Indianapolis Times, Volume 47, Number 295, Indianapolis, Marion County, 18 February 1936 — Page 6

PAGE 6

'Story of Pasteup to Open Here Friday on Apollo Theater Screen Film Play Concerning Noted French Scientist Contains Events Only Hinted in Books and Novels of Life of Benefactor of Mankind. BY JOHN W. THOMPSON "The Story of Louis Pasteur," which opens at the Apollo Theater Friday, brings to the screen events in the life of the quiet little chemist who gave pasteurization to the world, that only have been hinted in text books and novels.

Physicians of France did everything they could to get rid of Pasteur, who told them that the insanitary instruments they used caused more deaths than the diseases they treated. Finally they had him banished from Paris and he set up a laboratory in Arbois, a small province. Cne of the old school doctors, found the place and challenged Pasteur to a public demonstration of his anthrax vaccine. Pasteur accepted. Terms of the experiment were that 25 of 50 sheep be vaccinated with the Pasteur vaccine, and then all be given anthrax by injections of blood taken from animals which had died from the disease Test Attains Prominence Overnight the test attained international prominence and a circus city sprang up near the two pens where the animals were kept. Dr. Lister, famous English antiseptic specialist, came to see the results. At a signal, the crowds moved toward the pens and found that all but two of the sheep which had not been vaccinated were dead. The Pasteur-treated sheep were lying on the ground in their pens. Pasteur stopped on his way to the enclosure, fearful that the vaccine had not worked. Suddenly a dog barked, and the sheep jumped to their feet, alive and healthy. Tearfully apologetic, the French doctors swarmed about the happy little scientist. Starts Work on Rabies That same day Pasteur saw a mad dog bite a man and nothing that science had evolved could save him. He determined then to search for a rabies vaccine. Working secretly with mad dogs he went through one futile experiment after another. Then through an accident he discovered that the virility of germs decreases as they age. He concocted anew serum and used it on a boy who was suffering from the disease. It v/orked. In the cast of the picture is Paul Muni as Dr. Pasteur; Josephine Hutchinson as his wife, Anita Louise as Pasteur’s daughter; Donald Woods as a young doctor who believed in Pasteur; and Fritz Lieber as Pasteur’s greatest enemy.

Only Experts Get Jobs^Now Hollywood Extras Chosen For Their Experience. Times Special HOLLYWOOD, Feb. 18.—Specialization has reached Hollywood’s “extra” population. To be in demand for minor roles at local studios an “extra” no longer can be a mere “extra.” He must be registered as a specialist, and must know the rules and tricks of particular jobs. No longer can “Extra” John Smith play a chef one day and a taxidermist the next. Instead, unless he has been a cook or a taxidermist at one time or another in his career, chances are he docs not get the job. In the production of “The Bride Comes Homes,” trainmen used in the railway scenes all were extra players who had worked for railroad companies in the same positions in which they were cast. That also was true In the cases of waiters, musicians and policemen. In explanation, it is pointed out that Pullman waiters, despite previous experience, go to a special school before going on the road: policemen go to police schools and barbers to barber colleges. There they learn tricks of the trade which would be noticeable if missing in screen production. m Amateur Actors to Repeat Show ‘Another Language’ Played by Church Group. The final performance of “Another Language.” rollicking play by Rose Franken, is to be given by the Sutherland Players at the Sutherland Presbyterian Church, 28th-s and Guilford-av, tonight at 8:15. A talented amateur cast presented the play last night which, although it contained the inevitable roughness of its kind, caught the simplicity of this pungent dramatization of American family life. In the large Hallam family, dominated by a squeamish mother, a romantic young nephew falls in love with an equally romantic daughter-in-law. By swinging the pendulum too far on the esthetic side, resulting actions of these two bring about a more happy existence for the Hallam brood. Geneva and Riley Fledderjohn, Norman Green, Grace Abramson and Jim Bowling were outstanding. The sets by Virginia Brackett Green were among the best we have seen at Sutherland's little theater. (By J. W. TANARUS.) Director Hangs Out 'I Don't Know' Sign T imes Special HOLLYWOOD. Feb. 18.—Director George Cukor has revolted against answering unnecessary questions. Since he has been working on “Romeo and Juliet,” with Leslie Howard and Norma Sheam*. he has been plagued with what he believes are queries too simple to deserve answers. Now when he is questions on the set, George simply opens his coat. Underneath Is a sign on which is printed: “I don’t know."

Civic Show to Feature Skits 'Hold Your Hats’ to Include Broadway Sketches. Two sketches by Nancy Hamilton, Broad way’s newest find in the musical oomedy field, are to be featured n "Hold Your Hats," the Civic Theater production to open here Saturday. They were used in the New York success, "New Faces,” in which Miss Hamilton made her debut. She now is writing exclusively for. Beatrice Lillie. Miss Lillie currently is starred on Broadway in “At Home Abroad.” Miss Hamilton graduated from Smith College in 1927 but didn’t find out she could write for several years. She now is appearing in the costume play, "Pride and Prejudice” at New York’s Plymouth Theater. Playing one of the "straight”

leads in the local show is Dorothy Jay Robinson, who appeared in several children'* productions in England before joining musical comedy. She was a “girl o’ the line” in the London production of “Box of Tricks,” played at the Drury Lane Theater as

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Dorothy Robinson

Joan in “Young England,” and with Edmund Gwenn in “The Light Blues.” One of the dancing parts in

“Hold Your Hats” is to be taken by Blanche SherfeyShoemaker, who is making her first Civic appearance. She won a state voice contest two years ago and has sung a t conventions over the country. Her dramatic experience here has] been confined

Katherine Morris

mostly to Irvington Players’ productions. Part of the comedy element in the show is to be supplied by Kath-

erine Morris, local comic. Last year Miss Morris and Edmund Koolish toured Chicago night clubs as a dance team. Miss Morris was one of the highlights in last season’s Civic musical “Meet My Sister.” She began her career sever-

A,' -X \\

Mrs. Shoemaker

al years ago at Shortridge. She is the daughter of Mr. and Mrs! Fred Newell Morris. Mr. Morris is a vocal teacher. The dance routines for the show are under the direction of Jac Broderick. Anna Ludmilla is to be seen in several solo numbers and also with Toni Masarachia, guest artist.

Lady Cavendish Gets Film Bids Three Companies Reported After Former Dancer. B;i United Press HOLLYWOOD, Feb. 18.—Fred Astaire's sister, Adele, now Lady Cavendish, today was sought by (three film companies which believed she would be as much of a success in motion pictures as her dancing brother. Lady Cavendish was her brother's dancing partner until she married Lord Cavendish and retired from the stage. According to film colony reports, Metro-Goldwyn-Mayer, United Artists and an unnamed third studio v ’•e attempting to convince the and“ -k-haired former dancer that she should star in at least one picture. Lady Cavendish and her husband came here to visit Mr. and Mrs. Fred Astaire. Previously she had written her brother that she was not interested in film work but the three studios immediately offered her rich contracts. Jack Holt Is to Be Aristocrat of 1906 Times Special HOLLYWOOD. Feb. 18. —Jack Holt is to abandon his boots and saddles to play a Nob Hill aristocrat in Francisco,” now in production. Jeanette MacDonald, Clark Gable and Spencer Tracy have the leading parts. The picture is to "ell of the city in the days before the 1906 earthquake. Miss MacDonald is to sing several opera arias as well as songs written for the production. Phil Baker Envies Editors Phil Baker says he certainly envies radio editors in northern Canada. With their ear muffs on, they probably can’t hear a thing. gKi! i m Pirk Powell-Ann Dvorak “THANKS A MILLION” , Plu "GUARD THAT CIM."

NORMAN SILGEL IN gssfSgjP! TOLLYWOOD, Cal., Feb. 18.—In Holly- VITHEN the screen stars eat out in wood you take movie stars with your ’V Hollywood it's usually at the Brown flee. You get them, whether you want Derby or A1 Levy's Tavern, which are loem or not, for they're sure to be in the cated across the street from each other on xt booth or behind the nearest pair of Vine, just off Hollywood-blvd. Sardis, rk glasses around the corner, used to get a big movie Whether you’re eating, shopping, sun- 15 now Rented by young col- Mjf % ng on the roof of the Roosevelt Hotel or g Wm st getting a haircut, you're doing it with Th e Brown Derby is a huge room with me one whose name draws crowds into walls covered with caricatures of movie { Jit -JOB avie theaters throughout the world, the personalities. Jimmy Durante is hung in andinavian countries included. two frames, one containing the end of his nP|||l No 200-inrh telescoDes are needed to nose ’ which couldn,t be & otten into a WSm if - these stars aDDearance days single drawing ' Diners sit in semi-circular mese stars, personal appearance aa\s hnnfhs eauinDed for nhonp ralls'as well as BH id celebrity nights the year ’round make S ’ equi PP ea lor P none calls as * eu a * i the Hollywood calendar. KHHH ■pt -f. > JHfN C a ro „ roc .„tc „„ And there are always bound to be a 1 l . lal |tr % h nPrl nfrv flock cf celebrities present. The Joe Pen- 1 P, , % W i ffpr ners - Bert Wheeler, Joe E. Brown, Win- . fllfpMP’ g elevator of his hotel the other after* nUniiv ■Dufv* j. *• Mlrr A ion He recognized one of the occuoants chells Ruth Cambridge Girl Friday, jilKk - 4 ? was lure that the fellow wafl SSs- Jeanette MacDonald and Henry Fonda, the 9f anTe had mes during hovels Ba t O’Brien. Carole Lombard and Oliver 111 . g| JH ng ho said, “Hello.” The man returned ? th ® CroWd one eVenmg when W *0 e greeting and they became engaged in a e ar °PP e 1 • f k > "mm ow are you?” conversation. • Levy s Tavern, with its white, neon- w '*Mi fmßEtmM As they got off the elevator in the lobby, decorated front also is overflowing with | . | Jflfe gSM turned to him and said in an apologetic “ f ? v “ hir L g ° ther mmk 1 / Mm A inner. “I'm sure I've met you somewhere at^™°° n Helen Flmt, former Ziegfore, but I just can't remember your f, eld ollies g , l , r i J. wb °.,P layed „ one . °* 'j? ISl: *■ ”... , just completed working in “Little Lord WKmlmmm f i JyfiFlßfc ml, llllliallll Smiling, the man of the 'forgotten Faunteleroy,” we bumped into half of the ‘ Jgfew me” replied. “I don t recall whether we ve Paramount staff before the check arrived. W & ImzW, ' it, but I believe you have seen me before. Wm&xzMm?' y name is Guy Kibbee.” a a a a a a \ T night, the Trocadero, Victor Hugo, '' > EMEMBER a picture that came out a /endme the Biltmore and Wiltshire —1 1 V few vears -aeo called "Twentieth Hotel Bowls and the Cocoanut Grove at *- ' • , , 0 y t F caned, Twentieth the Ambassador look like settings for an mtury ? John Barrymore was the star, aU . st ar movie. They’re all out of Holly- ' it also in the cast was a little man who Woo d, but nearby. M % n about on a train pasting religious ’ _ ickers on‘the windows and passengers. . The Roosevelt Hotel, with its Cinegrill, . , is another movie colony rendezvous. Break- MW '/• Many movie-goers thought he was the fasting there the other morning we saw * JK jH. ■st in the picture. At least, this the p re dric Marches and Mrs. Cole Porter ' " - JH - ember of the audience did. starting off on a “soft-boiled" day. - 'T,- * mm Ever since seeing that picture I haven t The lobby of the hotel is also "star- ; |H ken a train trip without looking for the studded.” many of them staying there 4 XML i tie man with the stickers. Unfortunately when working on a picture. The lobbyists Mfjim Mi' '< - never appeared. Maybe he always took caught a long glimpse of Lee Tracy the I'i- ? eatsSM&k * e second section. , other evening, checking in badly in need |i| J|jraS§ak Returning to the hotel the other eve- of a haircut and a Turkish bath. ’ r.g. I stopped at the desk for my room But, you don't have to go to the ac■y. And there he was, the little man with cepted “regular" spots to gaze and gaze ,e religious stickers. Only he didn't have and gaze upon the boxoffice attractions. 'V ly stickers, or if he did have, he wasn’t Monroe Owsley of “Holiday" fame, was y ashing around the place depositing them caught buying razor blades in a Hollywood "-W& * ‘ i hats, coats and furniture. boulevard drug store. w '■'* "Aren't you the character that annoyed That nervous person shopping for flow■cry one with religious stickers in “Twen- ers at Bullock s' Wiltshire was Zasu Pitts. V *"* ‘th Century’?’’ I hesitatingly asked, ex- Hugh Herbert was spotted standing in | , ‘ cling to oe bounced out of the hotel for front of a movie house following the pre- jS&H; -> '-5 moving the guests in case I was wrong. view screening of Colleen,'’ pondering fffejgff*'- 'J? V v *-. “Yes, that's me,” he beamed. “Did you nvcr the fact that 1000 feet would have to iSaR :e the part? I've always thought it was be cul out of the picture. eof my best roles.” a a a XlflillWMW R PP'/ r’flnnv,/, i- .

T_T OLLYWOOD, Cal., Feb. 18— In Holly- * wood you take movie stars with your coffee. You get them, whether you want them or not, for they're sure to be in the next booth or behind the nearest pair of dark glasses. Whether you’re eating, shopping, sunning on the roof of the Roosevelt Hotel or just getting a haircut, you’re doing it with someone whose name draws crowds into movie theaters throughout the world, the Scandinavian countries included. No 200-inch telescopes are needed to see these stars. Personal appearance days and celebrity nights the year ’round make up the Hollywood calendar. A friend of mine who represents an English pipe house in this country got into the elevator of his hotel the other afternoon. He recognized one of the occupants. He was sure that the fellow was a salesman he had met during his travels. Nodding ho said, “Hello.” The man returned the greeting and they became engaged in a “how are you?” conversation. * As they got off the elevator in the lobby, he turned to him and said in an apologetic manner, “I’m sure I’ve met you somewhere before, but I just can’t remember your name.” Smiling, the man of the "forgotten name” replied, “I don’t recall whether we’ve met, but I believe you have seen me before. My name is Guy Kibbee.” a a a REMEMBER a picture that came out a few years 'ago called, “Twentieth Century”? John Barrymore was the star, but also in the cast was a little man who ran about on a train pasting religious stickers on'the windows and passengers. Many movie-goers thought he was the best thing in the picture. At least, this member of the audience did. Ever since seeing that picture I haven’t taken a train trip without looking for the little man with the stickers. Unfortunately he never appeared. Maybe he always took the second section. t Returning to the hotel the other evening, I stopped at the desk for my room key. And there he was, the little man with the religious stickers. Only he didn’t have any stickers, or if he did have, he wasn’t dashing around the place depositing them on hats, coats and furniture. “Aren’t you the character that annoyed every one with religious stickers in “Twentieth Century’?” I hesitatingly asked, expecting to be bounced out of the hotel for annoying the guests in ease I was wrong. “Yes, that’s me,” he beamed. “Did you like the part? I’ve always thought it was one of my best roles.” Etienne Giradot is his name. You’ve seen him in “Old Kentucky,” “The Whole Town’s Talking,” “Th; Little Rebel” and many other hit pie„mes during the last two years. “The P.shop Misbehaves” is his latest screen effjrt. He was so delighted at being recognized that he called his wife over, introduced her and insisted that I dash up the street to see a special showing of his first picture.

The Brown Derby

WHERE, WHAT, WHEN APOLLO “It Had to Happen,” with George Rafe, Rosalind Russell and Leo Carrillo. at 11:41, 1:41, 3:41, 5:41, 7:41 and 9:41. CIRCLE “The Lady Consents." with Ann Harding, Herbert Marshall and Margaret Lindsay, at 11:45, 1:50, 3:50, 5:55, 8 and 10. INDIANA “The Petrified Forest.” featuring Leslie Howard and Bette Davis, at 11. 1:17, 3:30, 5:50, 8:05 and 10:25. LOEWS “Rose Marie.” starring Jeanette MacDonald and Nelson Edtfv, at 11:15, 1:24. 3:30. 5:40. 7:55 and 10. LYRIC “Radio City Follies.” on stage at 1, 3:53, 6:46 and 9:39. “My Marriage,” with Claire Trevor, Kent Taylor and Pauline Frederick, on screen at 11:32. 2:25, S:IG. 8:11 and 10:44. MURAT . Concert of the Indianapolis Symphony Orchestra with Vladimir Bakaleinikoff, associate conductor of the Cincinnati Symphony Orchestra, as guest conductor at 8:15. OHIO “Guard That Girl.” with Robert Allen. 11:13, 2:31, 5:49. 8:58. “Thanks a Million.” with Dick Powell. 12:30, 3:38, 6.56, 10:05.

Stage Star to Play in 'I Won't Dance' Times Special HOLLYWOOD, Feb. 18.—Helen Broderick, popular stage and screen star, is to have a prominent part in “I Won't Dance,” new Fred As-taire-Ginger Rogers picture, scheduled for production early in March. Miss Broderick left the cast of “As Thousands Cheer” to make her film debut in “Top Hat,” with the same two stars. Since then she has appeared in “To Beat the Band” and “Love on a Bet," and now is working on* “The Puzzle of the Briar Pipe,” with James Gleason. The screen play of “I Won't Dance” is in the hands of Howard Lindsay, Broadway playwright, and the musical score is to be by Jerome Kern and Dorothy Fields. nrfTTy^il As Todays fa.vorite. Song"/ 1_ Em\jS\Jackie Odoper E * TGU.G-H- 1 G’LLY *

THE INDIANAPOLIS TIMES

■fITHEN the screen stars eat out in * Hollywood it's usually at the Brown Derby or A1 Levy’s Tavern, which are located across the street from each other on Vine, just off Hollywood-blvd. Sardi's, around the corner, used to get a big movie play, but is now frequented by young collegiates. The Brown Derby is a huge room with its walls covered with caricatures of movie personalities. Jimmy Durante is hung in two frames, one containing the end of his nose, which couldn’t be gotten into a single drawing. Diners sit in semi-circular booths, equipped for phone calls *as well as food. - And there are always bound to be a flock of celebrities present. The Joe Penners, Bert Wheeler, Joe E. Brown, Winchell’s Ruth Cambridge “Girl Friday,’’ Jeanette MacDonald and Henry Fonda, the Pat O’Brien, Carole Lombard and Oliver Hardy were in the crowd one evening when we dropped in. Levy's Tavern, with its white, neondecorated front, also is overflowing with movie people. Lunching there the other afternoon with Helen Flint, former Ziegfeld Follies girl who played one of the “gay” gals in “Ah, Wilderness" and who has just completed working in “Little Lord Faunteleroy,” we bumped into half of the Paramount staff before the check arrived. a a a AT night, the Trocadero, Victor Hugo, Vendme, the Biltmore and Wiltshire Hotel “Bowls” and the Cocoanut Grove at the Ambassador look like settings for an all-star movie. They’re all out of Hollywood, but nearby. The Roosevelt Hotel, with its Cinegrill, is another movie colony rendezvous. Breakfasting there the other morning we saw the Fredric Marches and Mrs. Cole Porter starting off on a “soft-boiled” day. The lobby of the hotel is also "starstudded,” many of them staying there when working on a picture. The lobbyists caught a long glimpse of Lee Tracy the other evening, checking in badly in need of a haircut and a Turkish bath. But, you don’t have to go to the accepted "regular” spots to gaze and gaze and gaze upon the boxoffice attractions. Monroe Owsley of “Holiday” fame, was caught buying razor blades in a Hollywood boulevard drug store. That nervous person shopping for flowers at Bullock’s Wiltshire was Zasu Pitts. Hugh Herbert was spotted standing in front of a movie house following the preview screening of "Colleen,” pondering over the fact that 1000 feet would have to be cut out of the picture. a a a DROPPING into a boulevard shoe store the other afternoon to see if anything could be done about a size 11 shoe on a size 12 foot, we became interpreter for Luise Rainer. It seems that she had been having trouble with the hose she had bought at the place and wanted others without any "things.” The clerk was puzzled. Miss Rainer was rapidly becoming exasperated.

Cole Porter Is Writing Songs When Friends Think He Sleeps Friend Reveals That Composer Often Does Best Work When Surrounded by Excitement and Revelry. Times Special * NEW YORK, Feb. 18.—Cole Porter, whose revue music has made history the last few seasons, was sitting in a corner of a room at a party recently, when an inquisitive young woman came up to him. He seemed oblivious to the sounds of revelry which quivered in the smokeladen air. “Hello,” she said by way of making conversation. “I suppose you are writing a song.”

“Exactly,” returned Mr. Porter, who wrote the songs in the picture, “Anything Goes.” He said nothing more and the young lady turned away surprised. She had been joking, and had stumbled upon an artist busy at work. She confided to a close friend of Mr. Porter’s a few minutes later: “I always thought composers worked in sound-proof rooms, and that any noise was so distracting that they tore their hair in despair.” “You’re right about most of them,” was the reply, “but Mr. Porter is different. Get Monty Woolley to tell you something about the way much of the music in ‘Jubilee’ was written.” Inquiry revealed that many of the numbers in the show were written in cases or at lively parties in corners of the world touched by the FranLYRIC T\ on stag* k RADIO CITY FOLLIES feaZOri/iq || ROXY SINGING J ENSEMBLE . . . . SULLY AND THOMAS <§ And ROXYETTES I X Extra! Added Treat! / X BRITT WOOD / ill dilSeat, 2fr.6- gy 1 / OH &CMIH jlttiflllamaqsj I CLAIRE TREVOR I A *Nt TATIOI • FAUUNI MIOIIICK V \ FAM KIUT ■ HiLIN WOOS • TMOMAi tICX / \ fc. ■ mWM /

A screen villain unmasked . . . Etienne Giradot as he appears in RKO-Radio's "Syivestre Bonnard”

The European star knew what she wanted to say but she didn’t know how to say it in English. The “things” finally turned out to be “flaws.” She didn’t want any stockings with flaws. All of the flaws aren’t in stockings, however. You run into a few if you're on the

Case Trocadero

conia, on a voyage the composer and Moss Hart took when they decided to weave a comedy around adventures of a royal family. “Cole really works better when there is excitement going dn around him,” Mr. Woolley said. “Os course many of the numbers were written on shipboard, but I recall several that were written amid the liveliest surroundings. One song came out of a garden party in Ceylon and another emerged from a babel of noise in Cape Town. “On shipboard Cole would lie for KVLLJ 1 25e Till 6—25c-40c After 6 it o cap aiuoBBMBBMB "A TRULY GREAT MCTURE"~ MUTUAL The One ej i Theatre and Onlr BUTI6SQU6 the Exclusive Middle West PRETTIEST of PRETTIES Features Roth Willson & Sally Walker

hours on deck with wild ballyhooing going on. To the observer he appeared asleep, but would get up and dash for the piano and reel off words and music of a song. “I remember once several years ago that I was driving with him along a New England road. He began scribbling on the back of old letters. Hours later, when we had gone more than 60 miles, he grabbed my arm and said: “‘lt’s finished. Look for a roadhouse with a piano.’ “We found one, and Cole soon was banging away with a grin on his face. He had written a complete song. I think it went into ‘The Gay Divorcee,’ ” Mr. Woolley concluded.

Treasures Mark Twain Letter Lionel Barrymore was a friend of Mark Twain’s, and still treasures a letter from the great humorist. j^Luiionfi Liw Milky Way" I 1' voted X 935 best plctore. ff I INFORMER

look-out for movie names. The fellow we took for Cesar Romero on the avenue was smiling at us the next afternoon from behind a barber’s chair. Or was it Romero who cut our hair? Next—The lowdown on the Movies’ Purifying Mechanism.

AI Levy’s Tavern

Alice Faye Pic s ure on Ohio's Twin Bill The latest Alice Faye picture, “Music Is Magic,” is to opi .1 as one of two features on the Ohi* Theater bill starting tomorrow. The other picture is "Th nder In the East,” starring Charlt Boyer, Merle Oberon and John Loder in another of the “East Meets West” stories.

EIGHBORHOOD THEATgRff^

SIDE Srxv arp ¥7 2702 W. 10th St. I A I IT Richard Forham •*■****■* Sheila Manners “MOONLIGHT ON THE PRAIRIE" COMEDY NOVELTY W. Wash. A Belmont BELMONT “SHE COULDN'T TAKE IT” “MISS PACIFIC FLEET” Da ¥n XT 2540 w. Mich. St. A I \ Y Double Feature Dick Powell “THANKS A MILLION” “FRECKLES” NORTH SIDE Rl m rr Illinois at 34th 11/, Double Feature * A *-* Claudette Colbert “BRIDE COMES HOME” “YOUR UNCLE DUDLEY” UPTOWN ib * Feature lvnll Shirley Temple “THE LITTLEST REBEL" ADMIRAL BYRD’S “LITTLE AMERICA^’ /v an n iriir 30th and Illinois UrAKRILiK Double Clark Gable “MUTINY ON THE BOUNTY” “PERSONALJHAID’S SECRET” pm a St. Clair dt Ft. Wayne SI. LILAIK Double Feature Marx Bros. “A NIGHT AT THE OPERA” “TWO-FISTED” nrv 30th at Northw’t’n. Kr.X Double Feature **■*'“* Nino Martini “HERE’S TO ROMANCE” “PENNY WISE’’ m*! HA , I v r Talbot * 22nd lALdOI 1 Dotbie Feature iiiL/uv/1 A Marx Bros. “A NIGHT AT THE OPERA” “FEATHER IN HEP. HAT” Ox if J 19th * College Stratford Dot.ble Feature UliauUlU Judith Allen “RECKLESS RAIDS’,’ “THE SILENT CODE” Mp /1 pi Noble dr Mass. K Ul Ll A Doible Feature aj xa J;iek Ijaßn# “HOT OFF THE PRESS” “MOTIVE FOR REVENGE" fvfvp A RR 2.301 Station St. DREAM o“ nb,e r '* tw Ginger Rogers "IN PERSON" “MANHATTAN MOON” EAST SIDE RIVOLI iS&'WS. AV X VUI. Shirley Tem|U “THE LITTLEST REBEL” George Raft-Jean Bennett “SHE COULOJST TAKE IT” Si

FEB. 18, 19S6T

'Crazy' Song Movie Opens Here Friday ‘The Music Goes Round’ td Be Seen for Week at Loew’s. “The Music Goes Round,” featuring Eddie Farley and Mike Riley, composers of the song which recently has captured the nation, is to ba shown on Loew’s screen starting Friday. On the same program is to be “Tough Guy,” Jackie Cooper * latest film. “Wife Versus Secretary" starring Myrna Lov, Clark Gable and Jean Harlow, previously announced as next week's picture, has oeen postponed in order that it may have it* world premiere in Hollywood. There is plenty of entertainment in “The Music Goes ’Round.” Besides the two "swingin’” principals, a cast of 4000 is headed by Harry Richman. Rochelle Hudson and Walter Connolly. Others are Lionel Stander, the boy with the buzz saw voice, in “If You Could Only Cook;” Michael Bartlett, tenor, who played in Grace Moore’s “Love Me Forever;” the Bayou Belles, Les Hite'a orchestra and the famous “Blackbirds.” Farley and Riley appear in a musical sequence featuring the Onyx Club band and their ’round and around music in the course of a story that moves from a river showboat to Broadway’s night spots. Laurel, Hardy Film Scheduled 'The Bohemian Girl’ Comes to Lyric on Feb. 28. "The Bohemian Girl,” latest fulllength starring Stan Laurel and Oliver Hardy, has been booked for the Lyric Theater for the week beginning Feb. 28. The stage production for the week is to be A. B. Marcus’ “Revue Continental.” The picture is based on the operetta by Michael William Balfe, written nearly a century ago. It first was produced in the Drury Lane Theater in London. Most of the music has been retained in the movie adaptation, although the story has been changed appreciably in order to give leeway for the Laurel-Hardy antics. In the cast with the comedians will be Antonio Moreno, Jacqueline Wells, Mae Busch and James Finlayson. Maennerchor Plans Washington Party Members and guests of the Indianapolis Maennerchor are to celebrate Washington’s birthday Saturday with a floor show and ball in the concert hall at the Academy of Music. Features of the entertainment are to be a minuet in costume by pupils of Bonnie Loder LaShelle, and accompanied by a string quartet; dialogues by Wilbur Kippert, and songs by the Ooley brothers’trio, and L. C. Leavitt, tenor, and Dr. Hari. Cornblum, baritone. Frank M. Fox is head of the program committee. ONE NIGHT ONLY |JB NEXT SUNDAY Ki (Feb. 23) f JAN GARBER Vm "Idol of the Airlanen” TICKETS now 80c inrl. Bjc Fed. tax till 8 P. M. ■ MOT night of dance. After that all tickets sl.lO Jm DANCE TONIGHT HGf£l LADIES 15c Incl. Checking g U Gentlemen 2Sc Before 0 [ttoo#| mr BAUHOOmM wp

| EAST SIDE I r| .f T-ir y-i 1-V/-V 4020 E. New York I JXp, IJII' Double Feature XGilLil/V Myrna Loy “WHIPSAW” “THREE KIDS AND A QUEEN” Audioscopics—3rd Dimension Film Sensation TP A /“i 11 . 2442 E. Wash. St. 1 ALOMA Double Feature aixviv/nux Marx Bros> “A NIGHT AT THE OPERA” “THE CASE OF THE LUCKY LEGS” t n ir jat G #507 E - Wa,h - st - IRVING YSuSKSS: “BARBARY COAST” COMEDY-NOVELTY EMERSON Elizabeth Allan “A TALE OF TWO CITIES” Audioscopiks—3rd Dimension Film Sensation HAMILTON 2116 E. 10th St. Special Feature Attractions PARKE “ u “ Kitty Carlisle “A NIGHT AT THE OPERA” _MaL_ Bowes’ Amateur Theater—Cartoon Srp n . XI rv W3* E. Wash. St. 1 RAIN D Donbl Feature a-r w „, Roteri “IN OLD KENTUCKY” “NAVY WIFE” __ R/\ V XT 2721 E. Wash. St. U A Y Surprise Night May Robson "GRAND OLD GIRL” “FALSE PRETENSE” _ ___ Paramount" "©©f “REMEMBER LAST NIGHT” COMEDY-NOVELTY SOUTH SIDE FOUNTAIN SQUARE Double Feature Ronatd Coleman ’’A TALE OF TWO CITIES” “TWIN TRIPLETS" O A kllAPn o At Fountain Square SANDERS “FRECKLES” “A MAN’S BEST FRIEND" Avr 4 1 .-v vr Prospect-Churchman VAL t) N Double Feature T It L V 11 James Dunn “THE PAYOFF” “WITHOUT REGRET” ORIENTAL ‘ GARFIELD itc Hr “THE BIG BROADCAST OF 1936” ’• "FRECKLES”