Indianapolis Times, Volume 47, Number 300, Indianapolis, Marion County, 24 February 1936 — Page 4

PAGE 4

'HOLD YOUR HATS' IS ONE OF BEST REVUES PRODUCED HERE

Civic Theater Show Scores Ht With Music, Dancing and Clever Comedy Skits Amateur Actors Perform Like Professionals in Keeping 13 Scenes Moving Rapidly; Presentations to Continue Through Wednesday. B 1 JOHN W. THOMPSON In 13 sceres containing plenty of rhyme and little reason, the Civic Theater’s new show, “Hold Your Hats,” takes everybody from the Dionne quintuplets and Haile Selassie to Charles Bruce Milholland s play “Faun,” for a musical sleigh ride.

The only fitting and proper description for the production is the frayed phrase, “stupendous, gigantic and colossal.” it’s the funniest show Frederick Burleigh has done. With all due credit to the director, the success of the revue is not all traceable to Mr. Burleigh. Without lilting tunes by Charles Gaynor, excellent sketches by Nancy Hamilton and colorful dances created by Jac Broderick and musical arrangements by Louise Sparks, there would be little reason for all this enthusiasm. From the time before the first curtain, when Mr. Burleigh tells the audience his cast is too exhausted to appear, until Bill Cook cavorts across the floor in Mr. Milholland’s “faun” costume there aren’t more than three or four dull moments. Here are thumbnail sketches of some of the skits: “Spring Cleaning on Tobacco Road”—A poignantly funny sepne by Mr. Gaynor, which takes place in a duplicate of the “Tobacco Road” set, which you wouldn't know since censors have cleaned it up. Curtains hang in the windows of the Lester home, and the old well is decorated with clinging vines. Jeeter has had his “cussin' ” taken away from him. and all he can say is “By George” and "By Henry.” Ellie May has joined the Girl Scouts. Dude is just home from Oxford, and Mrs. Roosevelt brings them some turnips. Horace Hill as Jeeter and Blanche Shoemaker as Ellie May stand out. Comedy Rhymes Excellent “People of Taste”—Musical dialog by Miss Hamilton, done excellently by a sextet. Society snobs talk about themselves. Finale verses by Margaret Betson among the best comedy rhymes we have heard on any stage. “A Little Bit Delighted About the Weather”—Another of Miss Hamilton's sketches, which Dean Rice and Dorothy Jay Robinson execute ably in 1890 dress and background. “The Torch Bearer” —Mr. Gaynor has written this one about the Statue of Liberty. Helen Foley (as the statue) tells her experiences to a tourist guide <Mr. Cook) One of the show’s most humorous spots. “Footsteps”—A colorful number, excellently sung by Miss Beeson and beautifully danced by Anna Ludmila and Toni Masarchia, plus nice chorus work in a big city setting. Songs Should Become Popular Os Mr. Gaynor's music, “Some Afternoon,” sung by Miss Beeson in the first act and by a trio, Edith Kruzan, Ruth Brown and Ruth Thompson, in the second, should become nationally popular, as should “Footsteps,” “Go Naked” and 'Three or Four Times Every Day.” Although the revue doesn’t star

If You Write Your Film Fla me, His Daughter May Send Reply Graying Temples, Toupees, False Teeth Go Unnoticed as Age of Romantic Leading Men Advances. BY TAUL HARRISON HOLLYWOOD, Feb. 24.—NEA)—Time was when a girl could write a /an letter to her movie hero and know' that the answer wouldn't be dictated by his daughter. But that was aw'ay back in the days of postwar fiapperism, F. Scott Fitzgerald, young love, and young idols. And young ideas. v

It may be that my concern in this matter is ill-founded, and that young ladies of sub-deb years really like touches of gray on the temples of their stars. Perhaps they don't care any longer whether the screen heroes are married, or how many times they have been married, or how many children they’re sending to college. The fact is. anyway, that the average age of the screen’s mast popular romantic leading men is 36. Rudolph Valentino was 26 when. In ’Four Horsemen” and “Tne Sheik," he thrilled the hearts that beat under middy blouses in 1921. Richard Barthelmess was 25 when he played in "Broken Bios.' 'ms” in 1922, and Monte Blue was 25 in "The Birth of a Nation.’’ Henry B. Walthall’s flowing forelock was black and crisp then. too. Douglas Fairbanks was only 30 in *’ln Again. Out Ageui.” Remember Charles Ray in ‘l9 and Phyllis"? And Conway Tearle? Jack Holt was a heavy in Westerns at 24. puffing out his cheeks to look sinister. Look ’em now! Disregarding the taste of today’s adolescent fans, who do not seem to mind a few toupees and false teeth, what’s going to happen when additional years bring on celluloid senility? There’s a large, alarming gap between the ages of Frtddie Bartholomew and his palsey-walsey,

LYRK \ TODAY! / \ OM STAGE / iQiSfw^/ osftsovfe 1 Public Nut* No*. 1 and i far —A in Their All New Revue r~~ M “EVERYTHING g M HAPPENS” r~\ With a Completely —4 Ilaffr Crew of 381 tg lon tcMin \ Chic Safe f&Mk I \ /n ljhH / i ‘Man 4&gmJ S Hunt fa t a Ricardo Cortex Churchill

Fiim Follows Serial “The Country Doctor,” serialization of which starts on Page 1 of The Times today, is to be shown at the Apollo Theater beginning March 6.

any individual, praise is due a newcomer, Miss Foley, and a veteran, red-haired Katie Morris, for their solo work. Muss Foley is easily the best local comedy “find” in many a season, and Muss Morris is stopping the show with her “Preemier Dansewse” number. In the large cast, Mr. Hill, Mrs. Robinson, Mr. Cook, Alice McCracken, Henry Jacoby, Miss Ludmila and Mr. Rice are outstanding. Four Singers Stand Out Best of the singers are Miss Beeson, Mrs. Shoemaker. Mrs. Robinson ana George Clemmer. Jac Brodericks impressions of the Barrymores. and the short juvenile skit, "Bowery * Ballad.” by Betty Jeanne Mitchell and Phil Parsons, are delightful interludes. The only drawbacks are a rather flat sketch, “Operator 92,” and “After the Ball,” an aged plot with dragging tempo. Sally Carter's costumes carry a professional touch, and the settings are properly designed by Mr. Burleigh. The rather long show has no appreciable delays, a feather in the cap of the technical crew. You’ll howl at Mr. Jacoby as Mrs. Dionne, who teaches Mrs. Bunny Robbit a few tricks. This is the best amateur musical comedy the city has seen in a long time. It is to be repeated each night through Wednesday.

Desert Resort to Be Background for Film Timen Rpceinl HOLLYWOOD, Feb. 24.—Like an oasis out of Arabian Nights, Palm Springs, in the midst of the Southern California desert, is the winter stamping grounds of film stars, industrial magnates, diplomats, social leaders and cosmopolites from everywhere. Hotels, dude ranches, homes of movie notables and millionaires, and pleasure haunts dot the sand into which even Indians hesitated to venture not many years ago. Now the gay life of the desert playground is to form the story background of anew picture, “Palm Springs,” starring Sir Guy Standing and Frances Langford.

Victor McLaglen. There was even quite an interval between the births of Dick Powell and Spanky McFarland. To get right down to vital statistics, Fred Astaire is 35; also John Boles. Spencer Tracy is 37; Richard Arlen, 36: Fredric March, 38. Richard Dix will never see 40 again; Leslie Howard (now busy playing Romeo) and Warner Baxter are 42; William Powell and Edmund Lowe, 43, and Ronald Colman. 44. Clark Gable and Gary Cooper are only 34; Charles Farrell and Dick Powell, 23. Bing Crosby and James Cagney are 31.’ James Dunn and Henry Fonda, 30. To be sure, there are a few personable young romantics who'll be seen more this yerr, and perhaps for a good many more years to come. The only really sensational discovery, though, is Errol Flynn. Some sons of famous writers are doing very well in Hollywood. Romer Gray, son of Zane, is tapping on a Paramount typewriter, and Finley Peter Dunne Jr., hangs his hat over at Universal. Gilbert Wrigb*, son of Harold Bell, is making up a story to fit the song title, "Boots and Saddles.” Ring Lardner Jr. is fitting words together for David Selzniek. Will Roger Jr. has bought and is editing a weekly newspaper in Beverly Hills. John and Maurice Geraghty, sons of Tom Geraghty. once the highest-paid scenarist, are pounding out original stories.

General Motors MUSIC ENTERTAINMENT * * * EXHIBITS OF NEW GENERAL MOTORS j PRODUCTS ? * ADMISSION *

IN ■ ■ iilb'.i ihan aliar ■"'■ n moyi/1 mr. paj-sinc" out "thou Tirhininn codp was drawn tip and Hays <k^9Ef The .white suit here displayed a l'^a^*"®ihtai'ned^ liere and in (ration of the Motion ' Producers y [la. ait 'a "No." naan a a ’ J and 'liavTa tearing. 1 HoweU'r f few Whiie the association has no imTjur- t ' I ucers do. The.v take the board’s’ sue- lsdlctlon over the personal affairs and ac- - \Yi\ % ! f/|W ~“ ons with nothing more than a private \nline defin t- t Cly ' p and snappy lines in a picture* the Artists who give the film industry a \w. ijll A &Slim HH ||£jjjijU <plL.i -* ffjjPPuetion board also has to keep its eyes black eye through their behavior off the W\ /W jHnw v f i for things of a more general moral screen are put in line by the associatior Yy\ I Stop. fpl/l/' X re - . . through suggestions to the producers fo’ \v\ 'mmi/// Wf',.*~ • r. example, all villains have to be whom they work that they either clean up \v\ WBIIII id.:,. / ncan, white and Christian to avoid or get out. Vu\ MW M -k|J||l| rsts from various groups. If the bad The association makes no attempt to ‘ VtfNk "91111 *&<**• —- frnmTHi 6^ 5 * Mexlcan \ a P rot est dictate who shall be fired, but suggests to \v\fL W//// •re noT co f nsu , la e - While the producer that the offending member of VwJfcKyy §| ; JmeSnc 8 sh? lLl e l tnC ,“ ing vlllalns his staff is injurious to the welfare of the YUM//// I • . = C^*ih^J! e P a dose e >° on industry and it would be best to dron him. \\\\Y//// • Ar " t,mf m 1

Hollywood, cai„ Feb, 24 —The “City Hall” of Hollywood is located on the fourth floor pf an office building. It’s more familiarly knbwn as “Hays’ Office.” The “Hays’ Office” is the legislative, administrative and judicial departments of Hollywood government all in one. Nothing is sent out of the movie capital without its okay. Its stamp is the movie mark of purity. Yet, the public knows less about the “Hays’ Office” than any other branch of the motion picture industry. To start on the road of information, it isn't the “Hays’ Office” but the Association of Motion Picture Producers and Distributors of America, Inc. The title has leen shortened by newspaper writers, who refer to the association in the name of Will H. Hays, president of the organization. In his capacity as the head of the organization, Hays has been termed a movie czar, passing out “thou shalts” and “shalt nots” as he sees fit. But the organization and its management is much more than just Will Hays. It was organized in 1921 by the motion picture producers who felt a growing need for the improvement of screen standards. A production code was drawn up and Hays was called in (at over $200,000 a year) to enforce it. Two years ago an advertising code was added and now the association rules over the advertising and publicity of movies as well as the screen productions. n a a THE association is not a “blue-nose” outfit, but lather a “blue-nose” preventive. It is an attempt by the producers to enforce their own censorship rather than have it thrust upon them by outside groups unfamiliar with all of the ramifications of the business. Offices are maintained here and in New York. The local division is known as the Association of Motion Picture Producers, Inc. Its membership is made up of Paramount, Columbia, Educational, First National-Fox, Harold Lloyd Productions, M-G-M. R-K-O, Warner Bros., Universal, Hal Roach Productions and United Artists. Local producers who do not belong come under the jurisdiction of the organization through the distributors’ division in New York. Violations of the production and advertising codes entail heavy fines. A production violation costs the offender $25,000, while an advertising misdemeanor is taxed SSOOO. Those figures keep the pioducers well ip line. And when the association says “No,” it’s “No.” a a a THE general principle set down in the production code is that no picture shall be produced which lowers the moral standards of those who see it. Sympathy toward crime, evil or sin is out. Ridiculing of natural or human laws Is also taboo. The advertising code is based on the principles of good taste. Joseph I. Breen, a former newspaper man. is in charge of enforcing the production code. Assisting him are Jeoffrey Shurlock, a former director; Carl Lishka, a former educator, who speaks six languages; Arthur Houghton, an old Broadway showman; Douglas MacKinnon, former production man; Iselian Auster, also an ex-producer, and Charles 1 Metzger, an Indiana lawyer. They do their checking in a private screening room at the Roosevelt Hotel. If they find something in the picture which is objectionable, they suggest to the producing company that it be stricken. If the producer feels that their decision is unjust. hA can forward the matter to Hays and have a hearing. However, few producers do. They take the board’s suggestions with nothing more than a private murmur. In addition to watching out for sex angles and snappy lines in a picture, the pioduction board also has to keep its eyes open for things of a more general moral nature. For example, all villains have to be American, white and Christian to avoid protests from various groups. If the bad man in a movie is a Mexican, a protest comes from the Mexican consulate. While they’re not rigid about restricting villains to Americans, they keep a close on treatment given foreign characters. a a a ' r T''HE advertising code enforcement group A is headed by J. J. McCarthy, former road-show movie publicity man who han-

WHERE, WHAT, WHEN APOLLO "The Story of Louis Pasteur” with 1,:35 ' 1:35 ’ 3:35 ' 5:35 CIRCLE "The Informer.” with Victor McLaglen. at 11. 1:50. 4:30. 7:05 and 10. Also Chatterbox." with Anne Shirley. at 12:45. 3:25. 6 and 8:50. ENGLISH’S Kolisch String Quartet, Martens Concert Series. 8:30. INDIANA "The Milky Way.” with Harold Lloyd. Adolphe Menjou and Helen Mack, at 11:28. 1:35. 3:42, 5:49, 7:56 and 10:03. LOEW’S "The Music Goes ’Round” with Harrv Richman. Farlev and Rilev. at 11. 1:50. 4:45. 7:35 and 10:20. Also •'Tough Guy” with Jackie Cooper and Joseph Calleia. at 12:35. 3:25. 6:20 and 9:10. LYRIC "Everything Happens” with Olsen and Johnson on stage at 1. 3:53. 6:46 and 9:39. “Man Hunt" on screen, with Chic Sale and Ricardo Cortez, at 11:32. 2:25, 5:18. 8:11 and 10:44. OHIO "In Person," with Ginger Rogers. 10:30. 1:33. 4:36. 7:39. 10.27. So Red the Rose." with Margaret Sullavan, 11:56 2:59. 6:02, 9:05.

Collins Given Role in 'Dancing Pirate' Time* Fprrinl HOLLYWOOD. Feb. 24.—Charles Collins, young Broadway dancer, has been signed to a long-term contract, and now is playing a leading role opposite Steffi Duna in ‘ Dancing Pirate.” Owing to intricacies of his part which includes many extremely difficult dancing feats, Collins rehearsed seven weeks before facing the camera. Collins was dancing at the Hotel Ambassador, New York, when he was cast for “Dancing Pirate.” He is the husband of Dorothy Stone.

Alaska's Goiri Tropical! M MAE WEST fjffJ hnnit'-J^lMk

THE INDIANAPOLIS TIMES

The white bathing suit here displayed by Elcanore Whitney and the tennis ensemble intriguingly exhibited by Claudette Colbert are voted modest enough for the most exacting censors, so they have received the “O. K.” of Movie Czar W'ill Hays (lower left). At the upper right is Jospeh I. Breen, director of the Production Code Administration of the Motion Picture Producers and Distributors of America.

died the advance notices on such productions as "The Birth of a Nation,” “B~nHur” and “The Big Parade.” The board’s big drive has been against dollar sign .publicity and suggestive art. However, nudity and suggestiveness don’t go together as far as the board is concerned. They’re more interested in the intent behind a piece of art han in the actual subject itself. While the board has no cut-and-dried rules regarding types of art, it very definitely has ruled out all underwear art and "horizontals.” Pictures depicting a man kissing a girl on the throat or at the base of the neck are out. Exposure of the inside surface of a woman’s leg is also taboo. The board may pass a picture of an actress in a bathing suit or shorts, but rule out one in which the actress is fully clothed. In the fully clothed picture she may be lifting up her skirts or crossing her legs in an off-color, manner. The board has also ruled that distributors can not capitalize on court actions relating to the censoring of pictures by calling attention to such a fact in its advertising. Distorted quotations and false illustrations are also cut. u n tt BEFORE any art or advertising copy is sent out on a picture it must be submitted to the board for approval or rejection. Os the over $70,000,000 spent in advertising the motion picture industry last year, 80 per cent of the copy was directly supervised by the advertising code of the association. While the association has no direct jurisdiction over the personal affairs and actions of the various artists, it very definitely keeps them in line through its connections with the producers. Artists who give the film industry a black eye through their behavior off the screen are put in line by the associatior through suggestions to the producers fc whom they work that they either clean up or get out. The association makes no attempt to dictate who shall be fired, but suggests to the producer that the offending member of his staff is injurious to the welfare of the industry and it would be best to drop him. The suggestion is usually put into efTect. The association is in reality a protective organization. It is operated by and for the industry and the public which benefits by its decisions. About 80 people are employed

Boy, Hunted Gangster and Dog Figure in 'Tough Guy" at Loev/s Jackie Cooper, Joseph Calleia and Rin Tin Tin Jr. Are Entertaining in Bill’s Second Feature. A boy, a hunted gangster and a dog are the central figures in “Tough Guy,” the second feature on Loew’s bill this week. The first is the hilar-

ious film, “The Music Goes ’Round." Jackie Cooper plays his most grown-up role to date in the gangster movie, and does well in it. The new T screen menace, Joseph Calleia. makes an excellent criminal, and the dog, likely successor to his dad’s honors, is Rin Tin Tin Jr. The boy, Freddie, son of a millionaire. arrives home from a European school, with his dog. His father says he can’t keep the animal so he runs away. He and his dog hide under a tarpaulin of a truck driven by Joe Calleia, a criminal. Freddie is a witness to a bank robbery, and the gunman takes him along to his hide-out. Joe finds the boy and dog hiding Dance Training Aids Star in Opera Film Time* i pecinl HOLLYWOOD. Feb. 24.—For the first time in her screen career, special dancing training received in London during her childhood is to be of value to Benlta Hume.. She has been cast in “Moonlight Murder.” and is to be seen as a grand opera ballerina in a scene from "H Trovatore” with Duncan Renaldo.

by the associatiov., with Breen wielding nearly as much power as Czar Hays. Hays spends only about one-fifth of his time in Hollywood, making three or four trips a year out here to see how things

on the roof of the shack. Shooting to scare him, he hits the dog and then takes them both away in his car. Joe yields to Freddie’s pleas and stops to have the dog treated.

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While camping in the woods the three become pals. Later, when Calleia is captured and fatally wounded, he begs the boy’s father to try and understand his wayward son. It’s not much of a story but the cast does well with it. Cooper, Calleia and the dog should entertain you. (By J. W. TANARUS.)

APOLLO P?0F10® !

Isanußl Today! ■ GINGER ROGERS - “IN PERSON” This “So Red the Bo*e”

MUTUAL The One n..„|Theatre and Only |}U NBSQUG in the Exclusive M W Middle Went Laporte with GINGER GIRLS Featuring Prettiest Chorus in Burlesque

are progressing. Most of his time is spent in the Eastern office of the association. A "czar” 3000 miles away from his kingdom. TOMORROW—A trip through Hollywood’s ‘Wonderlands.”

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WEST SIDE om 1 mn 2702 W. 10th St. STATE “££; KKf “THE LITTLEST REBEL” Comedy—Novelty npr s*/\*Tnr W. Wash. Sr Belmont BELMONT “LITTLEST REBEL” “RIFF RAFF” Da Trt *r 2546 W. Mich. St. A V Y Double Feature 1 * Jack Oakie “COLLEGIATE” “MAN OF IRON” NORTH SIDE _ R’l fy, n, Illinois at 34th I I A Double Feature x x " Jean Harlow “RIFF RAFF” “MILLIONS IN THE AIR” UPTOWN Ronald Col lira n " KJM. IVIUI Elizabeth Allen “A TALE OF TWO CITIES.” Audioscopiks—-Comedy—News /-1 j. rv n i/vf/ 30th and Illinois GARRICK esW “IT’S IN THE AIK" “THREE ML’SKETEERS" ' rsrp /x I am St. Clair & Ft. Wayne SI. LLAIK Double Feature * JX# vjs-axxxx Wln Rogers “IN OLD KENTUCKY” “MJSTER HOBO" > ysv 86th at Nnrthw’t’n. KKX Double Feature Marx Bros. “A NIGHT AT THE OPERA” “THE JIED SALUTE” rn 4 r OATT Talbot Si 22nd 1 ALdO 1 1 Double Feature x x x Will Rogers “IN OLD KENTUCKY” “STARS OVER BROADWAY” __ pi , r j iflth Sc College Stratford "IT S IN THE AIR” “PERSONAL MAID’S SECRET” sg ri /v o a Noble Sr Mass. MECCA ®;s*iuHir “PETER IBBETSON” “MURDER MAN" pvn n 411 2381 Station St. DREAM *: "FRISCO KID” "WHIPSAW” “ EAST SIDE n tvi g-y t T 3155 E. 16th RIV OLI 7.* jag" "KING OF BURLESQUE” “THE MAN WHO BROKE THE BANK AT MONTE CARLO” TTTVPrXA 4026 E. New York TUXLDO -sar*-™ “IN OLD KENTUCKY” _ "THE FRISCO KID”

FEB. 24, 1935

Muni Scores Great Hit in Pasteur Film Actor Proves He Can Play Character Roles in Apollo Movie. The most impressive part of that excellent picture, "The Story of Louis Pasteur” at the Apofio. is the acting of a young man named Paul Muni. Until it was produced. Mr. Muni’s work had been confined primarily to the portrayal of gangsters or down-trodden miners and the like. For a long time he has insisted that he could play character roles. The film proves that he was right. Mr. Muni’s real name is Muni Weisenfreud. He was bom in Vienna 38 years ago and came to this country with his parents when a child. For a while he attended New York public schools, gave it up and went on the stage w'ith his father's cc-mpany when he was 11. His mother was an actress and his two brothers were professional musicians. His first stage role was that of an old man. Is a Fine Violinist He thinks “Counsellor at Law'” is his best stage work. He has studied music since he w r as 4 years old and is a fine violinist. He prefers Beethoven and Bach, but also likes Jerome Kern's tunes. Among sports he likes prizefights and baseball, and he harbors a secret ambition to manage a boxer. Although he prefers classics to moderns he likes to read James Joyce and Upton Sinclair. He steadfastly has refused to make more than two pictures a year and insists on choosing his own stories. A student of political economy, Muni reads every new book on the subject of world affairs. He is happily married and Mrs. Muni accompanies him on all his trips. The actor is 5 feet 10 inches tall, and weighs 165. Among his more important pictures have been, “I Am a Fugitive From a 1 Chain Gang,” “Black Fury” and “Dr. Socrates.”

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MARTENS CONCERTS, INC. sth Concert of Series TONIGHT, 8:30 Kolisch Quartet Seats on Sale Martens Ticket Office. Room 201 at 32 Monument Circle, until 5 p. m.; 8 o’clock. Theater Box office, sl.lO, 51.65, $2.20, $2.75, Tax Inel.

EAST SIDE TACOMA 24 cuV^e 8U Charles Laughton “MUTINY ON THE BOUNTY” Comedy—News—Cartoon in it I XT 5567 E. Wash. St. K V I i\ (s Double Feature r in VJ spencer Tracy “WHIPSAW” “YOUR UNCLE DUDLEY” EMERSON L,i! xx vnDOil Sylvia Sidney "MARY BURNS, FUGITIVE” "SYLVIA SCARLET” HAMILTON Doubfe Feature " lUUTU4VIV/11 Katharine Hepburn “SYLVIA SCARLET” “NAVY WIFE” Pa n 1/ p n 2636 E. 10th St. ARK L R Double feature * V Barbara Stanwyck “ANNIE OAKLEY” “SMILIN’ THROUGH” Sm n 4 \i t~v Wt E. Wash. S.t. K A !\ IJ Double Feature x x a i v a-e Joan B , nnett “SHE COULDN’T TAKE IT” "GRAND EXIT” n /X V \T 2721 E. Wash. St. K () A I Double Feature xv v ' x Barbara Stanwyck "ANNIE OAKLEY” "HAPPINESS C. 0.D.” n . 411 E. Wash. St. Paramount D< j b >* e***™ Jack Benny “IT’S IN THE AIR” "NEVADA” _ SOUTH SIDE ~ FOUNTAIN SQUARE Double Feature Jean Harlow "RTFF RAFF” "SHE COULDN’T TAKE IT” SANDERS “THREE MUSKETEERS” "MAKE A MILLION” /-t j 1645 Virginia Ave.~ tiranada Double Feature U 1 a,,aua Pvt. C. K. Slack in Person Appearing with “FOUR ACES” Douglas Montgomery—"HAßMONY LANE” Air 4 g xi Prospect-Churchman V ALU IS Double Feature y I*. sj ve it l>WT , n< . e Tibbett "METROPOLITAN” "RENDEZVOUS” ORIENTAL sC VIUL-mtlL Cecil B. DeMllle’6 “CRUSADES” “HOPALONG CASSIDY" GARFIELD SffiSMT “A NIGHT AT TBE OPERA” “THE CASE OP THE LUCKY LEGS’*