Indianapolis Times, Indianapolis, Marion County, 30 May 1936 — Page 16
JOE BROWN, BARNEY RAPP PROV!
£
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Ruby Wright Holds Lyric Bill Honors
Ex-Hoosier Singer Merits Prominent Spot, Receiver Says. *
Joe E. Brown and Joan Blondell in “Sons 0’ Guns” combine talents with Barney Rapp and several stage entertainers at the Lyric this week to give race visitors and regular patrons two hours of lively entertainment, Mr. Rapp’s ever-popular dance music provides a musical back-
ground for his own vocalist, Ruby |
Wright, formerly of Anderson, and for several vaudeville acts as well. Over it all, Mr. Rapp presides as master of ceremonies. The stage show, a combination of individually good acts, lacks the unity and “punch” which characterized the Lyric's recent musical offerings. To Mr. Rapp's vocalist, Miss Wright, goes our vote as the best entertainer on the bill, she is featured only once in the en-
tire program. Mr. Rapp would do |
well to give her a more important part in his show. Mr. Rapp’s entertainers also include “Shine” Moore, dancing-singing colored boy, and “Slim” Allan, Southern entertainer whose comedy songs .please his audiences.
Dancers Show Steps
Other actors include those very fine tap dancers, the Condos Brothers, who do almost unbelievable things with their feet. They were seen in the movie, “Dancing Feet.” A comedy singer, Sue Ryan, has a burlesque of torch singers which should end torch singing forever. Gene Gory, instrumental comedian, brings laughs simply by breaking violins all over the stage. Comedian Brown again proves himself a master of pantomime with his skillful acting in scene after scene of “Sons 0’ Guns.” Miss Blondell is an excellent partner and does much to make the movie version of the stage success the good entertainment that it is. Their Singing and dancing is a riot of un. “Sons 0’ Guns” is a tale of an actor, Jimmy Canfield (Mr. Brown), who joins the army to escape what he thinks is a fate worse than war —blackmailing by a night club entertainer, Bernice Pearce (Winifred 8haw). Once in the ranks, he finds the going not as easy as anticipated. but like all conquering heroes played by Mr. Brown, he wins in the end. The end in this show is decoration for valor by the French government and, of course, the love of the girl.
Love Brings Relief
In France, Jimmy suffers a series of calamities, but feels he is repaid for his arduous army life when he meets a French barmaid, Yvonne (Miss Blondell). Much of Jimmy’s unhappiness is caused by his former butler, now his sergeant, Jimmy goes through many trying situations until he unwittingly releases from the home of his French girl-friend carrier pigeons which take notes to the enemy. Condemned ‘to death as a spy, he escapes military prison by cleverly getting a captain intoxicated and stealing his uniform. Mistaken for the captain, he is ordered to the front to capture a German machine gun nest. He not only captures the nest, but persuades a good part of the German army to return with him to headquarters. Again mistaken for a traitor, he again is condemned to death, but as he marches, so he "thinks, to face the firing squad, all is corrected, and Jimmy is rewarded for his difficulties. - A good cast surrounds Mr. Brown and Miss Blondell to help make “Sons 0’ Guns” the entertaining picture it is, but it definitely is a Joe E. Brown show. (By R. N.)
Events Booked
for Indiana Roof
Following the annual Speedway Ball tonight and the Memorial Day dance tomorrow night, the Indiana Roof ballroom will be closed for the summer, Tom Devine, manager, announced today. Although no definite date has been set for the reopening, Mr. Devine said it would be about the middle of September. Special dances and festivals have been arranged for tonight's dance by . the ballroom staff. Chic Myers’ orchestra will furnish the music. Mr. Myers’ band also will play for the final dance tomorrow.
Director Named for
‘Wives Never Know’
Times Special - HOLLYWOOD, May 30.—Elliot Nugent has been signed to direct - “Wives Never Know,” which is to go into production June 15. Charlie Ruggles and Mary Boland will be starred, with Adolphe Menjou taking an important comedy part. “Dorothy Bennett is adapting the screen play from an original story, “The Imperfect Husband,” by Keene Thompson and Charles Brackett.
Mrs. Brown Lecture - Program Postponed
Omar Khayyam,” and a mixed quartet in a performance of Liza Lehmann’s Garden,”
WESTLAKE
although |
1]
ELY ENTERTAINMENT
poser and pianist at the Heron Art
artists.
LOCAL COMPOSER, PIANIST
Intent upon one of his manuscripts, Dr. Clarence Loomis, head of the composition and theory department at the Arthur Jordan Conservatory of Music, is shown above. He is to appear in the dual role of com-
Institute tomorrow afternoon, when
a program of his work is to be presented. Numbers for solo voice, chorus, be heard, presented by members of the conservatory faculty and assisting
violin, ‘cello and string quartet will
Screen Newcomer, Though
Michael Whalen Tells of His Fight to Attain Film Chance
No Stranger in Hollywood,
Plays in Shirley Temple’s New Picture.
BY RUTH M'TAMMANY
Times Hollywood: Correspondent
HOLLYWOOD, May 30.—Shirley Temple danced, sang and smiled
her way through a preview of “The
Poor Little Rich Girl” at Grauman’s
Chinese Theater. As the lonely little girl, in a rich household, who tires of her five ponies, three dogs and a collection of nursery toys, she further
endears herself to her audience by a fast developing talent for song in-
terpretation.
grinder, into the apartment of two
Michael Whalen, who plays the widower father of Shirley Temple in “The Poor Little Rich Girl,” is a newcomer to the screen, but not to Hollywood.
Played in “Country Doctor”
His first picture appearance was in “Professional Soldier.” Since then he has played in “The Country Doctor” and the unreleased Fox prcduction, “White Fang.” But Michael Whalen has been in Hollywood four years and during that time has often looked up to the California mountains, discouraged, in his attempt to gain recognition as a screen actor. Now he lives in a small house on Lookout Mountain, one of the highest peaks above Hollywood, and looks down at a city which nearly passed him by. «I suppose it would sound sentimentally Irish if I were to say that 1 am very happy, happier than I've ever been in my life, but it is true,” he said. “If you have spent years longing for something, years in which your daily routine took you farther away from the one thing you wanted most in the world, then youd fully appreciate what the realization of my ambition means 10 me. I wanted to express myself through drama, I wanted to become an actor for the sheer joy of expression through that medium, but circumstances kept me close to the grind of a job, a job which would provide a mere livelihood for me and my family of mother and sisters. “Then suddenly, when you are about to give up, when you are about to say a sad farewell to hopes, you find yourself in a studio dress-
first screen role; and the script of the story lies before you. If the part is small, if you are only going into three scenes during that day, the lines, your understanding of the character to be played, become the important thing in your life and you no longer have to chase the illusive desire. : It All Came at Once 4 «1 was born in Wilkes-Barre, Pa.
and studied the piano for 10 years while I was going to school. I went
to work when I was in my ‘teens
in a 5 and 10 cent store. Over & long period of years I worked up from clerk to store manager and all the time I thought of the theater. There comes a day of rebellion in every one’s life and it struck me one day when I had $1800 saved. “I bolted and started out to see the world. I got as far as New York and Eva LaGalienne. I applied for a place in her repertory company and she gave me lines to d from a Susan Glaspell play. I was visibly nervous and my knees shook. When I got half way through Miss LaGalienne started to laugh. In fact we both laughed—I read the lines horribly. But she took me on and. 1 stayed a year playing small parts and studying. i Say came to Hollywood, where I have walked the streets, sung occasionally on the air and looked up to the mountains for en-
| couragement. I made several screen
tests for different studios, but the comments are not fit to print. Then one day everything happened at
KY wv as = covered convertible
Saturday. 50c Couple Co :30 to 12 S0e After 1. Sunday 30¢c Couple. South Municipal
DANCE TONIGHT CHIC MYERS
and His ¢. B. S. ORCHESTRA
Dance
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The story continuity takes Shirley into an Italian home of an organ
vaudeville performers, into a broad-
casting station, where she makes good as a radio star, and last, but lightly dramatic, into the clutches of a kidnaper. It is a well written and produced vehicle for the exploitation of this little star's versatility.
once. A contract was submitted to me from Shubert in New York for a musical production and Fox officials said they would look at four old screen tests which I had made for M. G. M. “Aong the four was one which was not bad, yet one so bad that I wonder now how I stayed in Hollywood after looking at it. Well, Darryl Zannuck went to the projection room; sat down, and the first test shown was the worst one. “Take it away,’ he said, ‘who and what is it?” : “Wait, Mr. Zanuck, just wait.” “ ‘Wait? What for, more of—. No, I've seen enough.’” “But, while he was blustering, the rather good test came on and—my being here on top of a mountain, on top of the world, is the result.”
Movie Rights to Book Sold
Local Man’s ‘Splinter Fleet’ to Be Produced.
Ray Millholland, 5157 Winthropav, author of the recently published “Splinter Fleet,” received word today that the movie rights to his book have been b Twentieth Century Films. By “Splinter Fleet’ tells of Mr. Millholland’s experiences as a member of a submarine chaser crew during the World War. He describes the only pitched naval battle in which American ships took part during the war, the Battle of Durazzo. There, writes Mr. Millholland, the American subchaser squadron acted as a screen for the British and Italian cruisers while they reduced the Austrian submarine base at Durazzo.
Mr. Millholland is the second of his family to sell stories to the movies. His brother Charles is the author of “Twentieth Century” in which John Barrymore starred. Mr. Millholland is a mechanical engineer by profession. His short stories have appeared in Collier's, Field and Stream, Outdoor Life and various other magazines.
Ray Milholland
Standing a Fisherman Sir Guy Standing, an enthusiastic angler, holds the lake records for the largest bluegill and the lagen kass ever caught in Malibu e.
AIA
- oF ore ol Lasens OF of Actio®: an
ATER ERT / 3 Ls WCET seats ... FRCES ™ GERTRUDE MICHAEL (aS
Jack Oakie Romps Through Comedy and Thin Mystery Story on ‘Florida Special Despite Desperadoes, Queer Millionaire, Missing Jewels
and Other Thriller Properties, Life Aboard * Train Is Full of Fun.
BY JOHN W. THOMPSON It’s the same hat-turned-up-in-front Jack Oakie who romps through “Florida Special,” a comedy which tries awfully hard to be a little ter-
rifying at times.
It would seem that Mr. Oakie thinks he can play any role without changing costume or make-up. And for the most part, he’s right. For
its the Oakie comedy that keeps “Florida Special” from going compleetly dry. When it tries to be anything but funny, the picture falls into the doldrums. Headed for Florida, the special train pulls out of New York with a carload of trouble that nobody knows anything about. The picture should be a good plug for railway transportation, because it features a train that is a miniature “Queen Mary” of the railways.
Mystery Runs Thin
Bangs Carter, carefree reporter, is carried away on the train while seeing off his rich friend, Wally Nelson. - Wally starts in to forget an unfortunate love affair by making up to pretty Jerry Quinn, the train hostess, and finds that Jerry is being annoyed by a sinister racketeer Jack Macklyn. Probably because Macklyn is much bigger, Wally doesn’t sock him in the nose. Also on board is Simeon Stafford, eccentric millionaire, who is carrying $1,000,000 worth of jewels, just inviting some one to steal them, which is done. But before that, Siemon turns them over to his neice Marina, who, by strange coincidence and for no apparent reason, is the girl who jilted Wally. Stafford also hires a vacationing cop, Harrington, to be his bodyguard. Then to add to the mystery (?) a group of tough-looking gangsters
follows Mr. Stafford up and down the train. At Philadelphia a stretcher, bearing a waxen-faced gentleman, is loaded on the train by a male nurse. :
He “Turns Up” Missing
Stafford disappears and Harrigan searches high and low for him. Before the curtain falls, Jerry is accused of stealing the jewels, Stafford is found masquerading as the figure on the stretcher, and the gangsters almost get away with the gems. What stops them is a band of 100 cops who meet the train in Richmond, to welcome their pal, Harrington. Jerry decides she likes Wally enough to marry him and Bangs gets the scoop of his life. That's all, folks. . Mr. Oakie makes a good reporter, as movie reporters go. Sally Eilers looks a bit out of place as a train hostess. Frances Drake suddenly has lost much of the beauty she possessed in several other films. Kent Taylor is quite unassuming as the hero who ends up with a black eye.
Sam Hearn, the “Schlepperman” of Jack Benny’s radio program, is seen infrequently but provides good comedy. Sidney Blackmer makes a grand suave-and-handsome ‘crook. Very funny at times, “Florida Special” slacks speed at several stations. It’s Mr. Oakie’s picture right into the terminal station.
Broadway Stage Season Closes With Dearth of New Hit Plays
Showings as Whole, However, Provided Entertainment, Writer Observes.
. BY JACK GAVER United Press Drama Editor
NEW YORK, May 30.—The 1935-36 theatrical season dies with the last day of May and it is a lucky thing for ‘its memory that the final month was no criterion of the preceding eight. The season as a whole was satisfactory—well-rounded with plenty of artistic and financiai successes—but the new productions of the last four weeks have been pretty brutal and kindness demands that the con-
cluding events be given short shrift. Best of the lot, if that means anything, is the musical revue, “New Faces of 1936,” presented by the Leonard Sillman, who was ru;ponsible for the first of the series a couple of seasons ago. The idea is to present new talest, youngsters trying to get some place and, while this is no doubt a laudable undertaking, so far I have not found much worthy of consideration in Mr. Sillman’s shows, which include another revue even less memorable than the “New Faces” group.
“A Private Affair,” with Oscar Shaw, the musical comedy star of yesterday, is worth no more than this sentence. “Pre-Honeymoon” is by the Anne Nichols whose “Abie’s Irish Rose” holds the all-time endurance record. “Pre-Honeymoon” can run even longer than “Abie” and it still will be very bad. The real bright spots have been revivals: The fine production of Ibsen’s “Ghosts,” in which Alla Nazimova gives one of the season’s really beautiful performances (this played here a few weeks earlier and has just returned); the recast “Parnell,” which was a better than average historical play during a substantial run earlier and is still worth seeing, with Dennis King and Edith Barrett in the leading roles; the Players Club’s annual one-week revival, which this time is George Ade’s “The County Chairman,” political satire of an earlier day. The official end of the season finds about 22 productions still bidding for trade and 15 of them are worthy of attention. The list will be cut in half, however, in the next month and not more than 10 will survive
PEL COOLING SYSTEM LYRIC NOW! In a Hip-Hip Hurray = \ Joe E. Brown “Sons 0 Guns” : a JOAN er
sRiC stoRE BEVEOLY ROBERTS. , WtreRD SHAW / \ CBAC asvwesss J
' STA CE .
In Person
WHERE, WHAT, WHEN
APOLLO .
“Bullets or Ballots,” with Edward . Robinson and Joan Blondell, at (40, 1:40, 3:40. 5:40, 7:40, 9:40. CIRCLE
“Florida Special,” with Jack Oakie nd Sally Etlers, at 11:55, 2:58, 6:03, “Forgotten
’ Face.” with Herbert Ma and Gertrude Michael, at 1:01, 4:04, 7:09, 10:14.
LOEW'S
“The King Steps Out,”” with Grace Moore and Franchot Tone, at 11, 1:45, 4:35, 7:20 and 10, and “S e with James Stewart and end Barrie, at 12:30, 3:20, 6:10 and 8:
KEITH'S
“The Trial of Mary Dugan,” preSebied by the Federal yers. at
LYRIC
Rapp and orchestra on 1:05, 3:48, 6:42 and 9:36. Joe B. Brown in “Sons O’ Guns’ on Series at 11:22, 2:05, 4:59, 7:53 and
‘Royal Family’ Opens Monday
Betty Anne Brown in Cast of Comedy. -
> The popular comedy, “The Royal Family,” by George S. Kaufman and Edna Ferber, is to be the offering of the Federal Players at Keith's theater starting Monday. The play, which enjoyed an 18 months run in New York, deals with the “royalty” of the American theater. It is the satirical story of
the Cavendishes, a family rich in the tradition of &3 the “great Amer- § ican theater.” The three generations of the Cavendishes are shown, not on the & stage, but in their own home. Ther is Fanny, who at 70 is planning her next year’s tour to the Pacific coast, and there is Gwen, who at 19 is to appear for the first time with her mother’s stock com-
Betty Anne Brown
pany. It has been said that the Barrymores were the subject of the play. Theatergoers may decide that point for themselves. The cast of the Federal players will include Ricca Scott Titus, Ned LeFevre, Betty Anne Brown, Ira B. Klein, Bernice Wood, Jack Duval, Paul S. Rouse, Hdl Hawkes, Elsa Ewell, Gene Brittain, William Schneider, Ruth Benefiel and. a number of extras.
Wary of Proteins
Accused of dieting, Robert Barrat retorts that he merely makes a chemical chart of any menu he is about to order to ascertain if there’s an over-supply of carbohydrates or proteins in it, or a eg combination of other elements. He’s very scientific, is Mr. Barrat.
the summer. Two of those which will close within a month do so in the midst of sensationally successful runs to give their stars vacations during the hottest months. These are “Idiot’s Delight,” with Alfred Lunt and Lynn Fontanne, and “Victoria Regina,” with Helen Hayes. Both will resume early in the fall.
Painting Is Actor’s Hobby A little known hobby of Herbert Marshall’s is his painting and drawing. The British star, currently appearing with Gertrude Michael in “Forgotten Faces,” spends many
evenings at home with pencil and .
paint brush.
DOORS OPEN AT 10:45 A. M. HOLIDAY PRICES
SEE THE 500-MILE RACE IN 2
COMFORT AT LOEW’S
A
SATURDAY MA!
“fic scr ance nes
Federal Theatre Project—Works Progress Administration
EITH’S THEATRE
STARTING MONDAY NIGHT
THE FEDERAL PLAYERS
he Satirical Comedy Hit
"THE ROYAL FAMILY"
BY GEORGE S. KAUFMAN AND EDNA FERBER IT IS TWO YEARS AT THE SELWYN THEATRE IN NEW YORK » ] v DY Le A;
LI. 9000
esses acsce sess ssa 'y
nr sens ......10¢c,20¢c, 30¢
All Performances A 4 > IY
« THE ONE AND ONLY
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IN THE MID-WEST
SPECIAL MIDNIGHT SHOW TONIGHT
GIRLS % FOLLIES
WITH BEAUTIFUL GIRLS GET UP A PARTY AND ATTEND
COLONIALS?BI'ALES
a STIL) CRTTITP ETRE
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Performance as
“The King Steps Out,” in which she
singing is not up to her usual standard and doesn’t fit into the picture as well as it did in her first two attempts. But it probably will entertain those who just like to watch her sing.
The story concerns trouble in the Austrian court caused when the emperor’s mother, the real boss at the castle, demands he marry a daughter of Duke Maximillian, Bavarian ruler. Helena, the chosen, is in love with the emperor's bodyguard | so little Cissy, her sister (Miss Moore), sets out in a donkey cart for the castle with her papa, to clear up the matter. There, the emperor (Mr. Tone) falls in love with her and complicatjons set in.
Cissy Lands in Jail
The dowager discovers it was Cissy with whom the emperor stayed out ali night, and Cissy lands in jail. This awakens all the Duke's ire and he not only gets her out but also makes the road clear for matrimony for the emperor and Cissy. Miss Moore sings six songs from Fritz Kreisler's opera, “Cissy.” Mr. Tone looks a little bored as the emperor, but his marcelled hair gives him quite a regal appearance. Raymond Walburn is on the screen briefly (too briefly) as a court mes= senger. Victor Jory does an excellent small part as the Palfi, elena’s lover. He is Mr. Connolly, as the back-
WEST SIDE
2702 W. 10th St.. STATE Double Feature Mala-Lotus «LAST OF THE PAGANS” “GUNNERS AND GUNS” Sun. Double Feature—Warner Baxter «The Prisoner of Shark Island” Herbert Marshall-Jean Arthur
«JF SHE COULD ONLY COOK”
: W. Wash & Belmont Belmont "buh: Fe “WIFE VS. SECRETARY” Karloff “WALKING DEAD” Sun. Double Feature—Janet Gaynor “SMALL TOWN GIRL” “BOULDER DAM”
| devised for Love” by Eleanore Whitney. One
Walter Connolly CapturesScenes, If Not the Show, in Grace Moore Song Film
‘King Steps Out’ Finds Heroine’s Singing Under Usual Standard, But Comedian Gives Rolicking
Bavarian Ruler.
It is that lovable old blunderbuss, Walter Connolly, who walks off with a number of the best scenes in Grace Moore's latest song recital,
is starred with Franchot Tone. os
The title is not exactly correct because it is an emperor with whom the lovely Miss Moore goes gallavanting one spring evening. Miss Moore's
more effective, his costumes more shots shows him eyeing a minia=
emperor, as though it were an ine sult to his physical capacity. Herman Bing has a rather large role as the inn-keeper and it's well done. Miss Moore can do better
it's better than mine-run enters tainment at that.
New Dance Tried Six new tap-routines have been
“Three Cheers for
of them, “Swing-along,” includes
by any dancer,
EAST SIDE 3155 E. 10th
R ; VOLI Double Feature
Irvin Cobb “EVERYBODY'S OLD MAN” “Charlie Chan at the Circus” . Sun. Double Feature—Wallace Beery e “MESSAGE TO GARCIA” “DON'T GAMBLE WITH LOVE”
EAST SIDE 402 Double Feature
Tuxedo Richard Arlen “THREE LIVE GHOSTS” “BAR 20 RIDES AGAIN” Sun. Double Feature—Fred MacMurray “The Trail of the Lonesome Pine” “DON’T GET PERSONAL” D Tacoma “vembie Fentees
“PETRIFIED FOREST” ’ “THE EAGLES BROOD” Sun. Double ¥eature—Clark Gable Jean Harlow-Myrna Loy
“WIFE VERSUS SECRETARY”. June Lang “Every Saturday Night®
IRVI NG 8507 E. Wash. St,
Double Feature Jackie Cooper “TOUGH GUY” Jack Haley “F MAN” Sun. Double Feature—Dick Powell Ruby Keeler “COLLEEN” “ROBIN HOOD OF ELDORADO” Eme rson Double Feature est |
“ Mae KLONDIKE ANNIE”
Lionell Barrymore-Maureen O’Sul
0 E. New York
4630 E. 10th St.
Sun. Dou. Feature—Fred., Bartholomey
Hamilton Edward Horton “HER MASTER'S VOICE”
“THE LONE WOLF RETURNS”
“SMALL TOWN GIRL” ‘ Preston Foster “MUSS EM UP”
Parker Today Matinee
Clark Gable, Jean Harlow, Myrn “WIFE VERSUS SECRETARY. Same Program, for Sunday plus “RED SALUTE” Si featuring Barbara Stanwyck. , Robert Young om
1332 E. Wash. St. Strand Doubis Feature: re ¢ “FOLLOW THE FLEET" Dickie Moore “Timothy’s Quest® Sun. Double Feat Paul K or. “HERE COMES TROUBLE" ark Gable, Jean Harlow, M “WIFE VERSUS SECRETARYSY
— — 2721 E. Wash, 8¢,
ROXY =
Double Feature
EE 2936 E. 10th St, Double Feature
Mua Sunday and Monday oR arding-Herbert M h. : “THE LADY CONSENTS” oan Blondell-Glenda F; 1 “MISS PACIFIC FLEET”
Our Gang Comedy
Paramount a: = wes
Double Feature and Shorts + Dickie Moore “TIMOTHY'S QUEST”
John Wayne “NEW ¥RONTIER® Sun, Double Feature—Paul Muni The Story of Louis Pasteur” “THE BOHEMIAN GIRL”
SOUTH SIDE ar Fountain Square
Double Feature Edmund Lowe
i
Buck Jones “SILVER SPURS™ Sun, Double Feature—Janet Gaynop “SMALL TOWN GIRL” ; __ “PREVIEW MURDER CASE” _ Double Feat Granada Today ond “Sunday Wheeler and Woolsey “SILLY BILLIES”
Chester Morris—Madge Evans “MOONLIGHT MURDER” Special Matinee Today, 1:30 P. M,
Sanders
“COLLEGIATE” “CRIME OF DOCTOR CRESPI”
Fountain Square
At Fountain 8 Double Feature Joe Penner
aie
Pra
Sunday Matinee, 1:45 P. M. ” 2540 W. Mich. St. DAI SY Double Feature Ann Southern «YOU MAY BE NEXT” Ken Maynard “Heir to Trouble” Sun. Double Feature—Silvia Sidney “The Trail of the Lonesome Pine” Zasu Pitts—Hugh O’Connor “THE AFFAIRS OF SUSAN” ‘NORTH SIDE : Illinois and 34th R | TZ Double Feature Irvin Cobb “EVERYBODY'S OLD MAN” “GARDEN MURDER CASE” Sun. Double Feature—Janet Gaynor _, “SMALL TOWN GIRL” Jack Holt “DANGER WATERS” Z . Central at Fall Crk. Double Feature a ri ng Dicose ® Waals “THE COUNTRY DOCTOR” “The Prisoner of Shark Island” Sun. Double Feature—Wendy Barie “LOVE ON A BET” Joel McCrea-Miriam HopkinsMerle Oberon “THESE THREE” 42nd & College U ptown Double Feature Roger Pryor “Return of Jimmie Valentine” Zane Grey’s “NEVADA” Sun. Double Feature—Wallace Beery “MESSAGE TO GARCIA” “Charlie Chan at the Circus” G . k Sith 2a Tinos 1 eature a rr I C Mees * Sullavan “NEXT TIME WE LOVE” “MUSIC GOES 'ROUND” Sun. Double Feature—Eddie Cantor “STRIKE ME PINK” . “TWO IN THE DARK” St Cl ® 5 ns Xt. Washe aturday “Special . wi | r Double Feature Gail Patrick “PREVIEW MURDER CASE” “SONG AND DANCE MAN” Sun. Double Feature—Fred Astaire “FOLLOW THE FLEET” Jack Haley “F MAN” 30th at North’'w’t’'n REX Big Midnight Show : Kay Francis “] FOUND STELLA PARISH” Walter Kelly—Andy Clyde “McFADDEN’S FLATS” 85 Good Acts of Vitaphone ~ Vaudeville Come to the REX and enjoy the | | new 1936 model WESTERN ELECTRIC SOUND and our new COOLING SYSTEM. Sun. Double Features—Zane Grey’s “WANDERER of the WASTELAND” Bing Crosby—Ethel Merman “ANYTHING GOES” : Talbot & 22nd ] Double Feat Talbott esbie recurs “LAST OF THE PAGANS” Bill Boyd “RACING LUCK” Sun, Double Feature—And Shorts Clark Gable-Jean Harlow-Myrna Loy “WIFE VERSUS SECRETARY” George Raft-Rosalind Russel “IT HAD TO HAPPEN” 19th & College Double Feature Stratford wemie re: “ANYTHING GOES” “The Bohemian Girl” Sun. Double Feature—Eddie Cantor “STRIKE ME PINK”
Noble & Mass. Double Feature
MECC _* Rochelle Hudson
“THE MUSIC GOES ROUND” : Eddie Cantor “STRIKE ME PINK” Sun. Double Feature—Ricardo Cortes “MAN HUNT” :
Robert Donat—Jean Parker . “THE GHOST GOES WEST”
2361 Station st.
“THE CALLING OF DAN MATHEWS” |
Oriental * posi re
Mc
ByJ.W.T)"
a
2442 E. Wash: St.
“VOICE OF BUGLE ANN” van = “LITTLE LORD FAUNTLEROY” =
“LOVE ON A BET" .... 2116 E. 10th St Double oh Sh Ra
Sun. Double Egpature—Janet Gaynep os
the fastest stepping ever attempted §
woods duke, who delighted this Tes viewer. His comedy has never been |
ludicrous. One of the film's best = ture glass of beer sent him by the
than in “The King Steps Out” but
LRT eC
“THE GARDEN MURDER CASE® |