Indianapolis Times, Volume 48, Number 39, Indianapolis, Marion County, 25 April 1936 — Page 16

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NEWCOMER, GENE LOCKHART, STEALS SHOW IN LYRIC PICTURE

First Movie Role Brings Him Success Warren William Is Cast as Principal in ‘Times Square Playboy.’ When a movie producer spotted Gene Lockhart in New York s Theater Guild and took him to Hollywood, he probably had no intention of starring him in his first picture. Times Square Playboy,” current offering; at the Lyric. Nevertheless. Mr. Lockhart stars and to some extent, saves the picture from being just another Warken William "playboy” shew. Mr-. Lockhart and his wife, Kathleen Lockhart, who also is his screen wife in "Times Square Playboy,” are likely to lace Hollywood's cameras frequently if producers realize that the Lockharts, more than Mr. Williams, and his leading lady, make this picture pleasantly entert|ining. Cast ns a small town hick who is a nuisance to his fellow players, but whose intentions always are goon, Mr. Lockhart as P. H. (Pig Head) Bancroft steals scene after scene, minimizing the romantic plot featuring Mr. William and June Travis. Stages Quite a Mixup Successful Vic Arnold (Mr. William) is to marry Beth Calhoun (Miss Travis), and his small home town his boyhood friend, Mr. Bancroft, to he best, man. Intent upon letting no Broadway “wise guys” outsmart him, P. H. suspects the Calhoun family is taking his pal "for a ride,” convinces Vic of this belief, and then tells the Calhouns they are nothing less than Broadway thieves. It happens the Calhouns are quite prosperous, and it also happens Miss Calhoun and Vic are in love. These facts are learned by P. B. too late to save him considerable embarrassment, but he does his share of "eating dirt” to bring about a happy ending. Mrs. Lockhart as Mrs. Bancroft plays in several amusing scenes with her husband, i Headlining the variety vaudeville are Barfo and Mann who, in one of the funniest acts playing the Lyric stage recently, keep t heir audience howling with laughter, i One comedian fully is seven feet tall, the other less than five. In a dance and comedy act, this combination is hilarious. Dorothy Martin and company provide real thrills in their ada’gio dance act. and good entertainers are Chester Fredericks and three girls, the Gislon Sisters and Helen King. Ray Wilbert, jugglei, and Saul Grauman with a musical "stair a tone,” which is more spectacular than musical, round nut the bill. Altogether, it is good variety entertainment,—(By R. N. Keith s Show Is Held Over! Federal Players to Repeat ‘Do Unto Others.’ Because the Federal Players’ offering at Keith's this week. "Do Unto Others,” was received favorably by local theater-goers, it is to be held over a second week. The play was written by Henry K. Burton as a vehicle for Charles AlthofT. popular character comedian of stage, screen and radio, who plays the leading role.

"Do Unto Others,” which was given its first presentation on any stage by the Federal Players, centers around an aged, but spright--1 y and wisecracking musician, Uncle Jimmy Waterbury (Mr. Althoff), who is consiged by his only relatives, a niece and nephew,

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to the Jasper County poorhouse until they discover he is the sole heir to a considerable fortune. This good luck elevates Uncle Jimmy in importance in the eyes of heretofore indifferent acquaintanc * and a quarrel over his custody follows. However. Uncle Jimmy demonstrates that he not only is able to look after his own interests, but In a time of stress, is generous enough to aid snobbish individuals who previously had ignored him. Mr. Althoff in the play has an opportunity to employ his favorite comedy trick with his violin. He is supported by Ned LeFevre, Alice Arnold, Betty Anne Brown. Jack Duval, C’Mari DeSchipper, Elsa Ewell, Ira B. Klein. Gene Brittain and others of the Federal Players Company. Southport Pupils to Show Puppets The eighth grade of Southport school is to present "Silas Marner,” a puppet show, at 7:45 tonight in the’ school auditorium. Pupils arranging the program are Dorothy Dowden. Rollin Jeffries. Sylvan Pollard, William Spencer and Gordon Macbeth.

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Stand in Musical Spotlight of Week

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The local musical spotlight is focused upon Indiana musicians during the coming week. A group of active participants in current musical affairs are shown above. '1) Miss Mae Henri Lane, one of 25 assisting artists in the 125piano festival May 3. also is president of Zeta Chapter. Sigma Alpha lota, national music sorority,

Bomar Cramer Finishes Matinee Musicale Season With Brilliance Local Pianist Presents Diversified Program Which Provides'Ample Scope for Powers of Interpretation. BY JAMES THRASHER Asa brilliant Jinale 1,0 a successful musical season, the Matinee Musicale yesterday presented Bomar Cramer, pianist, in recital before an audience of members and guests in L. S. Ayres & Cos. Auditorium.

The distinguished local artist played a diversified program which began and ended with t toccata—the first by Schumann, the second by Ravel—and which provided ample scope for the display of his powers of interpretation and performance. It takes a brave pianist to start his day and his program with the Schumann “Toccata,” but Mr. Cramer played it stunningly. Rather than the familiar war-horse we often have heard, it sang forth with a supple lyricism and vibrant vitality. There followed, in contrast, the smple. charmng ‘ Prophet Brd.” beautifully done. Then, after a "Novelette,” came the massive “Etudes Symphoniques,” to conclude thee Schumann group. Four Debussy preludes formed the next group: "Dead Leaves.” “The Interrupted Serenade.” "The Hills of Anacapri” and "General Lavine-Eccentric.” Here, as in his playing of Chopin and Schumann. Mr. Cramer gave us no swooning phrases. The ethereal harmonies of the "Dead Leaves” are full-bodied

RIVERSIDE SUNDAY Indiana’s Greatest Outdoor Fun Spot Starts Tomorrow on Its Third of a CENTURY OF PROGRESS In the Amusement World. Admission Is Always Free. New Wonders! New Thrills! “BIGGER AND BETTER THAN EVER”

ENGLISH—2 DAYS ONLY ' fTUES., WED., APRIL 28-29. POPULAR MAT. WED NAZIMOVA in. Ibsen 7 -? GHQSTS With McKAY MORRIS HARRY ELLERBE Beatrice de Neergeard Raymond O'Brien ©treeted by V -*. Naiimuve Production Dotignod by Stewart ChftOf Frier., Errs.: h!x, _ I ls- •. 2.5. _V7ed. Mat.: 55r. St.lfl, $1.65 lntl., Tax.

A FEDERAL THEATRE PROJECT "" OF THE WORKS PROGRESS ADMINISTRATION KEITH’S THEATRE! Lincoln 9000 | I FEDERAL PLAYERS With the Popular Character Comeclian CHARLES ALTHOFF - Guest Star in “DO UNTO OTHERS” By Henry K. Burton HELD OVER 2ND WEEK Commencing Monday Nipht Night Prices—lsc, 25c, 40c—Saturday '*atinee, 10c, 20c, 30e ALL SEATS RESERVED AT ALL PERFORMANCES NEXT PRODUCTION—“BEHOLD THIS DREAMER”

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sponsoring the event; (2) Richard Geyde. tenor, is to be the soloist at the Indianapolis Liederkranz concert tonight; two Culver Military Academy cadets; (3) Garfield Horn and (4) Wade Verweire, are to be presented in piano solos and i.wo-piano numbers by the Maennerchor at the Academy of Music tomorrow afternoon.

j in their most whispering moments, i and his interpretation was felt | deeply and sincerely. The last three preludes wc-e strikingly done with flashing tec: nic and the arresting "nervous nergv” of accent so characteristic of Mr. Cramer’s playing. The sonatina of Carlos Chavez, which came nexxt, is of timely interest because of the Mexj ican composer’s recent successful | appearances as guest conductor with the Boston Symphony Or- ! chesera, and his appointment to a : similar post with the New York Philharmonic Symphony next season. Mr. Chavez's music is admittedly 1 abstract and, as revealed yesterday, j. stark as well. The "Sontaina,” | which incidentally is not a sontatina at all. but of two-part song form construction, is uncompromisingly dissonant. Yet it is utterly simple as to structure. As music stripped of all but the barest essentials, it was interesting and not too unpleasant to hear. 1 Particularly rich in comparison

THE INDIANAPOLIS TIMES

Ann Harding Again Is Great Sufferer in Murder Story, 'Witness Chair/ at Circle Courtroom Scene Is Done Well, Story Holds Interest ot Reviewer and Blond Star Is Convincing in Her Usual Self-Sacrificing Role. BY JOHN W. THOMPSON Hollywood's No. 1 Sufferer. Ann Harding, lets herself in for more grief in "The Witness Chair,” now at the Circle, which is offering a double dose of murder film this week, the second feature being "Murder on a Bridle Path.” As usual. Miss Harding covers up for those she holds dear, even if it means her own life. The story is rather engrossing, has its moments in a well-done courtroom Scene.

James Trent (Walter Abel) is on trial for the murder of his business pertner, Stanley Whittaker (Douglas Dumbrille). The latter was found dead in his office, clutching a revolver and a signed suicide note absolving Trent of connection with the firm’s embezzlements. Finger Points to Trent The medical examiner testifies that Whittaker died the night be- | fore his body was found. Lieut. Poole (Moroni Olsen), the detective on the case, shakes the suicide theory when he points out that someone, certainly not Whittaker, had wiped fingerprints off the gun which the dead man held. Paula Young (Miss Harding) ard the office boy both admit that toe gun belongs to Trent. Grace Franklin (Margaret Hamilton) creates a scene in the court when she accuses Trent of committing the crime, describing his business dealings as being slightly offcolor. She says that she knew about the shortage in the firm's accounts, that Henshaw, an accountant, had attributed the theft to Trent. But the defense attorney gets Henshaw to confess that he took a bribe from Whittaker to arrange the firm's books so they would point the accusing finger at Trent. Then the was the "Chinese March” of Stravinsky, in a brilliant, orchestral transcription by Szanto. Its fiendish difficulties were encompassed by Mr. Cramer in a tour de force of virtuoso pianism. "The Birds of Sorrow” and the “Toccatta’ ’of Ravel concluded the programmed numbers. Coming on the heels of Chavez and Stravinsky, Ravel’s music put one in mind of the facetious remark of a. few years back about the “good old tlunes of Strauss and Debussy.” Ravel’s modernisms already have a tuneful sound in our adaptable ears, and no doubt that the Chavez “Sonatina’ ’awaits a. like fate. A’tnjng his contemporaries of the last group, Mr. Cramer was equally at home. No matter from what age a composer speaks, he seems to find a sympathetic collaborator in yesterday’s artist. A sensitive and intelligent musician as well as a brilliant, authoritative pianist, Bomar Cramer may be depeded upon to give a memorable performance.

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and Only CAIILUaIVI. DUnLCOyUC Middle West UIEUi Show Toniyht GIRLS FROM THE FOLLIES i RUTH WILLSON SST : NANCY MORRIS Positively the Two Most r^t s o undlnr c Features in Burlesque SINCE THE DAYS OF MAY HOWARD AND MOLLIE WILLIAMS Set Up a Party and Attend Our Famous Midnight Show Tonight 25-40 and 50c

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defense attorney tricks Tillie Jones (Maxine Jennings), a stenographer, into admitting her testimony was “fixed” by the district attorney. She reveals that Trent had not intended to work late on the night of the crime, but had stayed down when his daughter canceled their dinner engagement. ‘I Killed Whittaker’ An elevator boy points out Constance (Frances Sage), Trent’s daughter, as the girl he took up to the office on the night of the murder. after she had ascertained that Trent had' left the office. Connie confesses that she secretly had been in love with Whittaker, that they had intended to elope the night he was killed. This throws all the suspicion on Trent, when Paula jumps to her feet and shouts: “I killed Stanley Whittaker.” That’s the end' of Paula’s suffering. Trent takes her to the judge's chambers, proposes to her. One never knows whether she went "up the river” for the crime. Miss Harding is convincing as the sympathetic secretary who is caught ; in the meshes of circumstance, does what she thinks best for all. Mr. Abel. Mr. Olsen, and Miss Sage do the best they can with the parts. Most of the comedy is supplied by a very able youngster, William Benedict, as the office boy who wants to be a crooner. We wish Miss Harding could be a nice, normal heroine just once. Another Murder Story Jimmy Gleason, teamed this time with Helen Broderick of stage fame, trots through “Murder on a Bridle Path” without much effect on the audience. There are a couple of strange murders, and Jimmy and Helen track down the criminals. As usual, the criminal tells everything at the end just when he has Helen cornered and is about to kill her. Nothing much novel about this extfept the way in which the folks are put to death. Miss Broderick deserves a better role. Her lines are so drab that even she can't get much out of them.

jBHkA/y J JgSS*jjppljpColor Extra Feature! “DANGEROUS INTRIGUE” RALPH BELLAMY

“VETERANS OF FUTURE The hilarious campus prank, sweeping from coast to coast, r _ that makes a bid to laugh ' war off the front page. NOW SHOWING o*o V CIRCLE THEATRE

Coming to English's

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One of the most versatile leading men in America is McKay Morris (above), who is to be seen opposite Mme. Nazimova in her production of Ibsen’s “Ghosts,” at English's Tuesday and Wednesday. Mr. Morris played here with Stuart Walker's stock company several years ago. He recently completed an engagement as the President in the play “If This Be Treason.”

WHERE, WHAT, WHEN APOLLO “Captain January.” with Shirley Temple, at 11:44. ‘ 1:44, 3.44, 5:44, 7:44, 9:44. CIRCLE "The Witness Chair.” with Ann Harding. Walter Abel and Moroni Olsen, at 11, 1:50, 4:45. 7:40, 10:43 Also "Murder on the Bridle Path.” with Jimmv Gleason and Helen Broderick, at 12:45: 3:40. 6:35. 9:30. CIVIC "Accent on Youth,” with Jack Harding, Isabel Ayres. Margaret McEwen, Edward Green. Jane Smith and Alec Saxton, at 8:30. KEITH’S "Do Unto Others,” by Henry K. Burton, directed by Charles Berkell. produced by Federal Pli.yers. with Charles Althoff, Jack Dmal. Ned Le Fevre, Ira B. Klein and C'Mari de Schipper in the cast. LOEWS "Mr. Deeds Goes to Town.” with Gary Cooper and Jean Arthur, at 12:18. 3:30. 6:45. 10. Also "Dangerous Intrigue.” with Ralph Bellamy and Gloria Shea, at 11:18, 2:30, 5:45, '). LYRIC “T mes Square Playboy.” with Warren William, on screen at 11:40, 2:18. 5:15. 8:12. 10:41. Vaudeville on stage at 1:09. 3:47: 6:44, 9:41.

LYMf^iß Today! MbLw I one SOLID HOURof 1 I VavdcWM; I I Barto & Mann 1 "The Lauph Kirurs’’ . H ■ CHESTER FREDERICKS ■ ■ Presenting: "What a Break" || DOROTHY MARTIN J J "Adagio Thrills" M |L SAUL GRAUMAN "Musical Stairs" His Wife gjgW Him Yell Unde WAm ■ yS tolled Him ' Buddy ! I H TIMES SQUARE I PLAYBOY I

'Boy Meets Girl/ Romantic Stage Hit from Broadway Is Scheduled at English's Chicago Company Is to Appear Here May 18 and 19 in Vehicle of Catch-Phrase Title Which Overnight Added to Nation’s Slang Vocabulary. It took a play to give America its latest wise-creck. “Boy Meets Girl,” r.nd that play is to be presented at English's Theater May 18 and 19, Vincent Burke, manager, announced today. Writers all over the country, columnists in particular, have accented the phrase as a general term meaning romance. It. has taken hold as a slang term for an engagement or affair of the heart.

It all started last New Year’s eve when Bella and Samuel Spewack's Hollywood farce, "Boy Meets Girl,” had its premiere at the Cort Theater in New York. Mr. and Mrs. Spewack had contended, privately and publicly, that any success story, either on the screen or on the stage, is based on the single plot—boy meets girl, boy loses girl, boy gets girl. Almost overnight, the phrase was picked up, by carnival hat manufacturers, beauty parlors and other mercantile enterprises. Not since George M. Cohan's “What's all the shootin’ about?” as used in “The Tavern” IS years ago. has a title so quickly swept the country. Waitress Wins Lord s Son The play deals with two eccentric scenarists, who demonstrate that the boy and girl theory always works out in the construction of a satisfactory story and sometimes it works in real life. In a wild frenzy of gossip and romance, a waitress wins the son of a British Lord in the play. The Chicago road company is to present the play here, Mr. Burke said. Joyce Arling and James MacColl played the leading roles in the New York company. Both were beginners and got their first big chance in this comedy. George Abbott, co-author and director of “Three Men on a Horse,” is director and producer of "Boy Meets Girl.” Other plays wtih which he has been connected are "Broadway,” "Love ’Em and Leave ’Em,” “Four Walls,” “Chicago,” “Coquette,” “Twentieth Century,” "Small Miracle” and “Jumbo.” WEST SIDE ___ . mi w. ioth st. C j A | p Paul Kelly •J | / \ I I— Double Feature “SONG AND DANCE MAN” "SILVER SPURS” gun. Double Feature— George Bast “IT HAD TO HAPPEN “TOUGH GUY” W. Wash. & Belmont Belmont Franchot Tone “EXCLUSIVE STORY” “MAN HUNT” sun. Double Feature—Charlie Chaplin “MODERN TIMES” “SONG AND DANCE MAN’ V , 2540 tv. M'-h. St. n A I S V Double Feature L//4 u ■ Carl Brls&on “SHIP CAFE” “OUTLAWED GUNS” Sun. Double Feature—Charlie Chaplin “MODERN TIMES” “MAN HUNT” NORTH SIDE IllinoU et 34th Dll/ Double Feature IX I I Warner Baxter “PRISONER OF SHARK ISLAND” “LADY CONSENTS” Sun. Double Feature—Mae West “KLONDIKE ANNIE” “MY MARRIAGE” , . 42nd * College I PITOXA/n Double Feature KJ l YY I I Charlie Chaplin “MODERN TIMES” “The Leathernecks Have Landed” Sun. Double F'eature — Freddie Bartholomew “LITTLE LORD FAUNTLEROY” “FORCED LANDING” . . | 30th and Illinois f -|/n rrl C K Double Feature V-JVJ 1 1 1 Frank Morgan “THE PERFECT GENTLEMAN” “FANG AND CLAW” Sun. Double Feat. —Katharine Hepburn “SYLVIA SCARLETT” “IF YOU COULD ONLY COOK” a | . St. Clair * Ft. Wayne > T f |Q | P Margaret Callahan “SEVEN KEYS TO BALDPLATE” Comedy—N ovelty Son. Double Feature—John Boles “ROSE OF THE RANCHO” “EXCLUSIVE STORY” rW 30th at North w’t’n. Ixt/X Big Midnight Show Come Early nnd Spend Entire Evening Sun. Double Feature—Eddie Cantor “STRIKE ME PINK” “ROSE OF THE RANCHO” __ j. Talbot A 22nd I H nnTT Double Feature • 1 Ly'-f l l Mary Astor “The Murder of Dr. Harrigan” “EXCLUSIVE STORY” Sun. Doable Feat.—Margaret Sullavon “NEXT TIME WE LOVE” “SIOOO A MINUTE” ft 19th A College Strntrorn Feature JI ■ l IWI VJ Wallace Beery “AH WILDERNESS” “REMEMBER LAST NIGHT” Sun. Double Feature—Jean Arthur “IF YOU COULD ONLY COOK” “THE INVISIBLE RAY” . . ■— yn i Noble A Mass. MECCA xv„r r ’ “COLLEGIATE” “DANGEROUS WATERS” Sun, Double Feature —Edmund Lowe “THE GREAT IMPERSONATION” “TRANSATLANTIC TUNNEL” p. ■ . |— * AAA 2361 Station St. IJKr“ /\ N/\ Double Feature T 1 Franchot Tone “EXCLUSIVE STORY” “The Murder of Dr. Harrigan” Sun. Double Feature —Eddie Cantor “STRIKE ME PINK” “WHISPERING SMITH SPEAKS” EASTSIDE D|Y/ OI 1 DmiMe^Featnro IX I YX^I—I Claire Trevor “MY MARRIAGE” “LAWLESS RIDER” Sun. Double Feature —Harold Lloyd “MILKY WAY” “The Calling of Dan Matthews" ■v- 4020 E. New %orb Tuxedo “CEILING ZERO” “THE GREAT IMPERSONATION” Sunday—Jeanette MacDonald. Nelson Eddy “ROSE MARIE” Selected Short Reels 4

/APRIL 25, 1936

The Spewacks have written five plays for Broadway, the first of which was "Clear All Wires.” Another was “Spring Song.” For the films they have prepared scenarios for "The Cat and the Fiddle,” “The Nuisance,” “The Vinegar Tree.” which became “Should Ladies Behave?”, “The Solitaire Man" and “Rendezvous.” the recent picture in which Rosalind Russell made her starring debut. Polly Moran Signs for Comedy Parts Titnrn Fprcinl HOLLYWOOD. April 25.—P011y Moran, who was "Two-Gun Nell" in comedies long before there was a Hollywood, has decided to return to the busines sos being funny. She has signed anew contract with Columbia and is to be featured in a series of two-reel comedies.

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EAST SIDE -f— 2442 E. Wash. Si, nrnmn Rouble Feature I UV.UI I IVJ >lobn Howard “MILLIONS IN THE AIR” “CHARLIE CHAN’S SECRET” Sun, Double Feature—Bin* Crosby “ANYTHING GOES” “PADDY O’DAY” IMNG^^ T W Walter Kelly “VIRGINIA JUDGE” “LAST OUTPOST” Sunday—Jeanette MacDonald Nelson Eddy “ROSE MARIE” Selected Short Reels I— 4630 E. 10th St. tmerson ® oub i* **■*:• Frank McHugh “FRESHMAN LOVE” “LITTLE AMERICA” Sun. Double Feature—Bin* Crosby “ANYTHING GOES" “DANGEROUS” I I • i 7 TiTo E. rot h sr.' M Q ITi I I lOn I)o, ; b ' e Fratura John Boles “ROSE OF THE RANCHO” “TOUGH GUY” Sun. Donhle Feat.—Margaret Snllawm “NEXT TIME WE LOVE” “THE GHOST GOES WEST” n _ i I Q TKfir Double F'eatnre Claudette Colbert “BRIDE COMES HOME” “BAR 20 RIDES AGAIN” Sun. Double Feature—Fredric March “DARK ANGEL” “EXCLUSIVE STORY” C _| 1332 E. Wash. st. jtrQnQ Double Feature Franchot Tone “EXCLUSIVE STORY” “ANOTHER FACE” Sun. Donhle Feature—Nelson Eddy “ROSE MARIE” “STORMY” DAVV 2121 e 7 Wash. sC (\w/\ I Double Feature Tom Tyler “THE RIO RATTLER” “MIRACLE RIDER” Sun. Double Feature—lrene Dunne “MAGNIFICENT OBSESSION” “KENTUCKY STREAK” Paramount 411 e. Wash. Double Feature Jean Parker “THE GHOST GOES WEST” "COURAGEOUS AVENGER” Sun. Double F'eature—Jean Harlow “RIFFRAFF” “IF YOU COULD ONLY COOK” SOUTH SIDE Fountain Square Double F'eature Spencer Tracy “MURDER MAN” "DE/ ‘ LINE” Snn. Double 1 a'ure—Mae West “KLONDIKE ANNIE” “THREE LIVE GHOSTS” C* I At Fountain Square banders o n ab,e /****— Hugh Herbert “TO BEAT THE BAND” “TUMBLING TUMBLEWEEDS” Sun. Double Feature—Robert Donat “THE GHOST GOES WEST” "THE LAST OUTPOST” Granada Double Feature Saturday—Sunday—Monday Warner Baxter Jack Oakie Alice Faye “King cf Burlesque” , June Lan* Thomas Beck “Every Saturday Night’* <A Riotous Comedy) A..a I M Prospt.-Churchmaa Avalon Will Rogers “IN OLD KENTUCKY” Shorts Sun. Double F'eature—Will Rogers “IN OLD KENTUCKY” “DANGEROUS” • . I 1105 8. Meridian St (Jrienta Feature 1 IVJI Rochelle Hudson "SHOW THEM NO MERCY” “Can* of the Missing Man” Sun. Donble Feature—Miriam Hopklna “BARBARY COAST’ “CHARLIE CHAN’S SECRET” Garfield TJ’,'", "CEILING ZERO” Short Reels San. Donble Feature—Warner Baxter “KING OF BURLESQUE” "NAVY WIFE”