Indianapolis Times, Indianapolis, Marion County, 17 June 1936 — Page 4

425 Movies in 22 Years

Danish Actor Seldom Cast as Star, But Famed for Ability.

° BY JOHN W. THOMPSON

‘More than a movie a month for 22 years. That's the record of Jean Hersholt, Danish actor starred 'in “Sins of Man,” which is to open at the Apollo Friday. Mr. Hersholt will be 50 July 12. He was born in Copenhagen, the son of leading players in a Danish stock company. The man who played “The Country Doctor” so excellently didn’t want to follow in his parents footsteps. He attended college, obtained a master of arts degreé, made his mark as a promising young painter. For hobbies to keep away from the theater, he chose cycliig and boxing.

Capitulated to Stage

‘But the lure of grease paint was too strong. It wasn’t long after Jean's graduation from college that he became an actor, first in Copenhagen, later travelling in Europe. For 12 years he was famous as an exponent of Ibsen, Stringberg and other Scandinavian dramatists. In 1914 he did a silent picture for the Great Northern Films. As a result of his success he was asked ‘to go to the Panama Pacific Exposition in San Francisco to act in a play. Thomas Ince and Joseph Horkheimer saw him and took him to Inceville, the Hollywood of the day. i Later he went to work for Uniyersal. He and the late Lon Chaney occupied the same dressing room and worked out their make-up together. Hersholt’s art training made him a master at stage get-up. But he kept up his art as a hobby while not working in movies. Some of his portraits and paintings were exhibited in Los Angeles and Copenhagen. Although he learned English rapidly he has not lost his accent.

Activities Aré Numerous

An enthusiastic collector of first editions, he has written several books on the subject. He is also a director of one of the Los Angeles banks. Jean, Mrs. Hershoit and their son Allen, live in a “homey” home in Beverly Hills. ~ Jean belongs to the Beverly Hills Business Men’s Club, is a director - of the Academy of Motion Picture Arts and Sciences and a member of the Breakfast Club, Knights Templar and Al Malaikah Temple of the Mystic Shrine. He designed and executed the official seal for Denmark athletes competing in Olympic games, was appointed official representative of the g of Denmark at the American pics in 1932. ©

Three Times a Star

‘Although Mr. Hersholt has -appeared in more than 425 movies he has been starred in only three. Some of his best remembered roles include the tutor in “Student Prince,” Ed Munn in “Stella Dallas,” Shuler in “Greed,” and Senf in “Grand Hotel.” "_Hersholt is five feet 11 inches tall, weighs 185, dark hair and blue eyes. His son is showing talent as an amateur. actor. . Don Ameche, radio star, and heralded as a new film discovery by Darryl F. Zanuck, gets his first chance in “Sins of Man.” The pic~ ture was directed by Gregory Ratoff, an actor who did his first directing in this film.

Pupils to Present

Program Tonight

Piano pupils of Georgianna Brown-Ritter are to appear in recital at 8 tonight in the First Baptist Church assembly room. Those taking part are Willie Grey Gregory, Betty Jean Nealis, Raymond White, Donald Williams, Dolores Via, Shirley Edwards, Alberta Nealis, Alice Jean Ritter, Aileen Scoggan, Barbara LaVerne May, Elizabeth Jeanne Rybolt, Frances Shepherd, Estella Shepherd, Virginia Peters, Betty Via, Virginia ‘Cox, Ruth Davis, Lois Cambridge, Betty Cupp and Raymond Edwards. “Alice Sargent, ariiiia, as ang John Nelson, accordion, will assis

Topmiller Poi: - Will Give Recital

Commencement exercises for pu- . of Francis H. Topmiller are to held at 8 tomorrow night in the

‘Emerson Avenue Baptist Church, |m

‘Emerson-av and E. New York-st. “The following are to play: Billy Brown, Evelyn Jeanne Hynes, Marie Rosemary Davis, Charles Ruth Martel Brown, s Hynes, Dolores Topmiller, Marie Buennagel, Mary Rita , Alice Robinson and Ruth

de Hynes.

ro

in “Sins of Man.”

: Veteran of almost half a thousand movie roles; Jean Hersholt, only recently elevated to stardom, makes his bid for the 1936 acting award The film is based on Joseph Roth's. story about a father and his two sons, immigrants to America.

Irate Director

Timas Special HOLLYWOOD, June 17.—Director Curtiz came to the studio one morning recently in one of his rare good humors. After three weeks of location work, during whecih he had filmed many of the most strenuous scenes for the picture “The Charge of the Light Brigade,” he had brought this company back to the comparative peace and quiet of the sound stage. There he intended to rehearse and photograph a ballroom scene in which the principals of the film, and several hundred extras: would appear to enjoy (in the film story) a few hours’ gayety before troops moved forward to the battle: which made Lord. “Tennyson famous.

Spirits Are High Eo So Director Quek Likes iH ema romance ‘Secon

be comparatively simple, he thought, to film the ballroom sequence in

two days. After that he planned to take up the battle where he had|

left it, high in the hills back of Calabassas. : He placed the camera on a low balcony overlooking the polished floor of the Government House in Calcutta. There he would film an intimate dialogue scene petween Donald Crisp, Spring Byingicn and Nigel Bryge, and at the same time show Errol Flynn, Olivia De Haviland and other young people dancing the stately quadrille in the background, Mr. Curtiz thought he had the thing worked out pretty well. The music for the dance was to be furnished by one piano, and as soon as the dancers had the swing in mind, the music would stop so the dialog could be recorded. The dance was to proceed silently in the background. Later a full orchestra would be “dubbed in” in the cutting room.

The Fun Begins

The piano tinkled briefly while the dancers caught the idea of the stately dance, then Mr. Crisp started to speak his lines. A buzzer buzzed suddenly and the sound man in. thé nearby mixing booth rapped sharply on his glass window. “Cut,” yelled Curtiz, and as the sound man emerged, “What was the matter with that?” “There's a squeak,” said the mixer, “that picks up plainly, Something’s squeaking.” “We'll try it again,” said Curtiz, his good humor returning. . The music started and so did the dancers. Mr. Crisp completed his lines and Miss Byington hers. The buzzer again. “Still squeaking,” said the sound . “Some one must be wearing squeaky boots.” No Squeaking—Please

the dance floor. “Who's doing all this squeaking?” he shouted. “I have so much to do in two days, and one of you people . We will

Director Curtiz glared out over

Squeaky Boots Spoil Romance;

Longs for War

Good Humor Fails to Bear Up Under Puzzling Noise in Ballroom Scene; Star Found ‘Culprit.’

said Flynn, “But I didn’t know B really.” “What am I to do?” gasped the director. “Here I have a beautiful set, full of beautiful dancers doing a beautiful dance. And your shoes squeak.” “But Mike,” said Flynn, “all officers’ shoes squeak. It’s a rule or something.” . “I make my own rules,” came the reply, “and I rule that your shoes do not squeak.” “What can I do ‘about it 9” replied Flynn, “There isn’t another pair like these in the studio.”

Giye Himgy Wars Somebody suggested that Flynn try soaking his feet, but Flynn would have none of that. It was his

‘shoes that squeaked; not his feet, he said. si

2 Be-dance director fsived the

nl ? movie'| da He changed the routine so that battles, was. in high spirits. Te t would ¥ .

Flynn was standing:istill during the dialog. So Errol “squeaked” into ‘place and Curtiz resumed his director's chair, mopping his brow. “It’s less trouble to film a whole war,” he mumbled to an assistant,” than to shoot a ballroom sequence when somebody’s shoes squeak. I'll be glad to get back to those battle scenes where ‘the squeaks and squawks don't matter.”

Piano Teacher

to Go Abroad

Local Woman Chosen. for

European Trip.

Miss Norma Marie Mueller, local piano teacher, has been chosen to accompany & group of ‘scholarship

‘students to Vienna this summer.

The trip is being sponsored by the Progressive Series Society,

scholarship division, and will be under the direction of Dr. LeRoy B. Campbell. Receptions are to be given the students by the mayor of Vienna and the American Legation d their summer “stay. Miss Muéller pians to attend master piano classes at the Vienna Conservatory. She is the daughter of Mr. and Mrs. Eugene Mueller, 1152 Church-man-av. Mr. Mueller was a teacher at Shortridge High School for nearly 50 years.

WHERE, WHAT, WHEN

APOLLO

Your hie Number,” with Foung. and Robert ‘Taylor 1.42, 3:43, 5:42, 7:42 and 9:42 “It's - Love

Loretta at 11:43,

CIRCLE

Also. “Dracu Gloria Holden, O tto Kr! Ing Pichel, at 12:40. 3:

10EWS “Pury,” with a ia 3:35, 6:15, and 9:05.

6:15. an

back

Wells Film Biggest Job

Presented by Story of Future World.

“Things io Come” is 14 apen at Loew’s Friday.

BY WILLIAM ENGLE ; Times Special Writer NEW. YORK, June 17—H. G. Wells dreamed, and out of that came “The ‘Shape of Things to Come.” He dreamed some more, and the

book became a movie script. Then a task unique in pictures came to a fast-moving, quick-speaking genius named Ned Herbert Mann. : When the picture was shown for the first time in New York recently the premiere was made possible, as much as anything by the fact that Mr. Mann, from Hollywood, has

phantasy. In the picture the audience sees throngs of people in the future against a background of prodigious and outlandish machines of the new age. “The people are real enough,” Mr. Mann said in his suite at the Park Central Hotel yesterday, “but the machines are mine. They're models. “You get the illusion through a double exposure of the negative and other photographic technique.”

His Toughest Picture

It is in the building of the models of such things as an excavating machine appearing on the screen to be the size of an ocean liner that the science of the stage effect director becomes invaluable. Then his calculations of distance and perspective, Mr. Mann said, are enough to keep him awake all night. Mr. Wells’ picture was the toughest one he eyer did—a task of preparing the stage effects for a $1,500,000 - production, which British critics have reported “taxes the limit of human imagination.” He had to get hands on Mr. Wells’ dreams, make models of their impedimenta and see that in correct proportion they were superimposed on the film. “Stage specialty, or trick work, as pictorial production is called, is a technique all its own,” he said. “An author writes a script. By the selection -and arrangement of words his story is told. A generation ago the written word was the only: medium by which his audience scattered throughout the world could be reached. Then came the medium of dramatization, telling the story pictorially via the moving film.

The Technique of ‘Hiusion

and effects, Actors had to work in a world of reality. If the heroine of a flood could be permitted to carry through her part there had to be a flood. If the unknown orphan was to become the hero-of an earthquake and rescue the panic stricken daughter of a millionaire there had

‘to be an earthquake with its gap-

ing rents in the earth, buildings toppling down, fire breaking out. Scenes -and backgrounds and realistic conceptions of every sort just simply had to be Brough into being if the story were to be graphically told. “I've been in pictures twenty years.

art. I did the stage effects for Douglas Fairbanks, Pickford, Valentino, the Talmadges and the Barrymores.” When Mr. Wells, two years ago, projected himself a hundred years into the future and found the world a war-ridden shambles he prepared the way for Mr. Mann to come along this year and fiy up the background of the incredible days of the future on the screen. Alexander Korda, in London, decided to produce a picture based on the book (and now Macmillan has brought out in book form the movie version of the original). for Mr. Mann.

Usual Scenes Useless

about as useful as a horse and buggy,” Mr. Mann said yesterday.

machine ‘shop, optical printers, and I can‘t tell you how many other appurtenances into being. ‘We had to send back to the States for equipment, bring.on eight technical exs from Hollywood and then trust. to luck.” To get the proper perspective for the pictorial work one has to think in terms of an audience, Mr. Mann said. A building “shot” three hundred feet away has to look like a building three hundred ‘feet away. Models have to be built to scale and

screen. Machines have to be built to the same audience-visual scale. eX=-

“City of the Future” models of of machines which

for Expert|

Many Technical Problems|

been able to make realities out of |

“This called: for unique creations

I've grown up with this stage effect’

‘He sent |

" “Ordinary scenic installations were |

“We had to bring a foundry, a

In the new picture to build the

One of the most-listened-to members of the WLW staff is Paul Sullivan (above), who brings you the late news each night from : the Cincinnati station. His comments are heard at 9:15, Monday through Friday; 9:30 on Sundays, and 10 on Saturdays. To ;

Music BY JAMES THRASHER

THIRTY-MINUTE short wave program, rebroadcast by WJZ (660) and the NBC Blue network at 1:15 tomorrow afternoon, is to bring a portion of the second act of Mozart's “Le Nozze de Figaro” from the Mozart Festival at the Glyndebourne Opera House in Lewes, Sussex, England. This festival gradually is growing in importance, and already has been compared favorably with the more famous season in Salzburg. The opera house is an old mansion within an hour’s ride of London, and the festival attracts thousands annually. ” # ”

Lily Pons, who took a fiveweeks vacation and concert hour early this spring, is continuing her programs long after most opera stars have fled to the seashore and mountains. Tonight she is to feature a song, “Je Vous Adore,” by the well known radio maestro, Victor Young, WFBM at 7.

8.

" »

Alfred Wallenstein’s “Sinfonietta” series continues tonight with a program featuring the Fourth Brandenburg Concerto of Bach, ‘written for two flutes, violin ‘and orchestra; and the “Pastorale” Symphony by Karl Stamitz. The latter, like his father, was a re--nowned violinist and composer a gabe eighteenth century. His rks" {aie 10 symphonies, ‘several i nd many chamber ‘music compositions infrequently heard today. The orchestra isheard at T 30 shrough WGN.

casting huge sheets. of ‘porcelain and plastics. These machines, in huge modernistic foundries, appear to be 600 feet long and 400 feet high. A space gun to shoot people to the moon had to be constructed. In all these gigantic conceptions it was necessary to consider the proper rélation of human beings who were tc work the mechanical wonders. Mr. Mann's father was an inventor and his mother an artist.

shop across from the Patent Office in Washington making practically the same things I make for motion ‘pictures today,” he said. “In my early days I. worked in an automobile - factory, then around Kinlock aviation: field near St.

nivals and circuses as a stage carpenter I went to Hollywood and acted in the old Keystone Comedies. Then I got into siage effects and I was home.”

Director Ayres on Job as Film Cutter

Times Special : HOLLYWOOD, June 17—Lew Aytes, youthful movie star, today demonstrated another talent in the movie’ world. He appeared in the cutting room where workers were going over the yet untitled Civil War romance with which Ayres makes his ‘directorial ‘debut. Mr, Ayres asked to be allowed to supervise the cutting of the film. “The director,” said Mr. Ayres, “should know how to cut or at least

factors in the cutting.” Other famous directors who do

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WEDNESDAY EVENING PROGRAMS

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THURSDAY DAYLIGHT PROGRAMS

INDIANAPOLIS WFBM_ 1230

{CBS Net.) (NBC Net.)

INDIANAPOLIS WIRE 1

CHICAGO

CINCINNATI W700 GN 720 (Mutual - Net.)

(NBC-Mutual)

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Dream of Having Upstairs Bed’ Are Fulfilled.

BY RUTH McTAMMANY Times Hollywood Correspondent HOLLYWOOD, June 17-—-Henry Hunter, a young actor with many years of stage experience, is making an unusual screen debut. He plays the male lead in Universal's “Parole,” his first ‘and only Jicture to date. He has played supporting roles to Eva LeGallienne in her New York repertory company, important roles in the Theater Guild's production of “Androcles and the Lion” and Charles Hopkins’ “Ivory Door.”

Although he could have remained in |

New York, he chose the “long way” of stock experience on the road, as means fo better acting. He finds himself today intrenched in the film colony and his reaction to the new life is unexpected. “For years 1 have been dreaming of the day I could go .upstairs to bed,” said Mr. Hunter. “I know it sounds absurd but when you have pulled beds out of a wall, a closet and even a rigged up sideboard, you

hanker for a real house with an up-|

stairs to it. Gets His “Upstairs” “After I signed my contract here, the first thing I did was to get myself a little house with an upstairs. 1 went to the extreme and got one that’s built on the side of & hill and my bed is perched up near the sky and if I don't make good as a screen actor, at 1 will have licked the, Ci Hy of the in-a-

old “1 am believer in far

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LONDON—8:45 p. m.—“Till To= grron, 4 a play, GSD, 255 m, m.

TORONTO_9: 30 m.—Lullaby Lagoo JRO, Winni Foy oy CIRX, Winnipeg, 28.6 mo: 48.7 m.

a Beethoven.

But when I was on a Chicago radio

sign and a railroad ticket. “Now that I am here, I am not worrying over the stories I am going to play, or how good I will or will not be in certain parts. I’ll give the best performance I can in any scene I am in, and let things hap-

pen. ”

Will ‘Rogers gers. Honored

many Hollywood screen players who are honoring their friend, the late Will Rogers, by planting Will Rogers gardens,

RITZ LZARING'S “Etat

£33 RHE

—News Bulletin, ] Prof. A. }

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program, I was handed a paper to

“Maureen O'Sullivan is one of|

Early Arrival on Allen Spot, Scheduled for ‘Technical’ Reasons.

Col. Stoopnagle and Budd are a little worried about the “acoustics” in Fred Allen's Town Hall. So they are going to show up for the broad cast tonight (7 on WLW), though they are not scheduled to take over Fred's spot until July 1. While they check up on echo and resonance they plan to interpolate a bit of variety as well. A playlet, tentatively titled “Four of a Kind—All Perfect Cards,” is to feature Stoop and Budd, Fred and Portland Hoffa, and will supplant the Mighty Allen Art Players. Ine ventor Stoopnagle, in deference to his host, promises to bring along a giant-size bridge deck, in case some one wants to give him a great big hand. Fred's amateurs will appear as usual, with Leonard Sedgwick Harvey, - who calls himseif the “crooning mauler,” as headliner, Harvey was former Golden Gloves and intercity welterweight boxing champion. He retired at the end of three years with 47 victories, 23 by the knockout route, and no defeats, tJ ” ” "Gracie Allen is to take up the subject -of Robinson Crusoe where Defoe left it in her broadcest over WFBM at 6:30 tonight. George Burns is to have the role of Man Friday. . “Tune in,” says Gracie, “and for the first time you'll be able to hear Friday on Wednesday.”

= # »

A tribue dinner to Jack Dempsey, public-spirited citizen - rather than former heavyweight champion, is to be broadcast by WEAF (760) and the NBC-Red network at 9 tenight, As chairman of the West Side Hospital Development in New York, and as promoter of other welfare activie ties, Jack is to be honored by Grant land Rice, Ed Wynn, Fred Stone and other speakers from the world of sports and entertainment. = # z

Three ‘years on a big network is quite a long time for any singer, but Mary Small, “the little girl with the - big voice,” is celebrating that anniversary tonight. She is to be honored by some of radio's ace per= formers in an hour program broad cast at 7 by WJZ (660), with WIRE taking the first half hour. Graham McNamee'is to be master

| of ceremonies, and Rudy Vallee, who -| gave 13-year-old Mary her start in

the big time, also is to be there. Greetings are to come from the mayor of Mary's home city of

‘{ Baltimore, and ‘from Frank Buck 4 in Texas, Bob Ripley, Phil. Cook,

Best Short a]

Molasses ’'n’ January, -the- Sisters of the Skillet and many other head« liners are scheduled to furnish fure ther entertainment, » 2 ” Dr. Emil C. Kernel, president of the Hoosier Athletic Club, is to be the principal speaker on the sixth Indiana Traffic Safety Forum

| broadcast at 1 tomorrow over WIRE,

Other speakers are to be Martin M. Clinton, Forum chairman, Edward

‘| F. Moore and Stephen D. Crain.

8 » z,

Contrary to fable, the real Blue= beard had but one wife, according to John Hix—and she outlived him, Further, he was young and handsome and performed distinguished service as a soldier of Joan of .Arc.’ This information and more is to be contained in the “Strange As It Seems” drama of the fifteenth century Jekyll and Hyde, at 8:15 toe night on WIRE.

Expent RADIO Repairing |

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