Indianapolis Times, Volume 48, Number 28, Indianapolis, Marion County, 13 April 1936 — Page 4

PAGE 4

FREDDIE BARTHOLOMEW, BOY FILM STAR, TELLS LIFE STORY

Traveled to U. S. to Play 'Copperfield'

First Appeared in Public When 3, to Recite Short Poem. BY FREDDIE BARTHOLOMEW a* told to RUTH M'TAMMANY Time* Special Writer "I was bom in London, England, March 28, 1924. I am the youngest of three children—l have two sisters, Eileen and Hilda. There isn't much to tell about those early years but I presume I was rather a nuisance—although, from all reports, I was a good looking baby with dark curls and a smile. "My father, Cecil Bartholomew, was in the office of the ministry of agriculture, and very busy. When I was 3 years old, he took us all to Warminster to visit my aunt, Miss Millicent Bartholomew, whom I call Cissy. Warminster is a beautiful English village, not far from London. I do not know how it came about but my father returned to London with my mother and sisters and left me for a fortnight with Aunt Cissy. ' "About there, I begin to remember. I know a beautiful lady was telling me a story about Pussy CatPussy Cat . . . and I know also I wanted to stay with her in the pretty little white house and hear morie stories. I stayed ... I never went back to London to live. An Important Question "Cissy used to go out a great deal on what she called charity errands. I have since learned that they were her activities in the British Legion and Women’s Institute. I was three and one-half when she asked me an important question: “ ‘Freddie, would you like to recite one of your little verses at my church bazaar?’ "I must have answered ‘indweed I’d wuv it.’—l really don’t know—at any rate this all sounds rather silly —now that I am 12. I went to the bazaar—l stood on a table so that all the ladies could see me and I recited ’Washing Dolly’s Clothes’ and the story of a London policeman directing traffic. I am glad they applauded the policeman story the most because, you see, it got me off on the right foot, as it were. ’“What a sweet little fellow,’ said all the ladies who crowded around me and Cissy. “ ‘What lovely curls he has.’ ” Cissy Was Pleased “I never recited ‘Washing Dolly's Clothes’ again in public, but Cissy was pleased and she began teaching me lines from A. A. Milne’s plays. I liked them tremendously and really felt like quite a man when I was 4 and went to London to recite in Wigmore Hall. "I began studying Shakespeare when I was 5. I liked Mark Antony's speech best of all. I wanted to go to school, but Cissy thought she would teach me herself. She is a splendid teacher, you know, and I realize how much advanced work we did. "When I was 5, Cissy came to me again with an important question. You see, Cissy and I have quite a system, really. She always asks me first if I want to so and so. Then we discuss the matter and it is very nice because we always arrive at the same decision. So Cissy asked her question: “ ‘Freddie, would you like to go to I-ondon to play a small part in a notion picture?’ “ ‘ln pictures?’ I said. ‘Why yes, Cissy, if you will be my teacher.’ “ ‘No, Freddie, you will have a director —a man—and he will tell you what to do.’ We Go to London "So we went to .London and I played a very small bit in a picture called ‘Toyland.’ When I was 8, I played another small part in ‘fascination.’ I could not have been a very good actor because no one asked me to play in more parts. Cissy always has been kind enough to say that there were not many stories for motion pictures with children in them. "When I was 7, I won a gold medal in an elocution contest for my reading of Tennyson's ‘The Brook.’ By this time I had made many friends throughout Wiltshire and was kept rather busy with such appearances. Perhaps Cissy thought I was getting out of hand a bit because soon after I received the medal, she sent me to school where I stayed for one year. I liked it, too . . . there were a great many boys to play with and everything seemed quite different. •Cissy and I had been reading Dickens’ ‘David Copperfield’ and sometimes I wonder what would have happened had I not read about David. My Momentous Decision "One evening Cissy and 1 sat reading and were in that par," where David was being sent away to school. I always did feel sorry for the chap and would get very sad over his proolems. Suddenly that evening I decided just what I wanted to do. “ ‘Cissy,’ I said, ‘I must go to Holloywood.’ “ HOLLYWOOD!’ “She was too surprised to laugh and so just stared at me. “‘I have just read in the papers that they are to make a picture of ‘David Copperfield’ and are looking everywhere for a David.’ ” “ ‘But, Freddie, have you any idea how far away Hollywood is?’ ” “‘I know exactly—across the Atlantic Ocean and another 3000 miles or so across the American continent. But it is so important, my going, because they can not find a David and I have known him ever so long. I understand him. Please, will you take me, Cissy?’ Great Adventure Begins "That was the beginning of the great adventure —because during the following days I gave Cissy no rest until she finally said ‘yes.’ “Then there was the exciting first ocean voyage—a few days in the wonders of New York until we boarded a train for Hollywood. Nearing the end of our journey across the country, I began to won*

Appearing in Little Lord Fauntleroy'

mm

One of Hollywood's highest paid juvenfie actors, 12-year-old Freddie Bartholomew, is shown above with his latest screen “mother,” Dolores Costello Barrymore, in a scene from "Little Lord Fauntleroy.” Freddie's real mother, Mrs.

der just a little. Cissy, I saw, was trying to keep up her courage but looked a bit scared and homesick, j The last night in my berth, listening j to the rumble of the wheels carry- | ing me so far away, I decided I had | better say a prayer and say it out loud. “ ‘Freddie,’ called Cissy from the berth below, ‘why aren't you sleeping—what are you saying?’ “ ‘Sorry—good-night, Cissy.’ “Then I whispered, ‘Lord, please let me be David Copperfield.’ We Arrive in Hollywood “I felt better and went to sleep. The next day we arrived in Hollywood. I had thought it was a small place with motion picture studios in the center and little houses all around them, where the actors lived. But i found, instead, a tremendous city and I felt very bewildered. The very next day I walked up to policeman directing traffic. “ ‘Will you kindly direct me to the Metro-Goldwyn-Mayer Studios, sir?’ “ ‘Sure, little fellow, 12 miles south.’ “ ‘Twelve miles. But I . . .’ “ ‘Light’s changing,’ he said, ‘you and the lady better step lively.’ “We took a taxi and as we rode along in the congested traffic. I looked at Cissy and saw a tear trickle down her cheek. “‘I wonder if we should have come, Freddie,’ she said. “ Keep up your courage, Cissy . . . remember, I am going to be David Copperfield.’ Not An Actor in the Lot “When we got to the big studio everything seemed to be a tremendous rush and endless questions. In some way, I really can’t say, because we were really too confused—we arrived at the outer office of David O. Selznick. it was full of boys—dark-haired, yellow-haired, and they were quite noisy. Cissy and I took seats and one of the boys j giggled at us—some one whispered, j I sat thinking: ‘All actors, no doubt,! but not a David in the lot. David had suffered—he had been unhappy —he knew the tragedy and these little boys are just happy, carefree chaps. Yes—there is a chance.’ A man tapped me on the shoulder. “ ‘What’s your name?’ “ ‘Freddie Bartholomew, sir.’ “ ‘Where do you live?’ “ ‘Warminster, sir. “ ‘Avenue or street?’ “ It is a small town in England, sir.’ “ ‘England?’ “ Yes, sir.’ “He left the room and I heard him say—as he was closing the door. Cheering Words “ ‘There’s a cute kit outside from England, he looks pretty good to me.’ “He came back and said, ‘O. K.’ “Cissy and I went into the other office and I stood before a big desk. Cissy sat down—she looked frightened. My lips seemed to go suddenly dry and I kept moistening; them with my tongue—my throat j felt most queer. But Mr. Selznick didn’t have gray hair or a beard—! he was quite a young man, really,! and when he smiled at me, I felt quite at ease. “,‘How long have you been in Hollywood. Freddie . . .’ “ ‘Bartholomew, sir . . . just a daw sir.’ " W’ell, well, and why did you come here?’ “ ‘To be David Copperfield, sir.’ “ ‘You came all the way from England to play David Copperfield?’ “ ‘Not exactly, sir—l came from England to be David Copperfield. Oh please, sir—l can do it. I know all about him. I have been through all his troubles with him—l understand how he felt when his father struck him—l can see how he loved his young stepmother, because she was kind to him, just as my Aunt Cissy is kind to me. I have had experience, sir. in some of these matters.’ “It was out at last—l didn't dare look Cissy’s way. I just stood there—and my lips got dry again. Maybe I said a little prayer to myself—l don’t ! know, but Mr. Selznick kept looking at. me and I kept looking at him. | We both smiled. | “ Freddie,’ he said, ‘come to the I studio tomorrow at 10 ... for a test.” “And so ... I became an actor.” (To Be Continued Tomorrow) \ .i Winn -i i BH DnvU “Daneerniin” Claudette Colhert—Fr*d MrMnrray I “THE BRIDE COMES HOME” | —"■" L t

Lillian Mae Bartholomew, arrived in the United States last week to start a court battle for guardianship of the boy, charging that his aunt, Miss Millicent Bartholomew, had "kidnapped” Freddie and taken him to Hollywood.

Rosalind Russell Turns to Writing Time* Special HOLLYWOOD. April 13.—Rosalind Russell has turned writer, but anonymously. The story she is writing is based on incidents in her own life, but she says it is so fantastic that she will send it out under another name. .Rosalind hadn't been working long before she struck a snag. All her writing has to be done after her day's work in "Suicide Club,” and her cook has threatened to leave, because she can't sleep through the noise of nocturnal typing.

Varied, Spectacular Career Marks Fred Stone's Climb to Stage Heights and on to Movie Fame

‘Farmer in the Dell’ at Circle Marks 50 Years Before Footlights. BY JOHN W. THOMPSON Few men of the stage and screen today have reached the heights over as picturesque a road as Fred Stone, who on the fiftieth anniversary of his career is making his debut as a movie star in “The Farmer in the Dell,” now at the Circle. From medicine shows moving about the country in wagons, onering circuses, stag vaudeville in gambling dens to command performances before kings and queens of Europe, this lovable codger has followed the call of grease paint. Born in Denver in 1873, Fred’s family moved near Wellington, Kan., when he was 2. It was there he found his inspiration. He had gone to town from the farm for tne regular Saturday night shopping tour with his family. With friends, the lad watched a tight-wire walker perform over the main street of the town. In the midst of the act the performer’s trousers ripped and his spangles went flying. Young Fred recovered most of them. Trains on Tight Wire When he returned to the farm, his mind was made up. He was going to be a tight-wire walker. Begging a pair of stoc dngs from his mother, sewing them to a pair of swimming trunks, Fred completed the costume with the spangles he had recovered. Stretching rope across the barn lot, he spent a month falling from it. Within six months, Fred had mastered every trick he had seen the professional do in Wellington. A few weeks later a traveling circus came to town. An acrobat went through some difficult stunts on a high ware. When the act was over, Fred grabbed a balancing pole, scooted backward up the guide wire and went through his own act to the amazement of his friends and the enjoyment of the rest of the audience. The manager was not so pleased. He culled Fred's ears, then offered him a job. When his parents objected to his going with the show', Fred countered with the *hreat of running away. Thus his career began. In the second town the show visited. Fred w*as doing his act when a heavy windstrom swept over the circus grounds. The audience yelled for the boy, billed as the “Wonderful Freddie Stone.” to come down. He refused, on with his tricks. A gust of wind carried a show banner right on to Fred’s balancing pole and sent him catapulting off the wire. The next thing Fred remembered was sitting on top of a small tent on the circus grounds. Father Buys Show Interest He had fallen on the one safe place in the grounds. His father was present that day and bought a share of the show to be near his son. The elder Stone complained after several days that he wasn't getting his share of the profits and his partner permitted him to sell tickets for a matinee and evening performance

THE INDIANAPOLIS TTMES _

California's Gold Search Is Pictured Rise, Decline of Billionaire Sutter Is to Be Told on Indiana Screen. The story of America’s first billionaire, John A. Sutter, made into a movie called "Sutter’s Gold,” is to be the feature at the Indiana starting Friday. F. M. Halperin, In-diana-Circle manager, announced today. The picture, starring Edward Arnold, Lee Tracy and Binnie Barnes, tells the story of Sutter’s colonization of a large section of California, how he obtained huge land grants from the Mexican government, built himself an enormous domain before the U. S. acquired California. By 1848 Mr. Sutter had amassed a large* fortune in irrigated farm lands, orchards, vineyards, lumber mills, horses and cattle. That year gold was discovered on his property. There followed one of the strangest paradoxes in history. Sutter was ruined because of the gold which had been found on his land. Gold News Spreads The news of the gold discovery swept the country, on to Europe. From all corners of the globe came hordes cf half-civilized men to tear a fortune out of Sutter’s land. His own men deserted him, turned against him, took a hand in destroying the realm they had helped him build. He launched a series of law suits against the government in ah effort to stop the vandalism, but the bill which would have compensated him was tabled in Congress, and America's first billionaire died penniless. Playing a small part in "Sutter’s Gold,” in Priscilla Lawson, Indianapolis model under contract to Universal Studios, producer of the picture. It is the first feature in which she has appeared. Began Career Long Ago David Torrence, playing a Scotish lord in RKO Radio's "Mary of Scotland,” made his first professional appearance with the late Richard Mansfield more than 30 years ago.

in order to check up on the receipts. It was a day of good business. After the last show Mr. Stone said he would call it a bargain by keeping the money and withdrawing from the show. When the circus men attempted to stop him, he picked up a sword and cut the ropes of the main tent. While the crew tried to keep the big top from collapsing, the elder Stone and his son made their getaway. Pa Stone then started out to manage his boy as an individual performer. Start Brother Act With Fred performing on the tight wire, his father operated a concession at which customers tossed baseballs at grinning Negro targets. A younger son, Edward, also got the performing flair and took up acrobatic practice. He and Fred trouped throughout the West in a “brother” act, which consisted of a black fact duet, tumbling and acrobatics and ended with a tight wire finale. Slowdy they worked their way up in the variety world through the museums and old-time concert halls. Edward had the ill luck tc break a leg and while incapacitated, Fred met and teamed up with Dave Montgomery. The two men had met several times before on vaudeville stages. One day Fred was standing on a street corner when a minstrel show passed. In the troupe was a tall man in top hat and silk suit. Stone spoke to him, they had dinner together and decided to team up. Stone, Montgomery Hit It was just at the time that the old song, “Pasma-la” was written. Stone and Montgomery sang it and overnight were a hit. But the minstrel show floundered in New Orleans and Stone wanted Montgomery to return to Texas with him. The latter was ambitious, however, and persuaded Fred to go East with him. They pawned two small diamonds for their fare to Chicago, got an engagement at the old Casino on Wabash-av there. That was the beginning of the famous Montgomery and Stone act which made stage history and played a command performance before King Edward VII of England. It was in England that the team had its chance in legitimate drama. It was featured in the production, “The Girl From Up There,” with Edna May as the star. The show was frozen out, but Montgomery aim IS '/[ a Last y Days! LI One Solid Hour of \ VAUDEVILLE 1 Headlining u York & King ) ! “Old Family Tin Type” //. STEVE EVANS ///, Acts f( tVIRYBODFe \ OID MAM jl. ROCHELLE HUDSON J I Johnny Down* • Normon Foster ll

Myrna Loy, Robert Montgomery Team in 'Petticoat Fever'

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Two of the screen’s most popular stars, Robert Montgomery and Myrna Loy, have the leading

and Stone were acclaimed the country’s top-notch comedy duet. This opened the doors of the big New York shows to them and they were put into “The Wizard of Oz,” a musical extravaganza which made them both box office aiames. In the show Stone created the role of the Scarecrow. Like the windstorm that blew him into prominence back in Kansas, it was the tornado scene in the “Wizard” that became one of the most popular bits of stage business and puffed him into undying fame. Marries Allene Crater The show opened in October, 1902, at the Davidson Theater in St. Louis. During the run, Fred met and married Allene Crater, who played the Lady Lunatic in the piece. The couple had worked together for two years before romance blossomed. It was at a big Christmas banquet for the cast that Fred discovered that Allene was the love of his life. The following July they were married. Stone’s next success was “The Red Mill,” and it was followed by “The Old Town.” a George Ade comedy, in which he did the famed lariat dance. In order to perform the dance steps with the rope, Mr. Stone hired a Cherokee Indian to teach him. One day during rehearsals, a genial youngster came to the door and asked for Mr. Stone. He explained that the Indian was ill and couldn’t appear. “What’s your name?” asked Stone. “Will Rogers.” was the reply. “And say, I can teach you all you need to know about a rope if you want me to.” Thus began the deep friendship between Rogers and Stone, which endured until Rogers’ death. Prices Are Boosted In his next success, “Jack O’ Lantern.” Fred had the honor of bringing the first $3 musical show to Broadway. Prices were boosted to that figure before the opening and nobody begrudged it. That was in 1917, and speculators bought $200,000 worth of tickets the day after the opening. With the advent of movies, especially talking pictures, Fred found himself out in the cold with the rest of the stage players and took IW 1 25*7716 gw. 25<~40*AFT£* 6* FRIDAY ■Bp hf Sbss y

roles in "Petticoat Fever.” the* story of an Alaska-bound Romeo, who falls in love with the first Juliet he's seen in months. The

WHERE, WHAT, WHEN APOLLO "A Message to Garcia,” with Wallace Beery, John Boles and Barbara Stanwyck at 11:35, 1:35, 3:35, 5:35, 7:35, 9:35. CIRCLE “The Parmer In the Dell,” with Fred Stone and Jean Parker, at 11. 1:50, 4:40. 7:30. 10:20. Also "Boulder Dam,” with Ross Alexander and Patricia Ellis, at 12:40, 3:30, 6:20, 9:10. INDIANA "The Singing Kid,” with A1 Jolson, Cab Calloway and Yacht Club Boys, at 11:30, 1:35, 3:45, 5:50. 8, 10:10. KEITHS “The Barker,” Kenyon Nicholson’s famous play, directed by Charles Berkell, produced by the Federal Players, with Bernice Jenkins. Jack Duval, Ned LeFevre, Betty Anne Brown, Ira B. Klein in the cast. LOEWS “Small Town Girl,” with Janet Gaynor and Robert Taylor, at 12:30, 3:40, 6:50, 10. Also "Moonlight Murder,” with Madge Evans and Chester Morris, at 11:20, 2:30, 5:35, 8:45. LYRIC “Everybody’s Old Man,” on screen, with Irvin S. Cobb, at 11:19, 2:05, 5:02, 7:48. 10:34. Vaudeville on stage, with York and King, at 1:05, 3:51, 6:48, 9:34.

his first rest in years. When Montgomery died, Fred, grieving, swore he never would appear on the stage again. Financial conditions caused by the depression forced him to change his mind. After several years of idleness, mMSTm 81 s IIW T JBI ri 11 Isl 8 MSP ; Last 3 Days I FARMER THE DELL I w ">’ FRED STONE^P pSuLmautk I ROSS ALEXANDER ■ P PATRICIA ELLIS V viti i!iVmpjl 1 j

picture has just been booked by Lowe's Theater and is to appear there starting Friday. George Fitzmaurice directed the film.

Stone was to return to Broadway when he was injured critically in an airplane accident. Will Rogers cancelled his engagemehts on the coast, returned to the East and took Stone’s role. He wouldn’t accept any salary, sent the check to Stone’s hospital each week. Although Stone recovered, his injuries caused him to give u{l active sports and dancing. Call Him ‘Cowboy’ Fred’s friends call him "Cowboy.” He is an expert lariat thrower and has won several medals for participation in western round-ups. He made a trip to Greenland at one time with his brother-in-law, Rex Beach, and became the first man to lasso polar bears. Mr. and Mrs. Stone have three daughters, Dorothy, who is married; Paula and Carol. Each daughter had done a movie before their father appeared in the films. Fred’s first picture was "Alice Adams,” with Katharine Hepburn, voted one of last year's outstanding pictures. In "Farmer In The Dell,” he plays the part of an lowa farmer who goes to Hollywood to get his daughter into movies, ends up by getting into them himself.

A FEDERAL THEATRE PROJECT WORKS PROGRESS ADMINUSTATION 1/ IT IT LI ’C PHONE rVLI In O LINCOLN 9000 FEDERAL PLAYERS il* “THE BARKER” HELD O\ER BY POPULAR DEMAND NIGHTS, 15e, 25c, 40c. SAT., MAT., 10c, 20c, 30c. wK “DO UNTO OTHERS” WITH CHARLES ALTHOFF AS GUEST STAR

TOHIGHTS AT lONS • nei'chborHoo'p THEATER

WEST SIDE Sm i T P 2*< W. lth St. I A I It, Double Feature x **■ •*• Irene Dunne • MAGNIFICENT OBSESSION” “EVERY SATURDAY NIGHT” BELMONT ~ w ASS® “THE STORY OF LOUIS PASTEUR” “THE MUSIC GOES ’ROUND" . ,n tr 234#~WT Mich. StT" A 1 S Y Double Feature 1 J 1 Harold Llovd “THE MILKY WAY” “THE CALLING OF DAN MATHEWS” NORTH SIDE Ri m f~w Illinois at 34th I t. Nelson Eddy 1 A Jeanette MacDonald * ROSE MARIE” NEWS—COLOR CARTOON UPTOWN SUVJEir Harold Lloyd “THE MILKY WAY” “11000 A MINUTE” * ry is i/yt/ 30th and Illinois (jAKKILK Double Feature UtUYIVIUHY Irene Dnnne “MAGNIFICENT OBSESSION" “MILLIONS IN THE AIR” nm ] ain SL Clair A Ft. Wayne ST. CLAIR ■>; “STRIKE ME PINK” “PADDY O’DAY” n 30th at Northw’t’n K Double Feature Joe Penner “COLLEGIATE” “RAIN MAKERS” __ rf> I D/ITT Talbot A 22nd TALBOTT “CAPTAIN BLOOD” “PADDY_CFDAY” __ STRATFORD U * WIU/ Sylvia Sidney “MARY BURNS, FUGITIVE” “FRISCO KID” if n p p a Noble * Mall. M Hr Vi Ll A Double Feature Jean Harlow “RIFF RAFF” “SHB COULDN’T TAKE IT” FVE) T.' A Yf 2301 Station SL UKJLAM Double Feature Errol Flynn “CAPTAIN BLOOD" *'YOUR UNCLE DUDLEY” EAST SIDE rTvOLI V X-4 i Rochelle Hudson THE MUSIC GOES ROUND” “THE PRISONER OF SHARK ISLAND” t

APRIL 13, 1936

Screen Pay to Writers Is Going Up

Proved Vehicles of Stage Bring Their Authors Fattest Fees. BY PAUL HARRISON HOLLYWOOD, April 13— <NEA) —Some impressive five and six-fig are sums are batted back and forth in studio story conferences, and these are not at all in accord with the general low esteem in which authors are supposed to be held by the movie industry. Amounts up to $250,000 have been mentioned in private conversations between the Brothers Warner and representatives of Samuel Goldwvn in regard to a comedy trifle called “Three Men on a Horse.” By "trifle” I do not mean to minimize the box office importance of the play, which is a funny enough play, but one of very slight dramatic stature. Studios Deadlocked Goldwyn has wanted the comedy l for Eddie Cantor. Cantor wants it, j too, because it is earmarked as a "natural” Cantor picture. But Warners own the screen rights to the phenomenal stage hit. and they won't sell. Neither will Goldwyn sell Cantor’s services to Warners. So the game is at stalemate and proves nothing except that miracles still can happen to jobless, discouraged people such as Cecil Holm, who had the idea for the play in the first place and already has been made rich by it. Before "Three Men on a Horse” reaches the screen, Mr. Holm will be considerably richer. Proven Plays Come Higher One of the more puzzling customs of Hollywood is the eargerness of companies to pay 10 to 20 times more for the rights to a play, which already has been seen by hundreds of thousands of people, than would be paid for an original story, almost regardless of its quality. A recognized author may receive $15,000 for the movie rights to a published story, but let that story first get behind the footlights on Broadway, and its valuation increases several-fold in Hollywood. Thus you find Samuel Goldwyn paying $165,000 for rights to the current hit, "Dead End.” And $160,000 for ‘‘Dodsworth,’’ which by now has toured most of the major cities as a play. Goldwyn believes it’s safer to buy a proven success than to gamble on an original yarn. And he would seem to be right. "Street Scene,” bought for $125,000, made a fortune on the screen. Rights Bring $250,000 Largest flat sum ever paid for flicker rights is $250,000. Winchell Smith collected that for "Turn to the Right.” “Broadway” and "Showboat” each brought the same amount. Universal will collect twice on the latter investment, for "Showboat” just has been filmed again, this time in a much larger production and with sound. “Rio * Rita” was sold into pelluloid for $125,000. Noel Coward collected SIOO,OOO for “Cavalcade” and “Bittersweet.” But Hervey Allen received only $35,000 for the film rights to "Anthony Adverse.” The book had been enormously popular, of course, but the price suffered because Anthony never had appeared on the stage. PIXILATED 1)0 yon know ■ ■ ■ ■■PA I hll what it mean*'? UUdjJLJ 25c JANET GAYNOR If ROBT. TAYLOR ■ "SMALL „ ** M TOWN plis: | Ik ®!*£r £°ru,. j Serial Moonlight 1

EAST SIDE rfiw T'Vr'T'Y/'N 4020 E. New York II XH.I 111 Double Feature Bine Crosby “ANYTHING GOES” “EXCLUSIVE STORY” TACOMA 2 “ * a \ Eddie Cantor “STRIKE ME PINK” “IF YOU COULD ONLY COOK” f TANARUS) 17 I M Ci *#OT F. Waib. St. IRVING Do ß °r& o \v; e "ANYTHING GOES” “THE CALLING OF DAN MATHEWS'* PlirnPAl! 4630 E. 10th St. EMERSON “ROSE MARIE” ALSO MAJOR BOWES _AMATEUR THEATER OF THE AIR HAMILTON JSS ' iiiU’iuyivii Bin* Crosby “ANYTHING GOES” “CHATTER BOX” Pa n 1/ P n 2938 E. 10th St. AKIV L R Double Feature it n n l/ it Wj|| Bogsr , “STEAMBOAT ABOUND THE BEND” “THANKS A MILLION” Srn n n 1332 E. Wash. St. 1 RA N 0 Double Feature John Boles “ROSE OF THE RANCHO” ‘THE INFORMER” Rs\ v \r 2721 E. Wash. St.”* II \ Y Double Feature Jean Harlow “RIFF RAFF” “FIGHTING COWARD” n . 411 E. WashT~" Paramount “AH. WILDERNESS” “THE FRISCO KID” SOUTH SIDE FOUNTAIN SQUARE Jeanette MacDonald Nelson Eddy "ROSE MARIE” CHARLEY CHASE COMEDY— COLOR CARTOON _ C A MDUn C At Fountain Square SANDERS EX “SPLENDOR” “BAIN MAKERS” aqr a I iv st Prospect-Churchman AYAL UIN Double Feature an y Gt/Vli svallaee Beery “AH. WILDERNESS" “FRESHMAN LOVE” ORIENTAL "“x-SH-"' "RIFF RAFF” “NAVY WIFE” g~ s an UIT' ■ rv 2293 Shelby St. GAKrILLLJ Double Feature Joe Fenner "COLLEGIATE “PADDY O'DAY”