Indianapolis Times, Volume 48, Number 9, Indianapolis, Marion County, 21 March 1936 Edition 02 — Page 11

MARCH 21, 1936

HOBO SIMMONS IS STAR OF MAJOR BOWES SHOW AT LYRIC

Unit Is Best of Amateurs Acting Here Knight of Road Takes Things ‘Easy’ in His Short Appearance in Act. BY JOHN W. THOMPSON About the strangest among the many strange things which have come about through Major Bowes' elevation of America's amateurs is billing Skeets Simmons, a real hobo, as the star of the Bowes’ unit No. 1 at the Lyric this week. Skeets Is taking his sudden, and probably shocking state of complete employment, like a real hobo. He doesn’t over-exert himself. His brief lecture on the ways and means of the knights of the road is grand entertainment, whether or not you've been a tramp. His imitation of barnyard animals, although just a hobby with him, are about the hardest work he does on the stage. Fritzl Robbins Good Fritzi Robbins’ blues songs are done excellently. She croons in a deep, resonant voice, several popular tunes, the best of which is “Rhythm In My Nursery Rhymes." Miss Robbins, a personable little blond, has a fine stage presence and puts her songs across in a professional manner. Dewey Moon, the Negro bell hop, sings “Red Sails in the Sunset” fairly well; John Randolph presents a Icouple of classical numbers in good f voice, and Celeste Alvi is heard in trick operatic tunes. One of the highlights of the show is Sara Berner, whose impersonations of Gracie Allen, Mae West, Edna May Oliver and Fannie Brice are among the best ever seen at the Lyric. This girl has unusual ■talent and a knack at mimicry which doesn’t require any costuming or make-up. Al Reynolds’ tap dancing, done mostly on his toes, is new and interesting; the Red Bank Rangers are seen and heard in conventional mountain music with a little humor as a side dish, and Ken Broadhurst strums a speedy banjo. Jack Squires is the master of ceremonies. Youman Brothers Fair The Hoboken trio, to replace the Youman Brothers, originally scheduled to appear with the show, is to start in tomorrow. This unit probably is the most consistently pleasing of the three groups we have seen here. There still is a trace of ti.3 amateur in the troupes, howevev. The Lyric’s picture, “The Leathernecks Have Landed,” starring Lew Ayres and Isabel Jewell, doesn’t go far. It is funny in spots, grossly dull in others. The story deals with a marine who gets into the business of gun-running in China but wins his stripes back when he saves a company of his former associates from a gang of Chinese bandits.

i* 9 **" now “MUTINY tZ BOUNTY” OHAS. LAUGHTON CLARK GABLE 'ATSV 'kELLY HOT MONEY”

C 1 R| A I I Oil last Two Times Cl HU LI Oil Matinee, 2:20; Tonite, 8:20 America’s Prize-Winning Comedy “3 MEN ON A HORSE” Mat., 55c to sl.6s—Nite, 55c to $2.20 Including Tax

INDIANAPOLIS SYMPHONY ORCHESTRA Ferdinnnd Schaefer, Conductor Concert Tuesday , March 24—Murat, 8:15 P. M. RU3OLPH REUTER Soloist —Pianist PRICES: 75c, SI.OO, sl.so—Tax Included—Riley 4153 Tickets on Sale nt Headquarters of Indiana State Symphony Society. 120 E. Ohio St.

1 MARTENS CONCERTS, Inc English—TOMOßßOW—3 O’Clock NELSON EDDY IN PERSON Seats on Sale until # p. m. today, Martens Ticket Office, Room 201, 3S Monument Circle —Tomorrow nt 10 a. m. Theatre Box Office.

Mall Orders Now trivial ICLJBOX OFFICE SALE STARTS MONDAY BEGINNING 11 Jin Ofl MON., TUE., WED. NITES MON. NITE mMn.OU POPULAR MAT. WED. PEMBERTON PRIZE FLAY gZ “PERSONAL |M APPEARANCE” or “HOW FAR IS THE BARR” Lawrence Riley’s Extravagantly Funny Comedy with GLADYS GEORGE aid Complete Original Cast Exactly as Played 504 Times in New York EVES., 55c; sl.lO, $1.65, $2.20. r*rilV*tO: WED MAT., 55c, sl.lO, $1.65 _______________ fuel. Tax

Singer Gets Role

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The talented young Indianapapolis singer, Frances Benner (above), is to sing one of the two feminine roles in the Cincinnati Symphony Orchestra’s production of Wagner’s “Die Meistersinger” in Cincinnati Music Hall tonight.

New West Film Back at Circle Appeal of Buxom Blona !c Still Mystery. The box office success of Mae West, seen this week at the Circle in a return engagement of “Klondike Annie,” continues to be the screen’s No. 1 mystery. There just doesn't seem to be any explanation of her tremendous pulling power. The buxom blond, who got' her start at the age of 5 doing impersonations of Eva Tanquay for church socials, appeared in pictures for the first time in 1932. She wrote a small part for herself in “Night After Night.” Everybody agreed she stole the film. Then she wrote and starred in “She Done Him Wrong” which was one of the biggest box office successes of the year. “I’m No Angel,” slightly less successful, followed. Story Seems Shabby In “Klondike Annie” Miss West continues to strut effortlessly through her own script. It is a rather shabby story in which most of the comedy emerges from Miss West’s impersonation of a soulsaving missionary to Alaska. Mae was born in Brooklyn. Her mother was French and her father, Jack West, was a prominent featherweight boxer in the days of John L. Sullivan. When she was 6 she joined a stock company, played such roles as Little Lord Fauntleroy, Little Eva and the girl in “Ten Nights in a Bar-Room” who pleads, “Father, dear father, come home with me now.” She claims to have originated the shimmy dance in spite of Gilda Gray. She studied dancing with New Wayburn, became known in vaudeville as the “Baby Vamp.” She sky-rocketed into the public eye when she wrote and produced the daring play, “Sex.” Second Film Entertaining The first part 'of Mae West’s life was spent in training herself to appear before the public and the last part of it has been given over to training the public to appear before Mae West. “Woman Trap,” the second of the Circle features, is a fairly entertaining story about a gang killing and the subsequent capture of the criminal. George Murphy and Gertrude Michael are hero and heroine with Akim Tamiroff turning in the best performance as a Mexican bad man. (By J. W. TANARUS.)

GARBO THE MYSTERIOUS Her True Story By ELISABETH VON CAUB

CHAPTER NINE (Continued) “You must get a house of your own, like mine.” The house he rented was a modest affair, but he very quickly transformed it. First he pushed the bed into the middle of the bedroom. He draped a few yards of gay fabric from a dollar bazaar around the sitting room walls, scattered heaps of bright cushions around, and screened the lights with paper flowerpot frills. His home was then ready for “receptions.” In this queer setting the world's most highly paid screen star spent many a cheerful evening, sharing her host’s cigarets and his bachelor meals, and joking with the maid-of-all-work who sang spirituals over her dish-washing and tried to keep the untidy Sorenson in order. tt tt tt ONE time she planned a little trip with Sorenson. But she never really got out of sight of the border. They reached Agua Caliente, on the frontier, made a call at a little place called La Quinta, beyond Palm Springs, and turned back. There were too many tourists about for Greta’s peace of mind. On another occasion the two took a little tour round Berkeley and Oakland, Greta traveling under the name of “Miss Sorenson.” But she is either unfortunate in her choice of aliases or else her fundamentally honest nature rebels, in spite of herself, at disguises, for she is almost invariably found out! About this time Greta reached another of the crises of her film career. Pictures were passing from “silent” to “talkie,” and many native stars, not to mention foreigners, were finding their positions insecure. With characteristic singleness of purpose, Greta threw herself into the task of mastering English. It was not easy because, with the force of habit, she preferred to speak either Swedish or German in the small circle of friends she admitted to her private life. Nevertheless, by sheer force of will, she made rapid strides. “Anna Christie,” her first sound film, established beyond a shadow of uoubt, that Greta was one of the foreign queens who would certainly not be dethroned! She was far from satisfied with her picture herself, however. Sorenson and Feyder, who accompanied her to the very unostentatious premiere, had some difficulty in restraining her impatience. “Did any one ever see Swedes behaving like that?” she demanded. tt tt tt 'IT7’HILE leading a life in which ▼ T hard work, exercise and relaxation were nicely balanced, Greta contrived successfully to elude the curiosity of Hollywood. Her exact address remained a closely guarded secret. When at last the press succeeded in locating her home, it did them no good, for the servants had strict orders to admit no one uninvited. She found an ideal servant in an old woman who

Civic Play to Open “Post Road,” fifth production of the Civic Theater this season, is to open at 8:30 tonight at the Playhouse and is to be presented five times. Frederick Burleigh directs the production. A Broadway hit, “Post Road” deals with crime and adventure on the famous Boston “Post Road.” The cast of veteran Civic Theater players includes Elizabeth Bogart Schofield, Mary T. Bogart, R. Blayne McCurry, Sarah Lauter, C. C. Robinson, Elisabeth Gordon, Betty Whetsel, Wayne Swope, Dave Harter, Harold Arnholter, Lillian Weil, Jack Chesterfield, Frances Wescott, Ethel May Seaman and James Smith.

Jit Reviewers JK Acclaim It ITHt7 Lull

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I JOEL McCREA | FLUS HOW TO SLEEP—AWARDED PRIZE AS YEAR’S BEST COMEDY I

9 Dance Tonight Bg CHIC MYERS S3 CBS ORCHESTRA W Featuring Three Southern Coeds 40c All Evening

Dance £ Harold Every Cork’s SaL A Sun. | Orchestra HARBOR Saturday, 50c Couple Before 9:30—75e Couple 9:30 to 12—50 e Couple 12 to 1— 35e couple After 1 Sunday 30c Couple. One Block South Municipal Airport.

IfETITU’C MATINEE ir Ja TODAT, 2:15 FEDERAL PLAYERS la “THE HOOSIER SCHOOLMASTEP" Nights: 15e, 25c, 40c Sat. Mat.: 10c. 20c, SOe Next Heck “MBS. TEMPLE'S TELEGRAM’*

_ THE INDIANAPOLIS TIMES

guarded her home like a she-dragon and kept unwanted visitors away with such vigor that Greta could not help being amused by her methods. When Greta was busy, Sorenson had to fend for himself. As time went on, constant association with Feyder in Greta’s company gave him a chance to count on this producer’s help. For a while he worked in a spy drama as Feyder’s assistant. The star in this play was the temperamental Yetta Goudal, who at one time enjoyed almost as great a reputation as a “mystery woman” as Greta herself. Yetta apparently thbught that one mystery had as good a right to the attentions of a Swedish follower as the other, so she sat about captivating Sorenson. Sorenson pretended to be unimpressed, but he was rather elated by the attention he received. All at once Hollywood seemed to accept him. He knew, of course, that Greta’s friendship depended entirely upon his discretion concerning her. Yet he did not always exercise his wisdom and the caution that his favored place in her esteem demanded. One night, as they were sitting together in a quiet corner of one of Hollywood’s exclusive restaurants, an important-looking woman bounced in. All heads were immediately turned in her direction. Sorr enson did not know that this was a woman journalist whom every one either courted or feared. Greta leaped to her feet, hiding her face in her napkin. tt tt “"C'XCUSE me, my nose is bleeding,” she said, and hurried out. She did not return. Yet so slow was Sorenson that he did not even now realize Greta’s sudden departure was due to her

Eddy Lists Songs Beginning with the familiar “Non piu andrai” from Mozart’s “The Marriage of Figaro,” Nelson Eddy, popular baritone, is to present a program of Italian, German and English songs tomorrow afternoon, concluding the Martens series. Theodore Paxson is to be the accompanist and piano soloist. The complete program: i. “Non plu ana-ai” Wolfgang Amadeus Mozart (Recit. and aria, Iron- Le Nozze di Figaro). rr. “Du bist so Jung” Erich Wolff Vergebliches Staendchen Johannes Brahms Morgen Richard Strauss Caecilie Richard Strauss 111. Piano Solo. Toccata and Fugue in D minor.. Johann Sebastian Bach Mr. Paxson IV. Ballad of Adamastor Giacomo Meyerbeer (from L’Africaine) V. Pilgrim’s Song Peter I. Tschaikowsky Route Marchin’ ...George Chadwick Stock Now Sleeps the Crimson Petal.. Roger Quilter Love Went a-Riding.. .Frank Bridge

RUBY KEELEt 7 V W//L BUWDELL MaA

unK/i NOW-Unit No. lO* /J^ Positively First Time in This City! * ilfl Here’s a Few .. . ffi \VE SARA BERNER Fired for Mimicking V Dept. Store Customers /uftTlftwl SKEETS SIMMONS IMVIIVIHB The Talkative Hobo FBITZI BOBBINS ■I Miracle Singer I DEWEY MOON Former Bell Boy Fins Many Others

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fear that the woman journalist might make newspaper gossip out of their dining out together. Not long after, Sorenson was at a gay party with his compatriot, Nils Asther. Nils knew that Sorenson had already invited his friends to get ready for a grand wedding breakfast, as he expected to announce his engagement with Greta at any moment. Sorenson has since said he thought it all a joke. So when Asther led up to the subject by saying: "is it true that Greta is getting married?” Sorenson replied: “Yes, tomorrow, at Yuma, Ariz.” Next day the papers came out with page headlines announcing the forthcoming runaway marriage of Greta Garbo and her young countryman, Wilhelm Sorenson. The whole story had been engineered by the woman journalist whom Greta had avoided in the restaurant a few nights before. The hostess of the party was in the conspiracy. She had taken down Sorenson’s words in shorthand. She had even induced him to have his photograph taken in a group, which duly appeared with the caption, “The happy bridegroom, with friends, making this interesting announcement.” Greta never forgave him. From that day to this Greta has had nothing more to do with Sorenson. Chapter Ten HOMELAND GRETA GARBO'S second homecoming in 1932 was very much like her first in the elaborate precautions she took to escape recognition, and in the efforts of journalists and public to frustrate her plans. She was chased across the states from California to New York. She was chased to the dock. A number of newspapers went to the expense of booking passages for their representatives on the boat, and all the way to Gothenburg these scribes were solely occupied in watching the film star’s movements, concerning which they had to cable a report home each day. Greta had grown up. She was completely poised and self-pos-sessed. There was an air of dignified determination, apart from mere shyness, in the way she closed her cabin door upon the importunate reporters and inquisitive fellow passengers. The first few meals were served in her private suite. After that she was often seen walking, chatting with the captain, or taking part in deck games. Her attire usually favored the masculine mode—she seemed to have a special preference for white flannel trousers, well creased and sweaters to match. There was a thrill one day when, in the heat of a game of deck-

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♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦♦ VARIETY CLUB MIDNITE SHOW TONIGHT AT MIDNIGHT 10 HEADLINE VAUDEVILLE ACTS Plus PREVIEW showing on the screen of "KIND LADY" with Aline MacMahon • Basil Rath bone at the LYRIC THEATRE TICKETS, 50c ... NOW ON SALE at the APOLLO . . . CIRCLE . . . INDIANA . . . LYRIC and the AMBASSADOR All proceeds to be used to pay for motion picture equipment donated by Variety Club to the Indianapolis Orphans* Home!

tennis, she slipped off her trousers without warning and disclosed a pair of equally well-tailored shorts underneath. Fellow passengers flew for their cameras; but the moment she realized their intention she escaped to her cabin and nothing would induce her to come out again for the rest of the day. As the rocky Swedish coast hove into view, Greta became sad and silent. It seemed as if bitter memories began to assail hes* Her brother Sven was the only person permitted to meet her on the boat. tt tt tt npHIS time there was no shadow of doubt about Greta's determination to lead a quiet life. Old friends with whom she had been most intimate on her former visit were at first amazed, then rather offended when weeks passed by and they heard nothing from her, and even their polite welcoming notes and little gifts remained unacknowledged. When her indebtedness to them grew heavy, she would call at a florist’s near the opera arid order a bouquet of their favorite flowers. (To Be Continued) (Copyright. 1936, by United Feature Syndicate, Inc.)

WHERE, WHAT, WHEN APOLI.O “Colleen,” musical picture with Dick Powell, Joan Blondell, Jack Oakie, Ruby Keeler and Hugh Herbert, at 11:31, 1:31, 3:31, 5:31, 7:31, 9:31. CIRCLE “Klondike Annie,” with Mae West and Victor McLaglen, at 11. 1:50,* 4:40, 7:30, 10:20. Also “Woman Trap,” with George Murphv and Gertrude Michael, at 12:25, 3:35, 6:25, 9:15. CIVIC “Post Road.” anew play, opening tonight at 8:30, ENGLISH’S “Three Men on a Horse,” the Cecil Holm and George Abbott comedy, at 2:15 and 8:20. INDIANA “Trail of the Lonesome Pine” in Technicolor, with Sylvia Sidney, Henry Fonda and Fred MacMurrav, at 12:35, 3:42, 6:49, 9:56. Also “FMan,” with Jack Haley, at 11:32, 2:39, 5:46, 8:53. KEITHS “The Hoosier Schoolmaster,” presented by Federal Players under the direction of Charles Berkell. This adaptation of the Eggleston novel by Dr. Lee R. Norvelle. LOEW’S “These Three,” with Merle Oberon, Miriam Hopkins and Joe McCrea, at 11, 1:10, 3:20, 5:30, 7:45, 10. LYRIC Major Bowes Amateur Unit No. 1, on stage, at 12:35, 2:45, 5:05, 7:25, 9:45. On screen, “The Leathernecks Have Landed,” with Lew Ayres, at 11:15, 1:35, 3:45, 6:05, 8:25, 10:45. OHIO “Splendor" with Miriam Hopkins, at 11:37, 4:45, 7:06 and 9:55. “Your Uncle Dudley.” with Edward Everett Horton at 10:30, 12:51, 3:38, 5:59 and 8:46.

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Warners Lavish Talent on 'Colleen', Merry Film Now on Screen at Apollo Sprightly Movie Concoction Should Please Those Who Enjoy Music, Good Dancing; Hugh Herbert, as Eccentric Uncle, Sets New Mark in Humor. Warner Brothers have poured all their top-notch musical comedians into “Colleen” except Al Jolson, and that family is represented, too—by Mrs. Jolson (Ruby Keeler).

The result of this overdose of talent is a sprightly concoction which should please the palate of him who enjoys popular music and dapper dancing. It’s at the Apollo. Dick Powell plays the role of Donald Ames, manager of the estates of his eccentric but wealthy Uncle Cedric, (Hugh Herbert) who has to be watched closely to be kept out of mischief. But Cedric gets loose and things begin to happen. Joe Cork, (Jack Oakie) hears from his fiancee, Colleen Riley (Miss Keeler) that the modiste shop for which she works has been taken over by the Ames corporation and gees to see Cedric. Cedric likes him, makes him executive assistant. Make Tour of Properties Joe convinces the flighty uncle that he should make a tour of his properties and he meets Minnie Hawkins (Joan Blondell) a chocolate dipper. Uncle Cedric goes romantic, lavishes gifts on Minnie, makes her manager of the modiste shop. Donald, meanwhile, has found out from Colleen that the dress shop could make money if run right and he also falls in love with her. When Joe and Minnie get together, they decide to blackmail Cedric in a “gentle sort” of way and Donald gets his lawyers to pay them. But the lawyer also pays Colleen by mistake and broken-hearted, she accepts the check, takes a boat for Europe. Donald, also broken-hearted, gets on the same boat and everything comes out ship-shape. Herbert Genuinely Funny It is Mr. Herbert who contributes most heavily to the difference between this picture and other Warner Brother’s specials. He has never WEST SIDE

_ l -j- j— 2702 W. 10th St. X I A I r- Double Feature ’*■* * • ' 1 Preston Poster “LAST DAYS OF POMPEII” “SUNSET OF POWER” Sun. Double Feature—Wallace Beery “AH WILDERNESS” “MAYBE ITS LOVE” —. . W. IVash. & Belmont Kfl mOn t" Double Feature UCll llUl U Bette Davis “DANGEROUS” “WESTERN COURAGE” Sun. Double Feature —dames Cagney “CEILING ZERO” “CHARLIE CHAN’S SECRET” p. a |n \ / 2540 W. Ml-11. St. j j/\ X Y Double Feature Uye 1 Edward E. Horton “YOUR UNCLE DUDLEY” “BORDER BRIGANDS” Sun. Double Feature—Eddie Cantor “STRIKE ME PINK” “CONFII ENTIAL ‘G’ MEN” N iRTH SIDE —. I ■ ■■■ Illinois pt 34th Kc | | / Double Feature IXI 1 Sylvia Sidney “MARY I JRNS, FUGITIVE” “PADDY O’DAY” Sun. Double Feature—Bing Crosby “ANYTHING GOES” “LONE WOLF RETURNS” | | 7 42nd & College UntOWn Double Feature w TT Roger Pryor “CASE OF THE MISSING MAN” “DANGEROUS WATERS” Sunday—Eddie Cantor “STRIKE ME PINK” • | 30th and Illinois l-inrrirk Double Feature I IV-I\ Ann Harding “PETER IBBETSON” “39 STEPS” Sun. Double Feature —May Robson “THREE KIDS AND A QUEEN” “REMEMBER LAST NIGHT” c-* , r- ■ • Bt. Clair & Ft. Wayne St ( nir dohn Howard J l . X* IU M Wendy Barrie “MILLIONS IN THE AIR” Sun. Double Feature—dean Marlow f “RIFFRAFF” “HER MASTER’S VOICE” -<. 30th at Northw’t’n. |< p* X Midnight Show 1 xu_ ' x Three Features “SHE COULDN’T TAKE IT” “GOING TO TOWN” “CLEARING THE RANGE” Sun. Double Feature —Shirley Temple “LITTLEST REBEL” “IN PERSON” —r— |i , Talbot Si 22nd I (~l I HOT t Double Feature ■ V_4 I \ 1 Miriam Hopkins ncpi Fwnnn “MAN WHO BROKE THE BANK OF MONTE CARLO” Sun. Double Feature —Irene Dunn “MAGNIFICENT OBSESSION” “MISS PACIFIC FLEET” C'i C I 19th * College Jirnttorn Double Feature JIIUUUIU Greta Garbo “ANNA KARENINA” “HAPPINESS AHEAD” Sun. Double Feature—dohn Howard “MILLIONS IN THE AIR” “ACCENT ON YOUTH” t A T~/-' / A Noble & Mass. /V\tULeA Double Featnr. Bing Crosby “TWO FOR TONIGHT” “JSCARFACE” Sun. Double Featnre —dames Cagney “FRISCO KID” “STORMY” rxn r* A A A 8361 Station St. UKtAM Double Feature Barton McJLane “MAN OF IRON” “THE IVORY HANDLED GUN” Sun. Double Feature—dean Harlow “RIFFRAFF” “TWO-FISTED” EASTSIDE RIVOLI aSLYSL IX I Y y-y I Roger Pryor “The Case of the Missing Man” “DRIFT FENCE” Sun. Double Feature —.ting Crosby “ANYTHING GOES” “WHISPERING SMITH PEAKS” -r- i 4020 E. New York Tuxedo D ?*'V'X'r “COLLEGHTE” “TOO TOUGH TO KILL” Sun. Double Feature —Wallace Beery “AH WILDERNESS” “KING OF BURLESQUE”

PAGE 11

been so genuinely funny. Mr. Powell sings several numbers, "You Gotta Know How to Dance,” “I Don’t Have to Dream Again,” being the best. The most polished skit in the show is the musical dialog, “Boulevardier From the Bronx” which Jack Oakie and Miss Blondell present in inimitable fashion. You’ll see Louise Fazenda doing again the things that made her famous and a newcomer, Paul Draper dances in a way to make Mr. Astaire at least notice that it might become competition. Not too well put together, "Colleen” should not disappoint one looking for pleasant relaxation. By J. W. T. Mae West Is Superstitious Mae West is superstitious about the number "8” and her auto license, apartment number, dressing room number and telephone number add up to that figure.

ALL SEAT'S VWBMpHHLa SEAT? iswaraiß Kl Kims* 4N LAST DAY .TAMES CAGNEY "FRISCO KII)”—PLUS "TO BEAT THE BAND” [■ji/ilvVtllTil Vtr. At,. MUaIIUUW hr. 6800 Doable Feature—Today, Sat., San. ROBT. DONAT JEAN PARKER —IN——PLUS— One of Zane Grey'* Beet Western .Novel*,. DRIFT FENCE” —Buster Crabbe—

EAST SIDE -r- 2442 E. Wash. St. I firnnin Ronald colman i wwiiiw Elizabeth Allen “A TALE OF TWO CITIES" Sun. Double Feature —Claudette Colbert “BRIDE COMES HOME” “MISS PACIFIC FLEET” irving “iL w ß ’:r u “KING OF BURLESQUE” Comedy—Novelty Cartoon Sun. Double Feature —Irene Dunn “MAGNIFICENT OBSESSION” “FRESHMAN LOVE” r- 4630 E. 10th St. rmpreon Double Featnre Lai IIC I OUI I J.. red Astaire “TOP HAT” “THREE MUSKETEERS” Sun. Double Feature—Errol Flynn “CAPTAIN BLOOD” “MISS PACIFIC FLEET” I I • I , 2116 E. 10th St. Mqm 1 1 ton w ?. ub,e George Raft “SHE COULDN’T TAKE IT” “KING OF BURLESQUE” Sun. Double Feature—dark Oalde “COLLEGIATE” “SHOW THEM NO MERCY” 293 fl • loth StT” I Q rKe I Doubir Feature , Betty Burgess “CORONADO” “CHARLIE CHAN IN SHANGHAI" Sun. Double Feature—dean Harlow “RIFFRAFF” “SEVEN KEYS TO BALDPATE” C±.„. A IMBE.Waah.BtT wlrUrlQ Double Feature Cary Grant “LAST OUTPOST” “MORALS OF MARCUS” Sun. Double Feature—Warner Baxter “KING OF BURLESQUE” “IF YOU COULD ONLY COOK” HOW 2721 E - Wash. M* | \ y_/ / \ | Double Feature Marx Bros. “A NIGHT AT THE OPERA" “SKULL AND CROWN” Sun. Double Feature —dean Harlow “RIFFRAFF” “WILD HORSES” Paramount 411 E. Wash. Donble Feature—Frank Morgan “THE PERFECT GENTLEMAN" “Wanderer of the Wasteland” Sunday—Clark Gable, Charles Laughton “MUTINY ON THE BOUNTY” Comedy—Novelty—Screen Snapshots SOUTH SIDE ~~ Fountain Square Double Feature Peggy Conklin “ONE-WAY TICKET” “MAN FROM GUN TOWN” Sun. Double Feature—Bing Crosby “ANYTHING GOES” DARK” I At Fountain Square banders “THUNDER IN THE EAST” “LOCAL BAD MAN” Sun. Double Feature—Miriam Hopkina “BARBARY COAST” “SHE COULDN’T TAKE IT” A | Prospt.-Churchman /\VQ lOn Double Feature Edward Arnold “CRIME AND PUNISHMENT” “SHADOW OF SILK LENNOX” Sun. Double Feature —dames Cagney “FRISCO KID” “MUSIC IS MAGIC” J. _ I B. Meridian St. Uriental Double Feature dean Arthur “IF YOU COULD ONLY COOK” “TOO TOUGH TO KILL” Sun. Dout.le Feature—Carole Lombard “HANDS ACROSS THE TABLE” “Wanderer of the Wasteland” r* £• II *BO3 Shelby StT" oartield n Elisabeth Allen “A TALE OF TWO CITIES” Last Chap. “Call of the Savage" Sun. Donble Fenture—Dirk Pewell “THANKS A MILLION" “MISS PACIFIC FLEET” I