Indianapolis Times, Volume 48, Number 59, Indianapolis, Marion County, 19 May 1936 — Page 13

MAY 19, 1936.

GRACE MOORE PICTURE IS BOOKED BY LOEW'S FOR MAY 29

Racing Film Included on Double Bill Special Program Arranged to Attract Speedway Fans in City. As an offering to Indianapolis Speedway visitors as well as the thousands of local Grace Moore fans, Loew's announces the booking of the popular prima donna’s new picture, “The King Steps Out,” for the week of May 29. Muss Moore, the girl who started the emigration of the Metropolitan’s more comely divas to Hollywood, is supported in the new film by Franchot Tone, who plays the part of the Emperor Francis Josef in a story of Austrian court life. Josef von Sternberg has directed the production and the ballets are staged by Albertina Rasch. The music is by Fritz Kreisler, much from his operetta, “Cissy,” which is the name of Miss Moore’s character in the film. The plot differs from the usual story of royalty in that the emperor falls in love, not with a commoner, but with a princess incognito. Able Supporting Cast With Miss Moore and Mr. Tone in the picture are Walter Connolly, voted the screen’s best character actor In a recent magazine poll; Victor Jory, the Oberon of “A Midsummer Night’s Dream”; Raymond Walburn, seen recently in “Thanks a Million” and “Mr. Deeds Goes to Town”; and Elisabeth Risdon and Frieda Inescourt, both well known to the New York stage. Lawrence Tibbett and Miss Moore, it may be remembered, were the first opera stars to yield to the enticement of talking pictures when they made “The Rogue Song.” Miss Moore, however, did not return to the films until 1934, when her firs', starring picture, “One Night of Love,” won immediate success. Last year she was seen in "Love Me Forever.” To complete the double-feature bill, Loew’s is to show “Speed,” a story of auto racing with James Stewart, Wendy Barrie, Una Merkel and Ted Healey. Indianapolis Speedway shots are included in the film, according to Ward Farrar, Loew’s manager. Fred Stone to Join Hollywood Residents Times Special HOLLYWOOD, May 19. Fred Stone, the great old trouper, is selling his home in Forest Hills, Long Island, packing his duds and moving to Hollywood to begin his new career as a film star at 62. He isn’t going Hollywood, either, he said. “I’m still wearing the same old two shirts—one for work and a stuffed one for Sundays.” For 30 vcars he has been one of the ’ending figures on the American stage and he’ll take his new film fame in his stride. In order that he can have his wife and three daughters with him at last, he is planning anew home to be built on a five-acre tract in North Hollywood, near the Hollywood Country Club. Madeleine Carroll Once Taught School Times Special HOLLYWOOD, May 19.—Madeleine Carroll, English actress, who has the lead in “The Case Against Mrs. Ames,” is one of the few exceptions to the adage that few school teachers become screen stars. Early in her collegiate days she appeared in amateur theatricals. She taught for a brief time in a private school for girls at Brighton, England, because she felt that teaching was only a mqans to the end of becoming a cinema star. She co-starred with Robert Donat in "Thirty-Nine Steps” and in her latest picture, “Secret Agent,” plays opposite Peter Lorre, Robert Young and John Gielgud. Ernest Glendinning Rites Held Today Bv United Press WILLIMANTIC, Conn., May 19. Private funeral services were to be held here today for Ernest Glendinning, 52, who made his theatrical debut in New York City in 1902 in a cast headed by the late John Drew. Mr. Glendinning died Sunday after an illness of two years, He came to this country from Cumberland. Eng., in 1900, and until failing health caused his retirement, appeared in a number of stock hits, among them "Prunella,” “Little Old New York,” “Song of Songs,” “The Greeks Had a Word for It,” and "By Your Leave.” Movie Making More Difficult, Is Claim Times Special HOLLYWOOD, May 19.—Motion picture making is becoming more difficult year after year, asserts Arthur Hornblow Jr., director of the Carole Lombard-Fred MacMurrav romance, “The Princess Comes Across.” “A picture that was a tremendous success a few years ago would De ridiculed by the audience now,” he said. Old conventional situations are out and to avoid anticipation of situations by the audience anew angle has to be presented, the director added.

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One of the big advantages of working in the movies is this sort of thing, according to W. C. Fields. The young lady is Rosalind Keith, and the picture was taken during filming of “Poppy,” which is booked for a week at the Circle, beginning June 19.

Feminine Orchestra to Blow Women s Horn on Lyric's Stage Ina Hutton’s ‘Melodears’ to Show Wares in Wake of Leading Masculine Musicians. To prove feminine musicians aren’t to be outclassed by masculine contemporaries, Ina Ray Hutton is to bring her famous “Melodears” to the Lyric June 12. Miss Hutton will follow the footsteps of Horace Heidt, Duke Ellington, Buddy Rogers, Barney Rapp and others who have been popular with Lyric patrons.

Star Desires Tomboy Roles Margaret Lindsay Fed Up With Cultured Parts. Times Special HOLLYWOOD, May 19.—H0Hum. Now Margaret Lindsay wants to be a “toughie.” She wants to be different—a tomboy instead of a highly cultured young woman. Cast more frequently than any other actress in Hollywood as a well-bred daughter of the rich, she’s tired of the silver spoon the movie public thinks she’s had in her mouth since she was born. A Dubuque (la.) girl by rights, it seems that she should have had at some time that good lowa twang. But, no, never. Elocution and voice lessons since she was 7 never permitted its development. In “Public Enemy's Wife” she has a little opportunity to be tough. The early sequences show her just released from prison, wearing a blond wig, an ugly prison dress and black stockings. But she gets the silver spoon back very soon. It seems that she is just a society girl who has made a mistake. Movies in Europe Are to Be Studied Times Special HOLLYWOOD. May 19.—Technique in European motion picture production is to be the object of Victor Jory's six months tour of the continent. With Mrs. Jory (Jean Inness), he is to sail on the Normandie the last of the month. His first stop is to be Helsingfors, Finland. Then he is scheduled to go to Russia for the drama festival. From Russia, the Jorys are to visit Munich and Berlin to see the state opera, and are to return to the United States on the Queen Mary. Talbot Made Debut at 16 as Magician Time* Special HOLLYWOOD, May 19. —The theatrical debut of Lyle Talbot, who will appear soon in “Trapped by Television,” was as a magician at the age of 16. He never has forgotten the repertoire and frequently entertains coworkers on the set between filming of. scenes with feats of legerdermain.

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A strong sense of responsibility which women have in larger quantities than men makes them more desirable as musicians, says Miss Hutton, whose company is one of the most popular feminine orchestras in the country. Group Financially Successful Interviewed on a New York movie set by a Lyric representative, Miss Hutton claimed the formation of such a band today is regarded as an unusual achievement and that her group is successful, both and financially. “Os course,” she said, “modem music has taken a little spurt in tempo as compared to older days No longer is it a business of softly pulled strings and low tones to soothe a tilred warrior’s mind. Jazz is here and in its latest manifestation, ‘swing,’ presents a formidable job for any one to present correctly. “But playing ‘swing’ is well within the capabilities of the fair member* of the human tribe, and wherever music goes when it develops away from ‘swing,’ the girls will have little trouble accompanying it.” Off-Stage Harmony There are certain other sides of the girls’ band picture, the woman director believes. “From the viewpoint of personnel—the problem of keeping a well-trained group of players together—l think a female combination has it on the male. There seems to be less friction, fewer personal desires and trouble to hinder the band from pulling together,” she said. “There are a few other point* which I regard as significant. To me the art of dramatics should be an important part of a musician's make-up today. Playing before theater audiences a great deal, talent in this direction works toward a better show. I really think girls have it on the boys in this department. I find that no matter how low some individual player may feel, or what troubles may be affecting her, once on the stage and playing all else but melody and orchestration is forgotten.” Miss Hutton's Midwestern tour, which is to include a week at the Lyric, is to follow movie work in New York where she is making musical shorts. Tryout Dates Are Set Tryouts for a community talent show to be sponsored by the Dictory Class of the Greenwood Christian Church are to be held at the Community House May 27 and 28. The show is to be presented June 3, 4 and 5.

THE INDIANAPOLIS TIMES

WHERE, WHAT, WHEN APOLLO "Under Two Flags,” with Ronald Coleman, Claudette Colbert, Victor McLaglen and Rosalind Russell, at 11. 1:30, 3:20, 5:30, 7:40 and 9:50, CIRCLE “Show Boat,” with Irene Dunne. Allan Jones. Paul Robeson, Helen Morgan and Charles Winninger. at 11. 1:12. 3:24. 5:36. 7:48 and 10. ENGLISH’S “Boy Meets Girl.” with Polly Walters. Eric Dressier. Harold Vermilyea and Nigel Blake, at 8:20. LOEW’S “The Unguarded Hour.” with Loretta Young and Franchot Tone, at 11. 1:45. 4:30. 7:15 and 10. “Roaming Lady.” with Roland Young, Aileen Pringle and Lewis Stone, at 12:30. 3:15. 6. 8:45. KEITH’S ‘THe Trial of Mary Dugan,” presented by the Federal Players, at 8:15. LYRIC On screen, “The First Baby,” at 11:41. 2:14. 5:07. 8 and 10:24. On stage. Buddy Rogers’ Band, at 1:15. 3:48. 6:41 and 9:34.

Voice Contest Given Approval De Pauvv Teacher Praises Maennerchor Auditions. Approval of the Indianapolis Maennerchor’s auditions for young singers, to be held Saturday night, was given today by Miss Edna Tyne Bowles, acting head of the voice department at the De Pauw University School of Music. Miss Bowles is to enter two of her students in the competition. “The possibility of appearing on the Academy of Music concert platform as ‘guest artist’ with the Indianapolis Maennerchor is a goal any voice student might wish to attain,” she said. “If these auditions become an annual affair, I feel that it will stimulate the interest of all aspiring concert singers to such a degree that the very best vocal work will be the outcome.” The contest, held in connection with the Maennerchor’s annual May Festival, is to choose one man and one woman singer to appear with the chorus some time next season. The awards also carry a cash prize of $25. About 20 singers have entered, according to Dr. Robert G. Ledig, director of publicity and festival committee member. The entrants met last night for contest instructions with Karl Reckzeh of Chicago, Maennerchor conductor, and Frank M. Cox, auditions committee chairman. Old Friends in Movie Fred Astaire and Victor Moore, appearing together in “Never Gonna Dance,” had top spots in the stage hit, “Funny Face,” several seasons ago.

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Jordan Cast Wins Praise With Acting ‘Remember the Day’ Given * Under Direction of Volney Hampton. BY JAMES THRASHER Philo Higley and Philip Dunning did not write “Remember the Day” for those who hold that “childhood is the happiest time of your life.” Rather it is a play of the boundless tragedies of adolescence, and as such it was given to us last night, sincerely and artistically, by members of Phi Beta, national dramatic sorority, and drama students of the Arthur Jordan Conservatory of Music. This was the first production directed by Volney Hampton since his appointment last winter as head ov dramatics at the conservatory, and it stands as proof of his ability. He set himself a difficult task when he chose a play about children in therir early ’teens, performed by players of the same age. But the excellence of the drama was worth the painstaking work obviously behind last night’s production. Those who have read or seen “Remember the Day” will recall that it is the story of 13-year-old Dewey Roberts, intelligent, sensitive and horribly anxious to be a “roughneck,” who falls in love with his teacher, Miss Trinnell, and worships his athletic coach, Dan Hopkins. When Dan and the teacher fall in love, it is almost too much for him, but with Miss Trinnell’s help, he carries the day. It is also the story of a high school girl, as nasty a little “brat” as the one in “The Children’s Hour,” whose vicious lie loses Dan his job, and Miss Trinnell her happiness. The play is a genre picture of Middle Western life, yet entirely free from the banal quality charitably called “homespun.” “Remember the Day” is a discerning piece, utterly real, and it lost nothing in the local players’ performSIXIC6* Work Without Error Native talent, judicious casting and artistic direction together produced a cast which, for an amateur group, safely may be called flawless. If one r.iust single out performances for special attention, it would be those of William McDermott as Dewey, and Virginia Ferrell as the teacher, Nora Trinnell. In these days of the apotheosis of the youthful “amateur,” we will go on record as saying that young McDermott is possessed of a real dramatic talent. And, although their opportunities were less, we may include the other youthful principals, Marjorie Rose, Billy Lemen, Carroll Roberts and Jo Ellen Everson. They never were out of character for a moment and, thanks of course to Mr. Hampton, there was not an awkward move or gesture throughout the three acts. Miss Ferrell gave a sympathetic, well-molded and beautifully-timed portrayal. Clifford Courtney and Rae Cawdell as Dewey’s parents and Ray Robinson as Dan, were excellent, as were Helen Morton in the smaller roles. And to the credit of all, in this one-performance, amateur production, there was not a line “thrown” to any actor in the course of the play. t Youthful Japanese in Important Role Times Special HOLLYWOOD, May 19.—Among the ranks of famous movie juniors is Ed Sojin Jr., son of the famous Japanese character actor Sojin. He is to appear in “The Case of the Velvet Claws,” starring Warren William, in an important role. The 27-year-old Oriental gave uo an’ artist’s career to follow in h k father’s footsteps Electricians Give Tips on Comedies Times Special HOLLYWOOD, May 19.—Norman Taurog, director of Bing Crosby’s new picture, “Rhythm on the Range,” watches electricians as they direct their lights on a comedy scene to determine how the public will receive it. If they grin, he knows the audience will roar with approval. If they appear bored and disinterested, the scene is torn apart and reshot. Gene Plays Own Tunes Gene Raymond, playing opposite Barbara Stanwyck in “Marry the Girl,” spends his time in between shots on the set playing his own compositions on the piano.

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A leading member of the cast of “The Trial of Mary Dugan,” current Federal Players attraction at Keith’s, is William Schneider (above). The play is to continue through May 30.

I. U. Club Seeks Song Copyright ‘Chimes of Indiana’ Writer Donates His Interests. Times Special BLOOMINGTON, Ind„ May 19. “Chimes of Indiana,” Hoagy Carmichael’s newest song dedicated to Indiana University, is to be copyrighted for the university by the Sphinx Club, honorary upperclassmen’s organization. Campus groups under direction of the club are working to raise $225 necessary to purchase the copyright from Hoagy’s publishers, to whom he is under contract for all his songs. The composer relinquished all rights so that the university might purchase it at low cost from his New York publishing house. “Chimes of Indiana” was heard the first time by students when the “Gentlemen from Indiana” quartet sang it at a recent dance.

Pretty 'Cagey' Is Montgomery He Must Outstare Lions to Win Fair Maiden. BY RUTH M’TAMMANY Times Hollywood Correspondent HOLLYWOOD, May 19.—A fitting climax to the unique picture “Suicide Club,” from the famous story of the same title by Robert Louis Stevenson, were the last scenes to be shot—taken in a zoo set up at a movie studio. There were four lions on the stage and one outside —sort of an extra in case one of the principals, meaning the lions of course —should get shot in an unruly moment. Robert Montgomery, dapper in high silk hat, tail coat and black cape, was obviously nervous. He walked back and forth in front of the cages and “eyed” the lions gingerly. They watched him cautiously and occasionally one expressed his opinion by a mighty roar. “Wflat an idea!” said Montgomery. “No wonder they left the shooting of these scenes until the end of the picture. I’ve got to play a scene with Rosalind Russell and I have to stand—in fact lean up against those bars. All that beast has to do is to make up his mind that he doesn’t like me and this silk shirt front is going to be all mussed up.” “I’ll be right near you, Mr. Montgomery, with this,” said a studio officers, and he flourished a revolver with something of pride. “How do I know you’re a good shot?” “Got the record on the force.” “Oh well—all in a day’s work,” said Bob, and with a twirl of his cane, he sauntered back to “outeye” one of the lions.

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'Boy Meets Girl/ Another Stage Satire of Movies, Upholding Hit Reputation Broadway Comedy Sets Fast Pace, Slightly Mad but Filled With Humor, in First Presentation at English's; Two Performances Today. BY RALPH NORMAN “Boy Meets Girl" opened last night at English’s and the audience let down its hair and had a good laugh. That’s what audiences still are doing on New York's Broadway. That’s what we imagme they will be doing along the road company's itinerary. Asa lampoon at the movie, this legitimate production effectively stands off the movies’ barb at the stage. “The Royal Family.” The thoroughly enjoyable cast romped through the piece. The play may be seeo at 2:15 this afternoon and at 8:15 tonight.

In ridiculing Hollywood, “Boy Meets Girl” took up where "Personal Appearance,” seen here recently, left off, to satirize the movie industry as one of the greatest farces of current times. While with “Boy Meets Girl” the play itself was most important, the splendid cast which superbly injected good humor and lively action into the spicy lines and amusing situations created by Authors Spewack should not be neglected. From leads to last man, the acting was not just good, but excellent. In the leading feminine role, Polly Walters played with restraint and keen interpretation the role of Susie, movie studio restaurant waitress whose illegitimate child, with the aid of scenario writing by Robert Law (Eric Dressier) and J. Carlyle Benson (Harold Vermilyea), became the movie toast of the nation. Winsome and pretty, Miss Walters played through scene after scene, always making us wish to see more of her acting. Writers Run Unrestrained In Mr. Dressier and Mr. Vermilyea surely no better combination of actors could have been found for the roles of two dizzy, fantastic, scenario writers. Their failure to confine their wild thoughts to scenario production was at the bottom of much of the complicated plot of “Boy Meets Girl.” Weary of writing trite plots for a trite western actor, Larry. Toms (Larry Fletcher), the Law-Benson combination seized upon the birth of Susie’s child to eliminate the “boy meets girl, boy loses girl, boy gets girl” situations from the stories they were paid big money to grind out for Larry. Through their good offices. Happy (the baby) at eight months was a Hollywood star, the toast of the movie-going public. When their power of attorney for Happy expired, their fertile minds went to work to produce a way to break a shyster agent’s contract with Happy, and Larry's pseudoromance with Susie. They introduced into the plot, of all people, Happy’s father (an extra hired to pose as the father). Larry lost his popularity when involved in scandal unbecoming a Western idol of young America, and Happy retaliated to such indignities by getting the measles. Happy’s sickness gave the studio its opportunity to break its contract with the baby, and a radio campaign was instituted to discover anew baby star whose parents had a marriage license. Then came another of those magnificently brilliant ideas by the Law-Benson team. Knowing a British company wanted Larry Toms, they faked a cablegram from London offering to buy the entire studio. Just when the enterprise neared successful conclusion, a British representative appeared, revealed the fake offer, disclosed that

A Federal Theater Project Works Progress Administration ICFITIJ'Q I —fhbne — ™ I ■ II w I Lincoln 9000 FEDERAL PLAYERS “The Trial of Mary Dugan” | Nights, isc, 25c, toe —| I SAT. MAT.. 10c, 20c, 30c | In Preparation “THE ROYAL FAMILY”

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WEST SIDE _ . _ _ 2; 02 W. 10th st. I A T E Niel Hamilton 1 ** 1 “ Kathleen Burke “MUTINY AHEAD” Comedy and Cartoon . ,_ , ._ W. Wash. & Belmont. BELMONT ®sSr “COLLEEN” “ROBIN HOOD OF EL DORADO” . , „ 2640 W. Mich. St. A S Y Double Feature 1 J 1 Paul Muni “THE STORY OF LOUIS PASTEUR” Jane Withers—“PADDY O’DAY” NORTH SIDE . _ _ Illinois at 34th. f / Double Feature • • Fred McMurray “THE TRAIL OF THE LONESOME PINE” Roger Pryor JJIOOO A MINUTE” • ■nvest • asTi 42nd Se College. UPTOWN “FOLLOW THE FLEET” Comedy—Cartoon and Late News _ . _ GARR CK Doubl * Feature Ricardo Cortes “THE MURDER OF DR. HARRIGAN” Ann Harding—Herbert Marshall “THE LADY CONSENTS” ~ , . , _ St. Clair & Ft. Wayne ST. CLAIR Ku"* “HERE COMES TROUBLE” Jeanette McDonald—Nelson Eddy “ROSE MARIE” R_ .. 30th at Northw’t’n. Y Double Feature u A Jackie Cooper “TOUGH GUY” Ann Harding—Herbert Marshall in “THE LADY CONSENTS” _ t* a l n/XTT Talbot & 22nd. TA ROTT Double Feature 1 I 1 Donald Woods “ROAD GANG” Stan Laurel —Oliver Hardy “THE BOHEMIAN GIRL” f, , , f , 10th Sc College StMTTrirH Double Feature jTraTTora Ann Southern “THE GIRL FRIEND” Ken Maynard—•‘WESTEßN COURAGE” MECCA Noble Sc Mass. Special Feature Attraction m n r A k 4 2351 Station n. R E A M Double Feature u ,VI Paul Kelly “SONG AND DANCE MAN” Aline McMahon—“KlND LADY” EAST SIDE Rl ■ a 3155 E. 10th St. V U L Double Feature , W Carole Lombard “LOVE BEFORE BREAKFAST” Diek Powell—Ruby Keeler “COLLEEN” TUXEDO ‘TLS.’SIJS*-' 1 June Lang “EVERY SATURDAY NIGHT*’ Mae West—Victor McLaglen “KLONDIKE ANNIE”

PAGE 13

the extra hired to be Happy’s father was of noble blood. An opportune time, of course, for Susie and the extra to announce their engagement, bringing to successful culmination over stonr paths the “boy meets girl, boy los girl, boy gets girl” theme of a pr within a play in “Boy Meets Gir Suspected of everything unpleasant but their real misdoings, Law and Benson were exonerated by Producer Friday (Fred Irving Lewis), and down came the curtain on a remarkable play. Cast Is Praiseworthy We have cited for praise only the leads of “Boy Meets Girl.” Asa producer, Mr. Lewis was most adequate in an important role. As Larry Tom’s agent, Rosetti, Philip Van Zandt played well, v/hile a number of secretaries, doctors, nurses, chauffeurs, song writers, film cutters and others did well in giving Mr. Friday’s office the appearance and atmosphere of a movie executive’s work shop. We can not reproduce here the real charm of “Boy Meets Girl.” It is to be found in sparkling lines, clever acting, farcical situations and severe burlesque of an American business —the movies. Let is be understood that “Boy Meets Girl” is strictly adult entertainment, never shocking, but always frank. Authority on History Gary Cooper, for whom “The Texas Rangers” is now being prepared, has made himself an authority on pioneer western history of the United States. He was born in Montana. Actress Has No Chauffeur Frances Drake is one of the few Hollywood personalities who does not employ a chauffeur, preferring to drive herself. Bobby Breen in New Film Bobby Breen, famous child radio star, will make his bow to the screen public in “Let’s Sing Again.” Bobby plays Eddie Cantor’s son on national networks. Hepburn Is Hard Worker According to Director John Ford, Katharine Hepburn is the hardest worker among Hollywood stars.

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EAST SIDE T A rs/\i < a U Wash. St. AUUMA Double Feature George Raft "IT HAD TO HAPPEN” Harry Richman—Rochelle Hudson “THE MUSIC GOES ROUND” IDWI kl T 5507 Wash. St. “ IKYING Double Feature Roger Pryor “SIOOO A MINUTE” Clark Gable—Myrna Lov—Jean Harlow “WIFE VERSUB SECRETARY” Cllrnf Akl 4630 E. loth stCMtRSON Double Feature _ Warner Baxter “THE PRISONER OF SHARK ISLAND” Betty Davis—Leslie Howard “THE PETRIFIED FOREST” HAMILTON h tur ß e l - Warner Baxter “ROBIN HOOD OF EL DORADO” Mae West—Victor McLaglen "KLONDIKE ANNIE" PA D 1/ C O .2036 E. 10th St. ARK E R D nb ! e Jackie Cooper “TOUGH GUY” Will Rogers in “OLD KENTUCKY” CT D A kl rt 1332 K Wash. StT STRAND D °“ b '* Feature Jackie Cooper “TOUGH GUY” “WEDNESDAY’S CHILD” ROXY 2721 E Wash. St. ' v 1 Double Feature “FIGHTING PLAY BOY” "TIMBER WAR” H 411 _ Er Wash] " Paramount “EXCLUSIVE STORY” Comedy—Screen Novelty SOUTH SIDE “FOUNTAIN SQUARE - Double Feature Warner Baxter “ROBIN HOOD OF EL DORADO” Joel MeCrea—Miriam Hopkins “THESE THREE” C A kinrnr At FennUln Sguare SANDERS ■>sr“*c r say* “TWO FOB TONIGHT” “SO RED THE ROSE” | At Fountain SquaTn* Granada Tonight, tuc*., vl ° ,laua Wed. and Thurs. Buddy Kogers, June Clyde "DANCE BAXD” Francis Farmer. "TOO MANY PARENTS’* cab a c /sk > Prospect-Churchman. AVALON Double Feature niriLVIV Walter Connelly “SOAK THE RICH” “ESCAPE FROM DEVIL'S ISLAND” ORIENTAL um ZJ£'SZ “LEAVENWORTH CASE” Selected Short Subjects / . ni-in r\ 22*3 Shelby it,"” GARF ELD ® ob,e r “ ,ir * vru ' l ,LUU Ricardo Cortes Marguorite ChurehJß “MAN HUNT” Dionne Quintuplets— Jean Hershoit “IBS COUNTRY DOCTOR”