Indianapolis Times, Indianapolis, Marion County, 22 September 1936 — Page 16

TUESDAY, SEPT. 22, 1936

| THE INDIANAPOLIS TIMES |

PAGE 15

- BRAHMS SYMPHONY CHOSEN FOR FIRST ORCHESTRA CONCER

Po 20 Set as Date of Performance

"Director Once Shared Composer's. Praise of interpretation.

BEY JAMES THRASHER Ferdinand Schael er. who played Brahms Third Symphony for its roumposer, has selected that work to spen Dis sixth season as conductor © the Indianapolis Symphony Orrhestra Oct. 20. And when he says, I Enow how it ought to be played,” "¢ means just that IL 2H came about when Schme! er was a first violinist in lzmols Gewnachaus Orchestra #ipmiz. The noted conductor, ArthNikisch was directing, and Brahms himself the hall at . ihe dress rehear the first performance The short, corpuient. snowy-beard-r= Brahms listened intently to the geriormance, then came forward at concussion and tddpessed his comment the conduct or and pu=vers: lemen It was fine but r knew «0 beautiful.

Mr.

was in al before

wir dy tn

“Gent »

heifer

RAs

om + iid ii

Practical Reasons, Also

There as well however,

to decide

praciical == sentiment Mo ymphony during hi Europe. The orchesother three Brahms and it is the ito repeat no numuntil the group sizable repertoire And, what must be onl

reasons, prompting Schaefer

y 39

they icials known that Germany this t have hired him for them. His Salz burg Music Festin him the job. i though he won't uperstition, always carnt in his pocket— They are excellent concert, but are relv po in chasing v cleared a threatMr. Schaefer, the on his European and the spell cont into Central Europe.

yivimpic of

rhaeler was in

they mi

nest 1s

tent

pfs el

Chestnuts Get Test Schaefer arrived at the music center, it rain. The same that had been The next morn-

When Mn

rian summer riving said summer. gers ine. Fine weather conithe three days of Mr. The day he left, in when ge was about of the ci stil] I Sclaiming all fling to give all hestnuts r, the local conductor vaain. but: Gibraltar t he ventured this ttm mmer. ad he landed in Naples. proceeded bv way of Venice, Prous the sun to Salzburg and latives in his home town

nsie

found a prouder, more nationdecidedly cleaner Italy he reported. Naples iorv a rity of shopkeepers and beghas br come a metropolis of peopl Extensive reIS going on. and the city's i filth 1s disappearing, Schaefer. Says Rumers All in U. S. war rumors, Mr. Schaefer had to return home to hear one seemed to be of a reme of mind, and both rmany were in “fine fienna, however, he found ing before his eves. : ali-Beethoven concert IX Weingartner in Schaefer went back renewed acquaintance conductor. The Inditra leader had been at Leipzig in 1893 riner first conducted t” Symphony

As lor sa30 he

them Every

and with the no Enapolis orf coneert Then the List t Mr Schaefer arr ihe Toscanini performances of Bee“Fidelio” istersinger”

thoven = at Salzburg, but { the summer evea concerts in Rome. He three ladies in the orches172 but decided they did not play or Ink 2% well “girls” in the Indianapolis organization. They wore rresces With sleeves and low ‘mwcks. while local ladies are properly for concerts in dark ¢na1s and dress shirts. isonsrd Strau orchestra chairmen of the Indiana State SymThorny Societ ¥. met Mr. Schaefer in New York and told him of the impressive list of soloists signed for his season's concerts. The conducfor 38 most enthusiastic over the TERTS prospects. “Musically, financially and every way the orchestra and public are greasy for such expansion for the izrst tame.” he said

cisomvered as his

short the attired

iSS,

a a

DE MILLE PICKS UNKNOWN Helen Burgess, discovered in a Hollywood little theater cast. has ern chosen by Cecil B. De Mille for ihe role of Buffalo Bills wife in “The Plainsman,~ starring Gary Cooper and Jean Arthur.

9% GIRLS IN DANCE SCENE More than 100 of Hollywood's most beautiful and accomplished dancing girls form rhythmic backgrounds for the dancing of Fred Astaire and Ginger Rogers in “Swing Time.” SHIRLEY

HAVE ROLES WITH Herbert Marshall + Machael will appear the third time in “Daddy and 1.” in which youthful Anne Shirley shares Jeading honors. HEALY TO CONTINUE Ted Healy, who added the word

“stooge” to the American language,

tndey was handed a new acting contract by Metro-Goldwyn-Mayer.

MUSIC ALS

featured with in

PLAYED IN

_ Addison Randall, Bruce Csbot and Lewis Stone

“Dont Turn Em Loose,” plaved in |

several Broadway musicals, notably | Cat and the Fiddle.”

awoke to a day of |

there. | ived just between |

and Wagner's |

and Gertrude | together for |

FEDERAL PLAYERS IN ACTION DRILL

the | in

sum- !

Shown above the

in a snappy

one of recent rehearsals at

Film Villsins ~ Cheerful Lot

Casting Offices Perverse in Type Selections.

Tnited Press 4 HOLLYWOOD, Sept. 22. — The film casting offices seem extremely | perverse on numerous occasions, but never more so than when choosing screen villains. Invariably, those players perform the most dastardly inations for reel upon the ones with the most positions off the screen. Lists compiled at various times by technicians always include several “villains” among those who show the most warm-hearted, democratic attitude toward coworkers. Karloff Mild-Mannered

The grewsome Frankenstein of the screen, Boris Karloff, is hardly recognized out of character as the mild-mannered Englishman friend of technicians and laborers alike. John Carradine, who became one | of the screen's arch-menaces after a villian's role in “The Prisoner | | of Shark Island,” possesses one of the most cheery dispositions found in film circles. Young J. Edward Bromberg, who does his latest villainy in “Ladies {in Love,” also proves an exact opposite off the screen. * Bromberg not only plays ornery | parts but in addition continually finds himself taking old men roles | despite the fact he is a young actor. Two

who machreel are sunny dis-

of HoHvwood's most gay!

bit of action during Keith's,

| Temple.

i Shakespearean

} { Director | i

[2 NR Eno,

John Cameron (with script in hand) is putting the Federal Players through their paces in preparation for their next play.

WHERE, WHAT, WHEN

APOLLO

“Stage Struck’ with Dick Powell, Joan Blondell and Frank McHugh, at 11:33, 1:36. 3:39. 3:42. 17:45, and

CIRCLE “Swingtime'” with Fred and Ginger Rogers, at 11:05 3:25, 5:35. 7:45 and 8:55. KEITH'S ‘Mrs. Bumpstead-Leigh.” a Federal Players production under the direcion of John Cameron. Curtain at

8 15 LOEW'S L Ziegfeld’ with William Powell, Myrna Loy and Louise Ranier, at 11:20, 2:35, 5:45 and 9,

LYRIC

Vaudeville with Johnny stage at 12:53, 3:46, 6:37, “Two in a Crowd” Crea and Joan Bennett, screen at 11:14, 2:05, 4:56,

10:38. ALAMO

“Furu.”’ with Spencer Tracy. Also “Absolute Quiet,” with Stuart Erwin.

AMBASSADOR

“Rythm on the Range,’ with Bin ng Crosby. Also. The Postal Ins Bu ’ with Ricardo Cortez

OHI10

“Hearts Divided.” with Dick Powell and Marion Davies. Also. ‘Palm Springs’ with Frances Langford and Sir Guy Standing.

An J.20

Astaire 5 1115

“The Great

Perkins, on and 9:28. with Joel Mec-~ on the 7:47, and

and charming women, Astrid Allwyn | and Sara Haden, also have been | cast as heavies. They struck the top in villainy, too, by playing “menace” parts in | pictures with curly-haired Shirley |

Strangely enough, many of the screen's best dyed-in-the-wool vil- | lains are leaders in Hollywood's | artistic and intellectual circles. Edward G. Robinson is an art | collector specializing in the French Impressionists. Carradine is a scholar, art con- | and painter. Bromberg's off-screen pursuits include forays into economics and a thorough study ‘of symphonic music.

noisseur

‘of a property man for

required daily.

‘ered for shearing scenes.

| sheep | modate the script and the scenes

Variety Is Part

of Daily Work

Property Men Get Requests |

for Queer Things.

TUniled Press HOLLYWOOD, Sept. 22.—The lot |

picture company is not always a happy one, but at least it provides plenty of variety. “Duke” Abrams was a particularly beleaguered person during his work on “Ramona.” “The ‘ships and shoes and sealing

| wax’ of Lewis Carroll sounds just} | like another day’s work in the prop-

erty department,” explains Abrams. “During the shooting of Ramonia’ I had a lot of comical items to find, not least among them being a few pairs of Indian twins, each about 2 years old. “Then, too, there was the little problem of fresh fruit and flowers These had to be brought to location by iced truck.” In addition, Abrams said, he had

{to provide dozens of apples with | wire fastenings so they could be

grafted on mountain trees within

range of the cameras,

Sheep Accommodating Half a ton of wool also was gath-~-This lawas in vain, however, as the “ripened” in time to accom-

bor

were made with authentic old Mex-

| ican sheep-shearers wielding their | | blades for the first time in many years.

“One. of the hardest things to

find for the picture was a metate

Nathan Discusses Actors in 'Theater of the Moment’

EW YORK, Sept. Jean Nathan can take

22.—1 guess it.

JACK GANER

United Press Drama Editor

I mean, would think the guy would be filled up to here with attending the theater |

the simple answer is that George | after all of these years you

in a professional capacity as a critic, but the manner in which he still |

turns out those blistering castigations of erring plays, writers and actors can only mean that he still has his heart in his work. If he didn't there's no reason why he should go to all of the trouble involved in attending 100 or so new productions each season and then |

setting down his impressions for a couple of magazines and drafting a

new book of criticism every year. Fhe current Nathan book is titled | “The Theater of the Moment,” published by Knopf, and it is largely a resume of the season of 1935-36. The most entertaining portions of i the volume. however, deal with personalities, including the playwright | Fugene O'Neill, who has been Nathan's special pet from the beginning. Probably no one is closer to the aloof dramatist than Nathan. and anvthing he writes about O'Neill is bound to be authoritative as well as entertaining and enlightening. There is a particularly good O'Neill chapter -.in this new book.

Rates Actresses

In another chapter Nathan puts the leading actresses of our stage under his microscope to determine who is best, with the result that he decides it is virtually a tossup between Katharine Cornell and | Helen Hayes, with a possible shade to the former. Unsatisfactory, possibly, but about as just a decision as can be made since there is so little to choose between the two. A rowdy. amusing chapter is that in which the critic deals at some !iength with the characters who are Ben Hecht and Charles MacArthur, | Excellent picture painting of these | | two merry Andrews of the stage and film worlds. I also recommend a | chapter on New York's changing | irialto and an expert dissection of | { his fellow drama critics.

Rehearses in London

I have had occasion before fo report on the grand manner in which the portly Gilbert Miller conducts his theatrical enterprises here and | abroad and the ink scarcely is dry on the story of how he is trying out the New York company for | Tovarich” in the English provinces | before he is furnishing new copy | with another surprising maneuver. | Mr. Miller wants to give New York | a view of Wycherley's rowdy Restor- | ation comedy “The Country Wife” | as it was revived a year ago in a summer playhouse with Ruth Gor- | don in the leading role, but do you | | think he is going to do anything as

| think she is as an actress.

| usual angle connected with this pro-

{as co-producer of | Wife,”

| wielder. | mortar-and-pix device originated in

The metate is the ancient

Toltect times with which Mexican

women grind their cornmeal for | tortillas,”

Abrams explained.

Abrams also turned landscape

| gardener during the filming when grass in a patio scene failed to | register to the satisfaction of the | director.

Some 30 tons of green sod was

{uprooted in Los Angeles, trucked tn | location and transplanted.

Tall Girl Winner

of Beauty Title

| By Tnited Press

simple as plunking it right down in New York theater and trusting to luck and the critics? Not on your life. Instead he hustled Miss Gordon on to a boat for England and there | she is in London right now rehearsing the play for presentation for three weeks only in the historic Old Vic Theater. An English cast will support her. At the end pf that brief engagement Miss Gordon will take a fast boat back to Brpadway and go into rehearsal with an American cast. giving New York its first look at the production in mid-No- | vember. This business of an American actress playing the leading role in a production at the Old Vic is just | something that usually so you can see that the crafty Mr. Miller is building up no end of a sendoff for the eventual New York production. The English, I hope, will discover that Miss Gordon is all we |

isn't done, |

Incidentally, there is another un- |

duction in that Miss Helen Hayes, |

{ who has starred in many of Miller's |

FREE DANCE LESSONS TONIGHT

The CASING

3547 E. Washington St, HAL BAILEY'S ORCHESTRA

| “Venus of the Billboards,” | loveliest of all the girls whose faces |

{ New York, | sponsored the contest, | Atlas,

low: | weight, 122 pounds; bust, 33; waist, (24; hips, 34; thigh, 191: {ankle, 8's; | size, 6'2

22.—America's adjudged

NEW YORK. Sept.

and figures are reproduced in post-

(ers and periodicals throughout the | country, { New York.

is Miss Dorothy Wilson, of |

With curly red hair, green eyes | and a statuesque figure, Miss Wilson |!

{is 22 years old and has been model- | ing three years. She defeated more | than 1400 entries in the preliminary | | selection, { when the candidates were measured ta compare with a perfect composite |

but the real test came

of 16 of the country’s most Sought

after models. In addition Miss Wilson, according to the judges, Miss Gertrude Meyer, president of the Models’ League of the organization which | and Charles

physical culturist, “was dis-

Height, 5 feet, 8!: inches;

; calf, 1235: foot size, 5-B; ; neck. 12ffi head size, 211..

ONE NIGHT ONLY! NEXT SUNDAY GLEN GRAY

and the

CASA LOMA

ORCHESTRA

Tickets now on sale Ind. Theatre News Shop, SOc. incl. tax, till 8 p. m. next Sunday. "After that £1.10.

Make Reservations Now DANCE TONIGHT!

~ Emil Velazco Featuring his $20,000 Pipe Organ

AND HIS ORCHESTRA 25c¢ Before 9 P. M.

a moving | |

New Titles

for Movies Hard to Get

Hollywood Consumes Screen Captions With Fervor; 14,000 Used.

BY ERSKINE JOHNSON

| HOLLYWOOD, Sept. 22.—(NEA) —They have boxed the compass, thoroughly dissected the human body, used up all the colors, honored most of the states, recognized five months of the year, counted from one to a million and used all divisions of time. : You guesed it, all for film titles, and new ones are being thought up every day. Movietown consumes titles with cannibalistic fervor. Nearly 14,000 have been flashed on the screen since movies hecame big business, 21 odd years ago. Take colors, for example. Film fans have seen The Yellow Lily, Blue. Moon, Golden Clown, Green | Temptation, Brown of Harvard, White Mice, Pink Tights, Black | Paradise, and Red Lips. For state titles, Hollywood has { used Tennessee's Pardner, Colorado | Pluck, Arizona Romeo, Oklahoma | Cyclone, Florida Enchantment, Ne- | vada Gold, etc. The compass hasn't been neglected, what with South of the Rio | Grande, North of the Rio Grande, West Is West, and East of Broad- | way. The months are evident in Captain January, April Showers, June Moon, March Hare, and May- | time. Time

is represented by Two Seconds, Mile a Minute, One Hour With You, Day by Day, Three Weeks, Month's Leave, and The | First Year. Just Count Them

| | Numbers begin right at one and | go on and on in an unbroken pro- | cession—One Hour of Love, Two for | Tonight, Three on a Match, Four | Frightened People, Five and Ten, Six Hours to Live, Seven Days, | Eight in a Boat, Nine O'Clock | Town, Ten Commandments, etc., to 20,000 Leagues Under the Sea and, finally, Thanks a Million. Cities also are doing right well in film titles. We've had New Orleans, San Francisco, Chicago, New York Bound, Miami, and Mexicali Rose. Streets get mention, too. Broadway has been used 36 times. Hollywood Boulevard and 42d Street each have hit the screen once.

Anatomy Has Mention

Anatomically speaking, reading from head to feet, Hollywood has made The Copperhead, Red Hair, The Evil Eye, Rouged Lips, Idle Tongues, Teeth, Forgotten Faces, Scarface, Dimples, Freckles, Rough Neck, The Hope Chest, Shoulder Arms, White Shoulders, Scratch My Back, Hearts in Dixie, Backbone, Empty Hands, Bare Fists, Brass Knuckles, Palmy Days, The Finger Points, Thumbs Down, Feel My Pulse, Adam’s Rib, World and the Flesh, Blood and Sand, Redskin, Brothers Under the Skin, The Family Skeleton, Fingers Don't Lie, Loose Ankles, Feet of Clay, On | Your Toes, Barefoot Boy, and Painted Heels.

Long, Short of Them

Longest screen title, The Man Who Broke the Bank at Monte Carlo. Shortest, the German-made picture, M, which starred Peter Lorre. Man, woman, and ‘love are the three most popular words, if you happen to have a yen to become a screen title writer. Man has appeared 165 times, love 154 times, and woman, all the way from Woman Alone to The Woman in the Suitcase, 139 times. Hell has appeared 41 times; Heaven only four times.

Transformations Are Dafly

Some daffy changes have been made, too. Always Faithful, an original screen story, became Flashing Fangs. | Her Cardboard Lover became The | Passionate Plumber. Maupassant’s { That Pig of a Morin reached the | screen as Red Hot Papa. {| Likewise, any number of popular

| song and book titles have been used | to ballyhoo irrelevant pictures. The {Lives of a Bengal Lancer was a | non-fiction book from which a | highly dramatic screen story was produced. Max Miller's collection of | anecdotes in his I Cover the Waterfront reached the screen as a love | story. But this one takes the prize. Some | years ago Paramount was making a | screen versign of Burlesque. The | producers didn’t like the title. Someone thought of Havelock Ellis’ book | of morals and ethics, Dance of Life, | plotless and dry. The studio gave Mr. Ellis $15,009, land Dance of Life emerged on the | screen as a story of backstage | vaudeville life.

| tinguished by her facial beauty and | grace of movement.” Miss Wilson's measurements fol- |

hand |

FRED

ASTAIRE

GINGER R

Last 3 Days!

in IG.

vi ne

HOOSIER DANCER IN MOVIES

Iris Meyers, who was born and

reared in Indianapolis, is making

rapid strides as a motion picture dancer, her latest assignment being

the Warner Brothers-Cosmopolitan co-starring Marion Davies and Cla time in vaudeville and on the New

musical-comedy, “Cain and Mabel,” rk Gable. Miss Meyers spent some York stage before launching herself

upon a screen career two and one-half years ago.

Be Yourself, Actor Advises Would- Be e Hollywood Stars | Dixon and Henry Armetta.

Herbert Marshall Says Temperament Has No Place in

Movies, Especially

By United Press HOLLYWOOD, Sept. man, has a special sort of .advice fo

22.—Herbert Marshall,

for Men Players.

popular film leading r would-be screen actors.

Any man desiring a place in films should “be himself,” according te

the Marshall recipe.

“When I took a boat for Hollywood some three years ago I was |

debating two plans of procedure, “The first was td be temperamental—within certain limits—and the second was to be myself. I really | studied the subject carefully and | discovered some interesting facts.” Thought Hollywood Queer The former stage star revealed | that when he first contemplated a motion picture career he had the feeling Hollywood was ah extremely queer place. “The people who seeped to get along best, according to my notions at that time, were thagse who did outlandish things. For instance, contempt seemed to earn good

Diva Declines Movie Career

Prestige Means More Than Fortune, Singer Says.

By United Press HOLLYWOOD, Sept. 22. — The satisfaction and prestige she gains from being a member of the Metropolitan Opera Company means mare to Susanne Fisher than a movie contract carrying a huge salary, the singer declared today. Miss Fisher was offered a contract by Safnuel Goldwyn to appzar in a musical production but turned it down in favor of the relatively small salary of $350 a week she receives from the opera company. The Sutton (W. Va.) diva came here to fill a radio engagement and met Goldwyn while visiting. her friend, Edward Arnold, on a movie set. The producer persuaded Miss Fisher to sing an aria which technicians recorded and filmed. After viewing the test shot, Goldwyn made his offer. “When an artist devotes every mcment from childhood to voice cuiture,” she said, “La Scala and the Metropolitan mean more than fame and fortune , which can be gained overnight in the movies.”

‘HAZEL KIRKE’ RETURNS Effie Ellsler, star of “Hazel Kirke,” plays Robert Taylor's grandmother in Irving G. Thalberg’'s “Camille,” starring Greta Garbo.

_ Last ay JOH NN

PERKINS

Presenting

“A Ton of Fun" |

MISS AMERICA | Others! |

ST. CLAIR

BENNETT - McCREA

IN A UNIVERSAL PICTURL

(oJ) TLV RYTION BURLESQUE ROAD SHOW...

(TT FOLLIES

EVELYN (USHWAY 40

REX

” the actor explains.

profits for Europeans who assaulted the Hollywood heights. This seemed | an integral ingredient to the dish | of success. “But a closer study. revealed to | me that only women were successful in practicing temperament. All men who tried it failed dismally. This taught me the startling fact that the movie-going public can sympathize, even admire, a womar whose conduct is fantastic but wil ignore or condemn a temperamenta; m-~1s star.” Decision Was Easy

Marshall -said this knowledg2 made it easy for him to decide to merely “be himself.” “As a matter of fact, I should never have liked being temperamen-

attached to it.”

arshall’'s common sense

add that ingness to go out of his way

and willin

i to oblige made it doubly easy for

him to be successful in the least colorful of the two pre-Hollywood roles he debated.

Carole Lombard-Fred MacMurray . “PRINCESS COMES ACROSS” Chas. Ruggles-Mary Boland “EARLY TO BED”

Lewis Band Booked for Lyric Stage

‘Top Hat’ Musician Due Here ‘With Own Revue Oct. 9.

| Ted Lewis and his orchestra have | been booked for the Lyric Theater for the week beginning Oct. 9, Charles M. Olson, manager, an=nounced today. Mr. Lewis will have his own stage presentation. This will be the top-hatted maestro’s first appearance on the Lyric stage. His revue, “entitled “Rhythm Rhapsody,” will be presented by 25 musicians, songsters, dancers and

comedians. Included in the specialty numbers to be presented during the Lewis show will be the Radio Aces. a trio

tal anyhow. There is too much strain |

The actor's friends in the industry |

of radio singers: Lewis’ shadow, { Charles “Snowball” Whittier, | dancer; Edna Strong. dancer, and | Nascha, who does dance interpre- | tations. On Fall Tour

This is a fall tour for Lewis. who has just completed long engage- | ments at the Los Angeles Coconut Grove and at the Terrace Room at the Morrison Hotel, Chicago. | Other orchestras which have ap= | peared at the Lyric this year in- | clude those of Horace Heidt, Fats | Waller, Duke Ellington, Barney | Rapp, Ina Ray Hutton, Buddy | Rogers and Noble Sissle. Next Fri= day, Phil Spitalny and his 25- -piece | girl band, is scheduled to join this | 8 group. | © The screen play to be shown the week Lewis is here is to be “The Magnificent Brute,” featuring Victor McLaglen, Binnie Barnes, Jean

| |

Fire Engine Given Gable as Present

Times Special HOLLYWOOD, Sept. 22.—Carole Lombard has found a “topper” for the wreck of a car she sent Clark Gable as a birthday gift. It is an antiquated fire engine. | When Carole heard that the en- | gine was for sale she hurriedly got | an option on it. What Clark will do with it no one knows. The first gift, a broken-down roadster painted white with red hearts, has developed into a snappy racing car. Clark put a new engine in it, dolled it up with accessories and now drives it to work.

{ |

NOW!

A BENSATIONAL HIT!

THE GREAT ZIEGFELD

WM. POWELL MYRNA LOY LUISE RAINER

35e to 8 @ ic Nights

Incl, Tax

FRIDAY!

A Red Letter Day for Indianapolis

2 MAJOR FEATURES!

Sinclair Lewis’

DODSWORTH

Walter Huston

bert Young

SWORN ENEMY!

WEST SIDE 2702 W. 10th St. Edward Everett Horton “NOBODY'S FOOL” W. Wash. & Belmont

Comedy—Cartoon Double Feature Jo

BELMONT "Bai. 5.5

“EARTHWORM TRACTORS” “MEET NERO WOLF” Double Feature

D A S Y Jane Withers

“LITTLE MISR NOBODY” “ANNIE OAKLEY”

2510 W. Mich. St.

NORTH SIDE | Illinois d 34ih | R | Y Z Double A atire { Bing Crosby

“RHYTHM ON THE RANGE” “EDUCATING FATHER”

+ Central at Fall Crk. Z ARING b Double Feature | W. C. Fields “POPPY “WOMAN TRAP”

42nd & College Special Feature

U PTOWN Shirley Temple Cartoon—Major Bowes Amateurs—News 3%th and Illinois (GARRICK Spencer Tracy

“POOR LITTLE RICH GIRL” Double Feature + *THE HOOT OUR HOME"

St. Clair & Ft. Wayne Double Feature Clark Gable “SAN FRANCISCO” _ “MINE WITH THE IRON DOOR”

UDELL Udell at Clifton

Double Feature Errol Flynn : “CAPTAIN BLOOD” “GIRL FROM MANDALAY”

TALBOTT Talbot & 22nd

Double Feature Kay Francis “THE WHITE ANGEL” “HIT AND RUN DRIVER” 30th at Northw't'n. Double Feature Jane Withers “GENTLE JULIA” “THE BIG NOISE”

St at d 19h & Collexe uble reature rarior Ralph Bellamy “DANGEROUS INTRIGUE” “TO BEAT THE BAND”

MECCA Noble & Mass.

Double Feature George Bancroft “HELL SHIP MORGAN" "ANOTHER FACE" 8,

DREAM 2361 Station 8

Double Feature C. “THE BORDER PATROLMAN" :

Fields

EAST SIDE 3155 E. 10th Double Feature “RHYTHM ON THE RANGE” "TWO AGAINST THE WORLD” TACOMA Double Feature 5 Kay Francis “DEVIL'S SQUADRON” cr 40%0 FE. New York Jean Muir “WHITE FANG" pe Hn ttl | IR Y | N © “Bouse bo “THE WHITE ANGEL” EMERSON Deuste Fo “SHE COULDN'T TAKE IT” HAMILTON fk Fifer “EDUCATING FATHER” i 2936 E. (0th St, P A R K E R Clark Gable “EVERY | SATURDAY NIGHT” S I R A N D - BE Suis Clark Gable “EDUCATING FATHER” p + 411 E Wash. aramoun Conrad Nagle “GIRL FROM MANDALAY" . Washington Double Feature “LADY OF SECRETS” “VALLEY OF THE LAWLESS" SOUTH SIDE FOUNTAIN SOUARE “POOR LITTLE RICH GIRL” “36 HOURS TO KILL” Double Feature James Cagney “THE FRISCO KID" “CASE AGAINST MRS. AMES” Double Feature “TROUBLE FOR. mT, Meridian ORIENTAL gL tars. — a ot Ix. 2°03 Shelby St. eal: GARFIELD Sheaves

R v oO L Bing Croshy “Kk A A SWZ E Vash, sh “WHITE ANGEL” TUXEDO Double Feature "WE E_WENT T TO COLLEGE” Kay Francis “WE E WENT TO COLLEGE” ean Harlow “SUZY” 2116 E. 10th St. “THREE WISE GUYS” Double Feature “SAN FRANCISCO” 1332 E “SAN FRANCISCO” Par Donald Cook Comedy—Novelty BIJOU Ruth Chatterton FRANK MERRIWELL No. 3 Double Feature Shirley Temple SANDERS At Fountain Square AY AL ON Pros. Churchman “ROAMING any “PANIC ~ THE AIR" “SAN FRANCISCO"