Indianapolis Times, Indianapolis, Marion County, 28 July 1936 — Page 6

Fo APpearance , Plays Starring Role

or Books ‘Girl of the Ozarks’; Second Feature

BY JOHN Ww.

e audience with childish

first. trip to Indianapolis ld premiere of the Gene Porter story, “Laddie.” 2 in many pictures since

her ontstanding por- : that jot Mimi in “Peter in which she portrayed - part Ann Harding had character had grown up. played Europena in “Mrs. the Cabbage Patch” and , in “Timothy's Quest.” “with Miss Weidler (who, way, pronounces her nanple ; + leading lady, and Henrietta Crosman

granny. ry is of a child's ‘life and ; 3 a backwoods home, , even about such

“good-for-by the people of the comshe is unable to get along because of her spirited’

Girl Has Few Friends irls’ closest friends are her old granny, who keeps the food with rifle skill, and couple that furnishes the romance, the publisher of Stream Clarion and a girl 5 been to the city to “git ated.” Eo . Granny goes to jail for ‘a class day dress for Virthe girl is sent to a county Her return to her mountain and the completion of the forms the picture's climax. imbassador’s supporting fea- @ be “Fury,” the meritorious 1 Spencer Tracy and Sidney. It was Mr. Tracy's this picture which greatly he chances of winning this

c88 - 2 ’7OOD, July 28 —Banjoiddie Cantor, motion picture n, today was reported conwith lawyers to determine

hearing on his contract | Goldwyn, producer. was eager for a etation of a clause in act saying that a picture ‘made “within a reasonable | time.” Cantor claimed . waiting since May to on his annual picture, was prepared for him. an for, Goldwyn dehere had been no “unusual” n starting Cantor's picture, id to go into production aft- ¢ _ being made on the plot are completed. ‘declined to comment on e paper reports that he otiating with Twentieth ) iste long-term conould go into effect his release from

duction of his picture for » could take advantage of 8 personal appearance

.to a aE, servative adbook containing an-

: of ‘United Artists pic-

coming year, Mr. Can? sfory for Samuel

£214 he was eager to

to Be ‘Fury,’ Popular Offering Showing Spencer Tracy and Sylvia Sidney.

THOMPSON

years ‘ago a tiny, pig-tailed little girl, with a tooth out in on the stage of the Circle and wofl_the hearts of an Indian-

talent,

fitst starring picture, “Girl-of-the Ozarks,” which is to oben at dor tomorrow, is to give Virginia Weidler an opportunity to at Hollywood: training has done for her.

The occasion of Miss

Veteran to Direct Mae West Picture

Times Special HOLLYWOOD, July 28. — When Mae West steps under the Kleig lights for her newest movie, Henry Hathaway, veteran director, is to be behind the megaphone. The scenario was adapted from the: New York stage production, “Personal Appearance,” by Lawrence

Riley. Other members of the cast have not been selected.

Film Based on Parole Abuses “Don’t Turn ’Em Loose,” forthcoming drama, is expected to arouse ‘discussion, since the screen play deals with abuses of the parole system. -

A movie star at 8! who is the “leading lady” in “Girl of the Ozarks,” which is to open at the Ambassador tomorrow for a four-day run. In the picture with the little pig-tailed star are Elizabeth Russell, Leif Erickson and Henrietta Crosman.

That's the record of little Virginia Weidler,

BEGIN HERE TODAY Helena Derrick, youthful head of the women’s sportswear department of Helvig’s store, goes on a week-end party at Crest Mountain Lodge. There she meets handsome Peter Henderson. It is a case of love at first sight between them. Peter asks Helena to marry him, and the ceremony takes place. Later the crowd goes swimming. Peter makes a reckless dive and is seriously injured. Lingering between life and death, he asks Helena to summon his lawyer, John Courtney. : Courtney arrives and a short time later Peter dies. Helena learns she is sole heir to a large fortune, including the Henderson Department Store. She meets beautiful Leah Frazier, who had expected to marry Peter, and realizes Leah is an enemy. Peter's uncle, Roger Barnes, manager of the store, is also hostile. Helena decides to take over management of the siore. John Lassiter, banker, and Courtney are her allies. Lassiter takes Helena to the Sunshine Club ball.

. where Leah Frazier and her mother

snub her. Later Lassiter breaks an engagement with Helena and she thinks this is due to the Fraziers’ influence. Helena works late one night. Harvey

partment, asks her {o see a movie: - NOW GO ON WITH THE STORY

CHAPTER FER ELEVEN ITTING beside Harvey Jameson in the semi-darkness of the movie - theater, Helena could not help thinking how different his attitude was from that of the Fraziers and their friends. “He’s honest . . . and real,” she thought, wholly unconcerned with the story unfolding on the screen. “And, after all, he represents the part of the town which counts. Henderson's Department Store couldn't exist if it weren't for peoplpe like Harvey Jameson—plain, sensible people with modest incomes.” §he paused before a breathless, heartening thought. “And he's for me. The rest of ‘them must be, do!” She was startled from her thoughts as Harvey Jameson said, “Well, how'd you like it?” “Why . ..” To her surprise, the picture was ended. The lights in the little theater had-gone up, and the velvet curtain had swung across the screen to mark the brief intermission before the next showing of the film. “Why, it was awfully good!” But for the life of her she couldn’t have related what the picture had been about.

HEN they emerged from the motion picture theater the principal street of the town was almost deserted. A few couples strolled along slowly, pausing every so often to glance into the shop «windows. “1 suppose,” Harvey Jameson ventured, as if reading her thoughts, “that you find our little town pretty quiet.” “That's to its advantage, isn't it?” Helena said. “Well,” Jameson confessed, ‘I sort of like it. I've been in the bigger cities, and some of my friends have gone [there to live. But I think we have just as much fun and happiness—and maybe on a lot less money.” He looked down at her solicitously.. “But we do have taxis.

| IT imagine you're tired after such a

long day at the store.” Helena shook her head. “I'm not, And it's so delightfully cool Please let's walk to the apartment.” They turned off the main street and were quickly out of the “‘business district” altogether. How like

Along the parking were tall trees, shutting the sidewalk off from the streets along which only an occasional automobile traveled now. »

Jameson, in charge of the hardware de-

JOST. of the houses were set

So Nuch fr Love

mustn't mix up with me, that he had the bank and his own reputation to, think of?” “You're worried,” Harvey Jameson accused suddenly. “Worried?” repeated Helena. “No . . it isn’t that.” She laughed lightly. “I suppose I'm rather preoccupied with affairs at the store.”

“No,” I don’t mean that.” There was an amusing, childish stubbornness in his tone. “The store

is going well. Better than it ever did before—that’'s common knowledge. That isn’t the thing that’s making you unhappy.” Helena was silent a moment. Should she rebuke him—or should she honestly reveal her gratefulness that he was interested, that somehow he had suspected the truth? “What is making me unhappy, then?” she laughed. - “I'm afraid I'm not quite sure myself.”

= ” 2

“Y SUPPOSE you think I'm a fool,” he blurted out. “Tonight I debated with myself half an hour, arguing whether -I should ask you to see that movie. I wondered if you’d be insulted—whether you'd think I was trying to make a hit with the boss. Finally I told myself that, since I wanted to take you to the movie, I should ask you and get it over with.” ° “I think you were perfectly right,” Helena told him, “But there was still another reason I wanted to go to the movie with you,” he stumbled on. “I—-I wanted the chance to tel you that I'm all for you. I know what's happening. That's one trouble about this town. Everybody knows, everything that goes on.” Helena’s “heart warmed. “Thank you, Harvey.” At her use of the name she heard his quick intake of breath. She knew then what she would have known sooner had her mind and senses been clear; she knew what every woman knows’ the moment it happens in a man. Harvey Jameson had fallen in’ Jove with her! 2 = =

UICKLY she went on, “I—I

that of every one who works in the store.” : “I'm sure it does,” Jameson said. “That is .'. . almost everybody.” He walked in silence beside her. Then: “Will you be angry if I make a suggestion?” “Of course not.” “I think you're trusting Roger Barnes too much.” - “Barnes? I'm sure he’s quite harmless. I know he wasn't very favorable to me at first, and I rather expected trouble. But lately he’s been co-operative.” “Are you sure he's not waiting for a chance”? Jameson wanted to know. “He feéls he should have inherited the store. And, if you ask me, he had a pretty good thing there, all by himself most of the time.” “I'm grateful for your interest,” Helena. told him pleasantly. “But I'm sure you're being unjust to Mr. Barnes.” “Unjust”? He stopped, pparently angered by her d never been to the store have you” “The warehouse? Why! no. Mr. Barnes told me he'd take me there soon. But I understand there’s not much there now. The store's inven-

depression, and—" EJ = =

OULD you like to see it tonight?” Jameson interrupted. s only about five or six blocks Hohn: “But I don’t see what the warehouse has to do with . . .” She

| stopped. Then, seeing his determined

: she said, “All right. Let’ scowl, aid, righ Ss go

‘ting at,”

hope that your feeling reflects.

tory has been kept down during the | eng

by NARD JONES

dows staring into the night. Jameson had grasped her arm roughly in his excitement, leading her there almost at a trot. He withdrew a ring of Keys from his pocket. “The larger stuff from the hardware department—washing machines and electric refrigerators and goods like that—are stored here. So I know what I'm talking about.” “I still don’t see what you're getprotested Helena impatiently. After all, perhaps Harvey Jameson was a little queen. With an effort he slid back the heavy metal door. “Come inside,” he said shortly. From a rack on the wall he took down a flashlight. “I

‘don’t want to attract attention by

turning on the lights,” Jameson told her. “The elevator’s this. way. What I want to show you is on the top floor.” f J » # CT ELENA found herself wishing Jameson had turned on the lights; or, better yet, that she hadn’t agreed to come here. Suppose she had mistaken a mad man for one with a quixotic honesty? But it was too late now to question. In another moment they were jerking upward in the freight elevator, Jameson’s flashlight shedding a weird pool of light at their feet. “Here we are, ” he said, as the elevator stopped. “I can turn these lights on. All the windows on this floor are boarded up.” He turned a switch. £ What met Helena’s eyes meant little at first. Then she made out hundreds of tall cases of farm machinery. They were set one atop the other almost to the ceiling. Assembled, they would have taken up many times the space of this floor. “Those,” Jameson. said, grain binders.” He looked at her. “It might interest you to know that we sell about six a year.” “Then why all these?” He modded. “Yeah. That's a hard question to answer. But it isn’t half as hard as this one. Why did Barnes buy this kind when it isn’t the type of binder that’s used in this locality?” “You—you mean we can't sell these?” “Not in 100 years.”

» 8 »

. A crowded warehouse room, her eyes puzzled. “But if it was a mistake, why doesn’t Barnes send them back? Even if we had to lose the freight’ it would— “It's no mistake,” Jameson snapped. “I'm going to tell ‘you just what it was. You may get mad and fire me, but I'm going to tell you.” He drew a long breath. “Leah Frazier got Mr. Henderson to okay this order because Mark Sandison rep-

‘resented the company.”

“Who's Mark Sandison?” “Leah Frazier could tell you,” Jameson said. “But—well, Mr. Henderson didn’t know about that. Anyhow, Sandison wanted to sell this kind of a machine because his commission would be bigger. And Roger Barnes passed the order, and had the stuff stored——all for a nice cut of Sapdison’s commission,” He snapped off the lights. Ormnce again the flashlight made a yellow pool at their feet. Out of the darkness

he went on bitterly. ' “There's a lot

more; if you want to hear it.” “T-iiaus . ee that’s

| (Te Be Concluded)

Takes Cue From Folk Dances Buddy Ebsen makes up his tap routines for “Born to Dance” from the basic steps used in various folk aances.

old Styles to Be Seen - Robert Taylor will wear the latest French role with

quite

reta Garbo in “Camille.”

“are |

ELENA looked back at the}

les of 75 years ago in his

Actress Has Fine Control of Emotions

Miss Hepburn Demonstrated Ability in Making Her Newest Picture.

* (Last year Dudley Nichols wrote the streen play for “The Informer,” winning the screemwriting award for the year. Ail present he is watching the filming of “Mary of Scotland,” starring Katharine Hepburn, the screen play for which he wrote.)

BY DUDLEY NICHOLS HOLLYWOOD, July 28.—One of the things I noticed about Katharine Hepburn when she was making “Mary of Scotlanc” was that she would work herself up to a fine pitch of emotion for a scene, then go through it with agonizing intensity. Yet when Director John Ford yelled “Cut” she snapped out of the mood instantly and came back to the present with a bang. This trick—if it is a trick—I con~ sider to be, the sign of fine acting. It sounds unusual to settle on such a seemingly hardboiled attribute as a sign of greatness, but let us stop to consider.

When it was decided to make a film version of the Maxwell Anderson play which was so successful in New York a couple of years ago, RKO had to find an actress for the screen to take the place of no less an actress than Helen Hayes, who created the role for the Theater Guild. Luckily Katharine Hepburn is an RKO star, and she already had proved her mettle for emotional act~ ing. Accordingly, Miss Hepburn was asigned the very arduous role of the Scottish Queen Mary.

Play Is Emotional

Now, after all, Mary Stuart was a woman of high emotion, both in matters of state and love. There are very few instances in the script when she is not engaged in highstrung moments, either in ‘love scenes with Bothwell, played by Fredric March, or facing the scheming council of Scottish nobles, who. led by her half brother, wished her abdication. "To shoulder such a program of acting was a tremendous burden, and I think Miss Hepburn carried it beautifully. How did she do it? By immediate relaxation after an intense scene. As soon as the particular shot she was working on was finished, she would cry out: “How was thas, Jack?” or “All right, Dudley?” Then, still slightly excited, she would sit on her camp chair and let her legs and arms ‘flop where they would. The: conversation -would. turn to music or baseball or politics—anything but “Mary of Scotland.” It was a real trouper’s way. I suppose all of us have known, or seen, some actresses who are never through with their acting. "They pant and perhaps become a little high and mighty after such a scene. But, between you and me, I think that’s because they seldom get the opportunity to do such work. Real troupers take their art in a much calmer manner-—thank goodness. (I could say something much stronger there, but like all screen writers I feel ‘the sting of censorship.)

‘there!

ANET sat in the shadows of the white-pillared porch and gritted her teeth. Why did all the tourists have to go next door? | All she wanted was just onz, but now the house next door—that open-mouthed dragon of a house whose lighted sign tourists always saw swallowed up the last hope for tonight. It was so late that it was not likely that any one else wou show up. He was such a. nice-looking tourist, too—she could see his handsome blond head beneath the porch light next door. She thought of the attractively furnished little guest room upstairs. If he could only see it, surely he would prefer it to the dingy quarters Mrs. Mace had to offer him. Janet was trying to save up money to pay for a visit to her aunt in the East. When her mother had offered to let her rent their spare room by the night to passing motorists, she had welcomed the suggestion joyfully, and had set to work to make the room as attractive as possible. She had made new curtains for the windows, had put gay cretonne covers on the chairs, and had placed on the walls the nicest pictures in the house, 8 #8 = HEN she had hung a sign out front, and had waited. Waited in vain. All the tourists stopped at Mrs. Mace’s, because Mrs. Mace's big sign caught their. eyes first, It wasn’t fair! Janet could hear the cheerful voice of the young man on the porch next door. “I'll' run back downtown,” she heard him say to Mrs. Mace, “and get something to eat. I've been trying to make time and didn’t stop for dinner. Can I put my car in your garage when I get back?” Mrs. Mace’s high voice responded. “Yes—TI’ll leave the garage light on, and the doors open—"

A few minutes later, the young

man’s big red touring car whirled.

away. Janet watched it disappear down the street. Her eyes were shining with a sudden wicked thought. She saw the lights of the sign next door wink out. The dragon was gorged— every one of Mrs. Mace's rooms was

rented, and she was putting out the |.

sign for the night. Janet's lips shut tightly. That settled it. On rubber-soled white shoes, she sped down the porch steps and around to the back of the house, . 8". 8B 2 HEN Bob Joyce returned from downtown, he saw a lighted garage, and twisted his car on to one of the two parallel lanes of cement between the two houses. He brought the car to an abrupt halt as the headlights threw into relief the small figure of a golden- -haired girl standing in the garage doorway. “Hey!” Bob shouted. “Stand back I don’t want to Kill an elves that are about—it’s bad luck: The girl stepped aside, and he drove into the garage. He climbed out of the car and faced her. “Well, well!” he said. “Things aren't always what they seem. I sign up with a battle axe—oh, excuse me, maybe she’s your mother or something——" Janet shook her head demurely. He grinned, and continued. “Then a woods sprite comes and lets me into the garage. And sits down on the porch and talks awhile to a guy who’s worn out from driving ail day—and eager for a little restful conversation.”

MOVIE MANAGERS CELEBRATE

new contract between Loew’s an This is to include such pict

by James ‘Hilton, directed by Frank Ca ‘man; Bing Crosby's “Pennies From Heaven”; a new Grace Moore picture; the Pulitzer prize play, “Craig's Wife,” with Rosalind Russell | ‘and John Boles, and Edward G. Robinson's “Thunder in the City.”

Loew's manager, L.. Ward Farrar, and Marty Soloman, Columbia Pictures branch manager here, got together yesterday to celebrate the first birthday of an agreement which permits Loew's to show Columbia’s output here. The occasion also. was to celebrate the signing of a’

bia for 1936-37 products. Lost Horizon,” written d starring Ronald Col-

; Ll 3 DAYS! “SPENDTHRIFT

HENRY ¢ FONDA PAT PATTERSON

ne Retin OF LANG

'S Last Days!

Tourists Accommodated BY DAPHNE ALLOWAY M'VIDER — Daily Short Story -

1 “THE RETURN VALENTINE” ah Th "rs stn

ANET bit her lip. This was more than she had. bargained for when she had stealthily put out the light in Mrs. Mace’s garage and had turned on her own garage light: instead. She had counted on his

Bob turned out the garage light and shut the doors. But she did. They sat on the front porch, in the shadow of a honeysuckle vine, and talked. The moon peeped through the vines. It was pure magic. Then, finally, Bob straightened. and glanced at the luminous dial of his wrist watch. “Good heavens, I can’t keep you up any longer. . But——look— this isn't chance, you know. Any two people whose tastes agree as ours do . . . It can’t just end.” Janet swallowed hard. “But it will,” she said. “You're on your way back to. college and—" “For a year,” he said. “And then --—the road runs both ways, you know. It brings back what it takes away. And anynow, you're going to your aunt's for two weeks—and that's just 10 miles from the university. Well, we'll talk it over in the morning. Oh, by the way, do 1 pay for my room tonight or in the morning?” ‘ Janet's cheeks burned. “Oh— in the morning.” ” » 8 HE next morning, she was pale and quiet. After breakfast, she watched Bob maneuver his car out of the garage. But when he put two crisp dollar bills into her hand, she held them cut to him. “No,” she said. “No—I can't take the money. It goes to Mrs. Mace next door. I did a dreadful, dishonorable thing—you’ll hate me when you know——" Bob, ignoring the bills, took both her hands in his and looked deep into her face. His grin was very miscievous. “Never mind Mrs. Mace,” he said. “You see, she’s a better business woman than you are. I paid Mrs. Mace before I went back downtown last night.” Janet jerked her hands away. Her cheeks flamed. ‘ “You—then, you knew——" ” 8 8

OB laughed, his twinkling. “I'm specializing in math at lege,” he said. “So I didn’t o look a matter like making a of Mrs. Mace’s house number fore I went downtown. I've n a note of yours, too. As for the dollars, you can work it out w ing letters in answer to the ¢ that are going to come to that ni ber. Now don't forget——" The car roared away. But Ja et, jwatching, knew that the road we 1ld bring back what it took away. THE END.

(The characters in this story ire ficticious.) !

blue -yes 'bl= r= rte ede wo it1es n-

Authentic Material Wanted for Movie

Times Special HOLLYWOOD, July 27.—Cameramen and assistants will join hands with Tom. Sawyer and Huckleberry Finn as they search old haunts of Mark Twain for authentic backgrounds for the picture, “Tom Sawyer.” The troupe is to bring back to Hollywood pictures of numerous places mentioned in the book. Mark Twain’s old home, which still stands at 296 Hill-st, Hannibal, Mo., is said to be the counterpart of Aunt Polly’s house in “Tom Sawyer.”

Actress Wears Slacks

Joan Crawford has a new rehearsal outfit. She arrived for rehearsals in “The Gorgeous Hussy” in deep red slacks, and blouse to match, trimmed with black braid.

Large Actor Is Detective in New Film Edward Arnold Takes Role

of Nero Wolfe in Loew’s Offering.

Edward Arnold rarely has been anything better than assistant detective. :Not that he hasn't had ‘plenty of. starring parts—gangsters, historical characters and such— but when it came to sleuthing, stooging was usually the bess he

could do. So: when they gave him the lead

in “Meet Nero Wolfe,” which .is to’ open at Loew's Friday, he felt he had graduated into a class with Philo Vance, Charlie Chan and others. The character is taken from Rex Stout's famous fictional crea= tion of the lazy, beer-drinking criminologist ‘who raises orchids and solves perplexing crimes for remuneration and fun. The plot is from Stout's book, “Per-de-Lance,” and the cast ine cludes Lionel Stander, as Mr. Ar< nold’s excitable assistant; Joan Perry, Victor Jory and the Broadway star, Dennie Moore. 'As in “Diamond Jim,” Mr. Arnold is allowed, in the new picture, to follow his 30-year rule of eat, drink and let the other fellow do the dieting. In fact, his epicurean outlook seems to be responsible for his success as a character actor today. Mr. Arnold, orphaned at 11, joined the Ben Greet Players when he was 15, and soon was playing romantic leads. It,was while he was doing Romeo with the troupe that he began to put on weight in earn==t and by the time he was 20, his girth was something to talk about. He left the Greet company. still determined noé to combat Nature in the matter of poundage, and oot a supnorting role with Maxine Elliot in “The Chaverone.” A small part in Ethel Barrymore's pro= Avatign. “Mid-Channel,” followed, after which he toured the country with stock companies for 11 years, nlaying with. such actresses as Lucille LaVerne, Effie Shannon, Florence Roberts and Mary Miles Minter. His first attempt at motion pictures came as leading man with the old Essenay company, in a series called “Is Marriage Sacred?” Mr. Arnold admitted that marriage was but that the movie business wasn’t. He quit in disgust. The company made 32 reels in three weeks, which

i; better than ever a “quickie” firm does today. Broadway producers, however, continued to eye Mr. Arnold's waistline approvingly, and gave

him important parts in such plays

as Eugene O'Neill's “Beyond the Horizon,” in “A Month in the * Country” and “Whistling in the

Dark.” It was this last play which brought him to attention of movie scouts, and consequent screen fame. ‘ As the second item for their coming double-feature bill, Loew's has booked “The Three Wise Guys,” which features Robert Young, Betty Furness, Raymond Walburn and Bruce Cabot. It's based on one of those fables about “guys” and “dolls” from the pen of Damon Runyan.

Child Actor Says ’ \ise He's Not a 'Kid Times Special HOLLYWOOD, July 24. — It's “Mister” Bartlett, please, to Benny Bartlett, 10-year-old star of “Three Married Men.” . When Eddie Buzzell, the director, approached Benny and asked:

“Have you got a dog of your own?” “Not now,” replied Benny, “but I

had one when I was a kid.”

WEST SIDE

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