Indianapolis Times, Indianapolis, Marion County, 4 January 1937 — Page 2
PAGE 2
Yechnicolc:
Allah Film Due Soon
Nelson Eddy to Star in|
'Maytime!; 'Parnell’
By JAMES THRASHER Assuming the role of 1937 forecaster, L. Ward Farrar, Loew’s local impresario, assures patrons that, as regards
his advance bookings, they|-§
“ain’t seen nothin’ yet.” - Mr, Farrar is pretty pleased at present because of a lot of broken house records following a week “After the Thin Man,” as well ag the current reception of “Camille.” And he tells us that|his pictures on the new year’s horizon are going to continue the pace. ‘First of all, he promises “The ” Garden’ of Allah” his next attraction. The picture has been long enough in the making for every one interested |to know that it stars Marlene ietrich and Charles Boyer, and is filmed entirely in technicolor. Later, says Mr. Fa dy: we shall take a couple of excursions to Ire- | { fand, a land which Hollywood discovered through “The Informer.” First will come “Belgved Enemy,” which also is a story|of the revolution in the early 1920s, and which stars Merle. Oberon | and Brian Aherne. Later Clark| Gable and Myrna Loy are to be seen in “Parnell,” screen adaptation of the stage success which tells of the great Irish political eader of a century ago. “Captains Courageo the famous Kipling story, also|is scheduled for early 1937 release. Featuring Spencer Tracy and Freddie Bartholomew, the picture has been in production at M-G-M ever since the company finished its other noted sea. saga, *Mutiny on the Bounty.”
Eddy Film Due
‘Before Nelson Eddy arrives here April 11 for a song recital at English’s his new picture, #Maytime,” doubtless will be seen at Loew's. Jeanette MacDonald again is cofeatured. And another stage success, “The Last of Mrs. Cheney,” is on its way with Joan Crawiord, William Powell, Robert Montgomery and Frank Morgan in the cast. Another . million-dollar feature (two million, to be precise) is “Lost Horizon,” starring Ronald Colman and directed by Frank Capra. And Jean Arthur, up-and-coming come-= dian, will appear soon in “More Than a Secretary,” with George Brent. | A great many Marx Brothers enthusiasts, this writer among them, are beginning to wonder about “A Day at the Races.” So Mr. Farrar brings the glad news that the new film is receiving its finishing touches and should be released in Februay. Another chance to see Eleanor Powell will be given in “Vogues of | 1937,” which sounds like the be-. ginning of another series of annual musicals. Looking a bit farther into the future, Mr. Farrar tells us that his theater also will have “A Star Is Born,” now in production with Frederic March and Janet Gaynor; Robert Montgomery and Rosalind Russell in “Night Must Fall,” and Wallace Beery in Don Marquis’ famous play. “The Old Soak.”
Little About ‘Allah’
Having divulged Loew’s attractive list, we might offer a little additional information on “The Garden of Allah,” especially for those who are interested in the technical adpects of motion pic“ture making. : Color photography, it seems, is affecting nearly every department of technical “production. The necessity for. revamping old ideas and procedure is seen from the following statements by various people who brought “The Garden of Allah” to the screen. Say§ Director Richard Boleslawski: “Color definitely affects tempo, and thus direction.” Miss Dietrich: “In black and white photography, photographic quality was the main consideration in the selection wardrobe. Now, , with color, costumes must be of a hue becoming to one’s own coloring, rather than merely to assure a certain tone of gray on the screen.” \ Mr. Boyer: “I think color is definitely altering the trend of screen literature. It is forcing producers to select types of stories to " which color is particularly adapted and in which color is a definite need.” Sturges Carne, art director: “Greater care in design and color of settings is necessary in color than in black and white in order to avoid the intrusion of background interest. Simplicity is the keynote.” Cameraman Hal Rosson: ~ “The ‘distribution of light and shadow becomes & much more intricate problem for the photographer.” James Potevin, chief electrician: “Light placement. for color photography and changed value in backlighting have required that my crew and I learn the changed technique of lighting that the cameraman demands.” Sam Kaufman, makeup expert: “Of course I have to use special technicolor makeup. The color of beards and hair has become a mat-
ter of great importance. Balancing general makeup is infinitely more difficult.” * Hal Kern, film editor: “From the "single fact that the eye can be held Jonger by a beautifully colored pic“ture than by a black and white one, -golor films must be cut to maintain pace without abruptness. This will definitely sitet my work,” Lansing -€
: Hiotden, color direc | fou
WORKTIME IS PLAYTIME IN. SHIRLEY'S | STUDIO,
Playtime . . . Shirley
By ERNIE PYLE Times Special Writer HOLLYWOOD, Jan. 4.—Life is certainly not all work and no play for Shirley Temple. Play takes up at least a fourth of her time during her eight-hour day at the studio. It isn’t any organized kind of
play. On one set there were only her dolls and her Lil puppy Ching Ching to play w But she had a grand time helping Ching Ching down the steps of her dressing room, and putting him in his special basket and watching him try to get out. At noon they moved to a different set. It was the living room of a rich man's house. It was Christmas morning, and Shirley was having her Christmas tree with her “parents.” The tree was loaded down with packages, and all over the floor were such things as scooters, bicycles, toy trains and midget autos.
Back in Position
Shirley devoted herself to the auto between shots. She'd get in and pedal .it all over the room. Each time when they got ready to shoot again the director would say, “Get it back in position now, Shirley.” And she’d say, “That's what I'm trying to do.” : They finished with that set about 4:30, and Shirley still had half an hour at the studio. She really made headway on those toys during that time. She whizzed all over the place on the scooter, and tried to ride the bicycle ,while a man held her up. But her favorite stunt was to annoy the “still” camerman by pretending to run over a bunch of camera plates lying on the floor. She almost drove the photographers crazy. She has an almost adult sense of devilish humor. And she’s good at repartee, too. /Once they were playing music for, the scene on what they call a “playback.” It ran a few bars, and then stopped. The director said, informatively, ‘That was a re-mark,” which is a technical expression. Shirley said, “It wasn’t a very good remark.”
Soda Pop Hostess
When she plays, Shirley makes kid noises, like any other child, and goes off onto such youthful nonsensities as a string of “baloney, cadoney, macaroni, scafoney, dooloney” and so on. Every afternoon, Shirley plays soda pop hostess to a little group, including her mother, the director, the principals in the cast, and a few others. She goes around and asks who wants soda pop. She even invited me to have one with her; but
1 don’t like soda pop.
When she had all the orders she called, “Jones, eight sodas.” Jones is a carpenter who gets the sodas for her every afternoon. She hands it out herself, and then drinks hers with a straw out of the bottle while playing around the set. Not all of her play is by herself. She is a gregarious little girl, and she roams around making remarks
scoots around the lot.
te people, and also -just making remarks to herself. When she was getting ready to order the soda pop, she said “I'm quenched.”
Conserves Her Energy.
When she’s feeling fine, Shirley likes to horseplay with the camermen. Before every take, a fellow has to stand in front of the camera and hold up a board with the. scene number on it, so it can be photographed.” Shirley likes to get in front of this board and spoil everything. order her out, and advised her to “save that energy and put it into your dance.” The director says the most amazing thing about her is her ability to conserve her acting energy. She won't really put herself into rehearsals. Just goes through them, and isn’t very interested. But’ the second the camera turns, she puts all she’s got into her acting. Shirley hates “stills.” They're the posed shots you see in the newspapers and on billboards. The camerman was telling me about it. He says a previous still photographer spoiled her by giving her the idea stills weren’t important. She likes the present still cameraman, but she also likes to act temperamental with him. She turns her back, or makes faces, and sometimes they have to coax her a whole minute. After her dance with “Fred Astaire,” the still man wanted her to come to the front of the stage and pose. He got his camera all set, and ‘then said “All right, sweetheart.” She paid no attention. Then he said “Come on Shirley.” She paid no attention. Then he said, loud and tough, “Hey, Temple!” She waited a few seconds, then gave him a big grin and came on up.
That Old Frozen Smile
There is just one thing about Shirley I don't like, The same thing I don't like about most actors. That's the old frozen smile — the stage smile. Shirley is more adept at it than any actor I've ever seen. When they're taking a still photo she’ll finally turn on that big smile which melts your heart. But the second the bulb is pressed, she drops it like a hot cake. It’s so sudden it gives you the impression the corners of her mouth dropped a foot. I guess it’s just a trick of hers, to show them what she thinks of the still business. For, maybe 10 seconds later, she’ll be playing, with her own natural smile all over her face. Most movie stars can’t bear to see themselves on the screen. But Shir-
There is a projection room at her home, and all the best movies are shown there. Shirley sits and laughs at her own jokes on the screen.” Only once, her mother says, has she made a self-critical remark. At one place in a picture she said she believed she could have done that better. Her mother told her she thought so too.
Film Villain Peace-Loving
Proud of Knavery on Screen, Actor Dislikes Reputation.
Fearing no prosecutor, policemen or jury, Porter Hall, seen in “The Plainsman”. at the Circle this week, makes this flat statements “I have killed witli knives, guns, infernal machines, bare hands, and a wide assortment of poisons. As to my qualifications as a villian, I will stand on my record as a murderer.” At this point Porter usually decides its about time to offer an explanation, so he introduces this qualifying phrase: “Yes, I think I may say with all modesty that my record is one of the finest in motion pictures.” Telling of his latest screen killing, Porter says: “When Cecil B. DeMille was casting ‘The Plainsman, co-starring Gary Cooper and Jean Arthur, he needed a cowardly, scurrilous, hero-worshiping, malevolent, cruel and crooked Jack McCall to shoot Wild Bill Hickok in the back. And who did he pick? He signed me up immediately.
Face His Fortune
“What is it—my face? Well if it is I'm resigned to my fate. I'll go oh playing villians and fools just as long as Hollywood wants me to— only I'm going to take time out every once in a while to explain things to my growing son. “I wouldn’t mind the way Holly-
tor: ing affects mood so much as color does. The emotianal influence of color is so great, it will play a
| big part in establishing the lure of
the desert, which is the keynote of Robert Hichen’s novel, ‘The Garden of Allah.”
KEITH'S awa
FEDERAL PLAYE THE HOUSE OF CONNELLY
Ni Lk k 25¢ Sat. Matinee, 100. 260." 306.
Next snl HOPES”
Ba "er nee
“Excepting only music, noth- |
wood has double-typed me if people would only realize it’s all in fun. The trouble is many of them don’t. “I'm really not a bad guy, or a total fool, either, once you get to know me. I'm a substantial citizen and a taxpayer with a wife and a 5-year-old son. I own my own home and I go to church occasionally. The reason why I gave up fishing with live bait was because I couldn't bear
{the way a minnow squirms when
you put him on the hook. * “I wouldn’t shoot Gary Cooper, unless it was on the screen. I like
death of guns. I lead a quiet life. I belong to the Parent-Teacher Association. And my neighbors like me!” \
Childhood Star Back in Movies
By United Press HOLLYWOOD, Jan. 4.—Priscilla Moran, daughter of the late Lee Moran, pioneer motion picture producer, today opened her second career in Hollywood with a longterm contract with Paramount Pictures. Miss Moran was well-known as a child star in pictures produced by her father. Her film work dropped
off with the coming of school days and finally she quit the films to continue her education. She was graduated from Long Beach High School and recently knocked on Paramount's doors with a request for film work. Her contract was the first to be signed in 1937.at the studios.
we POWELL oan BLONDELL |-
| apoLLOl
THE INDIANATO I.
SERIES OF "MILLION DOLLAR’ PRODUCT
ONS BOOKED AT
Once her mother had to:
Next—Shirley Temple's education. |
British Actor Wants Action|
him. And anyway I'm scared tot
ley likes to see her own pictures. |
|
Civic s Cast To Present ‘Biography’
‘Comedy to Be Played By Mrs. Ropkey.
S. N. Behrman’s comedy, “Biography,” is to be the fourth regular coupon production of the Civic Theater's season, opening Friday, Jan. 15, for the usual six-night run. : s
The play is by the author of “End of Summer,” recently seen at English’s with Ina Claire in the leading part. Miss Claire also was starred in “Biography” in its New York production. “Biography” is based on the conflict of two men of opposite types— an ultra-conservative and an extreme non-conformist—for the love of the play’s leading figure. She is a second-rate artist who has attained great fame through the prominence of her subjects. The publication of a biography by the lady in question is the issue on which .the quarrel hangs. The lines are said to maintain the author's reputation for bright and musing dialog. Behrman'’s Plays Popular Mr. Behrman’s plays always have been popular items with Civic Theater patrons. Two of his previous works, “Second Man” and “Brief
cal company’s most Successtul proauctions. Miss Claire's role will be Yared here by Mrs. Marjorie Chiles Ropkey. This will be Mrs. Ropkey’s first Civic Theater appearance since she did the leading part in “Mary the Third” in 1925. Prior to that she had been seen in nine productions. Since her last Civic part, Mrs. Ropkey has been with the Irvington Civic Theater, the Irvington Dramatic Club and the Players Club.
other local dramatic activities. Other cast members are to be announced shortly by Frederick Burleigh, Civic Theater director.
Play Takes Large Cast
Federal Players to Present 'House of Connelly.’
One of the largest casts ever assembled for a local Federal Players’ production will take the stage tonight when Paul Green's play, “The House of Connelly,” opens a week’s engagement at Keith's. The entire company, augmented by
play of the South, which enjoyed a long run at the Martin Beck Theater, New York. The production is in two acts and six scenes, instead of the usual three or four acts. “The House of Connelly” tells the story of a family of the old South-
| ern aristocracy, gone to seed finan- | cially, but still cherishing delusions
of grandeur. - The solution of their money and credit problem is provided by a girl, disdainfully regarded as “poor white trash” by the family, who makes her appearance in the nick of time and supervises the reclamation of the Connelly plantation.
By GRADY JOHNSON By United Press HOLLYWOOD, Jan. 4—The Earl of Warwick, having acquainted himself with the letter “H” in Metro-Goldwyn-Mayer’s dramatic school, is champing at the bit. His lordship, or plain . Michael Brooke, wants to start before the cameras right away. It’s been several months since the handsome Earl left England. So far, he has only played at acting— making film tests and studying dramatics and elocution. “I want to get going,” the 24-year-old screen novice said, demonstrating that he not only is losing some of his heavy British accent but is acquiring an idiom or two. “I'm getting older every: second. Accent a Bother
“I think I've learned a lot about acting since coming here, and I have toned down my accent. At first they said it was too pronounced —or should I say they didn’t like the way I pronounced! “I'm really serious about this business. One's future is practically unlimited in it. The industry is" a growing one, and I want to grow with it. After acting a few years, I would like to direct and, if successful at that, later go to "England to ‘produce pictures of my own.” His Lordship has taken Hollywood in stride. He has become a darling of local society. In spare moments he reads film lore.
Sublime
Sweethearts! :
G A RBO loves ROBERT
TAYLOR
In Metro-Goldwyn-Mayor's
- "CAMILLE"
with LIONEL BARRYMORE
LAST 5 DAYS © 25¢ to 6
Veli
Leading Part in Behrman
Moment,” have been among the lo- |’
She (also has been prominent in |
FOUR
SISTERS APPEAR ON STAGE
MONDAY, JAN. 4, 1937
LOEW’
Versatile and attractive, the Four Albee Sisters offer music and dances. on the Lyric stage this week.
Startling News About Your Favorite Stars
Hog-Calling Contests, Sewing
Be is, Family Picnics Revealed
As Pastimes of Farr bus Film Folk.
By PAUL HAI RISON
OLLYWOOD, Jan. 4—(NEA)—Filn land notes: an awful lot of rain lately, washing “out the gardens of people living : i111 sliding down hill and she is |
in the canyons. Anna Sten’s house,
There has been
is ¢
thinking avon) moving to a hotel in th | city.
several extras, will be seen in this |.
Greta Gabo, ¢ an actress, is on the a ing list.
”
The Young ~People’s Wednesday Culture and Elbow Bending Society will have its next meeting at the home of Robert Cummings. Refreshments will be served and Carole Lombard will read a paper entitled “The Moving Picture as a Moral Influence. 2
» ”
» » 2
The local calaboose has a new coat of paint. It still has some tenants left over from the holidays.
» 8 ®
Found: A yellow 12-cylinder roadster on the Mulholland highway. Owner can have same by identifying it and paying for this ad.
® » =
Next Thursday, if clear, there will be a hog-calling contest and barbecue at Bob Burns’ ranch in the San Fernando Valley.
2
Attending the quilting bee of the Happy Homemaker’s Club last Sunday were Ginger Rogers, Arline Judge, Gloria Swanson, Jean Harlow, Sylvia Sidney, and Mae West. Refreshments were served and there was a surprise serenade by Bill Powell's kazoo band. »- 8 0» Specials today—Filet of frankfurters, hamburgers a la Crawford.
Smitty’s Diner, just up the street from the Trocadero.—(Adv.)
” » »
ELEN BRODERICK is building a farm home near Van Nuys. Welcome to our midst, Miss Brodery, ick. Preston Foster also is building one of the finest houses around here. Four lightning rod salesmen have been out to see Preston already.
® 2
George Brent is another actor who is getting back to the land. He bought a 12-acre ranch near Encino, but doesn’t expect to raise much besides maybe some dogs and garden truck. 8 8 =» Fredric March, of here, was a recent passenger on No. 6 for New York, where his wife is play-acting under the name of Florence Eldridge.
» »
8
» ” =
Janet Gaynor has been on the ailing list on account of flu, but is about all right again. Nice girl, Janet. ® = 8 ‘The days are getting longer, but Simone Simon, one of Darryl Zanuck’s hired girls, says she is sor-
ALWAYS A GOOD SHOW
Gm
Jjecause that means the hights setting shorter. » ” ” Si zep dogs, waffles, antiques, eating carp nter work, tourists accommodate (—at the Edward Everett Hor-
ton lace. Drive out route 3 from Enci ig, or phone 78 ring 2.—(Adv.)
ry are
” 2 ”
Su ¢ looks like prosperity’ is com- | Fred MacMur- |
ing i: these parts. ray, /. hired man on the Paramount place; has bought two automobiles. Geor' e Raft bought a limousine and Dick Arlen is spending $17,000, we hear, for a car. And Bob Cummings is dic ‘ering for a flying machine,
” »
Ar evangelist has set up | his tent out near Jack and Harry War: er’s studio in Burbank, but is ne¢. getting many people to his ‘meet ngs. Bette Davis says it must be that most of the picture folks have already hit the sawdust trail.
”
8 8 2
Con; 'essman Bankhead’s daughter, T: lulah, was still a Hollywood visitor is we were going to press. A popula girl, Tallulah, and there are
many ‘ho hope she will be able to
get wo k out here. ” ”
Less ‘han 300 shopping days id Christr as!
”
LJ EJ 2
Rober | Taylor helped Clark Gable saw wood over Sunday.
»
The Ladies’ Auxiliary of Hose Co. Ni; 1, and the men of the West {ide Riding and Asthma Club n: stored to Palm Springs for a picni | over the week-end. Alice - Faye : 2d Ann Sothern entertained »rith songs and imitations. Refres] nents were served.
FIN )S FRENCH PART
Collee; Clare finally has found
" zn
‘professio ial use for the French she
learned | 1 a Paris convent. She is
cast as comedy, ‘We, the Jury,” which costars Vic pr Moore and Helen Brod-
erick.
‘\pples, rose cuttings, live bait,
3, French maid in screen |
WHAT, WHEN, WHERE
APOLLO
“Gold Diggers of 1937." with Dick Powell, Joan Blondell, Victor Moore, Glenda Fare and Osgood Perkins, Ma 1:29, 3:34, 5:38, 7:43 and
CIRCLE ‘The. Plainsman.’
Cooper and Jean 2:15, 4:40, 7:15 and 9
INDIANA “That Girl From Paris.” with Lily
with Gar; Ath. at 11:40,
Michael, at 2:31, 5:41 and 8 KEITH'S
“The House of Connelly,” sented by the Federal Players. tain at 8:15.
LOEW’S
with Greta Garbo and af 11:50, 2:20, 4:50.
LYRIC
Me -a Love Song.” with James Melton, Patricia Ellis and 3 h Herbert, at 11:07. 1:30, 3:53, 8:39 and 11:02. 8 vaudeville on Flags at 12:30, 2:53, 5:16, 7:39 and 10:
ALAMO
‘Don’t Turn ’Em Loose,” with Bruce Cabot Also, “Sundown Sauners.”
5
“Camille.” Robert Taylor, 7:20 and 10.
“Sing
AMBASSADOR
“The Longest Night,” with Robert Young. Also ‘“Girl on the Front Page,” with nad Lowe.
OHIO
with Loretta Young. with Gene
“Ramona, s’ Also ‘Walking on Air,’ Raymond.
| | phony Orchestra, | | garet - Healey,
NORMA SHEARER | IS SUING FOR $581
By United Press HOLLYWOOD, Jan. 4.—Norma Shearer, screen actress and widow
day was plaintiff in a civil suit filed against Eddie Brandstatter, restaurateur, seeking payment of $581 on promissory notes to her late husband.
of producer Irving G. Thalberg, to- |
lturbi, Pianist
Is to Appear Here Feb. 28
Spanish Pianist Selected To Substitute for Horowitz.
Jose Iturbi, noted Spanish pianist and conductor, is to be the piano soloist of the Martens Concerts series at English’s Feb. 28, Mrs. Nancy Martens announced today. Mr, Iturbi will replace Vladimir Horowitz, whose ill ness made necessary a cancels lation of his American tour this season.
Mr. Iturbi, always a drawing card with local audiences, substituted fo Mr. Horowitz with the Cincinnati Symphony Orchestra Friday and Saturday. It was thought at first that the Russian pianist would be able to come to America by Feb. 1 and include Indianapolis on a’ cure tailed tour. However, a cable ree ceived by Mr. Horowitz’ American managers two weeks ago informed them that his. physicians had fore
‘| bidden him to undertake a strenue
ous three months of travel and play= ing. Mrs. Martens assured subscribers that all tickets purchased for the Horowitz recital will be honored at Mr. Iturbi’s appearance, and that Mr. . Horowitz’ engagement will be carried over to next season. This is the first substitution in the seven seasons of the concert courses.
St. Louis Musicians Coming
Meanwhile, preparations are une der way for the St. Louis Symphony Orchestra concert at English’s on Jan. 21. This 56-year-old orchestra, second oldest in the United States, is under the direction of Vladimir Golschmann,- young French conductor now in his fifth season at St. Louis. The program to be heard here will include Alexandre Tansman’s transcription of the Bach Toccata and Fugue (Dorian) in D Minor; the Brahms First Symphony; Richard Strauss’ “Till Eulenspiegel’s Merry Pranks”; the “Dance of the Sylphs” from “The Damnation of Faust,” by Berlioz, and three dances from de Falla’s music for the ballet, “The Three-Cornered Hat.” The opening number will be heard in Indianapolis for the first time, It is the second, and lesser known, of the two Toccatas and Fugues in D Minor which Bach wrote for the: organ. Its subtitle arises from the impression that it was written in the Dorian mode. The transcription is dedicated to Mr. Golschmann and the St. Louis Orchestra and was played by them for the first time Jan. 6. 1933.
NURSE IS BRIDE OF SYMPHONY LEADER
By United Press | KALAMAZOO, Mich. Eric De conduct
Jan. 4— amarter, former associate of the Chicago Syme and Mrs. MarCovert, Mich., his
|| nurse, were married in New York
City Christmas Eve, relatives disclosed here today. Mr. De Lamarter is a native of Kalamazoo. BEAUTIFUL
oH10
Loretta: Young, Don Ameche . “RAMONA”
Gene Raymond, Ann Sothern _
“WALKING ON AIR”
Tonight’s Presentations at Your
NEIGHBORHOOD THEATERS
WEST SIDE 2702 W. 10th St. Double Feature
S T AT E Jean Harlow
“LIBELED LADY” “DANIEL BOONE”
BELMONT
“COME AND G ET “IT Wm. Frawley “ROSE BOWL”
2540 W. Mich, St. DAISY “Hi
Double Feature “COME AND GET IT” Buster vrabbe “ROSE BOWL”
d Arnold NORTH SIDE
Illinois and 34th Double Feature
R | T Z . Shirley Temple
DIMPLES “ALL-AMERICAN CHUMP”
ZA R | N G Central at Fall Crk.
Double Feature Wallace Beery “OLD HUTCH” “THE FLYING HOSTESS” 42d & College U PTOWN Double Feature Stuart Irwin “PIGSKIN PARADE" “UNDER YOUR SPELL” to AR RIC K Double Feature gay Francis YOUR HEART”
“GIVE ME “DOVN THE STRETCH”
ST. CLAIR St. Ci. & Ft. Wayne
Double Feature : Shirley Temple
. DIMPLES’ “TWO IN A CROWD”
- Udell at Clifton U D ELL Double Feature HITE F rarok London’s “AND SO THEY WERE CMARRIED” Talbott & 22d TALBO ] | Double Feature Victor Fislagien “MAG CEN RUT w. NEMEC
30th at Nerthw't’n Double Feature Robert Taylor “GORGEOUS HUSSY” “FLORIDA SPECIAL”.
Stratford | 10th & Collexe
- Double Feature vs JB Crawford “GORGEO “HEART OF THE WEST”
MECCA Noble & Mass.
Double Feature Mary Boland “A SON COMES HO “ARIZONA RAIDERS’
W. Wash & Belmont Double Feature 1 McCrea
30th and Illinois
REX
DREAM
Br 2361 Station St. 8 ad, Feature Willia Powell Myrna Loy—Louise Rainer—Frank Morgan “THE GREAT ZIEGFELD” Feature Starts i 45—-5:10—8:40
Roosevelt Ave. ol ta
R | Hollywood
EAST SIDE 3155 E. 10th RIVO LI - ope Open is |" Clark Gable “CAIN & MABEL” “THE CAPTAIN'S KID” TACOMA Double Feature “DEVIL 1S A SISSY» To “WALKING ON RR 4020 E. New York TUXEDO - ‘ebirsies “MY AMERTCAN WIFE” 5507 E. Wash. St. IRVING de “QLD HUTCH” EMERSON _ (SEIS: “CTE BIG 2e SAMES e 3116 E. 10th St, AM pa HERE REE “A WOMAN REBELS” PAR KER = Dubie Fenare © “RHYTHM ON TH W. C. Fields POPPY = STRAND ‘lifes “THE PONGEST WE Yon: E. Wash, Paramount od . — SEs BAN A PPEE BIJOU Bole aire BR nh. SOUTH | SIDE FOUNTAIN SQUARE Double Feature | Johnn Weismuller -o «TARZAN ESCAPES” “THE LONGEST NIGHT” ™~ At Fountain p Duare SANDERS: I ature «ABSOLUTE QUIET” AVALON ER” “YOU
ASK “DE TL oN HORSEBACK
ORIENTAL 105 S. Meridian St..
‘Double Feature Loretta Young “SEA SPOILERS" i A GARFIELD Bessie veiues RAMONA” Chester ors “COUNTERFEIT”
UNCON ieee