Indianapolis Times, Indianapolis, Marion County, 21 July 1936 — Page 8
pollo Books tar's Latest ontribution
ie to Open Friday for Indefinite Stay of Week or More.
BY JOHN W. THOMPSON Hey folks! Better dust off the ‘welcome mat and set another place at the table. Shirley Temple is coming to town Friday for at Jeast a week's stay at the Apollo in “Poor Little Rich Girl.” Even the genial Col. Collins, ‘Apollo manager, is getting ready for big doings at his place of business as long as Temple worshipers wish to keep the little curlyhead in town. He's putting in more than 900 comfortable new seats. The Apollo is being redraped with colorful curtains hanging every place they can be hung not to interfere with Shirley Temple posters. * With Miss Temple in “Poor Lit- ~ tle Rich Girl” is the most impressive cast she’s had in a year or 80. Alice Faye, who got her start under Rudy Vallee’s wing, sings with Shirley. Jack Haley, screen and stage comedian, pulls ihe gags. Michael Whalen, the handsome young gent who made a hit in “The Country Doctor,” is the male romantic interest, and Gloria Stuart is billed as the heroine.
Plot Frustrated
With release of the Temple movie . comes news, via the grapevine sys- . tem, of a frustrated plot to “adopt” _ the starry-eyed Shirley. The state of Texas, through the long hand of Gov. James V. Allred, tried to get a kind of “adoption” put through so that Shirley would be ‘known as the God-child of that ~ state. But through clever manipulating by Gov. Frank Merriam of California, the plot fell through. But Shirley was made a member of the rangers of the Lone Star State, the next best thing Gov. ~ Allred could offer. Miss Temple ~ already is a “Colonel” on the staff of Gov. Ben Ross of Idaho, and she holds a similar post on the Stalt of the governor of Ken-
"Honored by President
She is the official mascot of the ~ Chilean navy, and President Roosevelt made her “messenger pleni- ~ potentiary” when he sent an autographed photo to her friend, Bill Robinson, _ Bhirley is to be heard singing
SHIRLEY TEMPLE HEADS FOR NEW BOX OFFICE RECORDS
Cornell Closes Season's Work
Plans Vacation Before Starting New Play.
| T'imes Special ‘ NEW YORK, July 21.—Katharine Cornell ended one of her most suc- | cessful seasons Saturday. During the season she appeared in “Romeo and Juliet” and Shaw's “Saint Joan.” She acted in the former for 12 and a half weeks in New York and on tour, and in the latter for 21 weeks. During the year she travelled more than 12,000 mlies to visit 26 cities in 16 states. Gross receipts from the performances were more than $750,000. More than 300,000 people saw her plays. Her largest single night income was $7932.55 and largest single week’s “take” was $42,139.77. ’ *After a vacation in ‘Majorca, she is to return to New York to begin rehearsals for Maxwell Anderson’s new drama, “The Wingless Victory,” which is to be directed by Guthrie McClintic. The first performance is to be given late in November,
Ve new song hits in “Poor Little ich Girl,” from the pen of Mack | on- and Harry Revel, they ine “When I'm With You,” “But Definitely,” “You've Goita Eat!
Your Spinach.” “Oh, My Goodness”
and “Military Man.”
y |
Former Notre Dame Priest Film Adviser
Times Special ; HOLLYWOOD, July 21.—Father Sidney Raemers, Ph. D. authority on religious history and formerly Notre Dame professor, of history, Served as technical adviser for two Scenes in “Mary of Scotland.” * He instructed Katharine Hepburn am Fredric March, co-stars of the dicture, in the Latin responses used in the marriage ceremony between the Queen and the Earl of Bothwell, and supervised the scene in which Mary ascends the scaffold. ther Raemers is author of a f=volume History of the Catholic saurch and a Boys’ History of the Bible.
show Boat’ Shown on Ambassador Bill
Show Boat,” the musical film i Irene Dunne and Allan
feature on the theater’s double bill be “Panic On the Air,” with v Ayres.
hamas Governor Meets Film Stars
8 Special H YWOOD, July 21.—A lifeing ambition of Sir Bede Clifford, jvernor of the Bahama Islands, was
of several leading movie studios
,
Raymond and Bruce Cabot,
’ | the music-loving world?” he sug-
“Squa-a-a-ds left!” -and ‘“‘Colonel” Shirley Temple marches right off toward another box office record in her newest picture, “Poor Little Rich Girl,” which is tc open Friday at the Apollo, Al Parmenter, Twentieth CentliryFox studio photo expert, who watches Shirley for us out in Hollywood, took these pictures especially for The Times as the little Temple irotted through her paces for the
camera.
ia |
ILMLAND'S UNNIEST MEN
S .
IRVIN ' com
The eighth of a series.
BY PAUL HARRISON OLLYWOOD, (NEA), July 21. —Irvin 8. Cobb, movie actor, still regards himself with astonishment. Doesn't know quite how it happened, or why. One day he was a successful author, prosperous, a little tired, and all set for a long job of loafing in California. Now he’s living in Greta Garbo’s former home, wearing Hollywood clothes, playing stooge ‘to the celluloid Thalia, and working harder than he ever worked before. And liking it. He has only one explanation: “Acting is a new kind of adventure. At that, though, I was sort of dragged into it. “Acting is kin to writing, an ef-
Oo" a summep:night, as he sat on a bench in the Town Square, Peter Dunn heard the band play Liszt’s “Hungarian Rhapsody.” And it gave him a thrill, in spite of the fact that Susan Carter, the girl he loved, was sitting, only a little way off, with Tom Jones, his biggest rival. It must have thrilled Susan, too, for Peter heard her say to Tom: “The man who composed that must have been inspired by a beautiful woman.” A pause and a sigh. “I wish I could be a man’s inspiration.” “Talk sense!” Tom retorted. “And why in heck don't they play something with a kick in it?” Peter gritted his teeth. The lowbrow! Wanting music with a kick in it, when he sat beside a girl who was so lovely. “You are a man’s inspiration,” Peter would have said. “You're mine.” And yet, he mused, what could he, a mere soda clerk, be inspired to do—even by a girl like Susan? Not much chance for inspiration at a soda fountain! 2 . 8B # OW, the band was playing “The Star-Spangled Banner,” and every one was standing up. Peter leaned over and touched Susan on the arm, while Tom was conversing with his neighbor. “Listen, Susan,” he said, “may I take you to the movies tomorrow evening?” “I'm sorry, Peter,” Susan said. “But I promised Tom I'd go with
him.” He turned
Peter’s heart fell away, and soon was lost in the dispersing crowd. : He was still heavy hearted when he reached the room which he shared with his friend Jimmy. He was in a mood for confidences and poured out his troubles to Jimmy. He quoted Susan's remark about inspiration, and gloomily wondered how men of today went about doing things for women who inspired them. : Jimmy laughed. “Why not concoct a new soda in her honor that will be to the soda-drinking world what that guy's Rhapsody is to
gested playfully. Peter, however, took
him seriously. That was an idea!
SODA FOR SUSAN
By Allen Eppes DAILY SHORT STORY -
ing in, with his usual arrogant manner, and demanded a drink. . °° “What’s that?” he asked, pointing at a newly completed sample of Peter’s masterpiece. “If looks sorter appetizing, I'll take it.” | “But, I—that is—” Peter stammered. ; “Come on!” Tom urged. “I'm in a hurry.” Slowly, sadly, Peter pushed the precious Susan-inspired soda across the marble counter. Tom went at it with a will, smacking his lips, and enjoying it thoroughly. Peter watched him morosely. That Susan's soda should be consumed by that bozo! . “Not bad,” said Tom, paying for the drink. “Even if you did put everything in it but the kitchen sink.” ; He strode out, unconscious of Peter’s glares. 2 2 ” HE afternoon dragged to an end. Susan did not appear. When Peter went home, he looked even glummer than he had the night before. Jimmy eyed him with amusement. “Well, did it work?” he asked. Peter gloomily shook’ his head. Jimmy laughed and turned back to the magazine he was reading. Peter was just taking off his shoes, preparing to spend a dull evening at: home, when the landlady called to him that he was wanted on the phone. He went down to the lower hall, took up the receiver with listless fingers. “Hello,” he said, without interest. (It was probably the manager of the drug store wanting him to work that night.) “Hello!” responded a bright andl cheerful feminine voice. " # : J $e ETER’S heart leaped. All the listelessnes went out of him. Gosh—Susan! : Susan,” he exclaimed. “Gee, it's swell having you call me up!” “Listen, Peter—I've changed my hind. You can take me to the movies. Tom made a hog of himself, and has gone to bed.” “Gosh!” said Peter. “Say, that's great. I mean—it’s too bad Tom—"
{ fort to interpret something. Interpret, mind you—not create. We've got too many people called creative artists. Mighty few are creative; fewer are artists. Hollywood just has a bunch. of: good craftsmen. “I never had on grease paint before, and never was behind the footlights except when talkin’ at benefits. In fact, the behind-the-scenes part of the legitimate stage never fascinated me. But the movies do.” Circuses “also fascinate Mr. Cobb. The inference is clear, then, and undenied, that he likens Hollywood to the world of ballyhoo-and-spangles under canyas.
”® ” ” S far back as the Cobbs can be traced, there wasn’t an actor in a steamboat load. When a kid in Paducah, Irvin drew: pictures. “I think,” he said, “that I had the makin's of a pretty bad cartoonist.” + He even sold a few drawings to cheap magazines—the first published - manifestations of Cobb humor. : :
away to study art, but catastrophe galloped up at the last minute with a reprieve—Cobb’s father lost all his money. So Irvin had to get a job: He went to New York and. became a reporter; eventually a good one, and a columnist on the side. Began to get a reputation as a funny guy, and one day the Friars’ Club asked him to speak at a dinner. 2 “I had covered plenty of banquets, and decided there wasn’t any trick to after-dinner speaking,” he riminisced. “So I wrote a funny speech and rehearsed it. = “Well, it flopped. The stories just
didn’t match, or click. They died all |.
over the place, and not in convulsions, either. My ego exired along with ’em. But not my vanity. 1 vowed I'd get the knack of it if it killed me. Shy “It just about killed be—some of
those banquets, whew! But I learned
the trick, and then found I had whelped the doggondest Frankenstein that ever hounded a man through life.” yo. Cobb went to Europe as a correspondent at the outbreak of the World War. On his second day at the front, he got too close to the action, was captured—it took a lot of Germans to surround the ponderous Cobb—and shipped to Brussels. Thereafter, until America entered the argument, he worked behind the German lines and. traveled on the only pass ever issued by the Kaiser himself. ” ” ” E was 37 before he wrote and sold his first piece of fiction. “An age,” he observed, “when most people have sense enough to quit.” Since then his score is 60 books and some 2000 stories and articles, with another novel coming up. He had a birthday June 23—his sixtieth.
In 1934 Will Rogers asked him.
to come to Hollywood as ad on the picture, “Judge Priest,” b
on Cobb's most celebrated character
About that time, too, Hal Roach in- |
vited him to make a series of comedy shorts. He came. To Roach he said, “I've never tried writing comedy or -else directly for the screen, although I've had a hand in three or four bad stage plays. I don’t want to take your money under false pretenses, but I'll write
on speculation. Shea drug “Write, hell,” said Roach, “I want
you to act!”
So Cobb tried to act. But the
comedy to “Steamboat Round’ the Bend,” “Bye
U. S. Players Offer Comedy
‘It's a Boy!” Bares Trials of Newlyweds.
As the title of this week’s Federal Players production indicates, “It’s a Boy” — although the infant gets sidetracked toward the end in favor of the misunderstandings and ambitions that involve his parents. The play, by William "Anthony McGuire, is an entertaining comedymelodrama, though like certain popular coffees, dated in spots. It tells of a young Mr. and Mrs. Blake (Chester and Phyllis) who are to become parents when the curtain rises on the prologue. Chester has a dime store over in Carbondale, Pa., and is doing very well. But a representative of a large New York concern comes along, dangles a $10,000 salary under Chester’s nose, and he, against his better judgment, yields to Phyllis’ wishes and accepts. Well, it turns out that the big bad firm just wanted to pick up Chester's store in Carbondale and Scranton at the cheap price of his year’s salary, and at the end of the yesr they fire him.
But She Repents
Meanwhile Phyllis has grown just awfully extravagant and selfish,
egged on by her Carbondale girl:
friend, Marjorie, who stays with them in New York. , ‘The Blakes have a terrible row at the end of Act II, but Phyllis goes
The family planned to send him i Sigh 5 ‘omplste regenerative
ess, gives all her installmentplan diamonds back to the jeweler, and promises to be a loving wife and mother. ; . There are several = counterthemes. One deals with Marjorie’s quest for 4 wealthy husband, and her devoted Billie, the boy from back home who has a heart of gold and most of the play's best lines. Also there is Chester's doting father, and Phyllis’ equally devoted mother, and the .Pendletons —R. W. the deceivin’ officer of Chester's firm, and Rita, who Eracious) isn’t Mrs. Pendleton at all, Ladies Take the Honors Chester and Phyllis are played by Ned LeFevre and Betty Anne Brown. ‘Berniece Wood is Marjorie and Hal
‘Hawkes her William; the parents-
in-law are done by Ruth Benefiel and Jack Duval, and the Pendletons by ‘Gene Brittain and Alice Arnold. 3 As usual, last night’s contest went to the ladies, though Mr. Duval came through with a good portrayal
of the crotchety old man, and Mr.
Hawkes was the best we have seen
him. The two principals’ perform- ||
ances were spotty, but very well done in places. Mr. LeFevre still smirks no end. Supporting parts, with one exception, were above the company’s average. The play will be at Keith's
all week. (By J. T)
by Miss Garbo, called for a mint julep, and was just settling down for his first spell of loafing when the phone rang. A Mr. Zanuck to. speak to Mr. Cobb. . Mr. Zanuck, ‘head of Twentieth Century-Fox, asked how about coming out and signing an acting contract. Cobb swore, sighed, hitched up his five-inch leather belt, put on his sombrero, and went. Since then he has contributed to
erybody’s Old Man,” and “Pepper.”
The latter is a soon-to-be-released
picture with Jane Withers. “I am not an actor,” said the bewildered Mr. Cobb. shalt
“I never be an actor. I am trying to L hat
have naturally, but I find that most |
trying to be natural
lot of artificial things and spout
| So Much fo
Leah. NOW GO ON WITH THE STORY
!. CHAPTER FIVE OURTNEY'S cxplosive explanation at the news of a “Mrs. Peter Henderson” startled Helena. She brought her lips closer to the mounthpiece of the telephone. “Youll be here, then? And you understand Peter's message about bringing Leah?” “Of course I'll be there,” the lawyer said. “But if you're really his wife I don’t understand Peter's message about bringing Leah. But I'll bring her though, if that's what he want. And if she'll come.” There was a silence during which Helena was uncertain as to whether Courtney had hung up. Then his voice came suddenly again: “When were ycu married. “T-today,” Helena faltered. , “What was your name? I mean —are you any one I know? Are you any one Peter knew before— before today?” The blood rushed to Helena’s face. She experienced a sudden resentment and anger, despite the circumstances there in Crest Mountain Lodge. “I'm simply delivering Peter's message, Mr. Courtney. I'll be glad to answer your questions when you arrive.” She replaced the instrument in its cradle and dropped her bewildered head into her hands. John Courtney’s tone had been unmistakable, So had the implication of his words. “Yes, I'm Peter Henderson’s attorney. What's up now?” Apparently Peter had more than once been in trouble of some sort. And who was this Leah? Why had Courtney said that if Peter was really married he didn’t “understand Peter's message about bringing Leah?” Helena’s whole body grew cold. Was—was Leah really John Courtney’s friend . . Peter's? Her troubled thoughts were interrupted by a sound in the outer room. It was no more than the opening and. closing of a door—but it might mean that Blair Lowell had arrived with the doctor, that Fain had really seen them from the window and had not been mislaken at that distgnce from the roa
Helena found that Fain had been right. Sandra was leading the doctor across the room. Helena hurried toward the physician. “I —I'm his wife. Would you like to have me help you?” t ” tJ
: doctor smiled down at her young, troubled face. “Thank you. Perhaps I'd better have a look at him first, and then. . . He broke off, patting her shoulder with a reassuring calm. He glanced at the others, all stan off discreetly. He was only a country doctor, unknown in the city, and his work had never been recorded in the medical journals —but here in that room, in this emergency, he. comanded the respect that his years of self-sacrifice and near poverty deserved. Helena had believed that the more than an hour preceding the doctor’s arrival had been long. But it was
WHERE, WHAT, WHEN
APOLLO
‘State Fair’ (revival), with Janet Gaynor, Will rs, Louise Dresser, Lew AS 11:22. 1:25, 3:28, 5:31,
9:34 and 90 : CIRCLE “The Green Pastures,’ Marc Con-
nelly’'s famous fable, with Rex Ingram, at 11, 1:10. 3:20, 5:35, 7:45,
LOEW'S
“The Devil Dell,” with Lionel Barmore, Maureen O’ 1, 4, 11, 1:52, 4:44, 7: Also “We Went to College” th Hugh utterworth, at
Herbert, Charles 12:41, 3:33, 6:25 and 9:17. KEITH'S
“It’s a Boy,” Federal Players production under the direction of Charles Berkell. Curtain at 8:15.
LYRIC
“The Crime of Dr. Forbes” on the’ screen, with Gloria Stuart, Robert "Kent, Henry Armetta, at 11:26. 2:09. 5:13, 7:56 and 10:39: bs Vaudeville on the stage at’ 1:09, 3:53. 6:56 and 9:39.
Slinicsmmi
ALAMO “The Law in Her Hands,” with . Margaret Lindsay. Also “Melody Trail” with Gene Autry. i AMBASSADOR *“The Case PAgainst Mrs. Ames,” with George Brent and Madeleine Also “‘Special Investigator” with Dix.
. . OHIO * January” Bu
with Shirley Ebsen. Also
. or was she
Returning to the ‘larger rom;
| GARRICK & ST. CLAIR
: in the span of time compared with the few minutes the
Helena flew from Sandra’s comforting presence to learn Peter's condition. “How is he, doctor?” The serious-faced little man met her gaze. ‘Your husband is in rather a serious state, Mrs. Henderson. Concussion, of course.” He lowered his voice. “His condition complicates matters.” He looked at her knowingly, assuming that she had been married to Peter for some
“I—I don’t know what you mean, doctor.” His eyebrows raised. He coughed nervously. “Well, you see . . . your husband appears big and healthy. But I should say that he’s—well, overdone himself. Fellows like that hit a pretty hard pace sometimes, believing that because they're husky they can take it. Then something like this happens.” Sandra rushed toward them, her eyes blazing in her excitement. “Doctor, if you're bluffing—if' you're stalling and don't know the answer to this—you’'d better call a specialist from the city.”
s » un
HE little doctor faced her calmly. “My dear young woman, this is a very simple case. Even simple enough for a poor country doctor like myself. A young man has been overdoing himself for months, possibly years. Under the influence of alcohol he dives against a submerged stump, incurs a concussion 6f the brain. Even ‘a specialist from the city could do only what I am going to do.” “And what is that?” demanded Sandra. “Wait,” smiled the doctor. “Make the patient comfortable, and . . . wait. I hope it will be possible for me to stay here tonight?” Under his steady gaze Sandra was quickly reasonable, and contrite. “Please forgive me, doctor. I—we’re all so wrought up. Of course you may stay here.” “Thank you.” The doctor turned to Helena. “I want to suggest that you get some sleep, Mrs. Henderson. Your husband seems to be resting easily now, and there is nothing you can do for the moment.” Helena nodded. She let Sandra guide her to the door of her room, but she felt certain she would be unable to sleep. Nevertheless, she lay fully dressed on the bed, and soon had drifted into a troubled doze from sheer weariness.
HEN she ‘awoke, the first " Streaks of dawn painted the sky beyond her window. Helena lay there a moment, thinking: “It’s been a horrible dream. Peter wasn't hurt. There—there wasn’t even a wedding.” But then the reality of day crowded in, and she faced again the truth. She and Peter Henderson were married. Last night they were to have embarked on the night train for . their honeymoon. But a scant few hours after the -ceremony he had been hurt, might even nowbe .., .be ,.. Helena clamped her damp palms to her head and sat upright. How could she have slept? Somehow she
facing Sandra and the rest. But nobody was in the big room except the Leigh girl who stood by the fireplace in the same clothes she had worn the night before.
Today-Wed.! Return Engagement!
LEW AYRES TER
ove
dreaded going into that other room, |
\
by NARD JONES ~ Qwe NEA Semmes dem
Helena knew that Sandra had slept—if she had slept at all--on the davenport before the hearth, “How is he?” Helena asked feare
fully. The other tried to smile. “About the same, I think. Mr. Courtney and the doctor are in there now.” “Oh. . . Then he—then the lawe yer arrived last night?” Sandra nodded. “On the mide night plane. Some one drove them over from the town.” She hesitated, then went on. “You knew that Leah Frazier came, too?” Helena did not anSwer at once, and Sandra added another question. “Peter told you about Leah?” A cold fear took hold of Helena’s heart, but she said, “Yes. He asked me to tell Mr. Courtney to bring her along.” Sandra natural that he should ask that, You see, he’s known Leah all his life—and I suppose that in his home town every one expected them to marry. You know how it is in places like that.” Helena nodded dully. Why was Sandra so nervous? What was she trying to hide? Something—that was obvious. “She’s in one of the rooms upstairs,” Sandra was going on. “After the plane ride and the excitement, she was pretty well done in.” : » ” » HE door opened behind Helena. Without eurning she somehow knew that it was the doctor and Courtney who were coming into the room. And suddenly, horribly, she knew something else. Unaccountae bly, she knew. With a choking sob, she flung herself into Sandra's arms. “Sandra! Oh, Sandra . . . he’s dead. Peter's dead.” It came to her clearly in the midst of her despair that Peter had realized all along that he was going. As gently as he could he had tried to make her realize it, too. But she had blinded herself herself with that hope which is at once the salvation and the curse of every human bee ing. Hours later she sat facing Jobn Courtney, her eyes red with constant weeping, her lips pale ang sagging. He had been talking for several minutes, but Helena had not heard him. Since that first awful moment she had neither heard nor seen anything. And then suddenly something that Courtney said struck into her consciousness, drought her back into the seme blance of a living eprson. 4%. . . so you will be well provided for, Mrs. Henderson, if you exercise. reasonable care in the management of the Henderson Department Store. It is a profitable business—quite the largest of its kind in our town. And as Peter's sole heir, you are naturally its owner.” Helena sat straighter in her chair. “Sole heir? But I—I haven't the right to take anything of his, I—I've given him nothing.” Courtney shrugged. “You have the legal right. And his will, as he dictated it to me last night, makes it very clear.” “I won’t do it,” Helena said, get ting to her feet unsteadily. “There must be some one else who deserves it.” (To Be Continued)
Directs New Film
. George Stevens, who won loud praise for his directorial work on “Annie Oakley,” now is directing “Swing Time,” new musical starring Fred Astaire and Ginger Rogers.
SHERMAN-EMERSON EAST ‘TENTH ST. AND LINWOOD AVE.
MARDI-GRAS
BALLOON ASCENSIONS, SHOWS, AMA
FIVE NIGHTS JULY 21, 22, 23, 24, 25
Amateur Auditions and
Registration Tonight at 6:00.
WEST SIDE 2702 W. 10th St. STATE mami, IERIE STEPS : W. Wash. & Belm: BELMONT cues panes “SHOW BOAT” Joe E. Brown—* ‘SONS 0’ GUNS” SN AlCyY BOW Mich St DAI SY 3 Shirley Temple “KING SOLOMON oF J BROADWAY” NORTH SIDE
ont
RITZ “FORGOTTEN FACES”
Central at Fal Crk. ZARING “Duis resiars “13 HOURS BY AIR”
LOUIS-SCHMELING FIGHT PICTURE _
UPTOWN
‘THE KING STEPS “THE FARMER IN THE DELL” 30th and Illinois Double Feature “LITTLE LORD FAUNTLEROY” Chester Morris—" "MOONLIGHT MURDER” St. CL & Ft. Wayne Double Feature
UDELL
EAST SIDE
+ EMERSON
Wash. St. Feature -
TACOMA “bess
Double ¥
“PETTICOAT FEVER” “BIG BROWN EYES”
4020 E. New York TUXEDO ~~ “Puskic Fouaie “LITTLE LORD FAUN ¥ Jimmy Allen—“SKY PARADE”
IRVING “Posbie eatire™
Double James “DON’T GET PERSONAL” Irene Dunne—All Star Cast in “8 BOAT” 4630 E. 10th St. Bru, ier “LOVE BEFORE AST” Ted Healy—'"SPEED”
2116 E. 10th St. HAMILTON Degbis reaturs
Joan Dhemicy Saws Robinson n n . “BULLETS OR BALLOTS: First Neighborhood Showing - Sa oen NEE PARKER Toousie Feature “GARDEN MURD “THE SINGING Kitt © 138 E. Wash. 86
looked relieved. “It's
RIAN | SEL GE RES