Indianapolis Times, Volume 48, Number 21, Indianapolis, Marion County, 4 April 1936 — Page 4

PAGE 4

'l3 HOURS BY AIR' IS AN EXCITING MELODRAMA OF SKYWAYS

Mystery, Romance Packed in Indiana's Motion Picture of Transcontinental Trip Joan Bennett and Fred Mac Murray Starred in Action Thriller; Threatening Foreigner Adds Crime Element: ‘Too Many Parents’ Shown. BY JOHN W. THOMPSON It was inevitable that sooner or later someone would produce a movie melodrama with a transcontinental airplane as a setting. Such is ”13 Hours by Air” an exciting film starring Fred Mac Murray and Joan Bennett, at the Indiana. On a west-bound airliner gather Waldemar Pitt 111 (Bennie Bartlett), a mischievous youngster, and his governess, Miss Harkins (Zasu Pitts); Dr. Evarts, said to be a brain specialist, and Curtis Palmer, suspicious of every one. Arriving at the last minute, Felice Rollins, comely blond (Miss Bennett) pawns her diamond ring for passage on the ship. She is pursued by handsome Jack Gordon (Mr. Mac Murray), the line's crack pilot, who gives up Florida vacation ideas to follow Felice.

En route to Chicago Jack reads about a Jewel robbery in which a girl answering Felice's description is implicated. He accuses her and is rebuffed. Waldermar pesters all with his water pistol. Enmity springs up between Palmer and Dr. Evarts. Threatened by Foreigner In Chicago. Felice encounters a dark foreigner, Gregorie Stepham, who threatens her. Jack interferes, disarms the foreigner, is told by Felice to mind his own business. When handed a telegram stating that Felice definitely is not connected with the robbery, Jack grovels apologetically. She begins to like him. When the plane takes off, Jack finds Stephani aboard. He warns him to stay away from Felice, takes another gun away from him. In Omaha, Felice warms up sufficiently to ask Jack to find out if her sister is on the Overland Limited train under an assumed name. He wires a friend, learns the girl is on the train with a foreigner. Palmer also gets a wire telling him there is no Dr. Evarts of New York. He quizzes Jack and Stephani about Evarts, but learns nothing. Again preparing to take off, this time, under threatening skies, Jack is offered SSOOO by Stephani to land the plane at some emergency field off the course. Felice begs Jack to get to San Francisco the next day. He declines Stephani’s offer, takes off. with Fred Scott, his friend, as co-pilot. Forced Down by Storm The storm forces them into an isolated Sierra valley. Deft maneuvering brings the ship down safely. When Jack gets out to inspect the plane, Dr. Evarts follows him, explains that he is a government agent following Palmer, believed to be hunted mobster. Palmer overhears the conversation, goes out with Evarts and Scott to gather firewood, shoots both. Jack drags the wounded men into the plane. Next morning Jack prepares to * kc off. tells Felice to keep the fire extinguisher near her. In case Palme.- returns, she is to squirt it at him. Palmer does return, heavily armed, enters the plane and demands that Jack fly to Mexico.! When Felice gets ready to use the fire extinguisher, it is missing. Everything looks dark, until suddenly Waldemar shoots his water pistol filled with fire-fighting fluid into Palmer's face. Jack jumps him, wrests his gun from him and the situation ends happily. Felice gets to San Francisco in time to stop the elopement of her sister with Stephani's brother and Jack wins a wife. Real Entertainment in Store Excellently constructed, this picture affords real entertainment, Mr. Mac Murray and Miss Bennett are | pleasantly convincing as the hero ; arjd heroine. Miss Pitts moans and I groans in her best comedy manner. It is little Bennie Bartlett, as the spoiled Waldemar, who steals the picture. “Too Many Parents,” the Indiana's second film, stars the lovely newcomer, Frances Farmer and Lester Matthews. It is the story of a group of boys whose rich parents hide them away in a military academy. It is marked by the talent of Miss Farmer and the cuteness of little Billy Lee, whose tap dancing rivals Shirley Temple's efforts. Riding Crop Made From Shark Spine Time* Special HOLLYWOOD. April 4.—A riding crop made from the spine of a shark, one of the most unusual gifts ever sent a film celebrity, was received by Barbara Stanwyck. It came from Trinidad * in the West Indies. Treated with a substanoe known only in the islands, the crop bears Miss Stanwyck’s name in carvings. The donor wrote that he knew the star would appreciate the gift, since her last picture, "Annie Oakley," showed her as an expert horsewoman. William Powell's Display Has Rival Timet Special HOLLYWOOD, April 4.—For years Hollywood’s unchallenged champion gadget collector, William Powell, at last has a rival. He is James Stewart, youthful newcomer to the movies, who has an array of unusual mechanical devices said by friends to equal Powell’s collection. The collection runs from loud speakers to trick sliding doors, with complete assortments of model air- ! planes and electric trains.

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WHERE, WHAT, WHEN APOLLO "A Connecticut Yankee,” starring Will Rogers, 11:36. 1:36, 3:36, 5.36 7 36, 9.36. CIRCLE “Walking Dead." with Boris Karloff .at 11:17, 2. 4 45. 7:30, 10:15, Also Muss 'Bm Up,’’ with Preston Foster and Margaret Callahan, at 12:45, 3:30, 6:15, 9. INDIANA “13 Hours by Air.” with Fred Mac Murray and Joan Bennett, at, 11. 1:50. 4:40. 7:30, 10:25. Also, “Too Many Parents." with Frances Farmer and Lester Matthews, at 12:35. 3:25, 6:20, 9:10. KEITH’S “The Brat.” Federal Players production, with Ned LeFVvre, Jack Duval, Betty Anne Brown, at 8:15. LOEWS “The Garden Murder Case,” with Edmund Lowe and Virginia Bruce, at 11, 1:18, 3:35, 5:55. 8:10. Also. "Don’t Gamble on Love,” with Ann Sothern. Bruce Cabot, at 12:09. 2:27, 4:45, 7:03, 9:20. LYRIC “The Voice of Bugle Ann,’’ on screen, with Lionel Barrymore and Maureen O'Sullivan, at. 11:25. 2:15, 5:05. 7:55, 10:35. Paris on Parade, on stage, at 1:05. 3:55, 6:45. 9:35.

Astaire and Rogers Start New Picture Times Special HOLLYWOOD. April 4.—Dance rehearsals for the Fred Astaire and Ginger Rogers new picture, “Never Gonna Dance,” have begun. Astaire’s disagreements with his studio have been settled, and an intensive program of preparation has been mapped out by the two stars and their dance director, Hermes Pan. Victor Moore, comedian, and Helen Broderick head the cast in support of the famous pair. George Stevens is to direct.

'Accent on Youth', Comedy Hit, to Be Next Production at Civic Romantic Play, Voted One of 10 Best in 1935, to Open at Playhouse April 18 for 5-Show Run. A romantic comedy hit of the last Broadway season, “Accent On Youth,” is to be the next attraction offered by the Civic Theater Saturday, April 18. The play, written by Samuel Raphaelson, unanimously w-as voted one of the 10 best of 1935.

Laborer Gets His Chance in Movies Times Specie! HOLLYWOOD. April 4.—Yesterday—an unknown, swinging pick and shovel. Today—a screen “find.” with his foot on the first rung of the ladder which may lead to success and fortune. This amazing change for David Tyrrell, 23, came after Oliver Hinsdell. dramatic coach, saw him at. work digging for the foundation of anew Bel-Air home. He believed the young man had possibilities, arranged a screen test which was passed successfully. Tyrrell, an orphan, worked in lumber camps for several years. He came to Los Angeles from a camp near Klamath, Cal., hoping to get work. Story Material Is Crying Movie Need Times Special | HOLLYWOOD. April 4.—Lack of material for filming, not production • of elaborate pictures, is the worry | of film magnates. In the romance, “Dancing Pirate,’’ more than 5000 original stories, plays and novels were read and re- | jected before producers selected a i story from the pen of Emma-Lind- ! say Squier, in which are featured Steffi Duna. Charles Collins and 1 Frank Morgan.

Actress Broderick Becomes Detective Times Special HOLLYWOOD, April 4.—Latent detectives talents in Helen Broderick are brought out in her latest picture, “Murder on a Bridle Path." Heretofore devoting herself to evoking laughs in Hollywood and Broadway productions, she proved in this new- picture that two apparently accidental deaths really are cleverly concealed killings. James Gleason plays opposite her.

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Director of the 125-piano ensemble which is to play at the Butler University fieldhouse Sunday afternoon and evening. May 3, is Frank Wilking (above). He has been conducting rehearsals with groups of the ensemble in Fort Wayne, Columbus, Muncie and Indianapolis.

Shortridge to Repeat Stunts Junior Vaudeville to Start at 8:15 Tonight. With the zest of professionals, more than 250 members of the junior class at Shortridge High School are to give the final performance of the 1936 Junior Vaudeville in Caleb Mills hall at 8:15 tonight. It was presented for the first time last night. More than 300 other pupils helped to make-up the performers, move scenery, sell tickets, usher and play the music for the show, one of the big events of the school's social season. Acts and there chairmen were: “The Magazine Pack,” Betty Mellet, and Betty fi .iry; “Broadway Rhythm,” Joan Ferguson; “Flying High,” Veradine Williams; “Follies of 1936,” Mary Lou Koster; “The Great Strike-Out,” Bob Cosier and Bill Fernandes; “Black and White Fantasy,” Dorothy Van Horn and Jean Perk; un-named Act VII, Ruby Sagalowsky and Betty Dobyns; “The New Yorkers,” Clyde Sandberg and Ross Christena, and “April Showers,” Louise Troemel. Intermission acts were presented by Bob Brown, Julia Jean Rowe, Claire Patten, Mary Catherine Stair. Sam Runyan and Dana Lansley.

An outstanding figure in the world of drama, the author makes his third important contribution to the American Theater w-ith “Accent on Youth.” His first was the “Jazz Singer” in 1925 which, w-ith the advent of talking pictures, scored an added success w-ith the public as a setting for the talent of A1 Jolson. Considered a Sequel Raphaelson’s second play appeared in 1928 as “Young Love.” "Accent on Youth.” or “Old Love,” as it originally was named, has been considered in some ways a sequel to- the earlier play. In the past several seasons in New York there has been a noticeable trend toward treatment of more vital subject matter in the theater. Fortune has seemed to smile on those producers and managers who have been inclined to experiment with new dramatic values. but the excepUon of the trend came when Crosby Gaige opened “Accent on Youth at the Plymouth Theater early last season. While presenting a comedy of the conventional draw-ing room type without satirizing it. Gaige had in Raphaelson a genuine w-it with an extensive know-ledge of human problems. Noticed by Hollywood Although boasting a. cast including such luminaries as Constance Cummings. Irene Purcell and Ernest, Cossart, the play succeeded on its dramatic merits and immediately was signed by the savants of Hollywood. Frederick Burleigh, who presented “Accent on Youth” last summer with a cast headed by Kenneth Mac Kenna, also is to direct the production at the Civic Theater. Five performances are to be given. Mrs. Donald Carter, scenic designer for last year’s production of “Her Master’s Voice.” is to design scenes for the new- play.

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THE INDIANAPOLIS TIMES

Lyric Voice of Bugle Ann' Strictly Mr. Barrymore's Show, Mainly About Dogs Veteran Dramatist Is Excellent in His Portrayal of a Dyed-in-the-Wool Missouri Fox Hunter; Maureen O’Sullivan, Eric Linden Help. If you like dogs, you will like “The Voice of Bugle Ann,” now at the Lyric. If there are those who don’t like dogs, they still should enjoy Lionel Barrymore's excellent portrayal of a Missouri fox hunter, with a supporting cast which includes Maureen O’Sullivan and Eric Linden. “Bugle Ann” strictly is Mr. Barrymore's show. The plot, aside from that which results from indignation of any action contrary to the welfare ofTiis pack of hounds and to fox hunting in his native Missouri hills, is relatively unimportant.

For those who want romance, there is the O’Sullivan-Linden team, but it could be omitted without much interference with Mr. Barrymore's interpretation of Spring Davis’ loyalty to his dogs, and of their loyalty to him. Action Around Camp Fires

Much of the action is around the camp fires of the fox hunters, as they .sit on damp ground night after night listening to the bay of the hounds chasing foxes to their dens. If you don’t know when a fox is “sweet,” Mr. Davis explains not only this, but many other expressions commonly used by followers of the hounds. The story is based on an actual event. Into peaceful Missouri community moves a sheep farmer, Jacob Terry (Dudley Digges)’ father of Camden Terry (Miss O’Sullivan). Mr. Terry has no patience with dogs, and much less with fox hunters. He has no patience for his daughter, or any one else, for that matter. To keep intruders off his land, he fences, not with the customary low board fences, but with wire through which no dog can go, but in which a dog easily can strangle. Spring Davis and his son, Benji (Eric Linden), protest to Terry about the fence, but the only good which comes from the interview is that the young folks meet, and Mr. Terry loses his daughter to the Davis faction. Davis Kills Terry Believing that Terry has killed his favorite hunter, “Bugle Ann,”< Mr. Davis assembles his neighbors, then shoots Terry down in front of them. His eloquent plea for mercy fails to convince the jury that the slaying was justified, and he is sentenced to 20 years in the state penitentiary. But “Bugle Ann” isn’t dead. She only was injured by Camdon Terry’s car, and before she dies there is a litter of pups, one of which inherites her “bugle” voice. Through Miss Terry’s influence, Mr. Davis is released after four years in prison, and returns to his farm and family to renew his fox hunting, this time with “Bugle Ann’s” daughter leading the pack. The dog a'&o leads Binji and Camden together, and there is a happy ending for both lovers and fox hunters. Stage Show Amusing Asa loyal neighbor and fox hunter. Cal Royster (Charley Grapewin) has a number of wise observations to make on the state of affairs when sheep become more important than dogs. The ’role of Mrs. Davis is played by Spring Byington, and Henry Wadsworth. William Newell and James Macklin have minor parts. To complete the Lyric's bill this week is the stage offering, “Paris on Parade,” with Bert Walton, comedian and master of ceremonies. It is a variety show, good in spots and Actress Was Child Star Lila Lee. famed star of silent film days, who has an important role with William Powell in “The ExMrs. Bradford,” began her acting career as a child and won national renown as “Cuddles” with the Gus Edwards Revue. Quit Teaching for Screen Margaret Hamilton, character actress now appearing with Ann Hard ing in “The Witness Chair,” is a former kindergarten teacher.

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amusing throughout. Art Frank, about 35 years old, who cleverly dances like a young, old man of 75, Nellie Arnaut and Brothers in a bird flirtation and whistling novelty number and several good dancing acts make the show pleasantly entertaining. (By R. N.)

Old World Musical Instruments Hunted for 'Romeo and Juliet' Composer Sets Out in Search for 500-Year-old-Lutes and Dulcimers Which May Take Him to England. Times Special HOLLYWOOD. April 4.—A search for fifteenth century musical instruments, and musicians who can play them, is under way by Herbert Stothart, composer and conductor, to record the score for “Romeo and Juliet,” in which Norma Shearer and Leslie Howard are starred.

Stothart is en route to New York and may continue on to England in his search. Many of the instruments, virginals, dulcimers, serpents, violas ar>d lutes, are museum pieces. Those v/hich can not be borrowed from museums are to be built under the composer’s supervision. For the ballroom scene, Stothart plans to <*ecord a famous boy’s choir, since the singing of boys was characteristic of the period. With an orchestra as a musical background, the choir also will be used for many of the other scenes among them the balcony scene, the nightingale and lark scene, and the tomb scene. George Cukor Directing The classic, adapted for the screen by Talbot Jennings, is to be directed by George Cukor. John Barrymore heads the supporting cast, which includes Edna May Oliver, Basil Rathbone, Reginald Denny, C. Aubrey Smith, Violet Kemble Cooper, Katherine DeMille, Andy Devine, lan Wolfe, Ralph Forbes, Conway Tearle and Henry Kolker. Literary advisers are Prof. William Strpr.k Jr. of Cornell University and Prof. John Tucker Murray of Harvard University. Native Californian Lucille Gleason, who supports William Powell in “The Ex-Mrs. Bradford,” is a native daughter of California, and was born in Pasadeno, one of Hollywood’s nearest neighbor cities. Collects Modern Art Katharine Hepburn, now portraying “Mary of Scotland” for Radio, is an enthusiastic collector of modern art, and owns many fine paintings and statues by contemporary artists.

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One of the leading roles in the Federal Players’ new drama, “The Barker,” which opens Monday night at Keith's*, is to be taken by Miss Bernice Jenkins (above). The production is directed by Charles Berkell.

Younger Fairbanks Returns to London Times Special NEW YORK, April 4.—Douglas Fairbanks Jr., after a tw-o-month business visit in New York and Hollywood. sailed this week for England. With him was Adela Rogers St. John, author of anew story, “Turn Back the Clock,” which is to be Mr. Fairbanks’ next starring picture. It is expected the story will be ready for the cameras in about two months. It will be the second produced and played in by Mr. Fairbanks since he moved from Hollywood to London. The first, “Amateur Gentleman,” is to be released soon. t * Best Dog in Pictures In less than four years, Lightning, dog actor, became the best-trained dog in the movies through the perseverance of his owner, Earl Johnson, and now is featured in “Two In Revolt.”

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ILYRK^ HELENE DENIZON “La Petite Parisienne" BERT WALTON “Le Racontejr" ART FRANK “Roue of Rhythm" Nellie lrnaut & Bros. Ray Royce—Others In “PARIf c PARADE” George Choos’ Latest Revue Importation (Seats 2S < *6 'fofes %£ ffroat picture I l|| H LIONEL £ Mrymore J MAUREEN O’SULLIVAN I IRJC LINDEN | in, i mi /VOICE-/ I BUGLE ANN I "en*.

Philo Vance Makes Better Lover Than Sleuth in New Mystery Film, Says Writer ‘The Garden Murder Case’ Shares Loew's Screen With ‘Don’t Gamble on Love’; Edmund Lowe Enacts Detective; Irving Pichel Is Gracious Villain. That droll fellow, Philo Vance, this time played by Edmund Lowe, strolls complacently through a series of peculiar deaths in “The Garden Murder Case.” The picture has nothing to do with gardens except that it is one of Loew’s “spring parade.” It all starts with Lowe Hammle. egotistical financier, entertaining a group of friends at the races. His horses seem to have all the luck Apart from the group sits Floyd Garden, jockey for Major Fenwick-Ralston and one of Hammle's friends. Floyd seems in a daze. He goes to his horse mumbling to himself that he “must ride, must ride and break his neck.” He does.

Philo happens to be near by. He jumps right into the case and falls in love with Hammle's niece, Zalia Graem. who hates her uncle. With the usual entree of detectives, Mr. Vance walks into the ladies’ rooms at the Hammle home and is on hand when Mr. Hammle is mysteriously shot. Suspects include everybody. Makes Pleasant Warden The following day. Major Ralston’s wife, who was in love with Floyd Garden, falls to her death from a motor bus. Right behind her at the time is Zalia, who is arrested. Philo makes himself responsible to Sergt. Heath (Nat Pendleton) and District Attorney Markham (Grant Mitchell) for the safety of the prisoner. He makes a very pleasant warden, and Zalia seems to like it. While Zalia and Philo are looking at snakes in the museum, Philo gets the solution to the whole thing. He visits the major, whom he finds hypnotizing a cat. The unraveling starts at that point. We feel that Philo is slipping. This time he seems much more interested in Zalia than in the case at hand. Mr. Lowe, his usual affable self, says his lines well, makes love pleasantly. Miss Bruce, above par, shows up well among the others. An entertaining sidelight is the work of Ettienne Girardot as the medical examiner Doremus, who eats his lunch while examining the corpse. Ann Sothern Plays Lead In the second picture at Loew’s, “Don’t Gamble With Love,” Ann Sothern and Bruce Cabot are a model couple until they disagree on WEST SIDE ~ A -r- 2702 W. 10th St. 'N I I I Double Feature 1 ' ' 1 Lyle Talbott “BROADWAY HOSTESS” “CUSTER’S LAST STAND” Pun. Onnhle Feature—-lane Hither* “PADDY O’DAY” “EXCLUSIVE STORY” , \V. Wash. & Belmont Rp rnnnt Double Feature t-'v-'ll 1 IV-/1 • l Robert Donat “THE GHOST GOES WEST” “INVISIBLE RAY” Sun. Double Feature —Errol Flynn “CAPTAIN BLOOD” “NEXT TIME WE LOVE” r-N A I r\/ 2540 u * Mleh. St. I 1/\ I > Y Double Feature \ I I Dolores Del Rio “The Widow From Monte Carlo” “BAR 20 RIDES AGAIN” Sun. Double Feature —James Cagney “CEILING ZERO” “MUSIC IS MAGIC” NORTH SIDE P, ■ ' i ■ Illinois et 34th 1/ / Double INI I *— Feature Josephine Hutchinson “MELODY LINGERS ON” “SHIP CAFE” Sun. Double Feature —George Raft “IT HAD TO HAPPEN” “HERE COMES TROUBLE” j~T 42nd * College 1 nrnwn Double Feature p I YY I I Wallace Ford “ANOTHER FACE” “HOPALONG CASSIDY” Sunday “BROADWAY MELODY OF 1936” Novelty—Cartoon—News y— . | 30th and Illinois [ 1(1 r r I C K Double Feature lv* IN. Ge| ,„ Raymond “SEVEN KEYS TO BALDPATE’’ “DANGEROUS WATERS” SUN'., MON., TUBS.—Joan Blondell in “MISS PACIFIC FLEET” and Jean Harlow—“RlFF RAFF” /-> | . St. Clair ft Ft. Wayne sf f lOir* Harry Crabbe I VJ Ii Kathleen Burk# “NEVADA” Short Reels Sun. Double Feature—Joe Penver “COLLEGIATE” “ANOTHER FACE” D 30th B * Northw't’n. Big Midnight Show Come Early and Spend the Evening Sun. Double Feature—Sylvia Sidney “MARY BURNS, FUGITIVE” “THE MAN WHO BROKE THE BANK OF MONTE CARLO” -p- it Talbot ft 22nd In hnr t Double Feature 1 1 Ul 1 1 Ylctor McLaglen “PROFESSIONAL SOLDIER” “TOO TOUGH TO KILL” Sun. Double Feature—Wallace Beery “AH WILDERNESS” “FRESHMAN LOVE” p , f | 19th ft College Strnrtord Double Feature juuu ui u Dlck Powe n “SHIPMATES FOREVER” “THE CRUSADES” San. Double Feature—Jean Harlow “RIFF RAFF” “BAR 20 RIDES AGAIN” 1 A p/■ A Noble ft Man. /Vi tl V A Double Feature ' V ’ I— Ronald Colman “A TALE OF TWO CITIES” “MISS PACIFIC FLEET” Sun. Double Feature— Sylria Sidney “MARY BURNS, FUGITIVE” “MOONLIGHT ON PARADE” r>nr A A A 8881 Station St. Double Feature Zane Grey'* “Wanderer of the Wasteland” “THE LAST OUTPOST” Sun. Double Feature—lrene Dunne "MAGNIFICENT OBSESSION” “HIS NIGHT OUT” EABTBIDE ~ I RI VO L I Ed. Everett Horton “HER MASTER’S VOICE” “THE THROWBACK” Sua. Double Feature—George Raft “IT HAD TO HAPPEN” “NE£T TIME WE LOVE” ■ ■■■-■* v V ' ’.V

APRIL '4, 1936

whether business should be crooked or straight. To start with, they are the prosperous owners of a “legitimate” gambling resort. When Ann has a baby, she decides they should get into a straight business for the sake of their son. Jerry disagrees, but gives in and invests SIOO,OOO in a firm which soon makes him a vice president. After which a brief vacation, Jerry- returns to find the president has absconded with all the cash. His faith in business ethics is gone and he returns to gambling. Ann opposes the new- move. They separate with Ann starting a dress designing shop. Jerry’s new gambling spot flourishes until the city's racketeers gang up on him the night he opens a second club. Ann arrives in time to save Jerry. The show is not particularly moving, but “Don’t Gamble With Lc# ” might strike you as easy on the eyes. Miss Sothern is capable of better things w-hile Mr. Cabot seems to be in a rut as parts go. Irving Pichel makes a racious villain. (By J. W. TANARUS.)

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EAST SIDE —j— ■ 402(1 E. w York I I lYPnn Double Feature I UACUU Kay Francis “I FOUND STELLA PARRISH" “Escape From Devil’s Island" Sun. Double Feature—Eddie Fantor “STRIKE ME PINK” “THE MAN WHO BROKE THE BANK OF MONTE CARLO” -T- 2442 E. Wash. 8n j nmrVin Double Feature I UUWI I ICI Warner Baxter “KING OF BURLESQUE” “THE DARK HOUR” Sun. Double Feature—Wallace Berry “AH WILDERNESS” “DANGEROUS” I D\ / I M'r 5307 >: w ash. St IPyY I I l*| Double Feature Eddie Cantor “STRIKE ME PINK” “PARDON MY SCOTCH” Sun. Double Feature —Pat O'Brien “CEILING ZERO” “PADDY O'DAY” I— 4630 E. 10th St. Double Feature U. 1 I ICI OUI I Irpnp Dnnne “MAGNIFICENT OBSESSION” “THE INFORMER” Sun. Double Feature—Eddie Cantor “STRIKE ME PINK” “THE LADY CONSENTS” I i • | , 2iifl e 7 inth stT MQmI Ito n ? onhl " Feature Dunn* “MAGNIFICENT OBSESSION” “PETRIFIED FOREST” Sun. Double Feature —Eddie Cantor “STRIKE ME PINK “THE LADY CONSENTS” r~\ I 2030 e. loth^stT’ r Q TK6r Double Feature •lane Wither* “THIS IS THE LIFE” “UNDER THE PAMPAS MOON” Snn. Double Feature Katharine Hepburn “SYLVIA SCARLETT” “DANGEROUS” C . 1 4332 E. Wash. St. jT’f’QFIQ Double Feature Ed. Everett Horton “HER MASTERS VOICE” “HOPALONG CASSADY” Sun. Double Feature—Eddie Cantor “STRIKE ME PINK” “Case of the Missing Man" HZ-VX/W 2721 B- Bah. Rt. l\ V J A Y Double Feature AH Star Cast “THREE MUSKETEERS” “MAN FROM GUN TOWN” Sun. Double Feature—Shirlev Temple “LITTLEST REBEL” “CASE OF THE LUCKY LEGS” Paramount ill E. Wash. Double Feature William Boyd “BAR 20 RIDES AGAIN" “FANG AND CLAW” Sun. Double Feature—Joe Fenner “COLLEGIATE” "SHOW THEM NO MERCY” SOUTH SIDE Fountain Square Double Feature Roster Pryor “SIOOO A MINUTE” "BRANDED” Sun. Double Feature—Ann Harding “THE LADY CONSENTS” “CALL OF THE PRAIRIE” P _ I At Fountain Square zanders Double Feature Tom Brown “ANNAPOLIS FAREWELL” “FRONTIER JUSTICE” Sun. Double Feature—George Raft “EVERY NIGHT AT EIGHT” “Wanderer of the Wasteland” A | Proept.-Churchman AVQ OH Double Feature i Edmund Lowe “GRAND EXIT” “ROUGH RID RANGER” Sun. Double Feature—Paul Muni “SCARFACE” “MISS PACIFIC FLEET” /*N • , I 11IM S. Meridian St. IJF IP* t"O I Double Feature V/l ICI I ICII (harlr* Bickford “EAST OF JAVA” “39 STEPS” Dun. Double Feature—Ronald Colman “A TALE OF TWO CITTES” “WHISPERING SMITH SPEAKS” /e* /. | | 2263 Shelby St. rt IP n double Fearur* VjfVJI I ICICI Rochelle Hudson “WAY DOWN EAST’ “STORMY” Sun. Double Feature—-Jean Harlow “RIFF RAFF” “IF YOU COULD ONLY COOK”