Indianapolis Times, Indianapolis, Marion County, 28 July 1936 — Page 7

or Books ‘Girl of the Ozarks’; Second Feature to Be ‘Fury,’ Popular Offering Showing . Spencer Tracy and Sylvia Sidney.

: BY JOHN W. THOMPSON : years ago a tiny, pig-tailed little girl, with a tooth out in on the stage of the Circle and won the hearts of an Indian-

e audience with childish

talent.

: starring picture, “Girl of the Ozarks,” which is to open at tomorrow, is to give .Virginia Weidler an opportunity to

ollywood training has done for her.

it. trip -to Indianapolis ld premiere of the Gene Porter story, “Laddie.” in many pictures since

her outstanding - porwas that of Mimi in “Peter ,” in which she portrayed part Ann Harding had character had grown up. played Europena in “Mrs. the Cabbage Patch” and im Tio Quest. od

I mount leading lady, and kson. Henrietta Crosman role of Virginia's corn-cob

in a backwoods home, owledge, even about such as the Civil War, is a bit “good-for-by the people of the comy she is unable to get along f her spirited

El ‘Has Few Friends

girls” closest friends are her old granny, who keeps the food with rifle skill, and

couple that furnishes the romance, the publisher of ill Stream Clarion and a girl been to the city to “git

rapny goes to jail for Ee class day dress for Virthe girl is sent to a county ‘Her return to her mountain and the completion of the

Spencer Tracy and Ene It was Mr. Tracy's this- picture which greatly chances of winning this

Cantor, motion picture today was reported conh lawye rs to determine e had sufficient grounds “hearing on his contract uel Goldwyn, producer. was eager for a tation of a clause in t saying that a picture made “within a reasonable . time.” Cantor claimed Been waiting since May to work on his annual picture, / prepared for him. esman for Goldwyn deere had been no “unusual”

n starting Cantor's picture, |’

to go into production aftothers being made on the are completed. eclined to comment on ‘paper reports that he ating with Twentieth X--on a. long-term conch would go into effect ‘obtained ‘his release from

said he was eager to { tion of his picture for ) he could take advantage of for a personal appearance : work. (8 conservative adcontaining anEs of United Birtists Je. coming year, Mr. Can : sory’ for Samuel has not only been chosen $ been titled. -

claims Mr. Cantor will

““Ponyboy,” which is xt to Walter Huston'’s th” as the most important released by Mr. Goldwyn.

in Short Movies

i comedian Dance new Astaire-

Rich Girl ith, Shir a. 5:41. 74land 9 aL

The occasion of Miss

Veteran to Direct Mae West Picture

Times Special HOLLYWOOD, July 28. — When Mae West steps under the Kleig lights for her newest movie, Henry Hathaway, veteran director, is to be behind the megaphone. The scenario was adapted from

.|the: New York stage production,

“Personal Appearance,” by Lawrence

Riley. Other members of the cast have not been selected.

Film Based on Parole Abuses “Don’t Turn Em Loose,” forthcoming drama, is expected to arouse discussion, since the| screen play deals with abuses of the parole system.

TEMPLE

A movie star at 8!

That's the record of little Virginia Weidler,

who is ihe “leading lady” in “Girl of the Ozarks,” which is to open at the Ambassador tomorrow for a four-day run. In the picture with the little pig-tailed star are Elizabeth Russell, Leif Erickson and Hen-

rietta Crosman.

| BEGIN HERE TODAY Helena Derrick, youthful head of the women’s sportswear department of Helvig’s store, goes on a week-end party at Crest Mountain Lodge. There she meets handsome Peter Henderson. It is a case of love at first sight between them.

the ceremony takes place, Later the crowd goes swimming. Peter makes a reckless dive and is seriously injured. Lingering between life and death, he asks Helena to- summon his lawyer, John Courtney. Courtney arrives and a short “time later Peter dies. Helena learns she is sole heir to a large fortune, including the Henderson Department Store. She meetis beautiful Leah Frazier, who had expected to marry Peter, and realizes Leah is an enemy. Peter's uncle, Roger Barnes, manager of the store, is also hostile. Helena decides to take | over management of the store. John Lassiter, banker, and Courtney are her allies. Lassiter takes Helena to the Sunshine Club ball. where Leah Frazier and her mother snub her. Later Lassiter breaks an engagement with Helena and she thinks this is due to the Fraziers’ influence. Helena works late one night. Harvey

| Jameson, in charge of the hardware de-

partment, asks her to see a movie. NOW GO ON WITH THE STORY

CHAPTER E FLEVEN Srna beside Harvey Jameson in the semi-darkness of the movie theater, Helena could not help thinking how different his attitude was from that of the Fraziers and their friends. . “He’s honest . . . and real, ” she thought, wholly unconcerned with the story unfolding on the screen. “And, after all, he represents the part of the town which counts. Henderson's Department | Store couldn’t exist if it weren't for peoplpe like Harvey Jameson—plain, sensible people with modest incomes.” §he paused before a breathless, heartening thought. “And he's for me. The rest of them must be, too!” ER She was startled from| thoughts as Harvey Jameson “Well, how'd you like it?” “Why ...” To her surprise, the picture was ended. The lig ats in the: little theater had-gone up, and the velvet curtain had swung across the screen to mark the brief intermission before the next showing of the film. “Why, it was awfully good!” But for the life of her she cotildn’t have related what the picture had been about. | | ” t 4 2 "HEN they emerged from the ‘motion picture [theater the principal street of the town was almost deserted. A few couples strolled along slowly, pausing every so often to glance into the| shop windows. 1/suppose,” Harvey James ven | tured, as’ if reading her thoughts “that you find our little town pretty quiet.” | “That's to its advantage, isn't he?” Helena said. “Well,” Jameson confessed, “I sort of like it, I've been in the bigger cities, and some of my friends have gone there to live. But I jthink we have just as much fun and happiness—and - maybe on a lot less money.” He looked down at her solicitously. “But we do have taxis.

her said,

1 | T imagine you're tired after such a

long day at the store.” Helena shook her head. “I'm not, really. And it's so delightfully cool tonight. apartment.” They turned off and were quickly out,of the "business district” altogether. How like

{a walk in the country it was, Helena

thought. Along the parking were tall trees, shutting the sidewalk off from the streets along which only an occasional automobile traveled now. : 2 = =| OST of the houses were set back from the walk, fronting

jon lawns that were dark and cool

in the evening. “I d be ha here,” Helena nou “if ples Well, if only what?

as well face it” she “ John Lassiter “But it really wasn't Didn't T tell bum. last

Peter asks Helena to marry him, and -

inherited the store. ask me, he had a pretty good thing |

house has to do with . .

mustn't mix up with me, that he had the bank and his own reputation to, think of?” “You're worrjed,” Harvey Jameson accused suddenly. “Worried?” repeated Helena, “No . . it isn’t that.” She laughed lightly. “I suppose I'm rather preoccupied with affairs at the store.” “No,” I don’t mean that.” There was an amusing, childish stubbornness in his tone. “The store is going well. Better than it ever did before—that's common knowledge. That isn't the thing that’s making you unhappy.” Helena was silent a moment. Should she rebuke him—or should she honestly reveal her gratefulness that he was interested, that somehow le had suspected the truth? “What is making me unhappy, then?” she laughed. “I'm

afraid I'm not quite sure myself.”

2 2 8

SUPPOSE you think I'm a fool,” he blurted out. “Tonight I debated with myself half an hour, arguing whether -I should ask you to see that movie. I wondered if you'd be insulted—whether you'd think I was trying to make a hit with the boss. Finally I told myself that, since I wanted to take you to the movie, I should ask you and get it over with.” ° “I think you were perfectly right,” Helena told him. “But there was still another reason I wanted to go to the movie with you,” he stumbled on. “I—I wanted the chance to tel you that I'm all for you. I know what's happening. That's one trouble about this town. Everybody knows everything that goes on.” Helena’s “heart warmed. “Thank you, Harvey.” At her use of the riame she heard his quick intake of breath. She knew then what she would have known sooner had her mind and senses been clear; she knew what every woman knows ‘the moment it happens in a man. Harvey Jameson had fallen in’ love with her! ” ” ”

UICKLY she went on, “I—I hope that your feeling reflects

that of every one who works in the store.” . “I'm sure, Je does,” Jameson said. “That is .".™ almost everybody.” He walked in silence beside her. Then: “Will you be angry if I make a suggestion?” “Of course not.” “I think you're trusting Roger Barnes too much.” . “Barnes? I'm sure he's quite harmless. I know he wasn't very favorable to me at first, and I rather expected trouble. But lately he’s been co-operative,” #- “Are you sure he's not ‘waiting for a chance”? Jameson wanted to know. “He feéls he should have And, if you

there, all by himself most of the time.” “I'm grateful for your interest,” Helena told him pleasantly. “But I'm sure youre being unjust to Mr. Barnes.” “Unjust”? He stopped, apparently angered by her doubt. “You've never been to the store’s warehouse, have you” “The warehouse? Why, no. Mr. Barnes told me he'd take me there soon. But I understand there's not much there now. The store's inventory has been kept down during the depression, and—" . . x = = OULD you like to see it tonight?” Jameson interrupted. “It's only about five or six blocks fiom here.” ~ “But I don’t see what the ware- .” She stopped. Then, seeing his determined scowl, she said, “All right. Let's go there.” Helena was quite breathless when they reached the squat, square con-

crete building, its long barred win-

lee)

dows staring into the night. Jameson had grasped her arm roughly in his excitement, leading her there almost at a trot. He withdrew a ring of keys from his pocket. “The larger stuff from the hardware department—washing machines and electric refrigerators and goods like that—are stored here. So I know what I'm talking about.” “I still don’t see what you're getting at,” protested Helena impatiently. After all, perhaps Harvey Jameson was a little queen. With an effort he slid back the heavy metal door. “Come inside,” he said shortly. From a rack on the wall he took down a flashlight. “I

‘don’t want to attract attention by

turning on the lights,” Jameson told her. “The elevator’s this. way. What I want to show you is on the top floor.” o ”® »

Poe found herself wishing Jameson had turned on the lights; or, better yet, that she hadn’t agreed to come here. Suppose she had mistaken a mad man for one with a quixotic honesty? But it was too late now to question. In another . moment they were jerking upward in the freight elevator, Jameson's flashlight shedding a weird pool of light at their feet. “Here we are, ” he said, as the elevator stopped. “I can turn these lights on. All the windows on this floor are boarded up.” He turned a switch. What met Helena’s eyes meant little at first. Then she made out hundreds of tall cases of farm machinery. They were set one atop the other almost to the ceiling. Assembled, they would have taken up fnany times the space of this floor. “Those,” Jameson: ‘said, “are grain binders.” He looked at her. “It might interest you to know that we sell about six a year.” “Then why all these?” He modded. “Yeah. That's a hard Jduestion to answer. But it isn’t half as hard as this one. Why did Barnes buy this kind when it isn’t the type of binder that’s used in this locality?” “You—you mean we can’t sell these?” “Not in 100 years.”

8 8 ®

ELENA looked back at the crowded warehouse room, her eyes puzzled. ‘But if it was a mistake, why doesn’t Barnes send them

back ? Even if we had to lose the

freight’ it would-— “It’s no mistake,” Jameson snapped. “I'm going to tell you just what it was. You may get mad and

fire me, but I'm going to tell you.” “Leah Fra- |

He drew a long breath. zier got Mr. Henderson to okay this order because Mark Sandjson represented the company.” “Who's Mark Sandison?” “Leah Frazier eould tell you,” Jameson said. “But—well, Mr, Henderson didn’t know about that. Anyhow, ‘Sandison wanted to sell this kind of a machine because his com-

mission would be bigger. And Roger |

Barnes passed the order, and had the stuff stored-—all for a nice cut of Sapdison’s commission,” He snapped off the lights. Orice again the flashlight made a yellow pool at their feet. Out of the darkness he went on bitterly. : “There's a lot more; if you want to hear it.” “T-that’'s . . . that's quite enough.” (To Be Concluded)

Takes Cue From Folk Dances Buddy Ebsen makes up his tap routines for “Born to Dance” from the basic steps used in various folk qances.

Old Styles to Be Seen " Robert Taylor will wear the latest French styles of 75 years ago in his role with Greta Garbo in “Camille.”

DITIONED CO! Fr

Actress Has Fine Control of Emotions

Miss Hepburn Demonstrated

Ability in Making Her Newest Picture.

(Last year Dudley Nichols wrote the screen play for “The Informer,” winning the screenwriting award for the year. At present he is watching the fiiming of “Mary of Scotland,” starring Katharine Hepburn, the screen play for which he wrote.)

BY DUDLEY NICHOLS HOLLYWOOD, July 28.—One of the things I noticed about Katharine Hepburn when she was making “Mary of Scotland” was that she would work herself up to a fine

pitch of emotion for a scene, then

go through it with agonizing intensity. Yet when Director John Ford yelled “Cut” she snapped out of the mood instantly and came back to the present with a bang. This trick—if it is a trick—I consider to be the sign of fine acting. It sounds unusual to settle on such a seemingly hardboiled attribute as a sign of greatness, but let us stop to consider.

When it was decided to make a film version of the Maxwell Anders son play which was so successful in New York a couple of years ago, RKO had to find an actress for the screen to take the place of no less an actress than Helen Hayes, who created the role for the Theater Guild. Luckily Katharine Hepburn is an RKO star, and she already had proved her mettle for emotional acting. Accordingly, Miss Hepburn was asigned the very arduous role of the Scottish Queen Mary.

Play Is Emotional |

Now, after all, Mary Stuart was a woman of high emotion, both in matters of state and love.| There are very few instances in the script when she is not engaged in highstrung moments, either in love scenes with Bothwell, played by Fredric March, or facing the scheming council of Scottish nobles, who. led by her half brother, wished her abdication. "To shoulder such a program of acting was a tremendous burden, and I think Miss Hepburn carried it beautifully. How did she do it? By immediate relaxation after an intense scene. As soon as the particular shot she was working on was finished, she would cry out: “How was that, Jack?” or “All right, Dudley?” Then, still slightly excited, she would sit on her camp chair and let her legs and arms flop where they would. The: conversation ‘would . turn to music or baseball or politics—anything but “Mary of Scotland.” It was a real trouper’s way. I suppose all of us have known, or seen, some actresses who are never through with their acting.

‘They pant and perhaps become .a

little high and mighty after such a scene. But, between you and me, I think that’s because they seldom get the opportunity to do such work. Real troupers take their art in a much calmer manner—thank goodness. (I could say something much stronger there, but like all screen writers I feel the sting of censorship.)

there!

ANET sat in the shadows of the white-pillared porch and gritted her teeth. Why did all the tourists have to go next door? All she wanted was just on2, but now the house next door—that open-mouthed dragon of a house whose lighted sign tourists always saw first—had swallowed up the last hope for tonight. It was so late that it was not likely that any one else would show up. He was such a nice-looking tourist, too—she could see his handsome blond head beneath the porch light next door. She thought of the attractively furnished little guest room upstairs. If he could only see it, surely he would prefer it to the dingy quarters Mrs. Mace had to offer him. Janet was trying to save up money to pay for a visit to her aunt in the East. When her mother had offered to let her rent their spare room by the night to passing motorists, she had welcomed the suggestion joyfully, and had set to work to make the room as attractive as possible. She had made new curtains for. the windows, had put gay. cretonne

.covers on the chairs, and had placed

cn the walls the nicest pictures in the house. . EJ ” ” HEN she had hung a sign out front, and had waited. Waited in vain. All the tourists stopped at Mrs. Mace’s, because Mrs. Mace’s big sign caught their eyes first. It wasn’t fair! Janet could hear the cheerful voice of the young man on the porch next door. “I'll- run back downtown,” she heard him say to Mrs. Mace, “and get something to eat. I've been trying to make time and didn’t stop for dinner. Can I put my car in your garage when I get back?” Mrs. Mace’s high voice responded. “Yes—TI'll leave the garage light on, and the doors open—" A few minutes later, the young

man’s big red touring car whirled.

away Janet watched it disappear down the street. Her eyes were shining with a sudden wicked thought. She saw the lights of the sign next door wink out. The dragon was gorged— every one of Mrs. Mace's rooms was

rented, and she was putting out the |. sign for the night. Janet’s lips shut

tightly. That settled it. On rubber-soled white shoes, she sped down the porch steps and around to the back.of the house. 8 8 ®

HEN Bob Joyce returned from downtown, he saw a lighted garage, and twisted his car on to one of the two parallel lanes of cement between the two houses. He brought the cdr to an abrupt halt. as the headlights threw into relief the small figure of a golden-haired girl standing in the garage doorway. “Hey!” Bob shouted. “Stand back I don’t want to kill an elves that are about—itis bad luck: o The girl stepped aside, and he drove into the garage. He climbed out of the car and faced her. “Well, well!” he said. “Things aren't always what they seem. I sign up with a battle axe—oh, excuse me, maybe she’s your mother or something——" Janet shook her head demurely. He grinned, and continued. “Then a woods sprite comes and lets me into the garage. And sits down on the porch and talks awhile to a guy who's worn out from driving ail day—and eager for a little restful conversation.”

MOVIE MANAGERS CELEBRATE

Loew's manager, I. Ward Farrar, and Marty Soloman, Columbia Pictures: branch manager here, got together yesterday to celebrate the first birthday of an agreement which permits Loew’s to show Columbia’s output here. The occasion also. was to celebrate the signing of a new contract between Loew’s and Columbia for 1936-37 products. This is to include such pictures as “The Lost Horizon,” written by James Hilton, directed by Frank Capra and starring Ronald Col-

man; Bing

y's “Pennies From Heaven”; a new Grace Moore pic-

ture; the Pulitzer prize play, “Craig's Wife,” with Rosalind Russell

‘and John Boles, and Edward G. Robinson's “Thunder in the City.”

HENRY F ONDA PAT PATTERSON Plus ;

The RETURN OF SOPHIE LANG Gertrude 1 Michael Ray Milland. .

Tourists Accommodated BY DAPHNE ALLOWAY M'VIDER Daily Short Story

TALBOT]

ANET bit her lip. This was more than she had bargained for when she had stealthily put out the light in Mrs. Mace’s garage and had turned on her own garage light instead. She had counted on his swinging into the lighted garage. But she had not known that his face would be so impelling and eager, his eyes so blue, and his laugh so winning. *I——shouldn’t——" she said, as Bob turned out the garage iight and shut the doors. But she did. They sat on the front porch, in the shadow of a honeysuckle vine, and talked. The moon peeped through the vines, It was pure magic. Then, finally, Bob straighteneg. and glanced at the luminous dial of his wrist watch. “Good heavens, I can’t keep you up any longer. A But——look— this isn't chance, you know. Any two people whose tastes agree as ours do . . . It can't just end.” Janet swallowed hard. “But it will,” she said. “You're on your way back to, college and——" “For a year,” he said. “And then -—the road runs both ways, you know. It brings back what it takes away. And anynow, you're going to your aunt’s for two weeks—and that's just 10 miles from the university. Well, well talk it over in the morning. Oh, by the way, do I pay for my room tonight or in the morning?” ] Janet's cheeks burned. “Oh—— in the morning.” 2 ” 2 HE next morning, she was pale and quiet. After breakfast, she watched Bob maneuver his car out of the garage. But when he put two crisp dollar bills into her hand, she held them out to him. “No,” she said. “No—I can't take the money. It goes to Mrs. Mace next door. I did a dreadful, dishonorable thing—you’'ll hate me when you know——" Bob, ignoring the bills, took both her hands in his and looked deep into her face. His grin was very miscievous. “Never mind Mrs. Mace,” he said. “You-see, she’s a better business woman than you are. I paid Mrs. Mace before I went back downtown last night.” Janet jerked her hands away. Her cheeks flamed. “You—then, you knew——" ” 8 2

OB laughed, his twinkling. “I'm specializing in math at college,” he said. “So I didn’t overlook a matter like making a note of Mrs. Mace’s house number before I went downtown. I've made a note of yours, too. As for the two dollars, you can work it out writing letters in answer to the ones that are going to come to that number. Now don’t forget——" The car roared away. But Janet, /watching, knew that the road would bring back what it took away. : THE END,

1926, by United Feature Syndicate, Inc.)

(The characters in this story are ficticious.) !

blue eyes

(Copyright,

Authentic Material Wanted for Movie

Times Special HOLLYWOOD, July 27.—Cameramen and assistants will join hands with Tom Sawyer and Huckleberry Finn as they search old haunts of Mark Twain for authentic backgrounds for the picture, “Tom Sawyer.” The troupe is to bring back to Hollywood pictures of numerous places mentioned in the book. Mark

Twain’s old home, which still stands |

at 296 Hill-st, Hannibal, Mo., is said to be the counterpart of Aunt Polly’s house in “Tom Sawyer.”

Actress Wears Slacks

Joan Crawford has a new rehearsal outfit. She arrived for rehearsals in “The Gorgeous Hussy” in deep red slacks, and blouse to match, trimmed with black braid.

Large Actor

Is Detective in New Film

Edward Arnold Takes Role of Nero Wolfe in Loew’s Offering.

Edward Arnold rarely has been anything better than assistant detective. Not that he hasn’t had plénty of starring” parts—gangsters, historical characters and such— but when it came to sleuthing, .stooging was usually the best he.

could , do. So when they gave him the lead

in “Meet Nero Wolfe,” which is to open at Loew's Friday, he felt he had graduated into a class with Philo Vance, Charlie Chan and. others. The character is taken from Rex Stout's famous fictional crea= tion of the lazy, beer-drinking criminologist who raises orchids Bd solves perplexing crimes for remuneration and fun. The plot is from Stout's book, “per-de-Lance,” and the cast ine cludes Lionel Stander, as Mr. Ar< nold's excitable assistant; Joan Perry, Victor Jory and the Broadway star, Dennie Moore. As in “Diamond Jim,” Mr. Are] nold is allowed, in the new picture, to follow his 30-year rule of eat, drink and let the other fellow do the dieting. In fact, his epicurean | outlook seems,to be responsible for | his success as a character actor today. Mr. . Arnold, orphaned at 11, joined the Ben Greet Players when he was 15, and soon was playing romantic leads. It, was while he was doing Romeo with the troupe that he began to put on weight in earn=<t and by the time he was 20, his girth was something to talk about. He left the Greet company. still determined noé to combat Nature in the matter of poundage, and oot a supnortine role with Maxine Elliot in “The Chaverone.” A small part in Ethel Barrymore's proAsotion. “Mid-Channel,” followed, after which he toured the country with stock companies for 11 years, . nlaying with such actresses as. Lucille LaVerne, Effie Shannon, Florence Roberts and Mary Miles Minter. His first attempt at motion pictures came as leading man -with the old Essenay company, in a series called “Is Marriage Sacred?” Mr. Arnold admitted that marriage was but that the movie business wasn’t, He quit in disgust. The company made 32 reels in three weeks, which i; better than ever a “quickie” firm does today. * Broadway producers, however, continued to eye Mr. Arnold's waistline approvingly, and gave him important parts in such plays as Eugene O'Neill's “Beyond the Horizon,” in “A Month in the Country” and “Whistling in the Dark.” It was this last play which brought him to attention of movie scouts, and consequent screen fame. As the second item for their coming double-feature bill, Loew's has booked “The Three Wise Guys,” which features Robert Young, Betty Furness, Raymond Walburn and Bruce Cabot. It's based on one of those fables about “guys” and “dolls” from the pen of Damon Runyan.

Child Actor Says ’ \tse 2 He's Not a ‘Kid Times Special HOLLYWOOD, July 24. — It's “Mister” Bartlett, please, to Benny Bartlett, 10-year-old star of “Three Married Men.” . When Eddie Buzzell, the director, approached Benny and asked:

“Have you got a dog of your own?” “Not now,” replied Benny, “but I

WEST SIDE

had one when I was a kid.”

EAST Se

STATE 2702 W. 10th St.

Bruce Cabot Ann Sothern “DON’T GAMBLE WITH . LOVE” Comedy and Cartoon

BELM ONT W. Wash. & Belmont

Double Feature 00! “THE KING STEPS OUT” “BULLETS OR BALLOTS”

DAISY 2540 W. Mich. St.

Double Feature Pa “x I MAR

0’ Brien RIED A DOCTO “EVERYBODY'S OLD MAN"

NORTH SIDE

eisai)

“NEWLY COOLED”

R I Vv oO Li 3155 E. 16th

Double Feature Franchot Tone “THE KING STEPS OUT” Charles Ruggles-Mary Boland “EARLY TO BED” 4020 E. New York Double Feature John Howard “THE SOBOFR FLIGHT OWBOAT”

“8307 E. Wash. Sto ‘Double Feature wn oan Bennett

BROWN EY “BRIDES § ARE LIKE THAT” T4630 E. 10th St.

EMERSON Double Feature

“UNDER TWO FLAGS" "" ' “BIG BROWN EYES”

216 = 10th St. ble Xeature nigomery

HAMILTON 3

“TROUBLE FoR wor

PARKER

Wheeler-Woolse

Ro E. 10th St. Famiy News .

“THE LEA eg Rat CASE" 1332 E. Wash. St

Illinois and 34th RITZ “LITTLE MISS NOBO “THE PRINCESS COMES ACROSS” Central at Fall Crk. ZARING “Bab soins Jack Haley “F MAN NDEB. TWO FLAGS” 42nd & College UPTOWN Beis fear, “EARLY TO BED” I amas ~1 30th and_Giineis GARRICK Carle Lombard _ O%As"ROURS BY AIR" §t. CL & Ft. Wayne “was AcATNST MRS AMES: : RETURN Y.

UDELL VE IT”

“LET EM HA Joan Marsh “DANCING FEET” Talbot & 22nd

age aoe

[MECCA somal

STRAN D Pauble ol “EVERYBODY'S OLD MAN" “YOU MAY BE NEXT’ Mm Paramount ~~ mechelie Hudson “THE COUNTRY BEYOND" Comedy—Novelty—Cartoon BUOY ‘ima “YELLOW DUST” Diz “DARK HOUR”—Always 10¢ SOUTH SIDE “FOUNTAIN SQUARE “FLORIDA SPEOLAL 0 Hie

E. Wash

ey

| “THE CASE AGAINST MRS. AMES”

in

A ou Feature ;

SANDERS

~T1OVE BEFORE Loretta Young

rt 3

“BOUL Us THis DA

AVA “Bee Feature ra