Indianapolis Times, Volume 47, Number 305, Indianapolis, Marion County, 29 February 1936 — Page 11

FEB. 29, 1936

'MODERN TIMES' HAILED AS FUNNIEST FILM SINCE CHAPLIN'S LAST

Derby, Cane, Shoes--Not a Thing's Lost Paulette Goddard, Newest Heroine, Wins Cheers of Reporter. BY JOHN W. THOMPSON He hasn't changed a bit. Derby, mustache, cane and shoes, they’re ail there in “Modern Times,’’ which is just about the funnies thing •we’ve seen since “City Lights,’’ the last Charlie Chaplin film. The one big improvement in this picture is Paulette Goddard, Mr. Chaplin's new leading lady, a sprightly brunet, who bolsters the falternig plot with pantomime almost as artistic as Charlie’s. Unlike mast of the screen’s newest “finds" Miss Goddard can’t tap dance, doesn’t exhibit any striking coiffures, and looks just as attractive in rags as she does in ermine. The story gets off to a running start with Charlie as a factory work t given the hectic job of tightenini numberless bolts on a moving track. The monotony gets him and he goes berserk. He is sent to a hospital and recovers. Aha, the Red Leader! Out again, he picks up a red fag dropped off a truck. Unwittiriafy, flag in hand, he becomes the of a striking band of workerSfiAHe goes to jail. N'_ c knowing exactly what is happening Charlie thwarts a jail break, gv.> a comfortable cell, with radio, soft-.cushions and a canary, as a reward. Happy again, he is suddenly pardoned. His pleas to be allowed to remain in jail go ungranted. He goes to work in a shipyard, launches the vessel before It is completed and gets fired. Then he meets the girl, a street gamin, who steals rather than rrarve. She has just “lifted" a loaf of bread for her hungry sisters. Charles tries to take the blame for tne theft but he girl is taken to jail. Charlie then goes to a case, buys a heavy lunch, beckons to a policeman outside, and is arrested for not paying his bill. He finds himself in the same patrol wagon with the girl. And Again to Jail. When the wagon tips over after a near-collision, Charlies and the girl escape. He gets a job as night watchman in a department store. The two dine sumptuously in the store after hours. This job ends the following morning when Charlie is Coming—Caleb Mills Hall Saturday Eve. March 7 Westminster Chorus John Finley Williamson—Director AUSPICES Women’* Auxiliary Ist Pres. Church SEAT SALE MARTENS TICKET OFFICE, ROOM 201, 33 MONUMENT CIRCLE. Reserved Seal*, $1.50. Admission. SIOO

—■ martens concerts, inc.__ LAST CONCERT OF SERIES ENGLISH—Sunday, March 8,3 P. M. MILSTEiN Great Russian Violinist “Milstein’s Magic With Vi!in Invokes Unprecedented Ovation” 8 Column headline from Eugene Stinson’s review in Chicago Pally News Seats on Sale —Martens Ticket Office —Room 201, 33 Monument Circle hhh*PRICES: SI.IO, 5i.65, 82.20, S2.7S—TAX INCLUDED

ENGLISH Evening SAT., Mar. 7 Mail Orders Now Seals Monday FAREWELL TOUR! FINAL CHANCES TO SEE WALTER HAMPDEN itt the title role of EDMOND ROSTAND’S Great Heroic Comedy^ CYRANO de BERGERAC! llajrrt exactly as prrsenteo by Mr. Hampden nearly X,OO times to over 1 ~*>oo.ooo persons. LOtVEST TRICES ever charged for Cyrano" here. Matinee and evening: Oreh., S2. .o; Rale., S’,2o, 51.65, Sl.|o; Gal.. 55c. Tax included. Friday, Saturday, March 13-14 MATINEE SATURDAY THE GREATEST DRAMATIC SENSATION §OFALLJIME MAX GORDON presents WALTER HUSTOII PERSONALLY IN SINCLAIR LEWIS' MKURffI DRAMATIZED BY SIDNEY HOWARD Just as Played Before 600,000 Enthusiastic Playgoers During Its Record-Breaking Run of 42 Weeks in New York and 3 Months in Chicago. • • • Here with the Entire Cast of 40, Production of 14 Scenes and Two Revolving Stages. Mail Orders Now RttS.'iiVS&.'Si. . Please Send Stamped Addressed Envelope With Check

UffIr..THESE NEW 10W PRICED IWZIM [RI.It*.

Federal Players Prepare for Their Presentation of 'Clarence'

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found asleep in a pile of dry goods. Again he goes to jail. The girl gets a job as a case dancer and when Charlie is released he, too, Is given a job in the case, as a singing waiter. His waiting is condemned by the manager, but he is given a chance as a singer. This is the scene which introduces Chaplin’s voice to the screen for the first time. He sings, not words, but unintelligible sounds, in a skit which :s the best in the show. A success, he and the girl face happiness together. Then comes the juvenile officers to claim the girl. Fundamentals Are Same In an old-fashioned chase, Charlie and the girl escape, are last seen shuffling down a long road, the familiar Chaplin figure silhouetted against the early morning sun. All the old tricks of the Chaplin trade are in “Modem Times.” It is better produced, better filmed than its predecessors, but the fundamentals are the some. Pie-tassing, brick-throwing, oilsquirting, these and other ludicrous incidents add to the hilarity of the film. One of the funniest scenes is that in which Charlie, blind-fold-ed and one roller skater uirouettes closer and closer to the edge of a balustrade in the department store. This has been done hundreds of times on the screen but it’s just funnier than ever in Charlie’s artistic hands (and feet). Music Is Excellent You'll notice Chester Conklin, Henry Bergman, and Hank Mann, without whom it would seem, a Chaplin picture could not be made. The music which accompanies the film, also written by Charlie, is excellent. Taking the place of dialog, the musical theme, nevertheless is still tuneful, easy on the ear. Some may find the use of titles in place of dialog a bit tedious, but we liked the idea for a change. It places much more emphasis on the LAST I)Ai: BARBARA STANWYCK "ANNIE OAK LEV” PLUS—THE PAY-OFF

WHERE, WHAT, WHEN APOLLO "Ceiling Zero," with Jimmy Cagney. Pat O'Brien. Stuart Erwin and June Travis, at 11:40, 1:38, 3:36, 5:34, 7:32 and 9:30. CIRCLE "Rose Marie," with Nelson Eddy and Jeanette MacDonald at 11. 1:15, 3.25, 5:30. 7:40 and 9:55. INDIANA "Klondike Annie.” with Mae West and Victor McLaglen. at 11:50, 1:50, 3:50, 5:50, 7:50 and 9:50. LOEW’S "Modern Times.” with Charlie Chaplin, at 11. 12:50, 2:43, 4:36, 6:56, 8:16, and 10:05. LYRIC "The Bohemian Girl.” with Laurel and Hardy, at 11:25, 2:15, 5:15, 8:05, 10:46. "Continental Revue" on stage. A. B. Marcus show with Ha Cha San, at 12:56, 3:46, 6:46, and 9:36. OHIO "Annie Oakley.” with Barbara Stanwyck, at 10:30, 1:33, 4:25, 7:21, 10:17. Also "The Payoff" with James Dunn, at 12:30, 3:22, 6:18, and 9:14.

perfection of the picture’s pantomime, still an entertaining art. With Miss Goddard, his mast pleasant heroine yet, Mr. Chaplin is still master of all he surveys in the realm of this brand of comedy. “Modern Times,” with its beautiful mechanical sets, fine photography and utter simplicity will cheer any one. Carnation Is Named for Harriet Hilliard Times Special NEW YORK, Feb. 29.—The “Harriet Hilliard Carnation” is the newest thing in horticulture. The flower was named for the actress at the Carnation show now in progress in Rockefeller Center. The “Harriett Hilliard,” originated by S. J. Goddard of Framingham Center, Mass., and grown by Paul Brigham of Westboro, Mass., is an off-shoot of the Ward carnation. Miss Hilliard’s namesake is light pink with dark pink stripes. The new flower is not to be marketed until next year. Miss Hilliard now is appearing in “Follow the Fleet.”

Burns to Appear in New Crosby Picture Times Special HOLLYWOOD, Feb. 29. Bob Burns, who with his original instrument, the “bazooka,” is featured on Bing Crosby’s radio program, is to appear in the star’s new picture, “Rhythm on the Range.” Burns recently was selected by a’ poll of radio editors as the air comedian making the most progress during the last year. Broderick Country Girl Now Helen Broderick, dyed-in-the-.wool Broadwayite for many years, has now become a country gentlewoman, with a farmhouse in the San Fernando Valley built during the Aiming of “Love on a Bet.” ;< =i n; Starting Monday Night at 8:15 The Federal Theatre Project for Indiana Presents THE FEDERAL PLAYERS In Booth Tarkington's Great Comedy “CLARENCE” SEATS NOW SELLING Night Prices—lsc, 25c, 40c j Matinee Sat.—loc, 20c, 30c AM, SEATS RESERVED j TELEPHONE LINCOLN 9000 1 ' DANCE TONIGHT PI CHIC MYERS g 1 §H| and His CBS Orchestra Ka rTa Harmonies by the Kj 3 Southern Coeds n 40e All Evening CARNIVAL NITE TONIGHT NO COVER CHARGE OLD VIENNA CAFE Frank M. Cantwell. Mgr. 11l E. COURT ST. Dance £ ■ JT'\M Harold Every K W Cork's Sat. & Son. | Orchestra HARBOR Saturday, 50c Couple Before 9:30—75c Couple 9:30 to 12 —50 e Couple 12 to 1— 25c Couple After 1. Sunday. 80c Couple. One Block South Municipal Airport CAFE and CASIHO CLUB^ 12 Miles East on Road No. 62 DINE and DANCE Engagement THE HEADLINERS Dance From 9 ’Til Dawn Open Sun. and Holidays —■

THE INDIANAPOLIS TIMES

Cyrano 1000 Times! Hampden to Reach That Goal at Tour's End Famed Thespian to Appear at English Theater Next Saturday Afternoon and Evening. When Walter Hampden made his first revival of Edmond Rostand’s “Cryano de Bergerac,” in which he is to appear at English’s Saturday afternoon and evening, March 7, it was necessary for him to lease a theater in New York.

It was in November, 1923, that he opened his first performance of “Cyrano,” and he played until the next fourth of July. The success of this offering was unprecedented in the history of romantic drama in New York, exceeding the run of Constant Couquelin’s original production of “Cyrano” in Paris and Richard Mansfield in New York. The following autumn Mr. Hampden in “Cryano” toured the principal Eastern cities, breaking all records in theaters in which he appeared. In 1925 Mr. Hampden’s dream to Milstein to Appear Here Indianapolis concert-goers who have heard Nathan Milstein, brilliant Russian violinist, in his two previous concerts here, eagerly are awaiting his reappearance at English’s a week from tomorrow afternoon, as the sixth in the Martens Concert series. Milstein’s audiences concur with music critics of three continents who have given him a place among the greatest of the world’s musicians. “This is God’s musician,” said Berlin’s leading critic, Alfred Einstein, after Milstein’s debut with the Philharmonic Orchestra. Born in Russia 31 years ago, Milstein is now Beginning the third month of his seventh consecutive American tour. In six years of concertizing, he has appeared with 46 major orchestras in 13 countries, and has filled 580 recital engagements in the United States, Canada, Cuba, South America, Europe, Palestine and Egypt. Traffic Rule Bothers Actress After a year in Hollywood, Molly Lamont, South African actress who appears in “Muss ’Em Up,” finally is learning to drive on the righthand side of the street. Chief Thunderbird Real Indian Chief Thunderbird, who has a role in support of Wheeler and Woolsey in their new fun-fest, “Silly Billies,” is a full-blooded Cheyenne, known to his tribe as No-Nu-Mah. JUNE N TRAVIS j A FIRST ft ™ * 1 ( mk A NATIONAL i 25C ] \ 6 J

ailjllMl and only EXCLUSIVE S£ BURLESQUE COME ON AND HEaA—COME ON AND HEAR Ragtime Band IST GOING MUSICAL JE 2 CHARLIE GROW Si S. ORCHESTRA HSS ■m ■ ■■ wn Beautiful ww ■am ■ 4W " f . If I* the Ton* for Hotcha D| IIC Singing |P I 8 O Touth and It Start* at iLUv Danolnf UI ll L D Tersonluty The Mid ii igh t Show Ton ight II IT Main Floor til AllVfl op m A P A Price to Fit Every Purse. Continuous MAT. orchestra soc NIGHTS 25*40 s 50c s::A"si

have a New York playhouse of his own was realized when he opened Hampden’s Theater with a revival of “Hamlet,” in which Ethel Barrymore was seen with him. This was followed by “Merchant of Venice,” again with Miss Barrymor. In the following autumn, came his production of “Caponsacchi,” which ran for 272 performances. Mr. Hampden then turned from the tragic and romantic to realistic comedy, appearing as Dr. Stockman in Ibsen’s “An Enemy of the People.” Followed “King Henry V,” “The Light of Asia,” “The Bonds of Interest,” and finally “Richelieu.” In the spring of 1931 Mr. Hampden turned to lighter and more fantastic matters, put aside business affairs, and appeared in Sir James M. Barre’s comedy, “The Admirable Crichton.” Cryano 100 Q Times Taking up his own work again, the actor concluded that these times of economic stress the example of the courgeous Cyrano would be an inspiration to the public, again toured, playing the famous role. At the conclusion of his present tour, which may extend to autumn. Mr. Hampden will have played “Cryano” more than 1000 times. Traveling with the actor is a cast of 75, a total of 108 persons being necessary to stage the Edmond Rostand comedy. It is the largest non-musical organization in the theater, taking a special train of seven cars for touring. p ■ W | njwagwt 'I All Critics say—“lt must be seer !” I “MICKEY’S POLO TEAM” iLOEWjS ™urw-Ti H Marcus Show ■ r 'REVUE ■ I I [Dotinnl Most Magnificent Spectacle on Any “Venus in Bronze” lonou^oEEn

I.—A tense moment in a recent rehearsal of the Federal Players’ production of Booth Tarkington’s “Clarence” shows Paul Rouse, Hal Hawkes and Betty Anne Brown, concentrating on their lines. The play will be given at Keith's for a week starting Monday. 2 Old-timer Charles Berkell, well known stock producer, now directing the Federal group, points out a change in the script to his assistant, Ricca Scott Titus. 3.—Judging from the expressions of Betty Anne Brown and Alice Arnold, “Clarence” is something of a comedy.

Hose Hunters If this isn'i. true, you can sue Clark (call him Nimrod) Gable: He tells about tramping back from a fruitless hunting trip and meeting a couple of little boys loaded down with rabbits. They had no dogs, no gun, just a length of garden hose. With that, they declared, they had bagged the bunnies. Gable asked for a demonstration, and got it. They searched for a rabbit hole and pushed ene end of the hose as far back in the burrow as it would go. Then one of the kids yelled into the hose: “Get outa there, you—!” Out popped a terrified rabbit, straight into the clutches of the second boy!

e mm UdflKr “Mae’s Best Picture!” WwWW say critics! 'west ‘Klondike Annie’ With VICTOR TODAY /★CLARK GABLE ★ JEAN HARLOW ★ WALLACE BEERY v GHir%& Seas” [ ~ (7=5 . ROSALIND /„, •jAtaS’l RUSSELL .1 :” f K Forav I STONeJ^s the ■

Laurel and Hardy Sparkle in One of Their Best; Lyric Stage Show Tops,Too “The Bohemian Girl” Gives Pair Ample Room for Their Antics and They Produce; “Revue Continental” Contains Excellent Talent. Stan Laurel stages one of the funniest scenes we have ever seen on the screen in “The Bohemian Girl,” in which he is starred with Oliver Hardy at the Lyric this week. Laurel and Hardy, playing a couple of gypsies in the film, have cooked up a barrel of grape wine. Hardv leaves, telling Laurel to bottlo it. So Laurel runs a rubber hose from the barrel to the table and starts the siphon. With the hose running he fills one after another of the empties. < “

But he can't stop the flownig wine. so he sticks the hose in his mouth. After filling several bottles and himself. you can imagine the rest. The picture offers the boys ample room for their antics. It is their i best full length feature, with plenty of the opera’s music thrown in for relief. Little Darla Hood looks like another Shirley Temple, Antonio Moreno is seen for the first time in many months, and Jacqueline Wells makes a good beginning as the heroine. The story concerns a princess, kidnaped by a band of gypsies. After 12 years she finds her father. Left by her original kidnaper, she is fostered by Laurel and Hardy, members of the band who give up the gypsy business. Excellent Talent in Show Again little Leon Miller, who looks like Eddie Cantor and dances adroitly, leads A. B. Marcus’ “Revue Continental” on the stage. With lavish sets, and many girls, this show also contains excellent talent. There are the Knight sisters, a duo adagio team with something new in their line; Harold Boyd the anemic little comedian, and his Jig Saws, in spotty comedy. Lee Sechrist is back again with his accordion. Ben McAtee is the chief comic with the revue, with Sharon DeVries singing and playing the straight roles. Lee Mason, who used to sing at the Indiana, and Bob White, whose home is Lebanon, sing nicely in the show numbers and the Gay Boys do some clever teeterboard work. Ha Cha San dances in little but her silver paint. The Marcus flair for elegant sets and costumes is hard to beat. This show is one of his best in recent seasons. (By J. W. TANARUS.) WESTSIDE p lin | i— 2702 W. 10th St. N I /\ I I” Double Feature 1 7 x * Paul Muni “DR. SOCRATES” “CYCLONE SADDLE’’ Sun. Double Feature—Joe E. Brown “BRIGHT LIGHTS” “SHOW THEM NO MERCY’^ _ , \V. Wash. & Belmont [-< Q | f" Double Feature I lUI I l Frank Morgan “PERFECT GENTLEMAN” “GALLANT DEFENDER” Sun. Double Feature —Rochelle Hudson “SHOW THEM NO MERCY” “AH WILDERNESS” —V A i (P\/ 2540 W. Mich. St. )/\ S Y Double Feature I-// \ I I Claire Trevor “NAVY WIFE” “WESTERN FRONTIER” Sun. Double Feature —Herbert Marshall “IF YOU COULD ONLY COOK” “HARMONY LANE” NORTH SIDE r\ I I Illinois pt 34th hr I I / Double Feature * ' 1 1 Ronald Colman “THE MAN WHO BROKE THE BANK AT MONTE CARLO” “IN PERSON Sun. Double Feature —J ick Oakie “COLLEGIATE” “TOO TOUGH TO KILL” < ■ 42nd & College I Jntnwn Double Feature v “ / VT 1 1 Tom Brown “FRECKLES” “Wanderer of the Wasteland” Sun.—Wallace Berry-Dionel Barrymore “AH WILDERNESS” . ■ 30th and Illinois l-inrrirk Double Feature VJvJI I Edmund Lowe “King Solomon of Broadway” “THE PAYOFF” Sun. Double Feature—Marx Bros. “NIGHT AT THE OPERA” “MISTER HOBO” r , A”* I “ St. Clair & Ft. Wayne jt. L* IQ I r Arline Judge “SHIP CAFE” C omed y—N e ws—C artoon Sun. Double Feature —Shirley Temple ; “LITTLEST REBEL” “WHIPSAW”

pa pw 30th at North w’t’n. IV r X Double Feature ' ' Edmund Lowe “GREAT IMPERSONATION” “HI GAUCHO” Sun. Double Feature—Miriam Hopkins “BARBARY COAST” “MUSIC IS MAGIC” ii , , Talbot & 22nd In hOTT Double Feature I VJ I V l Frank Morgan “THE PERFECT GENTLEMAN” “WAY DOWN EAST” Sun. Double Feature—Myrna Loy “WHIPSAW” “FRISCO KID” p r I !9th Si College Stratford D y.!? Sir* “BIG BROADCAST OF 1936” “HOME ON THE RANGE” Sun. Double Feature—Marx Bros. “A NIGHT AT THE OPERA” “I FOUND STELLA PARISH” k A A Noble & Mass. /V\ bG G A ®5? w re Clark Gable “MUTINY ON THE BOUNTY” “LITTLE AMERICA” Sun. Double Feature —.lark Benny “IT’S IN THE AIR” r>. r\ r ii l 23 l Station St. DKbA/V\ Double Feature Gene Raymond “SEVEN KEYS TO BALDPATE” “NAVY WIFE” Sun. Double Feature—Will Rogers “IN OLD KENTUCKY” “Major Bowe’s Amateur Theater of the Air” EAST" SIDE rivolF Double Feature Edward Everett Horton “YOUR UNCLE DUDLEY” “DANGEROUS WATERS” Sun. Doable Feature— lds Tenner “COLLEGIATE” “MISS PACIFIC fLEET”

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Titled Film Adviser No Longer a 'Valet' By L nited Press HOLLYWOOD. Feb. 29.—Viscount De Kergoet no longer is a “Varlet.” The French nobleman, technical adviser to a film studio, today disclosed that for a time he had been •a butler because of reduced circumstances and used the name of "Varlet.” The Viscount six months ago found himself penniless and stranded in Southern California. In desperation he wrote himself a letter of recommendation saying that Rene Varlet was a capable butler and signed it “Viscount De Kergoet.” The letter got him a job with a wealthy family in Pasadena and for several months he was a butler there. Finally he obtained the studio position and disclosed his identity. BSSEEEB DOUBLE FEATURE, FRI. t SAT., SUN. fttfete* Zv*a o>PENNF.R - OAKIE fasTT —PLUS—JACK HOLT DANGEROUS WATERS EAST SIDE I I IVOrlf'"'! Double Feature I LIACvJLJ George Kaft “EVERY NIGHT AT EIGHT” “THE PAYOFF” Sun. Double Feature —Ronald Coleman “A TALE OF TWO CITIES” “TWO FOR TONIGHT" -r- 2412 E. Wash. Si. nrnmn Double Feature 1 I IV-1 Be<ty Bllrgesg “CORONADO” “CRIMSON TRAIL” Sun. Double Feature —Will Roger* “IN OLD KENTUCKY” “SHE COULDN’T TAKE IT” Sunday Show Starts 1 P. M. Complete Show After 9:30 P. M. I D\/IK. IC" 5507 K Waßh - st Irv v I INJII Double Feature Ii x t ii x Edward Arnold “REMEMBER LAST NIGHT” “MUSIC IS MAGIC” Sun. Double Feature —Ronald Colman “A TALE OF TWO CITIES” “MISS PACIFIC FLEET” |— 4630 E. 10th St. bmerson j. >onb je z™"™ F rank Morgan “THE PERFECT GENTLEMAN” “THE LAST OUTPOST” Sun. Double Feature —Wallace Beery “AH WILDERNESS” “MUSIC IS MAGIC” II .i 2116 K. 10th St. riami ton D ° ub,e F *tum I I L-J I I I I I IWI I Barbar(l Stanwyck “THE RED SALUTE” “THUNDER IN THE EAST” Sun. Double Feature—Jean Harlow “RIFF RAFF” “WE’RE ONLY HUMAN” rx I 2936 E. 10th St. " KQ rKG r Double Feature James Dunn “THE PAYOFF” “RACING LUCK” Sun. Double Feature—Ginger Roger* “IN PERSON” “WHIPSAW” p , I 1332 E. 4Vah. St. Ronald Colman v-* '■'* Elizabeth Allen “A TALE OF TWO CITIES” Sun. Double Feature—Ronald Colman “THE MAN WHO BROKE THE BANK AT MONTE CARLO” “SYLVIA SCARLET” D/'-'\VV * 731 E - Wa * h - st. K v7/\ J Double Feature Paul Muni “DOCTOR SOCRATES” “SPEED LIMITED” Sun. Double Feature—Myron Loy “WHIPSAW” “HIS NIGHT OUT”

Paramount 411 E. Wash. Double Feature Margaret Snlllvaa “SO RED THE ROSE” “GALLANT DEFENDER” Sim. Double Feature—Marx Bros. “A NIGHT AT THE OPERA” ON THE PRAIRIE" SOUTH SIDE Fountain Square Double Feature Hugh Herbert “TO BEAT THE BAND” “LAWLESS RIDERS” Sun. Double Feature—Wallace Beery “AII WILDERNESS” “IF YOU COULD ONLY COOK” P I At Fountain Sqnars ba nde rs l i onl . ,| e D F r* <nre Paul Robon “SANDERS OF THE RIVER” “WAGON TRAIL” Son. Double Feature—Preston Foster “LAST DAYS OF POMPEII” __ “LA CUCURACHA” AV/AI C hurch- /\ V /xL-V-xl N mn —Double Feature—Dick Foran “MOONLIGHT ON THE PRAIRIE" “HELL’S HARBOR” Sun. Double Feature—Jack Benny “IT’S IN THE AIR” “CHAN IN SHANGHAI” • , Illa-, S. Meridian St. vJ nen ta l i L n ," b, e *■**• Bing Cronby “TWO FOR TONIGHT” “LAST OUTPOST” San. Double Feature—Marx Bros. “A NIGHT AT THE OPERA” COULDN’T TAKE IT” y. II 2203 Shelby St. Garfield “THREE MUSKETEERS” “PERSONAL MAID'S SECRET” Sun. Double Feature—Shirley Temple “LITILEST REBEL” “SHE COULDN’T TAKE IT” Sunday Show Starts 1 P. M. Complete Show After 9:30 P. M.