briciz when he saw her first picture. ‘He met her shortly after and .wc a her less than two
years after st» came tc this country.
COLLEC’ 5 OLD BOOKS
Joe E. Brov h, currently starring in David Loew : production, “When's Your Birthda; ?” is a collector of rare books. H s library of first editions is consid red one of the finest in the film ca jital.
Chan Solves
Myste ry at Opera House
Super Detective of Films | Solves Murder on Lyric Screen.
Filmdom’s super detective,
-| Charlie Chan, is in town again,
to solve another baffling mystery called “Charlie Chan at the Opera.” For those who want Chan pictures, and many seem to do so frequently, Charlie holds ‘forth this week on the Lyric
screen, contributing his share
to an enjoyable bill which includes a colorful and tuneful stage production, “Revue Folies d’Amour.” In the newest Chan movie, Charlie (played, of course, by Warner Oland) matches wits with Hollywood’s No. 1 mad man, Boris Karloff. ‘Aside from Mr. Karloff’s part |: in this offering, “Charlie Chan at the Opera” differs little from many other Chan shows you've seen.
Settings Are Eerie
A setting backstage at the Los Angeles Opera House, where “Faust” is being performed, provides an ideal background for Mr. sleuthing. Trouble begins when the prima donna, Mme. Lilli Rochelle (Margaret Irving) receives a note saying she will be killed. Charlie is drawn into the case by accident when the singer takes the note to Inspector Regan (Guy Usher) and asks for protection. As the Inspector and Charlie watch the performance of “Faust,” Gravelle (Boris (Karloff), an escaped lunatic and Mme. Rochelle’s husband, dons the costume of Mephistopheles, sings the role opposite his wife, who faints as he feigns to stab her. She is carried off stage, and is found dead a few mom-
Chan’s
ents later. In the meantime, Enrico Barelli (Gregory Gaye), the real Mephistopheles, is found dead in his dressing room. While police search for the escaped mad man whom “they “know” ° is the killer; the clever Chans trail the real murderer,” whose identity will surprise you. There are enough scenes amid old costumes and paraphernalia of the opera house prop= erty rooms to make you feel shive ery, while Mr. Chan carries on his mental detecting.
Charlie Is Affable
As Mr. Chan, Mr. Oland is affabie and agreeable -as usual. Mr, Karloff looks more like Mr. Karloff than he does in most of his parts, although in the Mephistopheles costume he is customarily horrible. The supporting cast is more than: adequate. We would enjoy, though, one mystery picture without a stupid, blundering sergeant who. never removes his hat when entering a room, who icllows all the wrong clues and who cioses the case at least a half dozen times before the murderer actually is identified. “Charlie Chan at the Opera” has this character, but de= spite him, it’s still very good mystery drama. A number of entertaining variety. acts feature the stage attraction, although as in all revues, choruses: and dances are most important. Special numbers include an. unusually dexterous juggler, Wilfred Du Bois; &es Curries, ballroom ‘dance team; Joe and “Jane MacKenna, knockabout dancers, who are just, that; Sally and her dancing fox terrier, Bobo; the Novell Brothers, novelty comedians, and Mlle. Lor=raine, who has a featured dance called “Bamboola.” An all-girl stage orchestra directed by Dorothy Woolf provides a tuneful background for the colorful chorus parades and specialty numbers. “Revue Folies d’Armour” ofe ° fers no remarkable attractions, nor is there a singularly weak act. You'll probably like it.—(By R. N.)
i TONIGHT ArTH ¥ 5 JOHNNY BURKAR and His WLW RKART
40c All Evening Coming Sunday, Jan. 17
NOBLE SISSLE
Tickets Now on Sale
Ho A N ‘C E
A: N Cc E
NDIANA
R O O F
Room 201. "
BOMAR CRAMER
ENGLISH THEATER, Tomorrow, 3:30 P. M. © Tickets on Sale at GLADYS ALWES MUSIC SHOPPE, 33 Monument Circle Prices: $1.65, $1.10, 55¢, Tax incl. |
The Week End’s Best Attractions
At Your Neighborhood Theater
Wi ST SIDE
ST ATE | 2102 W. 10th St,
Double Feature J. Mack Brown “DESER PHANTOM” “DOWN | HE STRETCH” Sun. Double F| ature—Wallace Beery “OL] HUTCH” “BURN ING GOLD”
Bel bP Ln € mon Wm. Powell Myrna Loy—Luis' Rainer—Fannie Brice “THE GRE \T ZIEGFELD” Sun. Double #eature—Mae West “GO WEST YOUNG MAN” “A WOM AN REBELS”
. 2540 W. Mich st. D A | SY Double Feature June Travis “BENG \L TIGER” “CRIME O! DR. FORBES” Sun. Double Fe ture—Marion Davies
“CAIN AND MABEL” “ADVENTURE IN MANHATTAN” Double Feature
Howa rc Eleanore Whitney
“THREE CHI ERS FOR LOVE” “DESE:T GOLD” Sun, Dauble Fea! ire—Fred Bartholomew ‘DEVIL S A SISSY” “WALKI! G ON AIR”
“N OR’ H SIDE
R T Z Illinois and 34th
Double Feature . Will Rogers “STA'| E FAIR” “BORDER ’ATROLMAN” Sun. Double Fe: ure—Joan Crawford “LOVE O [| THE RUN” “WALKI .G ON AIR”
7 File Central at pall Crk. Double F aring raphe Seniea “SING, FE ABY, SING”. “A WOM. N REBELS” Sun. Special Fe ture—Fredric March “ANTHON Y ADVERSE” Mickey Mous: “POLO TEAM” Double Feature
Uptown The Jones Family “BACK T ) NATURE” “END OF THE TRAIL” Sun. Double Featu 'e—Dionne Quintuplets “RE 'NION” “GIRLS’ ] ORMITORY”
Ga rri Cc k | 30th and Illinois
Double Feature Barbara Stanwyck “A MESSAG I TO GARCIA” “DESE!.T GOLD” Sun. Double F atare—Wm. Powell
“MY MA! GODFREY” “THREE CHE ERS FOR LOVE”
. St. Cl. & Ft. Wayne S t C | a | . Double Feature . Freddie Bartholomew “DEVIL 'S A SISSY” “SECO VD WIFE” Sun. Double F ature—Jean Harlow “LIBEI ED LADY” June Travi “BIG GAME”
uD E LL : Udell at Clifton
Double Feature Barbara Stanwyck “BRIDE VALKS ouT “HELL SK iP MORGAN” Sun. Double F ature—Gary Cooper
“MR. DEEDS OES TO TOWN” “THE SING ING COWBOY” Special
Talbott sei Feri
Feature Fannie Brice—M; ‘na Loy—Luise Rainer
“THE GRE AT ZIEGFELD”
Sun. Double ] ¢ature—Jean Harlow
“LIBE! ED LADY” “HOLLYWO( D BOULEVARD” Follow The Times
For Y »ur Daily
Howard & Blaine
42nd & College
Talbott
~ Neighbor. wood Theater Pr tram
NORTH SIDE
30th at Northw’t’'n Double Feature
REX Sg
“THE SEA SPOILERS” “RIDE ’EM, COWBOY” Sun. Special Feature—Wm. Powell “THE GREAT ZIEGFELD”
Mickey Mouse Cartoon Three Performances—2, 5:10, 8:10
19th & College t Stratford ad fu “YOUR’S FOR THE ASKING” “CALL OF THE PRAIRIE” Sun. Double Feature—Randolph Scott
“LAST OF THE MOHICANS” “THE SEA SPOILERS”
\ Noble & Mass. M MECCA Double Feature Chas. Ruggles “RUGGLES OF RED GAP” “RETURN OF SOPHIE LANG” Sun. Double Feature—Fred Bartholomew
“DEVIL IS A SISSY” “HEART OF THE WEST”
DREAM 2361 Station St.
Doublé Feature Victor McLaglen “MAGNIFICENT BRUTE” “SWORN ENEMY” Sun. Double Feature—Jack Benny “THE BIG BROADCAST OF 1937” “Straight From the Shoulder”
Hollywood Double Feature Joan Crawford “GORGEOUS HUSSY” “DODSWORTH”
Sun. Special Feature—Wm. Powell Myrna Loy—Frank Morzan—Fannie Brice
“THE GREAT ZIEGFELD” EAST SIDE
RI ; V We I J _ SBE in
Doors Open 5:45 Joan Bennett “WEDDING PRESENT” Tom Brown “ROSE BOWL” EXTRA! Last Show Tonight Only! William Powell “HERE COMES THE NAVY” Sun. Double Feature—pDionne Quintuplets “REUNION” “UNDER YOUR SPELL”
T 2442 = Wash. St. Di eatur acoma fii bi “The General Died at Dawn” ‘“MUMMY’S BOYS” Sun. Double Feature—Fred MacMurray
“TEXAS RANGERS” “SING, BABY, SING”
Tuxedo 4020 E. New York
Double Feature Fred MacMurray “TEXAS RANGERS” “LADY BE CAREFUL” * Sun. Double Feature—Jack Benfly “BIG BROADCAST OF 1937” “CRAIG'S WIFE” TIN 71 N 17 5507 Bs Wash, St RV N G Double Feature Andy Clyde “Straight From the Shoulder” “King of the Royal Mounted” Sun. Double Feature—Jack Benny “BIG BROADCAST OF 1937” “EDUCATING FATHER”
Emerson 4630 E. 10th St.
Double Feature Wm. Powell “MY MAN GODFREY” “LADIES IN LOVE” Sun. Double Feature—Clark Gable “LOVE ON THE RUN” Shirley Temple “DIMPLES”
2116 E. 10th St. Hami | ton Special Attraction Wm. Powell “THE GREAT ZIEGFELD” (No Advance in Prices) Sun. Double Feature—Joan Crawford “LOVE ON THE RUN” “KELLY THE SECOND” Parker, SLlLE Cary Grant “BIG BROWN EYES” - “SKY PARADE” Sun. Double Feature—Jean Harlow “LIBELED LADY”
1500 Roosevelt e
“Gentleman From Loyisiana”
Avalon
EAST SIDE
Strand 1332 E. Wash. St.
Double Feature Jack Haley “MR. CINDERELLA” (First City Run) “GIRL ON THE FRONT PAGE” Sun. Double Feature—Walter Kelly “TUGBOAT PRINCESS”
“IN HIS STEPS” (First East Side Showings) Continuous Matinee
Paramount w & wa Double Feature Wm. Frawley “THREE MARRIED MEN” “THE SINGING COWBOY” Sun. Double Feature—Loretta Young “RAMONA” “THE MAGNIFICENT BRUTE”
B J ou 111 E. Washington
Double Feature Joan Bennett “TWO IN A CROWD” “BORDER CABALARO” Sun. Double Feature—Ricardo Cortes “POSTAL INSPECTOR” “THE OLD HOMESTEAD”
" |-Gen E. Wash. at Rural
Double Feature Pat O’Brien “CHINA CLIPPER” “ROMANCE RIDES THE RANGE” Sun. Double Feature—Eddie Cantor “STRIKE ME PINK” °* “BRIDGE OF SIGHS”
SOUTH SIDE .
Fountain Square
Double Feature Stuart Erwin “ALL-AMERICAN CHUMP” “THE CAPTAIN'S KID” Sun. Double Feature—Clark Gable “LOVE ON THE RUN” “DON'T TURN EM LOOSE”
S d A? rua Syuare ouble eatlur an ers Gloria a “CRIME OF DR. FORBES” “THREE GODFATHERS” Sun. Double Feature—Randolph Scott
“LAST OF THE MOHICANS” “MEET NERO WOLFE”
Pros., Churchman Double Feature Ken Maynard
“FUGITIVE SHERIFF” “JAILBREAK” Sun. Double Feature—Joan Crawfor “GORGEOUS HUSSY” “MUMMY’S BOYS”
Oriental 1105 S. Meridian St.
Double Feature Clark Gable “DANCING LADY” _ “THE BIG HOUSE” Sun. Double Feature—Fred Bartholomew
“DEVIL IS A SISSY” “END OF THE TRAIL”
G a - fiel d 2203_Shelby St.
Double Feature | Fred MacMurray “TEXAS RANGERS” “GIRLS’ DORMITORY” Sun. Double Feature—Wm. Fowell “LIBELED LADY” “MY AMERICAN WIFE”
Li Nn coln S. East at Lincoln
Double Feature | Fredric March “ROAD TO GLORY" “LOVE BEGINS AT TWENTY” Sun. Double Feature—Pat O’Brien. “CHINA CLIPPER” “SING, BABY, SING” Today and Sunday
G ra Nn a d a Jean Hersholt
- - Dionne Quintuplets “REUNION” Michael Whalen—Chic Sale “THE MAN I MARRY”
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