Indianapolis Times, Indianapolis, Marion County, 18 September 1936 — Page 29
PAGE 28
THE INDIANAPOLIS TIMES
i
FRIDAY, SEPT. 18, 1936
- HOWARD BROTHERS HAVE BEEN CLOWNING TOGETHER 35 YEARS
Veterans
of Comedy Act Here
Willie and Eugene Assert Acting Fool Requires Serious Work.
BY JOHN W. THOMPSON
Willie "and who
Eng-
Eugene Howard, are to be scen tonight at lish's in George White's can snicker up their collective sleeve at the Broadway and Hollywood pikers who boast of a decade or so in the show business. The two boys have been together onthe sthge for 35 years and they seem to get better all time. At least in demand now that at time their career. Willie contrib:
very nobly
they are
any in demand fewer turnart of
ites this to the fact that students of the drama are ing toward the delicate clowning these days. “Newcomers to the stage, for the most part, fail to display any interest in the comedy side of show business, * said Mr. Howard recently, “despite the fact that there is always room for good comedians. The financial return is good — at least eventually.
Art
“Perhaps they think ing would cheapen their art. But, believe me. there's -just as much art in acting the fool as there is in any other branch of the theater.” 'All humor as adapted for the stage, according to Mr. seriously planned and studied. Even the role of “straight” man, played in this duet by brother Eugene, the elder of the pair, is a serious business, Willie said. It is the duly of the “straight” man, or “feeder” as He is known. to set the pace of the gags, as well as the tempo
the Fool
clown-
in Acting
that
with which he paces the words he] are all-impor- | empha-~ | sis is not placed on certain phrases, |
These words because if the proper
uses. tant,
the response of the comedian will fall flat. Willie and Eugene started out together in one of the early counterparts of today's night club, St. Nicholas Inn: which in the 1900's was 'wav out in the suburbs New York. Before this Eugene had been a chorus boy in several shows and Willie had made his deput on the stage as a boy soprano. Willie says that the comedy they use seems to get more off-color each vear. When the Howard boys went to work for Mr. White they refused” to say But the public color stuff has round to it. “Although they have been dressed up to fit the times,” said Willie, “we are still using some of the gags we used more than a decade
ago.”
offcome
demand for made them
WHERE, WHAT, WHEN
APOLLO “Stage Struck” ‘with Dick Powell Joan Blon dell i nd Frank Mei igh 1 3 5:42, 7:45, and
CIRCLE 2 ith Pred Astaire Rogers at 11:05, 1:15 . 7:45 and 9:53 ENGLISH'S - ‘Scandal s."” George White's mursial produ uction with Willie and gene Howard and Helen Morgan,
at & KEITH'S
“Mrs. Bumpstead-Leigh.” Players production under tion of John Cameron.
8:18. . LOEW'S “The Great Ziegfeld’ with William Powell, Myrna lov and Louise Ranier, at 11:20. 2:35. 5:45 and 9.
LYRIC
Johnny
a Pederal the direcCurtain at
Vaudeville, with “Miss America of 19: on stage at 12:55, J 46. 6:37 and Also “Feo in a Cr i,” with Joan Bennett and Joel McC rea, Op screen at 11:14, 2:05. 4:36, 7:47 ALAMO “Speed” with Wendy Barrie nd James Stewart Also Ed: ati Father” with the Jones Family. AMBASSADOR “Suzy” with Jean Harlow Pranchot Tone Also “Meet Woife'' with Edward Arnold. OHIO “Sins of Man" with Jean Hersholt and Don Ameche. Also ‘Behold My Wife” with Gene Raymond and Sylvia Sidney.
and
and Nero
“Scandals,”
the | more
Howard, is |
of |
some of the lines.|
| lights.
Now Thru Saturday !
Jean Harlow "Suzy EDW. ARNOLD
“Meet Nero
1
STARS AND SCENES FROM 'THE GREAT ZIEGFELD," OPENING TODAY AT LOEW'S
POWELL HOPES: ROMANCE WILL BRING PEACE AND HAPPINESS INTO LIFE
WITH JOAN BLONDELL
(Editor's note: Dick Powell thought he was terrible in “A Midsummer Night's Dream”; he has a loneliness he can’t shake off; he hopes that he and Joan Blondell may find “a tree-hung cove where they can really be happy.” This is the last of the life story series written by Mr. Powell.) ~
BY DICK POWELL as told to RUTH McTAMMANY Times Hollywood Correspondent I looked out of the window the train that was taking to Pittsburgh. The little towns flew by one after another. 1 thought of Mountain View, Ark, where I was born—it would be | sleeping there, all peaceful, just as it had for years. | Berryville would be a little larger, not much, and the people would still be real and friendly. Nice places—county places—good to think back on. Mother and Dad would be sitting on the front porch of the old house in Little Rock, contented. "Why did a fellow ‘have to be so restless, so ambitious? What is the struggle all about? Up todav, down tomorrow. “Pittsburgh, Pittsburgh!” “Hello, Powell, how the big Hollywood star ” “Glad vou came, Dick—the old town's not been the same.” I guess. this is it, the greeting of admirers. the glamour of public appearances, the glare of theater It gets into the blood— there's no cure. I went back to my answered the daily questions “when will your picture be out?” When two months had passed my Hollywood venture became a public joke. I couldn't convince them that it very often took twa months to edit and cut a picture.
work and
" 2 zn
B= LE MAIRE Pittsburgh and
came to
up. “1 was said, vou feel about motion pictures.” “How is the ‘Blessed Event’ and where is it?” “Coming out soon. vou like to sign up for tures, Powell?” “How was I? the screen?” “Not. bad, course you ing on.” “I suppose so. I'm making money here. 1 like Pittsburgh.” “Well, here's a paper—3$300 al week—if you're interested.”
just passing through,” he
How would more pic-
How did
bad. f of work-
not lot
really need a
gimp Allen-Kent Taylor “SKY PARADE” Edward Arnold-Lee Tracy “SUTTER'S GOLD”.
| weeks of vacation with pay. ; without work were new to me and | {I wasn't { Brothers lent me to the Fox comt pany and Will Rogers for a picture. |
of | me back |
i class-rocm
t Mr.
| gO
| bugaboo to me—I — I can't read |
looked me
I look on |
"Music BY. JEROME KERN
Songs: “The Waltz in Swing Time" a fake Harlem” =“ The Wor You
fat
“I got $500 before for my work ‘Blessed Event.” “That was for four weeks. is a long term contract.” “I'll sign it. Give it to me.” Once more I left Pittsburgh this time for good as far as work was concerned. : I returned to Hollywood and to
in
my
happy. Then Warner |
“Wal, son,” drawled Will Rog-| ers, “I sort a didn’t think I'd have singin’ in this picture.” “That's great, Mr. Rogers.” “How would you like bank robber?” “Well—er—do I enough?” “No, but you look slick enough, I reckon.” I feel honored to have played even a crock in a picture with Will Rogers.
look
» » 2
‘VE been here ever
This | { but, Mr. i be an actor then. You don't under-
| upset.
i York
{ thing. to be a in
tough |
Days | devil-may-care
{ I'll prove it to you.”
that Shakespeare is the greatest, done hasn't been
training in the world for an actor?” | “Yes—I Kknow—I'm sure of it—| Reinthardt, I'd rather not |
| the *
stand—I'm licked before I start.” “Now, The part is light—it certain airy grace interpretation.” | worked pretty steadily since I came “But I haven't any airy Seto Hollywood. If I get away for I'm just a yodeler of popular tunes.” '} awhile my perspective may change. “You are a good actor, Dick, and | | Then, { with its high wall which did some“A Midsummer Night's Dream” |thing to me. It's too big anyway. only proved to me that I could be | Joan and I like a smaller one. Joan worse than I was in my first New | las a great deal of courage to martest—and that was some-|!Y me. There's a girl who knows | life—the restless life of theater and | screen people—life that can be bru- | tal and devastating and life that can be rich and deep.
just | in the nose” or shake his hand.
takes a
” un #
UT there have been many parts | which I have enjoyed. Any | screen actor's favorite role is the one he hasnt played. That part|(pat I am restless, that I have not
Which shail be the expression of | found myself in the shallows. We himself in situations he under- |
too, I'm selling this house |
| |
illusionary. A | | New: York critic once wrote that | ‘ effeminate Mr. Powell smirked | his way thru the part” or some | s | such quip. I don’t know whether to | Dick, you are getting all gc to New York and “punch him |
and | Maybe I just need a vacation. I've |
But Joan knows that I am never | quite satisfied with what I am doing,
1—The veteran comedienne, Fannie Brice, She is now appearing in the new and is shown above in a scene from “The Great Ziegfeld,”
on and on.
opens at Loew's today.
seems to go on and “Follies” in New York, which
2—Playing the roles of Flo Ziegfeld and Billie Burke in “The
Great Ziegfeld”
are William Powell and Myrna Loy, shown resting
between scenes while the picture was being filmed. 3—The surprise performance of the picture, which was shown at
Loew's
last season as a road :show
attraction, was that of little
Luise Ranier who walked off with individual honors as Anna Held,
Ziegfeld's first wife.
want the. step to be
« EVer.
1100
un a a
H yes, because we are both in| the profession whose aim it | is to amuse, I suppose the world, if | “there's Joan |
and Dick, the happy-go-lucky pair | But Joan and | I know that we are both in the] swirling waters of a fantastic city | where pictures are illusion and just | values aren't ever put on anything. | We have felt the force of the stream carrying us somewhere, tossing us| about anywhere. We feel we have | a better chance against the forcz| two abreast. So we are going down | | stream that way and when the final toss comes 1 hope we'll find a tree- |
interested, will say
—always laughing.”
stands and feels.
since and I|
have been in too many pictures |
to write about. Every actor his Waterloo, in some part he has | to play. at one time or another.| Mine was in Dream.” nightmare that Ill never live down. It was the ghost of Shakespeare after me again. It was the same horror which got me when I| tried to read lines in the English | of Centennial High | at Little Rock while the] “tough guy”
School school
After weeks of rehearsal
Reinhardt Shakespeare is a
“Mr. on with it.
the lines.” “Oh, nonsense, right. Jo you
vou are doing all | know, young man,
“and thought I would see how |
Featuring His $20.000 Pipe Organ and His ORCHESTRA Admission 40¢ All Evening Every Night Except Monday and Thursday P man mm 3 Coming One Night Only SF Sunday, Sept. 27 Glen Gray and the
CASA LOMA
ORCHESTRA
fitz
Everyone Says:
Not only their BEST picture—but also their FUNNIEST—and they DANCE as they have never danced before!!!
ALL NEW Surrounding Progromi
/ METAX: RKO os 2 W // /EIRCLE
meets |
“A Midsummer Night's | Did I say dream? It was al
| back my life seems crammed with
snickered be- | | hind his book. It was the tragedy | { of my life.
with Max Reinhardt I went to him | one day with a real tear in my voice. | please—I can't
I have been lonely in Hollywood and here we come back to my personal conflict. I wonder if I can make you understand that I feel a | {lack of satisfaction in all the things I have done in my life. Per- | haps I really wanted to bz a seri-! ous singer, perhaps I wanted to be | a business success in a small city, | perhaps now I want to be a great actor. I don't know. But as I lock
1
PRCT & STAN
“Ton of Fun”
Headlining Indiana's Own Beloved Funster
4aBHDDY
|Ferking
Also Presenting
| Miss America of 1936
Atlantic City Title Winning Be! Beauty!
5 JANSIEYS
Risley Stars
CON SOLO & MELBA
Ballroom Dancers
Hector & Pals ward & Miford
SER June Carr
{ surface things I never seemed to have gone deep enough for complete satisfaction. You hear so often that a motion picture is an illusion. I wonder if everything I have ever
: COOL—AIR-CONDITIONED—COOL
-FRNTL-
AT rOUNTAIN LE) TI HITS!
BETTE DAViS.
Tn He Golden Arrow’ “GEORG ¥ BRENT"
4 ; i ———— A program packed with entsriainment.
"LOOK! GALA MIDNIGHT SHOW "SATURDAY RIGHT—11:30 P. M.
FEATURE SPM
oe ENGIN AY BT
HOME
OPERATED
r—
A $1,000 Bip Tern jn Half Unites fan
ENNE
TW: ina CROWD
HENRY AR NAT PNETTA ALISON skiFwoRry REGINAID DENNY
I've unloaded. I feel better. And | ow its New York, here we come, Joan and I on a vacation.” (THE END)
THE-OLD-INN
END-OF-BEECH-GROVE CAR-LINE ® SAYLOR AND FRIDAY NIGHT
JER AND
GOLDY | BAND EVERY : SATURDAY
° ALSO LEE DAVIS “THE SONG BIRD”
o WE SERVE BRUCK’S BEER ON TAP—EXCLUSIVE
ENGLISH] ied, LILES Stace SCANDALS
IRAE Ei HELEN
HOWARD MORGAN
75 - GEORGE RC Ti3 BEAUTIES - 75
Evenings, 55c¢ to $3.30. Including Sat. Mat., 55¢ to $2.20. Tax. SEATS NOW AT BOX OFFICE
| player } “Sonny Boy”
| stage of | morrow afternoon and evening.
| personations
| Youthful Acior:
| fo Appear Here
Billie vale Bo Booked
Rivoli Stage. «“
for
Billie Vallie, the
to whom Al
child ‘movie Jolson sang in the picture of .the same name, is to appear an the the Rivoli, Theatér ta-
He is to present a series of ime including StepinFechit, Garbo and other characters he has portrayed in “Sunny Side Up,” “The! Bishop Murder Case” and in OO»: Gang comedies.
| i | | |
| | | i |
shall try the deep together. I do | hung cove where we can really pel undone | happy-go-lucky and laugh.
EXTRA JOY BUSTER KEATON in “Blue Blazes”
~ MOVIETONE NEWS
~ WEST SIDE 23702 W. 10th St. Double Feature Marion Davies “HEARTS DIVIDED” “LAWLESS RANGE” Vy. Wash. & Belmont BELMONT Double Feature Gloria Stuart “THE CRIME OF PE FORBES” OT MONE 2540 LA Mich. St. Double Feature Guy Kibbee THE BIG NOISE” 0" ‘MALLEY OF’ THE MOUNTED"
NORTH SIDE or. © = iiihois and 8h
R | T Z Double Feature
Brian Dunlevy “36 HOURS TO KILL" “HEART OF THE WEST” he Central at Fall Crk. Double Feature
ZARING Jane Withers
“GENTLE JULIA” “ABSOLUTE QUIET”
aa att 43nd & College Double Feature
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“NAUGHTY MARIETTA" “TWO IN REVOLT”
GARRICK 30th and Illinois
Double Feature Richard Dix “DEVIL'S SQUA __“DOUGHNUIS ND SOCIETY: »
ST. CLAIR “pombe
St Clair & Ft. Wayne “GIRL OF T
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Yiginia Weidler ARKS". ‘Gdell at Clifton UDELL Double Feature ~ “TROUBLE FOR TW .___. “GARDEN MURD MURDER CASE’ 3
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Rabinsen “BULLETS OR BALLOT “POMPEII”
Noble & Ma M L C C A Double Feature " Spencer Tracy “CATTLE E THIEF” 2 2361 Station St. D DRE Le A M Double Feature Dick Powell “HEARTS DIVIDED” “PREVIEW MURDER MYSTERY”
Montgomery
T2147 E. Wash. St. Double Feature Frances Langford SPRINGS” “IVORY HANDLED GUN"
Er
omit SENTATIONS
EAST ST SIDE 3155 E. 10th RIVOLI aight: er "RETURN OF BH 5 ar ART OF THE WEST”
- "402% E, TUXEDO | ate FE “PUBLIC LIC ENEMYS 5 WIFE | IRV Y | N G & TE re “WHITE F Jean Muir “DEVIL'S SQUADRON" EMERSON ‘Sak Ffi= “EVERYBODY'S aa MAN" rob “THE DEVIL DOLL” HAMILTON Bi katie “THE BORDER PA nm “SMALL TOWN ; GIRL" Lao ee 2036 E. 10th St. p A R K E R Dale Festus
“PADDY “CHARLIE _CHAN; S SECRET”
STRAND 1332 E. Wash. St.
Double Feature * Michael Whalen “WHITE FANG" “NOBODY'S FOOL”
411 E. Wash. Johnny Downs
Pa ra mount Shirley Deane
“THE FIRST BABY” Camedy—Nayelts-——News BIJOU
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SOUTH SIDE
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1103 8S Me 3 ORIENTAL Double Feature Weeds Sar Barrie— SPEED"
GARFIELD Ffiiii
“BULLETS O S AVENGER “MYSTERIOUS A GER”
OTE
hy _LBURLESQUE ROAD JHOW/
