Indianapolis Times, Indianapolis, Marion County, 7 September 1936 — Page 8

1 Gloria Rich

Makes Good

In Big Time’

Lyric Announces Coming Stage and Screen Attractions.

BY JOHN W. THOMPSON _ What becomes of Major Bowes’ amateurs after the Major is through with them? The question is a common one among radio and stage patrons who have applauded the Major's efforts to capture new talent. Well, at least one of his girls has stepped al notch higher. Gloria .Rich, seen” here at the Lyric in one of the earlier Bowes shows, is a featured performer the twelfth edition of ‘White's “Scandals” booked for two days at English’'s, Sept. Pearl Robbins, at the Lyric this week, took Miss Rich's place. Back from a trip, Charles M. Olsen, Lyric owner, yesterday announced that another of the Bowes enterprises, the Major “Bowes Dance Band with Ted Mack as leader and master of cere-

monies, ' show place in a few weeks.

‘and Fritzi Robbins, singer. Other Acts Booked

Another booking which is to grace | the Lyric stage soon is Phil Spitalny |

and his all-girl band and show unit, well known- to radio -fans. They play a type of music comparative to Dave Rubinoff's and Pdul Whiteman’s, with comedy tossed in. Other shows which are to visit the Lyric are the Rimacs, Cuban outfit, with music and rhumbds predominating; Dave Apollon, the genial Russian, and his Filipino band; “Shooting High,” an elaborate production now playing

the Palace Theater in Chicago; and | the Salicci Puppets, operated by the | puppeteers for more |

Salicci family, than 150 years. Friday, the Lyric will star Davis, “The Radio Rube.”

Rufe

starring Fredric March, Barrymore and Warner Baxter, the screen.

Director a War Veteran

After directing this graphic

| drama based on the war and what

it does to men and women, Howard Hawks; himself a war ace, was ready to agree with General Sherman about what he

armed conflict. For weeks on, end Mr. Hawks had to work in mud. That wouldn't have been-so bad but it became an obsession. Each day after the shoot-= ing’ (both gun and camera) Mr. Hawks had still photos made of all members of the cast. This was to insure accuracy when other scenes were flimed, so that just the right amount of mud would be splattered over the stars. The battle’ scenes, too, were almost too realistically staged to suit the mental attitude of the director. Sound experts insisted that the battle grounds should be mined as in actual conflict. The only fernce was that

‘ from hurting anybody instead of trying to blow the enemy to bits. Explosives Add Danger This was no easy task. Mr. Hawks

had to work with the explosive ex- | e the dynamite | charges, figuring out the moves of |

- pert who set off

the actors to the fraction of inches and minutes, so they wouldn't be in the wrong place at the wrong time. Knowing France and wartime conditions, Mr. Hawks brought to the “Road to Glory” set a small, compact camera with which to film certain portions of the picture. Working in" cramped billets, tiny farm houses and other close quarters, he said the regulation camera and sound equipment. would never have functioned properly, due to its

= . bulkiness.

June Lang and Gregory ~ head the supporting. cast of Road to Glory,”

“The

Nunnally

Johnson was producer.

WHERE, WHAT, WHEN

APOLLO “My Man Godfrey.” with William Powell; ce Brea pont 1s Gail Patice Brady, at 11:13, 1:18, 3:2 5:32, 7:39 and 8 ns

CIRCLE “ “The General Died at Dawn,” with Gary Cooper and Madeleine Carroll. ay 12:30, 3:40. 6:50, and 10. Also ady Be Careful’ with Lew Ayres d Mary Carlisle, at: 11:15, 2:35, 45, and 8:4 1 ™ KEITH'S “Broken Dishes” a comedy presented by Federal Players. Curtain

at 8:13 LOEW'S “The Gorgeous Hussy." wish Joan , Crawford, Robert ry and Lionel

= Barrymore. at 11. "1:10. 3:20, 3:35, and 10. : 5

LYRIC Major Bowes’ Anniversary Band

| and vue on stage at 12:40, 2:5 5.04, 7:28, and 30 2 “Pepper.” wha ae ith oes

: by 2 120 6:07, 8:30 and 1

ALAMO

“Wife Versus Secretary.’ with

Loy. so “The Last Outlaw,” with Hoot Oh Harry Carey and the late Henry B. Walthall

AMBASSADOR

~" ‘The Green Pastures.” (Scripps-, Howard's best picture of the month)" with Rex Ingram. Also “The Secret ' with Charles Starrett.

OHIO “Little Miss Nobody.” with Jane Withers ane Rabb borne Also s O° Guns.” with Joe E. Brown Land Joan Blondel. 5 covered con-

Er SKY HARBOR

Open Air or

in| George. |

18 and 19.

successful booking |

will be seen at the local | With | the unit are the Youman brothers |

an all- |

on ‘the | stage, with “The Road to Glory,” | Lionel |

said about |

just | dif- | the aim of the] technical staff was to keep away |

Ratoff |

which- was written | by Joe Sayre and William Faulkner. |

associate |

[SPANGLER A. BRUGH (ROBERT TAYLOR TO You REVEALS FILM POPULARITY

COMES AS SHOCK

Adulation rivaling that showered on i Rudolph Valentino has come to Robert No. 1 in glamour among Holiy- | How fame has | Taylor and what manner |

Taylor, wood’'s made film come fo Mr. of man he is now is told in three fascinating stories by Paul Harrison, NEA

stars.

and The Times Hollywood correspondent. | :! This is the first of the series, *

BY PAUL HARRISON

HOLLYWOOD, Sept. 7.— | Brugh |

Spangler Arlington “still pinches himself when he {looks at one of his $2500 weekly salary checks, when ‘hysterical women cluster about him, dog his footsteps, deluge him with mash notes.

He pinches himself again, does Spangler Arlington Brugh, when he {stops to think that as Robert Taylor (spelled in glittering lights) he has suddenly become the most adu-§ lated movie idol since Rudoiph Val entino had the swooning in the aisles.

There was that incident at thejj Dallas Exposition when the runner- {i up in a beauty contest was present- |; The girl |f grasped his hand—then fainted dead |}

ied to this Robert Taylor.

away!

Spangler Arlington Brugh

| that.

{ tion to become an actor.

of ecstatic fan mail, {autograph hounds | women. { Mayer Not Surprised Louis B. Mayer, head of the stu{dio and a veteran star maker, ad- | mits no surprise that in 18 months

and

this protege has smashed records in ||

{ the Hollywood pentathlon: box office i returns, fan mail receipts, all-round appeal, personal appearance drawing power, co-starring prominence. Mrs. Ruth Brugh, Mr. i mother, helps handle 8000 or more | idojatrous letters sent to him each { week—but finds nothing remarkable {ir [the recognition finally being acj corded her son. : ried bi who knew Mr. Taylor in the gloomy days when he was sure | ne’ never be an actor now stoutly | claim to have recognized, all along, his| sensational potentialities.

Luster Wearing Off

Robert Taylor himself will not-al-| ways confess bewilderment. He's] changing. He said, “I'm tired: of | trying to figure it out, so I'm going

young matrons i

just | cant understand why people act like || For Mr. Brugh is a Nebraska |: boy who came to Hollywood with |! | some hope, but no great determina- |’ Then the || {change in name and the jump to}: fame and Mr. Taylor is beginning |. to be philosophical about mountains {/ swarms of 1 adoring

Taylor's |

Istotywodd means ‘glamorous girls to most folks, but right now a mere male is giving the feminine Stepping into the

element a run for the spotlight.

foreground here, surrounded by ladies of the cinema, is Robert Taylor,

Hollywood's big moment of - 1936.

aloud that such a great fuss is be-

{ to take it for granted. The shine is beginning to wear off, anyway. | Making pictures is routine now—| just a job of hard work.” But Spangler Brugh, small tewn | boy turned world matinee idol, is | still amazed, and confesses it to friends. Pinches himself to make i sure he’s really Robert Taylor. . | He reads his press clippings curiously. = He regards: with isomething like terfor the hysterical fans "who are always clamoring or fainting in his wake. Among intimates

| wood.

| he usually is to be heard marveling

ing made over him. Mr. - Taylor, then, is modest—so faréas modesty is possible in HollyI asked him an embarrassing question: “Of course you have tried’ to analyze this thing, and want to figure out what your special"appeal is so that you can develop it, or at least preserve it. What do you think has made you click S0 heavily-with the public ?~ He was embarrassed, all right. He said, “oh, honestly, I don’t know. Sure, I've wondered about it. I don't think it's any intangible or

Logw's Patrons;

Added Attractions Get Credit as Movies Well Worth Seeing

Mickey Mouse, Donald Duick Cavort to Merriment of Broadway Hit at Circle.

i Although the popularity of double features is doubtful, to say the | least, credit for a well-balanced deyble bill is deserved in two Indian-

| apolis theaters this week.

“Moving Day.” The rodent boy in star. Donald Duck and an athletic | piano steal the show. But it’s a scream from stem to stern. At the Circle, where the foggy | melodrama. “The General - Died at | Dawn.” is keeping local patrons on | the edges of their seats, “Lady Be | Careful.” the second feature, comes in mighty handy to relieve the ten- | sion. Although the advertising and ad- | vance notices didn't mention the | fact, “Lady Be Careful” was made | from the hilarious Broadway hit of | last season, “Sailor Beware.” It stars | Mary Carlisle and Lew Ayres, names | | which heretofore have not made box | | office records in the big houses.

Actors at Home in Roles

But Lew and Mary seem perfectly | at home in this little frolic of gobs 1 and gals. We don't know Mr: Ayres { but we have met Miss Carlisle, and | we think she gets the best oppor-| tunity of her screen career in “Lady | | Be Careful.” It's one that is un-| { hampered by the requirements of | artificiality and makes of Miss Cari lisle a heroine with a distinct sense !{ of humor. The story deals with a bashful sailor who, because he accidentally made friends with a group of society i debs, becomes the No. 1 sheik of the fleet. | cafe singer whose icy reputation is i the talk of the navy. Heavy betting | is placed on both sides and the gob i goes reluctantly to work. When they both fall for each i other trouble pops up with the girl's | discovery that the romance is a | Lusiness proposition. But Cupid steps in in time and all ends happily. i “Lady Be Careful” won't walk off i with the academy award but it

i i

FAREWELL DANCE TONIGHT

WESTLAKE

PAUL COLLINS ORCHESTRA

TONITE ALL NITE

DANCE The Casino

3547 E. Wash. St.

Loew's have topped off the rather heavy drama, Hussy,” with one of Sir Walter Disney's finest Mickey Mouse cartoons,

i Man Came Back”

| which to ghost men would seem like | hard work.

His shipmates sick him on a |:

_ Adm. 25¢ All Eve.

“The Gorgeous

this film is not by any means the

| should win a place in the public's

{ heart.

Serving Chep. Suey,

Chinese Star's s Hobby

Times Special HOLLYWOOD, Sept. T7—Willie Fung, the beaming-faced Chinese actor who is seen in many films and was featured most recently in “One has a hobby

When he takes off his make-up

ihe likes to don a waiter’s cap and {apron and go to work in his own | chop suey shop. He says he gets

as much fun out of waiting on customers and dishing up lunches as

| most actors get out of a game of (golf: | And it pays well, too.

SCREEN RECORD SET Flora Finch, one of America’s first ‘screen comediennes, is appearing in her one-thousandth picture this week, two-reel musical comedy, {No Place Like Rome.”

PARIS IN HOLLYWOOD Tilly Losch is rejoicing on finding a bit of Europe in Hollywood. ‘In a restaurant with outdoor tables the Lotus gf “The Good Earth” says it reminds her of Paris.

AIR COND

JONED

att: Te Joon CRAWFORD / Robert: TAYLOR, : Franchot TONE

. GORGEOUS

HUSSY” with LIONEL BARRYMORE 1 a

.s0 doggoned sincere.

‘| colony’s way of

mysterious thing. [People say all sorts of —" “I've been talking to your friends, your agent, and a lot of studio people, and what they say boils down to this: ‘People like him because he’s Women feel that when he says, “I love you” on the screen, he really means it.’” Mr. Taylor thought a minute. He said, “I guess I am sincere, all right. I have to be. I'm no actor—I mean, not a technical actor. “There are parts I couldn't play if rehearsed for years. I couldn't be a hand-kissing, continental type of guy. The parts I have, I must feel. ' And maybe people like me because they know I'm a pretty normal kind of pretty ordinary American.” Hollywood's private opinion of Mr. Taylor is a pretty good index of his short: life in the film capital. There are people who regard him as high-hat because he has resisted efforts to adopt him into the loftier social circles. They wouldn't mind if Mr. Taylor wanted to put on an act of Garboesque temperament, but they're stung by the obvious fact that he just doesn’t care much for the amusing itself. Hollywood can’t bear to be taken casually.

Confused by Acclaim

A good many months ago Mr. Taylor admitted to this correspondent that he was having quite a struggle to keep his balance in the face of his amazing fan acclaim. He explained that there were so many things a young actor was obliged to live up to. “He had to live and dress and play according to a set of rules. He said, “I’ve tried to do what was expected of me. I've met the ‘right people’ and have been—at least once—to all the ‘right places.” Today, an established star, Mr. Taylor can do just about as he pleases. “That's a relief,” he said, “put, of course, there are still some restrictions—new ones. I can’t go

out in public as I'd like to do—like

driving down to an amusement pier and riding the rolly-coaster.” He likes to drive his cars, play tennis with other motion picture

people at the Beverly Hills Tennis |

"Cool. NIZED AIR]

"A RUT

ANNIVERSARY

BAND%REVUE

with AL EVANS —Plus—

ginia, Bruce,

Club and dance. Really dance, not just mill around on. the jammed, postage-stamp floor of a smoky night club. Mr. Taylor and Barbara Stanwyck sometimes go to the Palomar, a huge public ballroom in Los Angeles. Admirers mob they enter, but pay then sincere tribute by 1le alone during the remainder of the evening. They know thatthe stars have come there to enjoy themselves and not to be pestered for autographs.

Besieged by Fans

On the streets, though, ° or in amusement parks, stores, and even restaurants, clamoring fans trail his

every step. Mr. Taylor never gets angry, openly; he's apologetic when he has to decline more signatures and bges permission to be allowed to go on his way. He never entertains at his house. He has few close friends, and devotes most of his spare time to his mother and Miss Stanwyck. Hollywood is in quite a dither over the romance, but is making no bets on what will come of it. After all, Mr. Taylor's name has been linked by gossip with a succession of screen beauties. He has appeared before the camera with an impressive number of stars—VirIrene Dunne, Miss Stanwyck, Janet Gaynor, Loretta Young, Joan Crawford—and now, in “Camille,” with Greta Garbo. He hasn’t much to say about his work with Miss Garbo. “It's a job, that’s all—just' making a picture. Tension? Why, no; what's the use of getting nervous?” :

a ‘more

NEXT—Small-town “boy makes good.

{of

e pair as

ihg them

Chinese Role Hardest Job, Muni Admits

Inability to Understand Oriental Philosophy Seen Handicap.

BY RUTH M'TAMMANY Times Hollywood Correspondent

HOLLYWOOD, Sept. 7.— Paul Muni has finished his work in M-G-M’s production “The Good Earth.” He considers his role in Pearl Buck’s story of Chinese life and traditions the most diffi-

cult he has ever played.

“When 1 considered the part of Wang Lung, the Chinese farmer, I knew there were going to be obstacles in the characterization of an oriental. I also knew that make-up was going to be a problem. I did not know, however, that

‘for weeks I was going to grope blind-

ly for the philosophy of life upon which China has built its faith and existence. “I was testing for the role many weeks before we actually began scene shooting. A few days before the first scenes I went to Irving Thalberg and begged him to let me out. I wanted to pay back all advanced salary I had received, I tried to convince him ‘that my mental struggle to conjure up Wang

Lung had already made me a ner- |

vous wreck and I couldn't go on with the production.

Directors Task Difficult

“I thought I had a real: problem until wise Mr. Thalberg recited his. ‘The Good Earth’ must be filmed and he had to do it. Thousands of dollars had been spent in weeks of testing nearly

every Chinese in California. Every location, with a large radjus, had been considered for picturé locales. The story, itself an epic, was lengthy and each episode 0 important that a complete picturization of it ought to run fqQur hours. Mr. Thalberg’s job was so tremendous that I walked out of his office all sympathy for him and none for myself. “Have you ever tried to understand the Chinese? Have you ever tried to fathom his enigmatic expression? Have you ever considered the statement ‘a Chinese is born cultural’? If you haven't, then perhaps you will not understand my many nights of sleeplessness and days of discouragement, while I was trying to be Wang, Lung and to forget Paul Muni. Now thaf it is over I am grateful for the experience. « “The Good Earth’ will sbe pictorially beautiful; it will emphasize the greatness of Pearl Bugk, its author; it will be another example of the wisdom of Mr. Thalberg, As for myself and my own. contribudion all I can say is: I gavaithe best performance I, an occidental, could and though struggling to understand; I never felt that I had absorbed, in ‘the least, the profound philosophy of the oriental,”

& ACTORS GET HOT

Temperatures during fog scenes for “The Plainsman,” in which Cecil B. DeMille. is directing Gary Cooper and Jean Arthur on a Paramount sound stage, have reached as high as 140, the cooling system being shut off to keep the fog from blowing.

— CUSTER FIGHT RE- ENACTED Practically in the shadow of the monument that marks where the battle actually occurred 60 years ago, Custer’s last stand was re-en-acted near Birney, Mont, for Cecil B. DeMille’s “The Plainsman” co-starring Gary Cooper and Jean Arthur, :

TODAY—TOMORROW

JOE E. BROWN Cn

0’ Guns” Jane Withers “LITTLE MISS NOBODY”

BY JOHN

\HERE is hot jealousy, and there is cold jealousy. Marbra Inning was filled with the cold kind. That was only natural, because everything about her was cold. She had been planning a trip to Bermuda: but now she had decided to invest the money, instead, in a scheme to prevent the marriage of her cousin Anne to Charles Sprading. Though she herself had once jilted the young violinist, perversely she now did not want Anne to have him. | She thrust a“check into the hand ||

NO N AGARA FALLS

Daily Short Story: “r

CREECY

been wiser. Oh, how hateful of herl When Marbra came in, Anne said quietly, “There was a call for you— Mr. Turner.” © Marbra’s eyebrows lifted. “What did he want?” “He said he had sold Charles the violin for a thousand dollars.” “1 wonder why he should call me?” Marbra said innocently, bus her eyes dropped. ” = x O do I!” Anne said curtly. “The

only thousand dollars Charles

of Mr. Turner, the gray-haired' lit- {had was what he had saved for our

tle music-store proprietor. He

his chin. “It's very unusual,” he said slow-

ly. “You give me $400, and you want | |

me to sell back this $1400 violin to Mr. Spradling for a thousand. I don’t understand.”

T isn't necessary that you understand,” Marbra cut in, coolIy. you need do is make the sale. You say Mr. Spradling is still interested in the violin.”

Mr, Turner nodded. “He has never ceased to be interested in it. sold it to me only because he was deeply in debt at the time.” Gently, Mr. Turner opened the lid of the violin case. “It is a genuine Cremona,” he said, fondling the instrument. “Mr. Spradling loves it. Last week he came in, and I let him play it. » “Would he pay a thousand dollars to get it back, do you think?” “If he has that much, I think he would jump at the opportunity. He knows it is worth fourteen hundred. If he is out of debt—" “I happen to know,” said Marbra, “that he is out of debt, and that he has a thousand dollars. I shall depend on you fo sell the violin to him. Telephone me when you do.”

# u

2 » ”

R. TURNER accompanied her to the door. “I understand,” he said amiably. “that Mr. Spradling is going to be married to Miss Anne soon.” Marbra’s eyes snarrowed. “1 wouldn't count on* it,” she said coolly. It was the next day that Marbra's cousin Anne, who lived with her, took '& phone call for her from Mr. Turner. When she turned away from the phone, she dropped dazedly into a chair and buried her head in her hands. Charles had bought his viélin back! That meant that all his savings,son which they had planned to be married, were now gone! - And Marbra was behind this in some way —that was evident from the fact that Mr. Turner had telephoned t®t inform her of the sale.

#" td ”

ES, it was she who had turned him from a spendthrift dreamer into a rising young musician with a rosy future ahead of him. They had fallen in love in the process. Charles Wad begged her to marry him long ago, but she had insisted that they wait—until he had saved a thousand dollars. . He had worked hard and, at last, he had saved the thousand. And

now—now—Marbra had done this |

dreadful thing — had somehow schemed with Mr. Turner to tempt Charles to throw away all his savings to get back his beloved Cre-

Imarriage.” looked at it uncertainly, and stroked |

| Marbra raised her eyes. “You think I engineered the sale just to gum up your wedding plans? “Yes,” said Anne. “Maybe I did. What about ite Anne clenched her fists. Her eyes suddenly filled with tears. “Oh, Marbra! Why did you—" “You stole him from me. It serves you right,” Marbra said cruelly, “Shows what he really thinks of you, doesn’t it? His violin comes first.” She looked down at Anne and laughed tauntingly. “Thats right—ery,” she said. “Oh, you were so0 smug because you thought you had a man at last! LooKing up Niagara Falls in the encyclopedia so you'd know some=thing about the place when you went there on your honeymoon. Go ahead and cry! But next time, don’t steal my man!”

n = NNE looked up. “I'll marry him anyway!” she said, redeyed. “Thousand dollars or no thous sand dollars!” “No you won't,” Marbra said cone fidently. “You're too proud. No

Niagara Falls for you!”

She was right. Anne knew it, She bowed her head in her hands. Then—all at once, somebody was dragging her out of the chair and dancing her around the room. It was Charles! Looking all distorted and swimmy through her tears. And he was acting like a crazy man. “No Niagara Falls for us!” he was shouting. “No Niagara Falls!” Anne started at him, unable to speak. = 1 : ISTEN,” he was saying. “Tur= ner sold me back my old violin! He needed money, hie said, so he let it go for a thousand dole lars. Only a thousand dollars!” “And you—" Anne wailed. " “I snapped it up, naturally” Charles cut in. “That fiddle’s worth fourteen "hundred of anybody's money. It was just like handing -me four hundred.” | “Charles! You mean you—" “I lugged it right over to. Wolter= man,” he said. “He: gave me thire teen seventy-five | spot cash!” Charles hugged her happily. “No Niagara Falls for us, kid! No sir— we're going to Bermuda!”

. THE END

(Copyright. 1936, by yadica ate,

gan lily]:

= =

United Feature nc.)

mona. She had done it out of jealousy, spite—because she could not bear for Anne to have what she, Marbra, might have had if she had

| Holiday After

25¢ 40¢

| Prices 2PM. 2PM.

Mon.—Tues.—Wed.—T hurs.

Fri.

WATER BALLET CIRCUS ACTS FIREWORKS

INDIANA STATE FAIR Big Revue—

EVERY NIGHT—T7 49

Front of Grand Stand

JOHNNY J). JONES

Ss & RIDES

STATE “oeuste resien

Clark Gable—" “SAN FRANCISCO" LAUGHING IRISH EYES”

i BELVIONT ™ ok at Seen “THE GREEN PASTURES” ~ 2 1C VV 5540 W. Mich. St. D A | S Y a tare

neis—“THE WHITE ANGEL” Kay FranfiiLY BILLIES”

NORTH SIDE

Illinois and 34th Double Feature

R | T Z Chas. Butterworth GE”

“WE WENT eS COLLE ¥ DOLL”

“DEVI Crk. ZA RING a

Clark Gable, Jeanette McDonald— Spencer Trac x “SAN FRANCISCO”

UPTOWN Doubie Feature

Double Feature Gary Grant—"BIG B

ROWN EYES" “THE MOON’S OUR HOME”

GARRICK 30th and Illinois

Double Feature Joe Brown

“SONS O . GINS" “THE GOLDEN . ARROW” W 4 . Clair & Ft. Wayne ST. ST. CLAIR RILAIR- = Sai Feature Michael

Whalen— “WHITE FANG” 3 “IT'S LOVE AGAIN"

UDELL

“BULLETS OR “NOBODY'S

TALBOTT

Loretta NG

Stratford Doble Feature

Wendie Barry—“SPEED” “TREACHERY RIDES THE RANGE”

: Noble & Mass. wi re fs SREAM ewes

Irene Dunne—“SHOW “THE SKY P

EAST SIDE

RIVOLI Tis Show : 1-—~Joe E.

3-Hit Show

PRE

_ITACOMA

ISTRAND

2442 E. Wash. st. Double Feature

Irene Dunne—“SHOW BOAT” Una Merkel—-SPEED"

TUXEDO

Ww. C.

FIEL “PANIC ox 5507 E. Wash, St

I R Y | N Double Feature

Grace Moore—* THE KING STEPS oun “NOBODY'S FOOL” De

EMERSON Ba Feature

Bar itanwyek “THE BRIDE AL our” W. C. Fields—" "POPPY ~ LOUIS-SHARKEY FIGHT PICTURES

HAMILTON NER

Double Feature Ba a

DEVIL DOLL” “WE COLLEGE”

EL SIDE

2938 E. oth ig PA RE Ris geitis

“THE EX-MRES.

BE E. New York Double Featurs

oth St.

rms E. andl St. Double Feature W. C. Fields—“POPPY” “THE KING STEPS OUT”. 411 E. Wash. Joe E. Brown Joan Bilondell GUNS” AGENT”

Paramount

“SONS O’ “FEDERAL 114 E. Washingion

tong MERE So ELAR “WE ' TO