Indianapolis Times, Volume 48, Number 15, Indianapolis, Marion County, 28 March 1936 — Page 8

PAGE 8

'LOVE BEFORE BREAKFAST' ONE OF SEASON'S BEST COMEDIES

Suitor Wins Merry Race After Lady Dashing Carole Lombard Is Pleasing in Film With Preston Foster. BY JOHN W. THOMPSON Although there is very little love and much less breakfast, “Love Before Breakfast,” at the Indiana, lacks little else. In this one we have Miss Lombard Just about where every one wants her, dashing about in a bathrobe or fancy dress and part of the time with a gorgeous black eye. The black eye, which Preston Foster delivers, bothers us. The advertisements play it up, so we expected something real. It does look real, but when she first displays it, it’s her right eye. The next morning the camera momentarily reveals it as her left eye. Then the next scene finally decides that it shall be her right eye, and there it stays. Clears Out Competition Kay Colby (Miss Lombard), a gay young thing with a mind of her own, has a hard time dodging Scott Miller (Mr. Foster), a rich young man. She thinks she loves one of his employes, Bill Wadsworth (Cesar Romero), so Scott sends Bill to Japan, leaving the field open for himself. Unwittingly, he tells Kay his plans and she walks out on him. The picture is occupied with clever, little tricks the principals play on each other. Extremely amusing, too many details here might spoil your fun. One of the funniest goes like this: Forcing himself upon her, Scott takes Kay to a fancy dress ball. There Kay meets a boy friend of hers who has been anchored to a chattering Southern miss for the evening. Kay pawns the girl off on Scott. First she tells each of them that the other is deaf. The subsequent shouting between the two is good for a barrel of guffaws. One of Season’s Best Scott, after taking it on the chin, finally gets his girl. Bill, back from Japan, gets a bad cold, a hangover and a countess with a yen for Pekingese pups. The audience gets one of the best comedies of the season. Preston Foster, away from things like "Last Days of Pompeii,” shows he is good for better parts. Cesar Romero is seen briefly, but effectively, as is Janet Beecher, whose movie stock has gone up since her role in “The Dark Angel.” A lively and entertaining Eng-lish-made musical, “First A Girl,” the second picture on the double bill, Is hampered only by the fact that Britons and Americans never have beer able to agree on what constitutes e .. use of humor. Jessie Matthews, tiit star, shows herself a capable dancer and a clever comedienne. We’ll wager she goes to Hollywood. Ginger Rogers Advisos Lucille Ball, appearing in ’’Farmer in the Dell,” is advised on problems connected with her film career by her friend, Ginger Rogers. Star’s Home a Showplace The home of Leila Hyams, who plays opposite Richard Dix in “Yellow Dust,” is one of the showplaces of Beverly Hills. Tulsa Provides Juvenile William Benedict, tow-headed youngster who appears with Ann Harding in “The Witness Chair,” is a native of Tulsa, Okla.

WHERE, WHAT, WHEN APOLLO •Colleen," musical picture with Dick Powell, Joan Blondell, Jack Oakie, Ruby Keeler and Hush Herbert. at 11:31, 1:31, 3:31, 5:31, 7:31, 9:31. CIRCI.E "Give Os This Night," screen operetta with Jan Kiepura and Gladys Swartout, at 11, 1:45. 4:30, 7:20 and 10:10. "Preview Murder Mystery," with Reginald Dennv. Frances Drake and Gail Patrick, at 12:45. 3:30, 6:20 and 9:05. INDIANA "Love Before Breakfast,” with Carole Lombard and Preston Foster, at 1:01, 4:07. 7:13, 10:19. Also "First a Girl." with Jessie Matthews, at 11:43, 2:49, 5:55. 9. KEITHS "Mrs. Temple's Telegram." with Jack Duval, Ned LeFevre, Hal Hawks, Alice Arnold, Betty Anne Brown, at 8:15. LOEWS "Robin Hood of El Dorado." with Warner Baxter and Ann Loring. at 11. 1:45. 4:30, 7:15. 10. Also "You May Be Next." with Ann Sothern and Lloyd Nolan, at 12:30. 3:15, 6. 8:50. LYRIC "Snowed Under." on screen, with George Brent. Glenda Farrell. Genevieve Tobin, at 11:28, 2:21, 5:14, 8:07, 10:39 "Going Hollywood," on stage, with Harry Howard. 1:00, 3:53, 6:46, 9:39.

isguraiß HI K!DME 1 POSITIVELY LAST DAY I'redrio Mnrcli “DARK ANGEL" ZANE GREY’S “NEVADA’* Special Mitlnile Show Tonlte

ruA| lOU A TIMES ONLY | LlluLlun”4 Next Mon., Tue., Wed. I At Last! The Alt-Important Event! PEMBERTON PRIZE PLAY /*s% “PERSONAL |Nr APPEARANCE” or “HOW FAR IS THE BARR” Lawrence Riley’s Screamingly Funny Comedy with GLADYS GEORGE and Complete Original Cast Exactly as Played 504 Times in New York nni^Ptf^. EVES * 55c; 51.10, $1.65, $2.20. HKIV*ESl WED - MAT *’ 55c > 51.10, $1.65 Inch Tax

STAR IS VETERAN OF STAGE YET QUITE YOUNG IN YEARS

Gladys George, attractive star of “Personal Appearance, or How Far Is t>.e Barn?” which opens at English’s Monday night, is the youngest actress in the business with 25 years on the stage to her credit. She made her debut as a baby from behind the footlights of a Waterbury (Conn.) theater. Later she joined her father and mother as the third party in “The Three Clares.” Miss George likes to tell of the time they, were stranded in Texas, but her financially embarrassed father made light of the matter. Her first important role was with the Winthrop Ames Cos. in Maeterlinck's "The Betrothal.” She went West, with the company and ended up in motion pictures under the direction of Jesse Lasky. After making two pictures, her old yearning for the road returned. She went back to Springfield, Mass., where she landed with the resident stock company. Found by Scout A play producer’s scout saw Miss George in Springfield, and offered her a part in “Queer People.” The play fai'ed but it led to part in “The Milky Way,” where she attracted the attention of Brock Pemberton and was signed for “Personal Apnearance.” Miss George and her fellow players, including Otto Hulette, Philip Ober, Florence Robinson and Merna Pace, haven’t missed a performance since “Personal Appearance” opened in 1934. They played

He s a Mild Mannered Man, but Big Battles Are His Business Charles Cronkite Specializes in Hollywood Battles; Sees Pictures as Peace Aid. BY PAUL HARRISON HOLLYWOOD (NEA), March 28. —Charles Cronkite is flickerland’s big bcmbardment-and-battle man. He’ll fight at the drop of a contract.

Mr. Cronkite doesn’t look at all like Mars. He is middle-aged and wears gold-rimmed glasses, is softspoken and mild-mannered. Artillery engagements are his livelihood, but his real passion is collecting stamps. He has three kinds of battles in stock—open field, siege-of-fort, and naval. The latter are the toughest to stage, and often are done in miniature. All screen battles are fought with special, non-commercial types of explosives. For example, shells which are detonated by hitting the ground must give off bright flashes, but the noise isn’t important, because the explosions are dubbed in later. Uses Miniature Guns Scenes showing big guns in action frequently are made in miniature, with small cannon which boom with all the fine rich resonance of a cap pistol. The heavy smoke overlaying most battle scenes doesn’t come from guns, but from smudgepots, concealed here and there. Aerial fireworks serve as sky flares, and bursting shrapnel are imitated by special Cronkite shells actually fired from mortars. They contain chemicals which spray down realistically enough to scare the daylights out of any ex-infan-tryman. If you provide the locale and the men, Cronkite will put ,on a me-dium-sized scrap for you for SSOOO. For this he will use about 500 pounds of explosives. However, if you want to hurl a couple of whole armies at each other, along with earthshaking bombardments, advance barrages, and gas, the cost is likely to run to $30,000. Battlefields Available Pictures such as ‘‘All Quiet” and “What Price Glory?” require several tons of bang-up material. Near Hollywood there are 16 battlfields, ranging in area from two to several hundred acres, which may be rented for martial arguments. They’re all covered with trenches and shell-holes and barbed wire. Only the shell-holes aren't made by shells, but are excavated by shell-hole diggers. Before a battle these are covered with flimsy wooden platforms, which in turn are covered with Just and sand. Explosives send up showers of earth and debris, and the gaping holes remain. Very effective. Cronkite, who hates war, congratulates himself that so far his battles have been practically bloodless, al-

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Gladys George 504 performances in New York and 106 in Chicago. Two companies have had the play on the road for many months, bu! the company coming to Indianapolis is the original one that played New York and Chicago. Boston is seeing the number two cast. The choice seems to indicate that Producer Pemberton has placed this city in the top-ranking theatrical list. “Personal Appearance” is to play for three nights and a Wednesday matinee.

though some of his assistants have been burned by powder. After planning everything, he sits at an intricate switchboard and presses buttons which detonate the various charges at the proper times. He got his start as a fireworks manufacturer, and 10 years ago was called in on his first combat assignment. What with the current African squabble and the world-wide war scare, he believes that from now on his business will be literally booming. He hopes so, anyway. He considers realistic war pictures the most powerful of all instruments for peace. Negro Singers Give Spirituals Fish Jubilee Ensemble Is Heard at Church. Heirs to the tradition of fine singing of “spirituals,” the seven young men of the Fisk Jubilee Singers, with their director, Mrs. James A. Myers, appeared in concert at Third Christian Church last night. The recital, for the benefit of the Second Christian Church, drew an audience that filled the large auditorium and received each number with great enthusiasm. Negro spirituals made up the bulk of the program, contrasted by a group consisting of “I Want to Learn to Serve,” by the contemporary Negro composer, Harry T. Burleigh; Jensen’s “Murmuring Zephyrs” and Janjes H. Rogers’ “A Star.” The performance was marked by excellent blending of voices, although the ensemble is too small for many traditional choral “effects.” These incredible and ever beautiful religious folk songs demand a simple, heart-felt interpretation, found both in the sincere, emotional outpouring of the musically untutored, and in the consumate artistry of such a singer as Roland Hayes. Last night’s renditions somehow fell a little short of the necessary quality of conviction. Luther King, tenor, showed himself a well-rounded musician and

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THE INDIANAPOLIS TIMES

Warner Baxter's Mexican Picture at Loew's Is Sad, but Is Filled With Beauty Story Goes Back to California’s Gold Rush Days When Peaceable Natives Ruthlessly Were Driven From Their Land by Americans. Warner Baxter, as Murrieta, the Mexican peon in “Robin Hood of El Dorado,” now at Loew's, died for a crime he did not commit. Although he killed ruthlessly, he was not a slayer at heart. He killed because he knew only one way to fight. Since the “Americanos” who invaded Southern California in ’49 knew only one law, that of the gun, there could be only one law for Murrieta, who never heard of Washington and understood little about treaties.

Ford, Foundling, Hunts Mother Actor Has Hunch She Is Still Alive. Times Special HOLLYWOOD, March 28.—1f you haven’t been reading the London newspapers, you may not know that Wallace Ford has turned detective. The actor is searching for his mother. She may not even be alive. At the foundling home where Ford was received as an infant, it was understood that the mother died a few days after his birth. But he feels that she is alive. It's one of those hunches that optimists and sentimentalists have. Letter Began Search Her name may be Catherine Jones, or Grundy, or anything else if she happens to have married again. She may live in the Limehouse district of London, where Ford presumably was born on Feb. 12, 1889, or she may live in your block. An unsolicited letter from a woman in London started him on this search. She claimed to be his aunt, and declared that Catherine Jones is still living. So far, Ford has confined his quest to advertisements in London newspapers and inquiries to the English police. He has received a lot of letters, most of them obviously from people whose imaginations have been stimulated by the knowledge that Wallace Ford, orphan, is making a lot of money in Hollywood. Sent to Canada at 7 His real name isn’t Ford at all. He was received at the Bernardo foundling home in London as Samuel Grundy Jones. At the age of 7, along with some 300 other orphan boys, he was sent to Canada and there bound out to farmers. Quite a succession of farmers figured in Sam’s early life; he ran away from the seventeenth and took to the road. While leading a semi-hoboish existence, going from one job to another, he met a young American itinerant named Wallace Ford. They were close pals. While beating their way across lowa, Ford was crushed when a load shifted in a freight car. He died in his friend’s arms. The friend, whp even then suspected that he was destined for an acting career, took the name of Wallace Ford. Young People to Act Two one-act plays are to be presented at Woodruff United Presbyterian Church tonight by the Young People’s Society of the Salem (Ind.) United Presbyterian Church. Was School Athlete During her high school days, Maxine Jennings, working currently in “Farmer in the Dell,” was a notable athlete and won eight medals for swimming and diving. the possessor of a splendid voice. In a group of solos by Handel, Buononcini, Massenpt (“La Reve” from “Manon”) and Rummel, he sang with intelligence and warmth. A lyric pianissimo was displayed advantageously in the Massenet, although his voice had ample power when needed. Billy Holland was heard as piano soloist in the “Humoreske” of Rachmaninoff, and with Mrs. Luther King, furnished the accompaniments. (By J. TANARUS.)

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The “Americanos” brought to California, where the Mexicans tilled their soil in peace, all the greed, all the hatred, all the passion that a gold rush could produce. In these mad times Murrieta and his beautiful, young wife Rosita (Margo) found themselves, found too that their destiny was no longer their own. Invaders Slay Wife Murrieta was unfortunate in owna farm rich with gold. The “Americanos” knew the gold was theirs, proved it by killing Rosita when Murrieta tried to defend his property. With sufficient reason to seek revenge, peace-loving Murrieta went to his one American friend, Bill Warren (Bruce Cabot), who told him about the law that some day would be enforced in California. Not understanding, Murrieta withheld his revenge, went to live with his brother. But peace was not for him. He was whipped unmercifully for the hideous crime of “being a Mexican.” and his brother was hanged for trying to keep his mule from being stolen. * Desperate, Murrieta joined a bandit gang, and became its leader in a fight to enforce the one law he knew, that of self-preservation. It was, of course, his only American friend, Bill Warren, who succeeded finally in shooting him down. Baxter Performs Well While the picture is extremely sad, there is gayety in the beautiful scenes of Southern California mountains, in picturesque camps of the Mexican bandits. Mr. Baxter does well with the story, an old one. Ann Loring, as Juanita de la Cuesta, the lovely daughter of a wealthy Mexican, who joins Murrieta in his fight for justice, adds life to the picture. Good also is J. Carrol Naish as “Three-Fingered” Jack, bandit lieutenant, who kills for the love of killing, but with much good humor. The second picture at Loew’s, “You May Be Next,” features Ann Sothern, Lloyd Nolan, Douglass Dumbrille and John Arledge in a story of crime in radio, in which an experimental sending set is used to interfere with program reception to the extent its operator collects vast sums to quit broadcasting. Romance and heroism play their part in a picture far short of being first rate. —(By R. N.). Walter Huston Turns Singer Times Special HOLLYWOOD, March 28.—Walter Huston, star of many performances of “Doddsworth,” has turned singer! His resonant bass voice is to be heard in the film “San Francisco.” Calling upon Director W. S. Van Dyke and Jeanette MacDonald, he arrived in time to hear Miss MacDonald sing “Battle Hymn of the Republic.” But the director demanded a deeper bass voice than the one in the chorus. He remembered the “Sweet Adeline” quartet in which he and Huston had sung —and conscripted the stage star’s bass voice for the recording.

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PLAYS IN'THE BRAT'

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One of the principal parts in “The Brat,” the new play to be presented by the Federal Players at Keith’s starting Monday night, is to be taken by Jack Duval (above). He has appeared in all of the Federal Players’ productions. * . Mr. Duval was a member of the municipal stock company formed here during the administration of the late mayor, Lew Shank.

Choir to Sing at Tabernacle 60 Voices Are to Be Heard in ‘Christus.’ Fred Newell Morris is to direct the Tabernacle Presbyterian Choir of 60 voices in a performance of Mendelssohn’s oratorio, “Christus,” at 7:30 tomorrow night in the church auditorium. A Lenten playlet, “The Two Thieves,” by Esther Willard Bates, is to be presented by Kenneth F. Hughes and P. H. Weer on the same program. Soloists for the oratorio are Mrs. Walter E. Wallace, soprano; Perry M. Rush and Russell Barton, tenors; Richard Strother, baritone, and Jack Strickland, bass. Paul R. Matthews is organist. The choir is to sing the Verdi “Manzoni” requiem a week from Sunday night.

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Dale Rhodes Tops Lyric's Vaudeville Bill With His Funny Joe Penner Stunts Best Comedy of Stage Show, ‘Going Hollywood,’ Comes in Finale When Master of Ceremonies Gives His Impersonation of Comedian. Some of the best comedy in “Going Hollywood,” the Lyric's current stage show, is to be found in the finale. It’s done by a forward young man, Dale Rhodes, recently heard on Paul Whiteman's radio program, who presents an impersonation of Joe Penner which we found much funnier than Joe himself. At yesterday's performance, Mr. Rhodes almost ran away with himself, choked on cigar smoke and everything. We’re sure it wasn't in the act.

Mr. Rhodes acts as master of ceremonies for the rest of the show, which includes Harry Howard, a “nut” you probably have seen before in the same skit, which still is humorous. He’s the one with hornrimmed glasses and fur coat who tries to sing "the song I made famous in Hollywood” and is constantly interrupted by stooges. His comedy is loud and furious, faintly amusing. Acrobats Bounce On Heads The Stanley brothers dash energetically through anew type of acrobatic dance act in which they roll and tumble about the stage, topping it all by bouncing around on their heads. One of them puts on a delightful drunk sketch in the finale. The old two-man horse gag evidently still is good for many laughs, judging from the way the audience received the work of the Dunn brothers and Dotty yesterday. These boys are excellent in their line and the old gray mare is all she ever was, with tap dancing and sitting on its own lap. Virginia Gibson, former Indianapolis girl, sings and plays straight for Mr. Rhodes, and Frances Wills presents an intricate bit of ballet work which adds to the show. Chorus Makes Hit The chorus, billed as the “12 Hollywood Honeys,” come close to being the hit of the attraction, with two splendid routines, the best being one in which they operate dolls duplicating the steps they take. “Snowed Under,” the Lyric’s picture, tells of a young playwright who needs inspiration for the third act of anew play. He finds himself cooped in a farmhouse with two former wives and an infatuated school girl. One of the ex-wives

WEST SIDE a -rr~ 2703 w - toth st. S I A\ Ir“ Double Feature 'J 1 ‘ ' 1 *“ Hex Lease “FIGHTING CABALERO” “MAN OF IRON” Sun. Double Feature —-Jean Harlow “RIFF RAFF” “SEVEN KEYS TO BALDPATE” r— i , \V. Wash. & Belmont HP mOnt Doflble Feature I lUI I l Dolores Del Klo “The Widow From Monte Carlo” “SUNSET OF POWER” Sun. Double Feature —Eddie Cantor “STRIKE ME PINK” “PADDY O’DAY” r-v * ir\/ 2540 W. Mleh. St. |_J/\ I S Y Double Feature Charles Starrett “GALLANT DEFENDER” “SMART GIRL” Double Feature—Rochelle Hudson “SHOW THEM NO MERCY” “FRESHMAN LOVE” NORTII SIDE p\ I —" 7 Illinois et 34th K I I / Double Feature Irene Dunne “MAGNIFICENT OBSESSION” “GHOST GOES WEST” San. Double Feature —John Boles “ROSE OF THE RANCHO” “EXCLUSIVE STORY” II , 42nd & College l J Hi OWn Double Fenture W r T Jane Withers “PADDY O’DAY” “WE’RE ONLY HUMAN” Sun. Double Feature —Irene Dunne “MAGNIFICENT OBSESSION” “EVERY SATURDAY NIGHT” • I 30th and Illinois ba r r i c k Charles Bickford “EAST OF JAVA” “SONG OF THE SADDLE” Sun. Double Feature—James Cagney “FRISCO KID” “TRANSATLANTIC TUNNEL” Cl r' I : r St. Clair & Ft. Wayne V l • IVJ I I William B<Vd “HOPALONG CASSIDY” Sun. Double Feature—lrene Dunne “MAGNIFICENT OBSESSION” “PROFESSIONAL SOLDIER” D 80th at Northw’t’n. L./\ Big Midnight Show Come and Spend the Evening Sun. Double Feature—Wallace Beery “AH WILDERNESS” “HERE COMES COOKIE” -p a! Talbot * 22nd I H hOTI Double Feature 1 1 1 Warner Baxter “KING OF BURLESQUE” “IF YOU COULD ONLY COOK” Sun. Donble Feature —Bette Davis “DANGEROUS” “RIFF RAFF” /■* . . r | 19th * College St rat TOrd Donbl * Feature JIIUI IU! U Bing Cro , by “TW r O FOR TONIGHT” “HELLS ANGELS” Sun. Double Feature— Myrna Loy “WHIPSAW” “SHIP CAFE" 4 j r—- ps p i Noble & Ma*. /\/\ r - f ( A Double Feature * v *—v-. \ Dick Powell “SHIPMATES FOREVER” “THE CRUSADES” Sun. Double Feature —Wendy Barrje “MILLIONS IN THE AIR” “BAR 20 RIDES AGAIN” INP\ rill 2361 Station St. Double Feature May Robson “THREE KIDS AND A QUEEN” “DANGEROUS” Sun. Donble Feature—Wallace Beery “AH WILDERNESS” “TW O FOR TONIGHT” „ EAgT giDE RIVOLI Lloyd Noland “ONE-WAY TICKET” “WESTERN COURAGE” Son. Doable Feature —Eddie Cantor “STRIKE ME PINK” “ROSE OF THE RANCHO”

MARCH 28, 1936

works out the idea for the end of the play and each girl gets a man. It’s on the usual George Brent—Patricia Ellis level.—(By J. W. TANARUS.) i Stars Cast For Another Film Herbert Marshall and Gertrude Michael, now appearing in “Reunion,” have been cast together in “Something to Live For,” which will start soon after the completion of the current picture.

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EAST SIDE | 402(1 E. New York I I IYPnH Double Feature * Margaret Sulla van “SO RED THE ROSE” “SHOW THEM NO MERCY” Sun. Double Feature —Jean Harlow “RIFF RAFF” “IF YOU COULD ONLY COOK” -._ 2442 E. Wash. S*. I dcnimd Double Feature I UtVI I IVJ Margaret Sullavan “SO RED THE ROSE” “MAN OF IRON” Sun. Double Feature —Joe Tenner “COLLEGIATE” “MARY BURNS, FUGITIVE” [DT/lkir 5807 E. Wash. St, IK V I IN\3 Victor McLaglen Freddie Bartholomew “PROFESSIONAL SOLDIER” Comedy—Cartoon Sun. Double Feature—All Star Cast “CAPTAIN BLOOD" “IF YOU COULD ONLY COOK” p- 4630 E. 10th St. I-KV-ip renn Double Feature L.I I “COLLEGIATE” “ANOTHER FACE” Sun. Double Feature —Warner Baxter “KING OF BURLESQUE” “EXCLUSIVE STORY” IT . , 2116 E. 10th St. ' Ham ton p ° uhie F>at,,r ® I lUllllllUll Walter Connelly “SOAK THE RICH” “YELLOW DUST” Sun. Double Feature—Franchot Tone “EXCLUSIVE STORY” “THE INFORMER” |-n I 2936 E. 10th St 7” Parker “GEORGE WHITE’S SCANDALS” “TUMBLING TUMBLEWEEDS” Sun. Double Feature—Wallare Beery “AH WILDERNESS” “CURLY TOP” C* , I 1.333 E. Wash. St. jTrQriG Donble Feature w John Howard “MILLIONS IN THE AIR” “MAN OF ARAN” Sun. Double Feature—Richard McLaglen “Professional Soldier” “Your Uncle Dudley” pjiO.WW 2721 E. Wash. St. IV l Jy\ Y Double Feature 1 x w Paul Mnnl “SCARFACE” “CONDEMNED TO LIVE” Sun. Double Feature—Will Rogers “IN OLD KENTUCKY” “TO BEAT THE BAND” Paramount 411 E. Wash. Double Feature Joe Morrison “IT’S A GREAT LIFE” “SUNSET OF POWER” Sun. Double Feature —Shirley Tempi* “THE LITTLEST REBEL” “WHIPSAW” SOUTH SIDE ~ Fountain Square Double Feature Joan Perry “GALLANT DEFENDER” “TUMBLING TUMBLEWEEDS” Sun. Double Feature —John Bole* “ROSE OF THE RANCHO” “The Calling of Dan Mathews” I At Fountain Square Sanders “KEEPER OF THE BEES” “THE THROW BACK” Sun. Doable Feat. —Helen Twelvetree# “SPANISH CAPE MYSTERY” “KENTUCKY BLUE STREAK” A I Prospt.-Churchmaß AVOIOn Double Feat are i rank Parker “SWEET SURRENDER” “WESTERN COURAGE” Sun. Double Feature—Rochelle Hudson “WAY DOWN EAST” “BROADWAY HOSTESS” /•N • , I 1103 S. Meridian gfc Uriental Double Feature Edmund Lowe “GREAT IMPERSONATION” “WAY DOWN EAST” Sun. Double Feature—Joe Fenner “COLLEGIATE” “THIS IS THE LIFE" ff • II 2203 Shelby St. OQ file lU Donble Feat are Raj Francis “I FOUND STELLA PARISH” “WESTERN FRONTIER” Son. Double Feature—Wallace Beery “AH WILDERNESS” “MARY BURNS, FUGITIVE”