Indianapolis Times, Volume 47, Number 294, Indianapolis, Marion County, 17 February 1936 — Page 4

PAGE 4

AMATEURS OFFER BROADWAY SUCCESS OF FOUR YEARS AGO

Another Language' Is to Be Presented Here by Sutherland Players Presbyterian Church Actors Are to Stage One of the Outstanding Plays of 1931-32 New York Season Tonight and Tomorrow. “Another Language,” a play by Pose Franken, which was adjudged one of the outstanding plays of New York's 1931-32 season, and later was made into a picture starring Helen Hayes, is to be presented tonight and tomorrow by the Sutherland Plavers at the Sutherland Presbyterian Church, 28th-st and Guildford-av.

With this play the group steps for ♦he first time into the realm of producing successes soon after their Broadway release. The players, under the direction of Norman Green, also are to produce “The Charm School,'’ by Alice Durr Miller and “Double Door," played here several years ago by the Casey Players. Burns Mantle, eminent drama critic, chose “Another Language” as one of the best family life plays. The picture’s cast included Robert Montgomery and the late Louise Closscr Hale, formerly of Indianapolis. The Sutherland cast includes Kathenne Sebastian, Lorin Woodward, Geneva Fledderjohn, Harold Green, Margaret Berne, Riley Fledderjohn, Fern Bowling, James McDaniel, Grace Abramson, Jim Bowling and Mr. Green. The production staff, headed by Virginia Brackett Green, technical director, includes Carl Tezzman and John Farley, stage directors; Richard Robbins, lighting, and Evelyn Kent and Mary Ellen Widdop, properties. Center for Piano Group Drills Set Up A center for group practice by participants in Ihe 125 Piano Ensemble festival to be held in Butler fieldhouse May 3, has been established on Pennsylvania-st opposite the Federal Building. Arrangements nearly are completed for the beginning of rehearsals here and in Muncie, Fort Wayne and Gary. The festival, sponsored by Sigma Alpha lota national professional musical sorority, is to open national Music Week. They Loss No Time The recent Hollywood recruits from the New York stage, Louise Latimer and Harry Jans, found themselves playing featured roles in “Thorobreds All” within 24 hours of their arrival in the film capital.

Margaret Callahan Rated One of Hollywood Best 1936 Finds Pranks at School Start Dramatic Career That Leads to Four Pictures Within Six Months. BY E. K. TITUS Times Special Writer NEW YORK, Fob, 17.—1 t was a number of pranks at school that started the dramatic career of Margaret Callahan, blue-eyed girl in early twenties, who is rated one of the chief Hollywood finds of 1936.

I had never had any idea that I could act,” she said, “but one night a lot of the girls were holding a midnight supper in the office of the head of the school. She came in and found us. “She decided then dramatics would be a good idea for giving us something to do.” And so Margaret was given the part of “Box” in "Box and Cox.” It was a mans part. The girls then tried Shakespeare. She always played as a man. Her first professional appearance also was in the part of a man. She was a male slave in “The Green Goddess.” “I fell over a wine decanter that night, and my legging lacings unraveled and spread all over the stage,” she said. Plays Ingenue Leads Today one would never guess she had played male parts. In her four Hollywood productions in the course of six months (quite a record!) she invariably has had the ingenue lead. She is the kind of person every one in Hollywood likes to kid. The time she was maddest at a joke played on her was during production of “Seven Keys to Baldpate.” In this production she was compelled to cry. She doesn't like to cry anyway. “And I never,” she said, “understood why I had to cry in that piece. I asked the producer, the author.

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Symphony Plays Here Tomorrow Bakaleinikoff to Conduct First Program. For his first appearance as guest ! conductor of the Indianapolis Symphony Orchestra tomorrow ! night at the Murat, Dr. Vladimir Bakaleinikoff. associate conductor ol the Cincinnati Symphony Orchestra, i has chosen the Brahms Second as the symphony of the evening, together with three works from the musical literature of his native Russia. Following is the complete program: Overture to Prince Igor B6rodin Symphony No. 2 in D Major Brahms Intermission. Waltz from the Suite "The Lake o f Swans" Tschaikowsky “The Deluge" Saint-Sarn.s (To commemorate the 100th anniversary of (he birth of the composer. Caucasian Sketches IvanofT-Ippolitoff

WHERE, WHAT, WHEN APOLLO “It Had in Happen." with George Hate. Rosalind Russell and Leo Carrillo, at 11:41, 1:41, 3:41, 5:41. 7:41 and 9:41. CIRCLE “The Lady Consents,” with Ann Harding Herbert Marshall and Margaret Lindsay, at 11:45, 1:50, 3:50. 5:55, 8 and 10. INDIANA “The Petrified Forest.” featuring Leslie Howard and Bette Davis, at 11. 1:17, 3:30. 5:50. 8:05 and 10:25. LOFW’S "Rose Marie," starring Jeanette MacDonald and Nelson Eddv, at 11:15, 1:24, 3:30, 5:40, 7:55 and 10. LYRIC “Radio City Follies," on stage at 1. 3:53, 6:46 and 9:39. "My Marriage." with Claire Trevor, Kent Taylor and Pauline Frederick, on screen at 11:32, 2:25, 5:18. 8:11 and 10:44. OHIO "Guard That Girl.” with Robert Allen. 11:13, 2:31, 5:49. 8:58. "Thanks a Million," with Dick roweli. 12:30, 3:38. 6:56, 10:05.

every one, and no once could tell me what the point of crying was, right there in the beginning.” But, “I cried and cried,” she said, “burying my head in my arms, and every once in a while would peek out to ask with my eyes if I could stop now.” “ ‘Keep right on crying,’ they said. “So I buried my head and cried and cried some more. Finally I looked up. There was not a soul around in the studio! They had left me right there, crying,” Wants to Be “Mussed Up” Today the chief regret of the little girl who always used to play men’s parts is that she “doesn't get mussed up enough.” Nevertheless, she plays the romantic lead in “Muss 'Em Up,’ to start here soon. “I'm always the good girl,” she said wistfully, leaning on her elbows in the Persian-furnished offices of her producers. “I’m always the secretary, so efficient! “Yes.” she admitted. “I did get mussed up once. I fainted, anc. Preston Foster had to carry me up a long flight of stairs.” But what she'd like is to be a gangster’s moll. “It would be fun, also.” she said, “to play a part where you suffer, like Ann Harding, or any part where you're a poor thing.” Parts Amaze Her What amazes Miss Callahan about her always playing the part of the secretary is that, she never held an office job and doesn't think she could. “I'm bad at arithmetic,” she said —“have to add by counting on my fingers.” She's never been what she calls an “ugly duckling.” but would like to be—i. tv, the kind of a secretary who wears glasses and is clumsy at the beginning of the movie and then takes them off at the end. She’s a funny, serious kind of person for a Hollywood ingenue. Her hobby is repairing watches. She likes to take them apart and put them together again. She reads a lot, too. Her favorite book is “Jean Christophe,” but hard work has prevented her reading in Hollywood. When she was 14 she had a poem published in a newspaper. She doesn't remember the name of it. She likes geometry, hates arithmetic. It was one day when she was supposed to be studying arithmetic in school that she first took a watch apart.

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NOBMAN SILGIL IN I lifted by a Norman Bel Geddes set- **- A iff. jHV - || \ ting. That's Hollywood, the toy ; a| A /■ > A coat and a sport shirt open at the neck, lifted Hollywood out of the obscure into f • v wM AA Waiters and tourists seem to be the the fantastic. //JBfWmP* \§A SMtis . ' ' , t * \\ only ones who dress according to the Hollywood is really a myth. It exists f/M& I■ IRW # Vf 1 ’A\ accepted Eastern standards, with the one in name only. When Hollywood ceased /JK.# . ff I * \\ exception of Herbert Marshall who is the being a municipality and became a suburb * v * $ ' $ , *■ nearest-dressed them was take-over a and turned into the first / * ; %£>/ run to Harlow this season- The Garbos motion picture studio out here. Other ?'*&:: > """" \ and Dietrichs have disappeared or have, early movie studios located here and the # ‘ v .. \ _ up their hollow Technically it isn’t that today, although / €f - ; B I elements, one that is affiliated with the' it still is the center of the area that | y: f§ I IMI. r. I movies and the other with the genaral houses the major studios. After 9:30 at I 1 X- f fl I business activities of Hollywood. Although night its streets are as dead as those in I t I Jf-* $ I the rnovies have done more for Hollywood any small town. 1 | I than all of the Chambers of Commerce in But there are more motion picture studios \ \jplllg| : ip I I from the movie hirelings on the ground here than in any one ot;:er spot on the \ .1p |mk 7 / that they have no civic interest, globe. Every town has churches. Only \ 1 1 / Take the movie industry away from Hollywood has . movie plants and the here and Hollywood would an average away, or $2.05 by taxicab. There are about the • smallrr restaurants continue to serve whom are not directly connected with \he . #* But take the movie factories and picture motion pictures. But the movies support people from Hollywood and you give the many of them. sun little to “spotlight” during the 300 There ar ? 15 laundries in Hollywood days of the year it beams on the “Main

JJOLLYWOOD, Cal., Feb. 17. “Main Street’’ with its face lifted by a Norman Bel Geddes setting. That's Hollywood, the toy town capital of the cinema kingdom. There’s nothing like this town in the world. Yet, it’s like so many other places. It’s a bit of Broadway, a section of the boardwalk at Atlantic City, a snatch of Uptown Chicago and a large chunk of the sunny side of Biscayne-blvd in Miami. There are hicks in Hollywood, enough to fill the average small town. But, -there are also plenty of wise guys. The two meet on Hollywood-blvd, the town’s main stem. Hollywood is a town within a town. It used to be a tiny municipality all by itself. But, in 1910 it became part of Los Angeles. Everything out here seems to be a part of Los Angeles, from the San Gabriel Mountains to the Pacific. The city just spreads itself throughout the valley like an octopus after a busy day. Hollywood is “downtown” to most movie stars. It is the place where they work, eat and stroll, but don’t live. Without its film “foundries” it would be just another residential and neighborhood shopping district. But the motion picture industry

A residential street in the film capital. lifted Hollywood out of the obscure into the fantastic. Hollywood is really a myth. It exists in name only. When Hollywood ceased being a municipality and became a suburb of Los Angeles, a road house in the district was taken over and turned into the first motion picture studio out here. Other early movie studios located here and the section became known as the film capital of America. Technically it isn't that today, although it still is the center of the area that houses the major studios. After 9:30 at night its streets are as dead as those in any small town. There are more churches in Hollywood than there are motion picture studios. But there are more motion picture studios here than in any one otuer spot on the globe. Every town has churches. Only Hollywood has its movie plants and the Harlows, Gables, Wests and little Shirleys that go with them. tt tt tt THE suburb is eight miles from downtown Los Angeles. It has no railroad station, the nearest one being 10 miles away, or $2.05 by taxicab. There are about 154.000 people living in Hollywood, most of whom are not directly connected with the motion pictures. But the movies support many of them. There arj 15 laundries in Hollywood (not includtfhg the “Hays” purification plant). The movie town also contains 315 drug stores, 240 beauty parlors, 25 cosmetic manufacturers and 152 dentists. There are 45 studios in the. area, 165 producing companies and 291 related film industrial plants. Only a few of the movie stars live in Hollywood proper. Most of them have large homes and estates in the adjoining suburb of Beverly Hills. Vilma Banky, El Brendel. Ronald CoTnan. Betty Compson, Reginald Denny. Fifi D’Orsay, Janet Gaynor. Bill Haines, Rod La Rocque. Ken Maynard, Chester Morris, Edward Robinson, Helen Twelvetrees, Lina Basquette. Leo Carillo, Jackie Coogan. Laura La Plante and Bert Wheeler are the only ones who live in the “capitol.” Os the studios, Paramount, ‘R-K-O, United Artists, Charlie Chaplin and the old Fox and Warner plants are the only ones in town. The rest of the big studios are located in nearby suburbs and are within short driving distance, if you consider 45 minutes a short drive, which the natives here do. Hollywood boulevard is the town's main

Graduated at 18 Edmund Lowe was the youngest student graduated from Santa Clara University, receiving his diploma at 18.

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THE INDIANAPOLIS TIMES

thoroughfare. The intersection at Vine-st is Hollywood's “42nd and Broadway,” The natives have a New York habit of sleeping late. There's nobodv on the streets before 10 a. m. At night it is as Quiet as the average neighborhood. - The town has no big night clubs, the two bright spots being The Brown Derby and A1 Levy's Tavern. which are busy only during lunch and dinner time. Stayer-uppers can usually be found at “The House of Lords.” tt tt "V/TOST of the people who run about look--1 ing for the stars are tourists and juvenile autograph hounds. However, one dosen't have to do much running around, for you can average about one screen personality a block and at least 20 people who fook like screen stars. Although the air is thick with movie personalities and screen talk, most of the theaters in Hollywood have to resort to double features and bank nights to draw in the oublic. The bank night stunt hits

23c Till 6—2oc-40c After 6 1 %td&}VCU4 ■jfc^SjS 'uoiflPPiLloMMMlia "A PICTURE" MUTUAL The One v% ■ Theatre ana OnlT 0111*16811118 in the Exclusive * Middle West PRETTIEST of PRETTIES Features Ruth Willson A Sally Walker

Hollywood's Blessed Sacrament Church.

INDIANAPOLIS SYMPHONY ORCHESTRA Ferdinand Shaefer, Musical Director VLADIMIR BAKALEINIKOFF Guest Conductor Concert Tomorrow Night, 8:15 P. M.—Murat PRICES—7Sc, Sl.oo, Sl.so—Tax Included—U. 5632 Indiana State Symphony Society. 120 E. Ohio St.

MIIQIC* MAI I Friday Eve., Feb. 21—8;30 ™ c rTw, nMUI - Sal.. Feb. 22—2:30 and Bi3o CINCINNATI SYMPHONY ORCHESTRA^^ Oht TTloit 9bjM*uj Jjkectdc& CoMtuJuj KRI. EVE. —‘‘Leg Svlphidea.” Chopin; ‘Tetronchka." Stravinsky; “Prince Igor.” Borodin. SAT. MATINEE—"Lake of Swans.” Tsehalkowsky ; ‘ Fantastic Toy Shop.” Rossini-Respipht: “Midnight Sun.” Rlntsky-Korsakow. SAT. EVE. —“Three-Cornered Hat.” DoFalla; “Seheherezade,” KimgkyKorsakow “Aurora's Wedding.” Tschaikowsky. TICKETS: 50c, SI. $1.50. $2, 52.50 (tax Free). Send mail orders to Jas. J. Faran, 121 E. 4th St., Cincinnati.

anew high out here, with one theater giving away $2500 a week. The streets are jammed during the day with Dietrich-dressed women in various widths. Every fourth woman, by actual count between Highland and Vine on Hollywood wears trousers (and not her husband's;. They flap about in everything from sheer pajama suits to tailored woolen slacks. They wear them at night underneath heavy fur coats. And if there's anything more amusing than a woman going down the street in a coat and slacks, Hollywood hasn’t found it. However, the women who dash about here in trousers aren’t the movie stars. A few of them wear slacks on the studio lot or for sports, but none of them appear in public dressed as though they were going to a costume ball. If you spot a girl in slacks you can bet that she’s either a movie-struck female or a movie-struck female. Dietrich may have started the leg-cov-ering fad, but like everything else, when the public takes it up the movie stars turn to

Trousers and topcoat—typical garb of Hollywood women. Above (left): Looking east along Hollywood boulevard. something else. Just what else Miss Dietrich is going to turn to we haven’t yet found out. 'tt tt tt DRESS, pretty generally, is informal out here, particularly among men. And that includes the screen notables as well as the boys at the corner drug store. At “The House of Lords” the other evening we saw a woman in evening clothes with an escort wearing slacks, a checked sport coat and a sport shirt open at the neck. Waiters and tourists seem to be the only ones who dress according to the accepted Eastern standards, with the one exception of Herbert Marshall, who is the neatest-dressed man in the colony. As for types on the street, most of them run to Harlow this season. The Garbos and Dietrichs have disappeared or have dyed their hair and puffed up their hollow cheeks to look like Jean. The town has two distinctly different, elements, one that is affiliated with the movies and the other with the genaral business activities of Hollywood. Although the movies have done more for Hollywood than all of the Chambers of Commerce in the country could do for any one city, the local chamber attempts to stand aloof from the movie hirelings on the ground that they have no civic interest. Take the movie industry away from here and Hollywood would be an average big-town residential district with beautiful homes, schools, churches and poor street car service. “Peter, the Hermit,” the town character, would still stroll up the boulevard. Some of the shops would still remain open. A hotel might still keep going and the smaller restaurants continue to serve 25-cent meals. But take the movie factories and picture people from Hollywood and you give the sun little to “spotlight” during the 300 days of the year it beams on the “Main Street” of “Main Streets.” Tomorrow—Rubbing elbows with the stars at their cakes and coffee.

S~” r—-• j- : ’-'n-ymm TONIGHTS _ N S NEIGHBORHOOD THEAfERTI

WEST SIDE Srp .rp n 2702 W. 10th St. I I It, Double Feature * xx x Myrna Loy -whipsaw” “STARS OVER BROADWAY” f/y \ W T . Wash. & Belmont BELMONT ”gs“/\*sr “SHE COULDN'T TAKE IT” “MISS PACIFIC FLEET” Da j O \7 W, Mieh. St. A I S Y Double Feature xx x kJ x Miriam Hopkins •‘BARBARY COAST” “MISS PACIFIC FLEET” NORTH SIDE R-v rvy n Illinois at 34th | /, Double Feature x x Claudette Colbert “BRIDE COMES HOME” “YOUR UNCLE DUDLEY” UPTOWN Do n ubl? Feature A'-'TYIA Shirlev Temple “THE LITTLEST REBEL” ADMIRAL BYRD'S “LITTLE AMERICA” a rs n i/yr/ 3bth and Illinois (tAKRIUK Double Feature umvividiv Gable “MUTINY ON THE BOUNTY” “PERSONAL MAID’S SECRET” pm T A TTY St. Clair & Ft. W’ayne ST. CLAIR D Marx F Br*o t i'. re “A NIGHT AT THE OPERA” “TWO-FIS TED” r, rvxr 30th at Northw’t’n. KK\ Double Feature IXXJJX jack Benny -IT'S IN THE .AIR” “BAD BOY” TALBOTT I&feSi -A NIGHT AT THE OPERA” “FEATHER IN HER HAT” , r , 19th A College Stratford S&r “DR. SOCRATES" “THE BISHOP MISBEHAVES Mps , . Noble St Mass. F 1 , l , A Double Feature Ej \J \J f\ Warren Williams -CASE OF THE LUCKY LEGS" "TWO-FISTED ' grxn p a if 2361 Station St. DREAM D "C',B?r* “A NIGHT AT THE OPERA” -REMEMBER LAST NIGHT?” EAST SIDE pi TXT /A X T 31. AA E. 10th R I VI I i I Double Feature AV X CtDI Shirley Temple "THE LITTLEST REBEL” George Raft-Joan Bennett “SHE COULDN'T TAKE IT”

FEB. 17, 1936

Circle Cards McLaglen's Prize Movie •The Informer' to Return Friday for Week’s Showing. BY JOHN W. THOMPSON Although “The Informer,” starring Victor McLaglen. which is to play at the Circle Theater beginning Friday. must be classed as a second run film, it is practically a first showing. Very few' people saw' it when it was at the Circle almost a year ago, because it was an "off" week for show business and the picture attracted little interest. Enthusiasm over the film and especially Mr. McLaglen's performance grew- during the year, however, and it was chosen by New York Theater writers as the season's best movie. a a a Brian Hooker, whose version of Rostand's "Cyrano de Bergerac,” is to be played at English's March 7 by Walter Hampden, is now a movie writer for Fox pictures. One of America’s most versatile poets and playwrights, Mr. Hooker tosses off successful operettas, poetry and grand opera with ease. He has written “Mother O’ Men,’’ the official college poem of Yale, “The Vagabond King,” popular operetta, and a grand opera, “Mona," which won a SIO,OOO prize, and was produced later at the Metropolitan Opera House with music by Horatio Parker. Mr. Hooker, strangely enough, does not like to write. He would, he says, much rather play golf or bridge. When Mr. Hampden engaged the young playwright to do “Cyrano,” he knew' the author's reputation for delay. So he agreed to give Hooker the customary advance royalty in five parts, payable upon the completion of each act. Being financially hard-pressed. Mr. Hooker finished the play two days ahead of schedule. a a a Ole Olsen of the team, Olsen and Johnson, recently has been pestering members of his troupe with songs he is writing, according to Tom Greene, advance representative of the show, w'hich opens at the Lyric Friday. Mr. Olsen, before he and Mr. Johnson got into the fun-distribut-ing businesss, was no mean song writer. You probably remember “Oh, Gee, Oh. Gosh, Oh, Golly. I'm in Love.” Every once in a while the music writer bug-bites the astute Mr. Olsen. Some of his current tunes, as yet unpublished, are “Ethiopian,” “Ring Down the Curtain” and a take-off on a famous comic character, “Little Audrey.” a a a Katharine Cornell's new' play. “St. Joan," opened in Detroit last w’eek to a tumult of applause. Critics took to flag-waving for the play. To Brian Aherne, Arthur Byroa and Maurice Evans, along with Miss Cornell, w r ent high praise for their interpretation of Shaw's work. Guthrie McClintic’s staging and Joe Mielziner’s settings were judged the best yet in the Cornell repertoire. According to Ardis Smith, New York World-Telegram reviewer, “The Cornell ‘Saint Joan’ is a vivid and indispensable experience.” a a a The Keith Theater stage was a busy place today as approximately 80 WPA actors and dramatists held their first meeting in preparation for a five-month program of plays to be presented there. Prof. Lee Norvelle of Indiana University's drama department, is in charge of the project. A number of scats at each performance are to be reserved for persons on relief.

p>i ! i m DICK POWKLL— ANN* DVORAK "TH VXKS A MILLION” PLUS “CH ARD THAT GIRL"

EAST SIDE rpy rvr T\S~\ * f)2o E. Xrw York TUXEDO D C'a Fe &r “WHIPSAW” -THREE KIDS AND A QUEEN” Audioscopics—3rd Dimension Film Sensation rgs p/yj a 2142 E. Wash. St. IACOMA Double Feature x x xvx x Marx Bros. “A NIGHT AT THE OPERA ' ' THF. CASE OF THE LUCKY LEGE” IRVING ~ *!& w&S 1, * xv T x N-* Margaret Sulla van “SO RED THE ROSE” “THE PERFECT GENTLEMAN” EMERSON SSs Elizabeth Allan “A TALE OF TAVO CITIES” Audioscopiks—3rd Dimension Film Sensation HAMILTON e ioth st. Special Feature Attractions Pa n i/ n n 293<; e. ioth st. ARK E R Mar * Br °* - xa IV KjUy Carl|sle “A NIGHT AT THE OPERA” Bowes’ Amateur Theater—Cartoon Sm n a ai rv UK E. AVash. St. 1 K A IN IJ Double Feature x xv ix AVill Rogers “IN OLD KENTUCKY” “NAVY AA'IFE ” Rs\ a/ st 2*21 E. Wash. St. II \ Y Double Feature w “ x Wheeler * AVoolsey “THE RAINMAKERS” “SHIPMATES FOREVER” pi , 411 E. Wash. St. I aramount Double Feature i uiauiuuui Dick Powell -THANKS A MILLION” SOUTH SIDE FOUNTAIN SQUARE Double Feature Ronald Coleman "A TALE OF TWO CITIES” ! “TWIN TRIPLETS” Ip aX' IV I’’ rv 11 At Fountain Square SAiNDLKS Doub!f Feature * wuiVkj Tn m Brown ‘FRECKLES" "A MAN'S BEST FRIEND ifr. ■ /a si Prospert-Churrhman AVALON V”{,V™ “MUTINY ON THF. BOUNTY” Travelogue—-Cartoon—Comedy :/v r\ XTv \Tnp 4 llO3 S. Meridian St. ORIENTAL nstfß ‘ MUTINY ON THE BOUNTY” "EAGLE'S BROOD” GARFIELD “THE BIG BROADCAST OF i93i” “FRECKLES”