Indianapolis Times, Indianapolis, Marion County, 8 September 1936 — Page 6

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AN ANI /

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£ 3 f

Win

"bling: | “Dick, you should be on Major | _Bowes' program.” Dick, lacking]

Sparse gray

Gunthorpe.

{PAGE 8°

MAGIC

Bird Song:

Land Youth

Georgia Boy Gets Big Hand

on Joining Major’s Unit in Theater Here.. ,

BY JOHN W. THOMPSON A portly gentleman with hair waves his wand and an 18-year-old AtJanta hoy warbles bird imita-

tions from the Lyric stage. |

That's the magic of Major | Bowes. Sunday night, Richard Gur] thorpe, *

City, Ga., stepped in front of | in | imita- |

the Major's microphone New York, whistled tions of all the birds the Major could name. The crowd roared its applause. Charles M. Olson, Lyric owner, phoned Mr. Bowes,

asked for Mr. this week along with the Bowes

‘Anniversary Unit, already there. | night, | rushed to the Newark Airport yes- | terday morning at 8 a .m., Richard |

Hustled to bed Sunday

arrived in Indianapolis at 12:30,

just i10 minutes before the Lyrics] first : stage show.

A waiting whisked him from the airport to| the stage door. There were a few whispered instructions and Mr. | Gunthorpe made his initial stage | appearance without rehearsal. The | audience cheered and whooped— still in the. throes of the magic of Bowes.

Birds—And Birds

ve talked to Dick in a little restaurant near the Lyric yesterday afternoon. He admitted he was ‘scared Stiff” before he went on. He! couldn't remember nearly all the ,birds he can imitate, decided he'd better write them down before' the next show, he's seen is

one of our roughest

. alleys and about 75 feet of Illinois-

st. But he's happy and he hopes the tour of the unit never ends. ‘How did you happen to go New York and Mr. Bowes?” asked.

to we

Hat Is Passed

replied Mr. But it wasn't. It seems! that a certain Donald Comer, who | operates several textile mills in} Georgia, held an inspection tour of his plant one time not so long

“It's a long story,”

play for the house-warming.

gram was a whistling solo, Mr. Gunthorpe being Pell City’s nightingale. 4

Said Mr. Comer after the war-

funds, said nothing. But Mr. Comer made up a purse from around Pell

City, and Mr. Gunthorpe went to

New York, all expenses paid. While he was there, Mr. Comer arranged a job for him. Dick sent in his application to the Major on a Monday, ‘was tried out the following Tuesday. Then the next Saturday he was told he'd be on the program Sunday night. He was one of four chosen

_ out of a group of 300, so Dick was

pretty proud; not boastful, just plain proud. One might wonder how would work himself into the specialty of whistling. After all,

low has to be awfully good to get! away with it on a stage. is what Dick said:

Teacher Liked It

» “One day in schodl I put my teeth | and tongue together a new way. 1! thought I'd try it out kind of easily. |

I didn’t think it loud: But

would sound very it did and the teacher |

| anade me stand up in front of every- | body and whistle a solo.

‘It sounded so good that after that I whistled

- everywhere I could.”

Dick plays the drums in that Pell City dance band. He can also fili in on the saxophone. If he can find a nice chunk of soft wood around the Lyric any place, he's going fo start in on. a boat model. It's his only hobby.

SIE a GETS DETECTIVE ROLE Preston Foster plays the role of a “criminologist in the new drama, “Oné Man Came Back.”

WHERE, WHAT, WHEN

. APOLLO “My Man Godirev.” with Willia Powell. Carole Lombard, Gail Patrick, Alice Brady. at 11:13, 1:18 3:25 5:32, 7:39 and 9:46.

CIRCLE

**The General Died at Dawn.” with Gary Cooper and Madeleine Carat. 12 30, 3:40, 6:50, and- 10. Also

dy Be Careful’ with Lew Ayres a Mary Carlisle, at 11:15, 2:35, $35, and 8:45. KEITH’ S

*Broken Dishes.” a comedy preBene by Federal Players. Curtain

LOEW'S “The Gorgeous Hussy.” with Joan Crawford, Rebert Tavior and Lionel Barrymore, at 11, 1:10, 3:20. 5:35, _ 9:50 and 10. LYRIC Major Bowes’ Anniversary Band and Revu

vile on stage at 12:40, 2:52, 5: 04, 7:29, and 8:30. = “Pe r."" with Jane Withers hy « Irvin 8. Cobb, at 11:20. 1:43, 3:5 6:07,.8:30 and 10:39.

~ ALAMO

“Wife Nersus Secretaty.” with . Clark Gab! e. Jean Harlow and Myma Loy. Also "The Last Qutiaw,” with Hoot Gibson. Harry Carey and the Jate Henry B. Walthall.

AMBASSADOR “Earthworm Tractors.” with Joe E. Brown and Guy Kibbee. "Also “We : Went to College,” with Charles But-

terworth, OHIO ; Nobody.” with Jane alph Moras. Also E. Brown

: “Little Miss : Withers and R © “Sons uns.’

[o with Joe and Joan Biondell

Chance Here

‘almost 18,” of Pell |

Gunthorpe’s services |

car |

He doesn't know what | he thinks of our town because all

ago, | and had Richard's home town band | One | of the numbers on the band’s pro-|

champ |

THE: INDIANAPOLIS TIMES

OF BOWES STARTS WARBLER'S FLIGHT TO LYRIC STAGE

| THOSE TINSELED LEGENDS ABOUT ROBERT TAYLOR HAVE LITTLE BASIS IN REAL LIFE

] i

in love—with a woolly dog! BY PAUL HARRISON HOLLYWOOD, Sept. 8.— (NEA) — Robert Taylor is] {only 25 and has had a brief, if | | busy, film career. Yet decora-| tive, tinseled legends already {are being erected about him. To hear the stories, | gather that he was sternly \reared in mear-po¥erty

{ has been a saga of dogged de- | termination and lofty purpose.

| You may hear that’ he studied medicine, and is a psychiatrist whose understanding of the human { mind lends some mysterious power to his acting. Many persons believe that he | plays Bach and Brahms on the piano, and in his spare moments curls up with, Epictetus in the original | Greek.

At 8 months, Robert Taylor was

you'd |

and | that his whole life thus far-

At 5, he was already a good-looking lad, and his mother was be-

ginning to instill a love of books’and reading.

Incidentally, some | already is being done about his age, | which is announced as 24 instead of 25, | any such petty deceptions. He talks { frankly and without reserve about anything but his personal romances. Parents Weren't Poor His parents weren’t poor. Spangler and Ruth Stanhope Brugh lived comfortably in Filley, to ga thriving grain business. When the wife developed ‘an apparent chronic illness, her young husband determined to study medicine so that he could better care for her. Their child, now Robert Taylor, film matinee idol, was named Span.gler Arlington Brugh—the “Arlington” part being a whim of his mother’s, borrowed from a romantic novel. By the time the boy was 5, Brugh Sr. had won his doctor’s degree. The family lived in’ Fremont, Neb., then in Beatrice, Neb. The father | had a prosperous practice, and his

‘medical skill is attested by the fact

TODAY IS OU

BEGIN HERE TODAY Judith Howard; engaged to Stephen Fowler for four years, breaks the en‘gagement because Stephen is unwilling to marry her and let her continue with her job. Judith is encouraged in this move by her friend. Virginia Bent. Lonely and unhappy, Judith goes for a walk and steps in front of an approaching automobile. To avoid hitting her, the driver swerves and strikes a fire hydrant. He is injured and taken to a hospital. Judith, feeling responsible, goes along. At the hospital young Dr. Eden Harris tells her the motorist’s injuries are not serious. Later Dr. Harris takes Judith home. In a burst of confidence she tells him about her broken engagement. Judith hears that Steve has recently landed a big contract and bought a new car. She has a chance encounter with him and he asks her to renew the engagement. Judith promises to cone sider this. : Next day Virginia comes to her with ~

it's | ‘a pretty common failing and a fel- |

Well, this |

a newspaper. “You may as well see this now,” Virginia says. 1:

NOW GO ON WITH THE STORY a boy ——

CHAPTER ELEVEN

UDITH looked at the headlines which Virginia Bent spread be- | fore her: | POLITICAL SCANDAL aan INVOLVES NORTH END PIPE LINE CO. At first glance she did not sé the significance of the news story to which Virginia pointed. Then { suddenly, with a catch in her throat, she remembered that this was the deal in which Steve had been engaged, “It's quite a mess,” ginia saying. led Steve.” . Judith dropped the newspaper te her desk. “But how can they? | All he did was sell them the pipe?” { “I don’t know how they can, darling. All I know is that they have, Of course I'm not ‘saying he’s guilty—and nothing's been proved yet except that somebody in the city hall made money ‘on | the deal.” “Virgie, will you tell Mr. Bordén 1 can't be here this afternoon?” “Where are. you gojng?”

— Re

she heard Vir“And they've indict-

UDITH faved her: friend resolutely. “I'm going to Steve, of course.” _ “Listen, Judith! Don’t be a fool. If Steve's innocent, then he'll come out of this all right. then you don't want to be miked {up in.it. “But I do want to mix up in it. | Doesn't it occur to you that maybe | he got mixed up in it trying to—

ime!” | With that she left the speech{less Virginia. Downstairs she hailed la taxi and was soon at the office | of Steve's Ss company, resolved to talk | with Steve's boss before she went to Steve himself. In her excitei ment she had forgotten that it was {the noon ‘hour, and she found the | place almost deserted—except for | Stephen Fowler! At the far end of ithe big room he sat at one end of the salesmen's desks, his head in

'his hands, oblivious to her ap- { proach. : | “Steve ,.. " she said softly. } 8 = =

E looked up suddenly. ‘What are you doing here?” i “Then { arrested?”

’ . ONIAL:

TONITE! LADIES’ NITE!

The CASINO

[TDAVERG RRs =z s FASTERN 40%

slat Saleen

If he's not. !

to make enough money to marry

“Judith! |

you haven't: been—been |

He smiled weakly. “Oh, sure, I'm in the hoosegow theoretically. But the hoss put up bail.”

“Steve . . Ugte's nothing to all this, is there? mean, all you did was take the order, and they can't——"

“Just a minute, Judith. There is something to it. More than even the boss knows. I didn’t take any money on the deal, but I did know that somebody in the engineering department was going to make a profit at the expense of city taxpayers.” “But, Steve, I don’t see how.” “Our pipe is cheaper: to install than the ordinary kind. That's what I've been trying to put over with the department for years. Well . . I finally did. A couple of the ‘smart boys saw that there would be charges for labor—labor that wasn’t all used or paid for.” Judith’'s eyes widened .unbelievingly. “You knew they were going to do ‘that, Steve?” “Of course I knew it! none of my affair, was it?” glared :at her belligerently. “My job was to sell the pipe, and if it happens to be pipe that’s easier to graft on—then that’s not my fault.”

It was He

Ld 5 ”

Stephen.” . He did not answer at once, just looked at her coldly. “No,” he said. “I guess it doesn’t. But you can't hyve everything, you know. You can't have ideals and the girl you want, too. I had to put that deal over, Judith, and you know why I closed one eye.” Judith shook her head. “You didn't have to do that, Steve. 1 offered to marry you if you didn't get a penny more than you had.” “Will you stop it!” His open palms came down against the desk. Plainly his nerves were stretched to the breaking point. Without another word, Judith turned and left him. But she wasn’t finished. . Before she had reached -the street again she had her plan in mind. Steve Fowler was in | trouble because he loved her, Judith | told herself, and she must help him. At a drug store on the corner of the block she telephone Bob Bent, | “This is Judith, Bob. You've seen the newspapers?” “You mean about Steve, I suppose? Yes, I saw. them.”

Extra! In Person! RICHARD GUNTHORPE

Bird Whistler Direct From Major Bewes' Last Sunday Night Broadcast in New York®

Co0f OIONIZED AIR!

0 3 Last Days! 1, MAJOR,

"BOWES

T ANNIVERSARY

BAND*REVUE

| with AL. EVANS : —Plus—

The Pick of Al the * Stars From Last Year!

nr ~ ON Tie. SCREEN \ /T'S°A SCREAM!

JEPPE

WITH

Neb., thanks { his cello’ instructor lived.

Taylor himself has no part in|

EAT doesn’t sound like you,

fictioneering that his wife has survived him. He

died in 1933. Dr. Brugh indulged his‘ son’s wishes to the tune of a pony and six new automobiles—three of the latter before the boy’s seventeenth birthday. But Spangler Jr. was commanded not to drive faster than 35 miles an hour, and he kept the pledge—though he felt he {fairly crawled on the long drives ta and from college, and to the town where

The cello, a fine one, was bought for him as a compromise with his ambition to play the saxophone. He was an ordinary boy; got into fights and school athletics, all without distinction. He worked a few weeks each summer—as bank teller, harvest hand, painter—then would join his parents at a mountain resort. At the movies, the youth liked Tom Mix. He played his cello with such skill that every one was sure he’d have a musical future. He was awkward, shy, and not very popular socially.

“We must do something, You've got to help me.”

Bob.

‘n ” 7

HERE’S nothing much we can do,” Bob Bent told her. “I phoned Steve this morning, and he told mé® his boss was ‘taking charge of things.” “But, Bob, I don’t want to depend on just that. I'd feel safer if we—we got a lawyer for Steve.”

“How do you know Steve will fancy our mixing up in.this?” “I don’t care about that,” rejoined Judith impatiently. “Bob, if you've ever been a friend of mine—" “All right, Judith. Ill get in touch with John Grose and have him go down and talk to Steve at least.” “Thanks, Bob &. . With relief, ith emerged from the telephone booth and hurTied back to the office. Virginia met her at her desk. “What happened? Did you see Steve?” Judith nodded, taking the cover from her typewriter. “Yes. And I telephoned Bob. He's going to get John Grose on the case.” Virginia Bent looked down at Judith’s blond head. She opened her mouth as if to speak, shut it resolutely, and turned toward her own desk. = » = UST before closing time Judith was called to the telephone. Taking up the receiver, she heard

Eden Harris’ cheery voice at the other end of the wire. “Would you be willing to try dinner with me again?” Judith hesitated. Certainly she did not feel much like dining out, and yet she disliked to say “no” to ‘this ‘friendly voice. “Why, yes,” she managed at last. : “You seem upset, Judith. Perhaps another time would be better.” “Oh, no. It’s nothing, really. I'd love to go tonight. ” At 5 o'clock his car was in front of. the office building. He ran join Judith the moment she appeared in the entrance way. “Would you like to go to my club for a

to ask you a

He played cello in college days —gave it up compietely later.

“Until T was a junior in college, I wasn’t able to go with one girl more than a month,” he recalled. J Before an audience, Taylor was at ease. He appeared in school plays and was a consistent winner of oratorical contests, usually on the subject of prohibition. He was always for it. He never was quite sure what he wanted to do—medicine, law, or some kind of business, While a student at Doane College he belonged to an orchestra called the Harmony Boys. He never seriously thought of music as a career, and now has lost all interest in it. Never touches his cello and doesn’t even own. a piano. Taylor didn’t study medicine, but took a degree in liberal arts from Pomona College in California, to which he transferred from the Ne braska school, At Pomona he suffered under the derisive nickname of “The Sheik” and had few friends until he distinguished himself in debating and: dramatics. Because he is rather’

cocktail before we eat?” he asked assisting her into the car. “I think I could stand just one,” Judith told him. : The tiny ‘ladies’ bar” of Eden's

club was quiet and restful. Judith liked the ° soothing ' pastel-green walls, the quaint old-fashioned

prints, and the little knee-high tables. Contentedly she turned the rim of her cocktail glass in her fingers, lounged deep «in the comfortable chair. “This is nice,” she told Eden. 2 2 ” IS face brightened. “If you really like it, Judith, I'm going question. Because,” he added with a smile, “I’ve been meaning to ask it a long time now.” Judith did not answer, and Eden

said, “I want you to marry me, Judith.” Judith set down her glass with trembling fingers, still wordless. Eden hurried on: “I don’t mean now or tomorrow or next week. The very next minute would be all right with me, Judith. But .,. .” for the first time since she had known him he seemed flustered, as ill at ease as a boy. “I thought I'd give you fair warning.” Judith met his eyes squarely. “I like you a great deal, Eden, but . .” “Oh, I know it’s all backwards. I haven’t kissed you. We haven't held hands in the movies or strolled ‘in the moonlight. But, I love you, Judith. Thats what I want you to know. ”» Suddenly Judith leaned toward him, took his face in her cool hands and kissed him fulll upon the lips. It was an impulsive, an involuntary move, and she stood up with her face crimson. ‘“You—you're the nicest person I've ever known,” she said slowly. s 82» DEN smiled bitterly. don’t love me?” “I—I don’t know, Eden. I couldn’t give you an answer now. You see,”

“But you

SURPRISE NIGHT—8:30 P. M, JOE E. BROWN OF Guns”

. Jane Withers “LITTLE MISS NOBODY”

His mother, Mrs. Ruth Brugh, was less surprised than any one else at her boy’s success—even less so than the boy himself.

quiet, Taylor gives the impression of being somewhat profound. He isn't. He likes light fiction,” newspapers and popular music.

Discovered for Movies

It was in a college production of “Journey's End” that he was glimpsed by a talent scout for Metro - Goldwyn - Mayer. Pending graduation from school, Taylor was offered weekly instruction in dramatics under Oliver Hinsdell, the studio coach. He didn’t think the

company could be serious about wanting to make him an actor, so he twice allowed his lessons to lapse. Late in 1933, after Taylor had obtained his degree and enrolled in a regular dramatic school, the studio gave him a screen test. He played a scene in which he, as a young dramatic coach, was attempting to teach an actress (Evelyn Knapp) how to make love. Louis B. Mayer saw the test and noted the apparent reality of Taylor’'s lovemaking.. The actor was

she met his quizzical gaze. “You see, Steve's in trouble.” He nodded. “Oh, yes. Steve. I was optimistic enough to think that perhaps there wasn’t LE ow. “But it’s not a question of that,” Judith insisted. “He—he's really in trouble because of me. And—and we were together so long, Eden.” Wearily Eden drainéd his glass, set it down firmly on the little table. When he faced Judith again he was smiling. “Shall we have dinner now?” He touched her arm

as impersonally as though he had:

never, a moment before, professed his love for her. “And shall we try John’s Rendezvous again, or do you think it might be bad luck?” All the way to the restaurant he talked gaily of insignificant things, but beneath the brittle surface of

his gaiety there was an under-

current of despair he could not

hide from Judith.

,(To Be Concluded)

TWO OLD SALEMS Two Salems, instead of one, are being built for Frank Lloyd's production, ‘“Maid of Salem,” to conform with historical data. In 1690 there were Salem Village, on the seacoast of Massachusetts, and

Salem Town, a few miles inland.

INDIANA STATE

Sept. 11 Last Day

FAIR

GRAND CIRCUIT RACES

Every Day

PRIZES TOTALING $33,900

"HORSE

SHOW

Every Night PRIZES TOTALING $1

There's

given a contract for $35 a week; also an order on a local tailor for a complete new wardrobe. ‘It was. Mayer's secretary, Ida Koverman, who selected . Brugh's screen name. “I like it all right,” he commented. “At least, people can pronounce it. Of course, I think the greatest screen name in the business is Clark Gable’s.”

For nearly a. year he struggled along in minor parts in undistinguished pictures. “My morale was at its lowest ebb about the time I was loaned for a pretty good role in ‘West Point of the Air,’” he said. “But they switched me. to a bit with only one line. I kicked about that, and they -settled for another bit which had three lines. “I was plenty low in my mind, and twice had asked the studio for a release from my contract. I wanted to try my luck on the Broadway stage.

“But they wouldn’t let me go, and

‘I was soon mighty glad of it for

then I got into ‘Society Doctor’ and things started booming.”

Next: A Star Is Made.

25¢ Till 6 P. M.—40c After 6 P. M.

15%

Hospital to Sea) ment the Robert's

Fund. Beautiful

IDREAM =

INDIANAPOLIS' DAY > SUNDAY, SEPT. 13th BROAD RIPPLE PARK bolas’ feces | FIREWORKS | ALL RIDES

A Mammoth Display of

DON’T MISS THIS BIG DAY It's Our Thanks to You for a Very Successful Season

FREE tao

Screen ‘Love’

Just Work to Film Folk

Mates Have Professional Understanding About Movie Amours.

By United Press ; HOLLYWOOD, Sept. 8—Holly= wood husbands. who get paid for loving other men’s wives might visit the divorce courts more often than they already do if it were not for a professional understanding on

| such matters.

It's all just a part of the day's “work,” actors declare.

“It's all right, old pal,” they agree.

“You make screen love to my wife this week, but I'll be loving yours

| next week. And if I don't, some-

body else will.” The system works satisfactorily, although there have been instances where the screen lovers forgot. to cut when the director. ordered, and continued their’“acting” off the set, Helen Gahagan, stage and screen actress, has adopted a philosophical attitude on the subject. Arms fold=

ed nonchalantly, Miss Gahagan was

observed = watching her husband, Melvyn Douglas, make torrid ‘love to Joan Crawford (while Crawford's mate, Franchot Tone, was doing likewise with another gal on a different set). Did she mind? “Not in the least,” Miss Gahagan smiled, without a blush. “Why should I? That would be the quickest way of losing him! “I've kept him for five years now. Marriage to be successful must be based on mutual respect and confidence. No man who respects his wife will do anything to hurt her.” (“The Gorgeous Hussy” was getting limp in Mr. Douglas’ arms.) . “The wife must, of course, make herself worthy of his respect first. It works both ways. I think that confidence in one another naturally follows respect.” (Miss (Fahagan looked up to see that the Miss was only an inch away.)

“Speaking in general, I have little :

sympathy for the woman who SRY hold a man.”

CONDITIONED COMFORT? -

TI47K

Robern TAYLOR,

‘Franchot TONE, in “THE

GORGEOUS

_, HUSSY” | \. with" LIONEL BARRYMORE |. |

M-G-M ¥CLARENCE BROWN Production /

FRIDAY—Popular Prices THE GREAT ZIEGFELD

EXACTLY AS PRESENTED AS A ROAD SHOW!

ALL GAMES

Pieces

WEST SIDE

STATE 2702 W. 10th St.

Brian Donlevy

“HIGH TENSION” Comedy—Cartoon

BCI A AZ NIT W. Wash. & Belmont

Central af at Fall Crk. Crk. Special Feature Clark Gable co Tracy

BELMON Special Attraction “THE GREEN PASTURES” ™~ : 2510 W. Mich. St. DAISY “jotiigas “PRIVATE NUMBER” “SEVEN KEYS 10 BALDPATE” ‘NORTH SIDE fllinois and 34th RITZ Gr tote “WE WE TO Dorr FOE ZARING Jeanette MeDenaldS a ms AHS NX _FRANCISC ( UPTOWN bowie saaters “BIG BROWN EYES” fant “THE MOON'S OUR HOME” i GARRICK Bowsit'siziis “THE GOLDEN ARROW” ST. CLAIR “zoster “WHITE FANG” “IT'S LOVE AGAIN" UDELL Sedu, EIST Haber .NORTH SIDE TA ~ Talbot & 22nd TALBOTT Double Feature I Lin oi LIFE” pe. Colbert 30th at Northw'i'm. REX “Bis: “PRIVATE NUMBER “THE KING STEPS OUT” 19th & College Stratford Double Ko “TAMING

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“SHOW BOAT “THE SKY PARAD o

EAST SIDE

HAMILTON

|Paramount

EAST SIDE

BR EE in RIVOLI smn “EARTHWORM TRACTORS”

2—Jean Hersholt, “SINS OF MAN” 3—Hal Le Roy. “RHYTHMITIS"

TUXEDO 4020 E. New York

Double Feature W. C. Fields “POPPY” : “PANIC ON THE AIR”

IRVING uk Wash. St.

Dadbis Ry ace Moore “THE KING STEPS OUT” __“NOBODY’'S FOOL” :

EMERSON ‘Bok ir

> Double Stanwyck arbara Stanwyc “THE BRIDE WAL oUTY y W. C. Fields, “P PPY" 2116 E. 10th St. 1 ouble pF eature rrymore

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2936 E. 10th BL PARKER atiizii. “THE. EX-MRS. BRADFORD” 1332 E. Wash. St.

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“IHE RING STEPS OUT” 411 E. Wash. Robt. Montgzome Rosalind Russell “TROUBLE FOR TWO” .Comedy—Cartoon

“PINTO % j “Adventures of Frank Merriwell” No. 1

SOUTH SIDE Tr FOUNTAIN SQUARE

Deni Fete, Ji Beevers “WE WENT TO COLLEGE”

SANDERS “!Dousie Feature

Double ie Feature “THE PRINCESS COMES Ae

“THE EX-MRS. Pros. Churchmag Double Feature

AVALON "Eneiiie: BE" SOR ORIENTAL “pvt,

“EVERYBODY o “PALM §

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114 E. Washington