Indianapolis Times, Volume 47, Number 283, Indianapolis, Marion County, 4 February 1936 — Page 6

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'ROSE OF THE RANCHO' OPENS FRIDAY AmHE’CIRCLE THEATER

Opera Star Makes Film Debut H ere Gladys Swarthout to Be Seen for First Time on Local Screen. The Indianapolis debut of the long-awaited opera picture, “Rose of the Rancho,” which serve* to introduce Gladys Swarthout to movie fans, is to open at the Circle Theater Friday, it was announced today. In "Rose of the Rancho" the composers, Ralph Rainier and Leo Robin, have attempted to write the nearest thing to a direct operatic score the screen has tried. The songs are supposed to blend in with the story in such a way as to make the music as important to the story as the dialogue. Starred with Miss Swarthout. who has sung at the Metropolitan Opera House and on the radio for several years. Is John Boles, Willie Howard. Charles Bickford, H. B. Warner and Herb Williams. Success on the .Stage The story, “Rose of the Rancho” was a success on thp legitimate stage and as a silent, picture years ago. It was first produced for the screen in 1914 by Cecil B. DeMille. Willie Howard, most famous member of the team of Eugene and Willip Howard, starred for years in “Ziegfeld Follies,” will be remembered as appearing here several years ago with the “Follies” at English's, at which time the Howards werp co-starred with Fannie Brice, Broadway's favorite girl comic. Mr. Howard also was seen in “Millions in the Air,” several weeks ago at the Circle, in which he did the traditional opera, quartet, number in which he peers adoringly at the soprano in the group while the others sing lustily. Mr. Bole’s greatest success was in “Rio Rita.” He has been seen here recently as leading man in Shirley Temple's pictures. A radio adaptation of “Rose of the Rancho” was presented over the radio a few weeks ago with Miss Swarthout singing the title role.

Actors Taught Art of Dueling Swords Are Used Handily in ‘Romeo and Juliet.’ Time * flpenirrl HOLLYWOOD, Fpb. 4.—'Romeo and Juliet.” offers the best evidence that Shakespeare never missed an opportunity to stage a good fight. Six months have been necessary to prepare for the filming of the dueling scenes in Irving G. Thalberg’s production of the classic, which stars Norma Shearer and Leslie Howard as the lovers. Fred Cavens, graduate of the Belgian Fencing Normal School of Brussels, which has produced many of the world's masters, had the task of coaching Mr. Howard (Romeo), Joh.i Barrymore (Mercutio), Basil Rathbone (Tybalt), Ralph Forbes (Paris) and Reginald Denny (Benvolio) In dueling. Mr. Cavens also trained 400 extras for their parts in the fight scenes. Takes No Liberties “I believe Shakespeare would have enjoyed staging this fight,” Mr. Cavens says. “I have taken no liberties in making the street fighting and duels a spectacle on a grand scale, but have attempted to interpret Shakespeare’s own conception of what such fights should be.” Besides the opening scene, a general brawl between the men-at-arms,* retainers and members of two households, there are three major duels in “Romeo and Juliet.” The ftist takes place between the fiery Tybalt and Mercutio, which results in Mercutio's death. Romeo then avenges the loss of his friend by idlling Tybalt. The third is fought between Romeo and Paris. “I am confident these duels.” says Mr. Cavens, “will be the most thrilling ever screened. In the last weeks of practice naked blades were used, as they are in the picture. This requires perfect timing.” Still Good on Skates Mthough Clark Gable had not worn ice skates for almost 20 years, he duplicated many of the tricks of world champion skaters after only two days' training during the filming of "Wife vs. Secretary.” Started With Fred Waring Dorothy Lee, leading lady to Wheeler and Woolsev in "Silly Billies.” began her theatrical career as a chorus girl in a musical with Fred Waring and his Pennsylvanians.

Joe E. Brown Is Bright Spot in 'A Midsummer Night's Dream' Picture to Be Seen for Last Two Times Here Today on the Screen of Keith’s Theater.

BY JOHN W. THOMPSON On? of thp biggest points in favor of "A Midsummer Night s Dream.” which is to be seen for the last times today at 2:30 and 8:30 as a road show attraction at Keith's, is Joe E. Brown. His portrayal of the role of Flute, one of the rustic thespians who provide most of the merriment in the picture, is highly laudabhe. Joe is a funny guy. He brought * a coke one night. That was while he was playing a week’s personal appearance at the Indiana theater several years ago. We brazenly went backstage after his performance, introduced ourselves (then a gawky high school freshman) and Joe opened the conversation with one of his vocal broadside*. He waa dressed like a college boy that night, wore no coat, and shirt open at the throat. When he heard we were interested in movies noth-

Plays Leading Role

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Playing the leading role of Mary Herries in the forthcoming picture adaptation of Hugh Walpole's story, “Kind Lady,” will be Aline MacMahon. The play was presented last month by the Civic theater here. Basil Rathbone plays the part of the suave crook in the picture. Apollo Books Domestic Film ‘The Jones Family Every Saturday Night’ Billed. Scenes in the life of the typical American family have been taken for “The Jones Family Every Saturday Night,” which is to open Friday at the Apollo. Based on a play by Katharine Kavanaugh, it concerns itself with trials and tribulations of the average modern American home. Because of the popularity of family pictures created by “Ah! Wilderness,” the producers of “The Jones Family Every Saturday Night” plan to film it as a series, with at least four pictures done by thevsame cast. What’s a father with horse-and-buggy ideas going to do with a gang of step-on-the-gas kids? He worries when they go out on Saturday night, but when critical situations arise at home, the children shoulder the responsibility, and Dad realizes they are not as bad as he thought them to be. This is the theme of “The Jones Family Every Saturday Night” as it is in most other family group pictures. Head of the family is Jed Prouty, and Mrs. Evers, his wife, is played by Spring Byington. June Lang as Bonnie Evers, eldest daughter, leads the children through scenes of disappointments and happiness. 'Solo Duet' Is Lyric Feature Girl Does ‘Dance of Lovers’ in Clever Illusion. Sawing a lady in two is an old trick of Vaudeville magicians, but the latest magic is a young lady who mulitiplies herself by two, and gets the “Dance of the Lovers” as a result. She is Miss Lela Moore, appearing currently at the Lyric in "Topsy Turvy Revue.” Wearing a half man. half maid costume, vertically divided, she portrays the wooing of a girl by a boy in romantic pantomime, meanwhile executing a conventional dance routine. Rigid training was required. Miss Moore says, to perfect the illusion through posing and posturings of the head and arms, as well as by the use of an intricately worked out costume. The dancer protects her “solo duet” creation by official copyright, though it is rather doubtful that would-be imitators could copy much more than the costume ideas. Lady Cavendish Visits Hollywood By United Pres* HOLLYWOOD, Feb. 4.—Lady Cavendish, the former Adele Astaire. arrived here today to visit her brother, Fred .Astaire, and meet her new nephew, Fred Jr. As Adele Astaire she was her brother's dancing partner on the stage for years. Several film companies. recalling her ability, were prepared to offer her a fat contract to appear in motion pictures. Brother Fred said his sister had informed him she would turn down all film offers, preferring domesticity as the wife of Lord Charles Cavendish.

ing would do but that we should go with him to a nearby soda shop and let him treat us. And guess what the big laugh boy got for himself—a pineapple soda Joe never served any apprenticeship in pictures. He started out as a star. He starred in 15 pictures and then, in order to takp a part he wanted in “A Midsummer Night's Dream," he consented to be "among others who played in the picture.” The way in which Joe. Jimmy Cagney, Mickey Rooney. Hugh Herbert and Frank McHugh play the play within the play in this picture bids fair for the future of other Shakespearean comedies on the screen.

KOLLEGE KEG 18th at College Entertainment every nil*. A good meal. ;.%r. Sh ndu iches. lcte Come See Me. Mike Mitchell.

'The Swan" Rehearsals Start Soon Seniors at Shortridge to Begin Work on Class Play Feb. 18. Rehearsals for Ferenc Molnars “The Swan,” selected as this year's senior play at Shortridge High School, are to begin Feb. 18. Miss Eleanor Dee Theek, director, announced today. The play is to be presented on May 1 in Caleb Mills Hall. The cast was chosen from among 108 applicants by Miss Theek, Miss Flora Love, of the Shortridge English department, and Edward Green, Manual Training High School speech instructor. Following are the players selected: Princess Alexandra Ruth Rehm Albert Unfilled Asi Roy McCormick Beatrice Jean Van Voorhees Hyacinth Edward Waitnon George Tom Galloway Ar.sene David Platter Symphorosa Virginia House Wunderlich Paul Farrington Lutzen Russell Bohlke Caesar Clifford Scholv Maida Virginia Stoddard Dominica Betty Firth Countess ..... Nettie Marie Dulberger First Ladv in Waiting Margaret Ol'incer Second Lady in Waiting.. Jane Preston Lackev Bill Steinmetz Lackey Harry Ferris Hussars Robert Slaughter and David HockeAlfred Bob Craft Prompters Maxine Robinson and Bettv Jane Mock Stage Manager John Farlev Assistant Stage Manager Ben Latting

Ida Lupino Can Trace Ancestry Back Through Long Line of Famous Actors and Actresses

A lot of ‘‘oh’s and ah's" have boon exprassfri thi* work among the audiences seeinjr “Anythin*: Goes,” at the Indiana, over the beauty of blond Ida I.npino, who plays the heroine to Bin* Crosby. She is one of a lon* line of I.upinos whose *enealo*y is traced below. BY PAUL HARRISON HOLLYWOOD. Feb. 4. <NEA>— Nobody knows how long there have been entertainers named Lupino. Back in medieval Italy there were no critics or biographers of the itinerant puppeteers and clowns and acrobats. Not in those days nor when a Lupino first went to England, along about 1600, were there brightly lighted theater marquees to announce the appearance of members of the royal family of Greasepaint. Today, though, electric signs all over the world carry the name. In England there are and have been Lupinos literally too numerous to mention. British stags folk have their own little joke about a cure for insomnia—they close their eyes and count Lupinos jumping over the footlights. Today there are four Lupinos in Hollywood. Only four, that is, unless by the time you read this Uncle Barry Lupino has dropped in for a professional visit or Cousins Wallace Lupino or Lupino Lane have returned to make another picture. Ida is the one you know best—blonde, 19-year-old, shapely, vampish, violet-eyed Ida. Her latest American pictures include “Peter Ibbetson” and “Anything Goes.” Right now. on loan from Paramount, she’s playing opposite Francis Lederer in a Pickford-Selznick opus. Then she’ll return to her home lot for “Palm Springs.” Rita is one of the Lupinos you’ll be seeing soon. Rita is 15, dark and Elisabeth Bergnerish. She appeared in English films at the age of 8 but still is being groomed for her Hollywood debut. Stanley Most Noted Stanley, whose name you may not recall at all, really is the most celebrated of all Lupinos—-living or dead. England, the dominions and the colonies have known him for a generation as one of the foremast comedians, likewise as a movie producer. a playwright and a lyricist. He also is a novelist, poet and biographer of the royal family of Greasepaint, the father of Ida and Rita and the husband of Connie. Constancy Lupino. called Connie Emerald from the time when, at 10. she played Little Willie in "East Lynne,” became a headline comedienne. Before Eleanor Powell took her first step, Connie was known as "Twinklefeet. the world’s fastest tap dancer'.” She was one of four Irish sisters O'Shea, all of the stage. The Hollywood Lupinos are comfortably established in an Anglo-Italo-Hollvwood villa clinging to a mountainside and overlooking the cinema’s promised land. T da selected the design and paid for it because she thought it would please her papa, who she assumes is a sometime-to-be Hollywood resident and major genius. Just now, though. Stanley Lupino is taking himself and his talents back to England, being just a little piqued that none of the major studios has offered him a starring role. Yet he perfectly well understands that the oversight is due to the fact that his name is not yet a box office riot in this country: He admits that, on his forays around flickfrland it has seemed pretty

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Ida Lupino

strange to be known only as “the father of Ida.” Then since so little is known, relatively, of what probably is the oldest theatrical line in the world making the Barrymores seem like novices—you might find it amusing to go back a few hundred years and trace the rise of the Lupinas. Old Actors’ Lot Hard Before the time of Shakespeare actors were considered rogues and vagabonds. Amusing the public was a crime. If an entertainer wasn't reformed by being lashed and put in the pillory, sterner measures were employed—such as piercing his tongue with a white-hot iron. One of the Lupinos was confined in the stocks. Another was arrested for juggling in the streets and taverns. Mistrusting his broken English, this fellow chose to make his court plea in pantomime, and did it so eloquently that he was granted a license to continue his performances. The first printed record of a Lupino's outstanding success in England is found in a handbill describing St. Bartholomew's Fair—“ Tobe seen next door to the Black Raven in West Smithfields, the Italian Motion Master, Signor Lupino ... he will present Bel and The Dragon newly arrived from Italy, besides several jiggs, sarabands and country dances to the admiration of all spectators. Also the merry counceits of Squire Punch. ...” These Italian “motion masters” may have introduced puppets, and so Punch and Judy, in England. Their descendants influenced every branch of entertainment from clowning to the drama. There was George Charles Lupino, who married Charlotte Eastcourt. daughter of a great comedian. And George Richard (1710-1787), a pantomimist in animal skins, and later a ballet master in Dublin. Thomas Frederic (died 1845) was

2 —Bi*; De Luxe Shows- —2 EBWOQ6MON

scenic artict of the King's Theater, and decorated Covent Garden. Samuel George was a star pantomimist for 30 years. Thomas William was the greatest acrobat of his day (he died in 1859). Another Thomas was a blood-and-thunder drama writer. And one, Peter Lupino became the Clyde Beatty of the early nineteenth century. Those are a few of the more prominent members of the line; plenty of others comprised acts in harlequinades and teams of Leaping Lupinos. Grandpa George Hook Lupino was quite a fellow in his time—lß2B-1902. An acrobatic clown, he used to enjoy an occasional flying somersault over five men standing with muskets and fixed bayonets. Born in Dressing Room George’s son, Stanley’s father, also was named George. He was born in a theater dressing room in Birmingham. England, and made the earliest public appearance, probably, of anybody in the entire history of the stage. During an intermission the audience got word of the event and clamored to see the baby. In those days there was no denying an audience whatever it wanted, so after a good deal of cheering and stamping it was rewarded by a glimpse of the new Lupino, only an hour old. The youngster took to the stage at the age of 5, when he was seen as a young owl emerging from an egg. He developed into a noted acrobatic dancer and comedian, and Stanley declares that his record of 210 successive pirouettes still stands. King Edward of England used to like’to go backstage and inspect his mechanical devices traps and springs and wires. His Majesty even paragraphed a little wisecrack about Lupino—“Uneasy lives the man who plays the clown.” Stanley Lupino was born May 15, 1894, in a hansom cab. He wishes it might have been a scenery van in Piccadilly Circus, but it happens to have been only a handsome cab dashing through London’s Maiden Lane. His mother was the actress Florence Webster, from the same stock as the great Ben Webster, the Whitlys and Langtrys in England. and the Barrymores in America. She died when the boy was 5. and George Lupino. crushed by the tragedy, lost his savings, and let go most of his ambition. Stanley had a tough time of it. At 6 he began traveling with a troupe of entertainers and played comic animal roles —monkeys, dogs and the afterends of donkeys. He sold papers in the London streets, slept under arches, dined on apple cores thrown from factory windows. Blue with cold, he jigged to keep warm, and thus learned how to dance. He became a call-boy in theaters; he opened carriage doors; he joined an acrobatic troupe, got small stage parts, then bigger ones. Against every one's advice. Lupi-

LOCh@s^ZJ t t A Comedy Romance! | J ROBT. DONAT I ■ “Ghost Goes West” I J PLUS “OVE WAY TICKET"! [ON STAGE! ■ (Direct From Hollywood; ALLOWAY With Huge NEW Show! 1 Franrhnl Ton* I 1 Mudi* Kennt Frwtn

Maennerchor Hears Songs by LaShelle Concert First Ever Staged Without Imported Guest Artist. BY JAMES THRASHER The Indianapolis Maennerchor seems to oe functioning very nicely as a purely local organization. Without the attractions of the Sunday artist concerts of former years, and for the first time last night, without an imported guest artist for a choral performance, ii still contrived to carry on and produce an evening of entertaining music. Edward La Shelle, local teacher, conductor and singer, came from the ranks of the chorus to fill the role of soloist. For his two groups, he chose representative German and English songs, of which the latter were decidedly more to his advantage. Beginning with the brief but decidedly dramatic "Homeland Mine” of Gretchaninoff. we heard “Myself When Young,” from Liza Lehmann's “Persian Garden.” Fox' "The Hills of Home” and “Captain Stratton's Fancy,” by Deems Taylor. In the last two especially. Mr. La Shelle was entirely at home, both vocally and in the projection of the music’s mood. The German “lieder” represented some of the greatest composers at their best Schubert’s “Dopplegaenger” and “Erlkoenig,” the Schumann "Widmung” and Strauss’ “Zueignung” and “Traum durch die Daemmerung”—but seemed least suited to the singer’s gifts. In the first place, much of the music lay in the least effective range of Mr. La Shelle’s voice. The diction, too, seemed troublesome at times. But though the soloist never quite extracted the full meaning from the German poetry, the English lyrics were given their just due. We can not complain that a singer's “Erlkoenig” is not so very exciting, when Jacques Wolfe’s “The Glory Road,” heard as an encore to last night’s English group, is done with such real fervor. It is no mark of demerit to be a good ballad singer, and that Mr. La Shelle certainly is. There was telling resonance in much of his later singing, and his manner of delivery was most pleasing. A special word must be said for the sympathetic and artistic accompaniments of Mrs. La Shelle. Both artists were greeted with hearty and prolonged applause. Conductor Karl Rec.kzeh’s choice of choral offerings likewise included German and English. Os chief interest in the German songs was Mr. Reckzeh’s choral setting of the Thirteenth Century Adam de le Hale’s “Minnelied,” originally “Robin M'Aime.” from the primitive operatic venture, “Robin and Marion.” The air is one of engaging simplicity, well able to stand on its own musical as well as historical feet. The choral adaptation was well done and capably sung. Grieg’s “Land Sighting,” sung in English and with John M. White as baritone soloist, brought the concert to a close. Here, as in the other numbers, was much spirited singing, and effective contrasts of fine-spun pianissimos. It is a good chorus, and much credit is due Mr. Reckzeh for the performances he draws from an amateur group, as well as to the singers themselves for their enthusiasm, attentiveness and industry. no went into musical comedy when the fad began. He had found his medium, and he soon was a star. With Connie Emerald, whom he married at 20, he appeared in a long list of successes. Ida Lupino was born during a seven-hour air raid on London during the war. One of the German bombs fell in the Lupino garden, but luckily wasn’t detonated. Rita came along four years later. There never was any question about what the children would be. Ida and Rita played "show” from the time they could walk. They learned to dance and sing and play the piano. They wrote and directed plays for their school. Ida was only a little past 14 when Cousin Lupino Lane insisted that she be allowed to work at British International Studios as an extra.

iiPtlsT 3 DAyJNA ir^SfSlrl J in l RSI'LA PARROTTS W-tefliox pare/ | jil&i' i i.i i~TiiXi.Tli’i3.>'i^ggiw! A fi Hr re .f.fc Cary Cooper • w. C. Fields Charles Laughton • Jack Oakie SRaft \ Charlie Ruggles /k Boland *May Robson /A tRLOFF® Bel* LUGOSI MIBIERAV^

WHERE, WHAT, WHEN APOLLO “Paddv ODav." with Jane Withers at 11:44. 1:44, 3:44, 5:44, 7:44 and 9:44. CIRCLE “Invisible Rav,' with Boris Karloff and Beia Lugosi, at 11. 1.45 4 35. 7:20. 10:10. Also If I Had a Million," at 12:30. 3:30. 6:05 and 8 55. INDIANA “Anything Goes." with Bins Crosby. Ethel Merman and Charlie Ruggles. at 1:16. 3.32, 5 43. ft.o4 and 10:20. KEITHS “A Midsummer Night's Dtvain." with Jimmy Cagney. Joe E Brown. Jean Muir. Dick Powell and Olivia de Haviland, at 2:30 and 8:30. LOEWS ‘The Ghost Goes West." with Robert Donat and Jean Parker, at 11. 1:45. 4:30. 7:20 and 10:05 Also One Way Ticket." with Peggy Conklin and Walter Connelly, at 12:30, 3:19, 6 and 8:50. LYRIC “Topsy Turvev Revue" on siage at 3:47. 6:30 and 9:20. ‘'Ceiling Zero" on screen, with Jimmy Cagney and Stuart Erwin, at 11:03, 1:50. 4:43, 7:30 and 10:16. OHIO “Peter Ibettson." with Ann Harding. 10:54. 2:14. 5:34. 8:54. Barbarv Coast." r" h Edward G. Robinson. 12:20. 3:40, 7:00. 10 20.

Art Collection Is Coming Here John Herron to Show Work of Prof. Jacques. Paintings by Prof. Eiyil Jacques, head of the University of Notre Dame art department, are to be on exhibition at John Herron Art Institute during February. The collection contains 40 canvases, including both portraits and landscapes. Prof. Jacques’ “Sun Play” was awarded the Peter C. Reilly prize at the Hoosier Art Salon in Chicago, Jan. 25, as the best work submitted by a teacher of art in a college or university. Native of Belgium. Prof. Jacques came to this country in 1923, and has been on the Notre Dame faculty for seven years. At present he is finishing the last of a series of religious pictures for St. Mary's Cathedral in Portland, Ore. Organists Give Recital Tonight ‘Grand Piece Symphonique’ to Be Given in Entirety. Cesar Franck’s “Grand Piece Symphonique” is to be performed in its entirety tonight by Robert Smith in his organ recital with Miss Helene Pleasance at Friedens Evangelical Church. The piece, in'four movements, is to take up half of the program time. Mr. Smith, an associate of the American Guild of Organists and teacher at De Pauw University, and Miss Pleasance,* Indianapolis musician. are to have the assistance of the Friedens Evangelical Choir. The program is as follows: Toccata. Adaizio and Fujfue in O M?. ,or • Bach Elves Bonnet "The Fountain. ’ Reverie Percv Fletcher Toccata from Filth Orean Svmohonv ,, Widor Miss Pleasance. Grande Piece Symphonique Cesar Franck Andanfcino seriosos—Allegro non troppo e maestoso Andante Allegro Andante—Allegro non troppo e maestoso. Radio Skips Mae West Although Mae West has been in Hollywood several years and is rated one of the biggest stars in the world, she has appeared in only two radio broadcasts in her life. 25c TUI 6 P. M. 25c and 40c After 6 1

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WEST SIDE Orp * CP T> . 2*02 W 10th St. 1 /\ 1 £, Margaret Lindsay "THE CASE OF THE CURIOUS BRIDE” COMEDY NOVELTY BELMONT James uajney "FRISCO KID” "WHIPSAW" Di to i/ 2540 W. Mich. St. A I S Y Pontile F-atoro ** 1 ° 4 Fredrir Marrh • LES MISERABLES” "CHARLIE CHAN IN SHANGHAI” R* rr\ n Illinois at 34th I I / Double Feature * x Will Rogers “IN OLD KENTUCKY” "WELCOME HOME” lIPTOWN Double* FeatuVe* L 1 AV/fTil Georite Arliss “MISTER HOBO” _ “SMILIV THROUGH” /a . tra ra trxi/ 30th and Illinois GARRICK Do ' ,hl ' Feature UiIIVWIU'II Kav rranri( , “1 HE GOOSE AND THE GANDER” "RENDEZVOUS” nm /mw ain SI. Clair A- Ft. Wa me SI GLAIR Double Feature oi. C(ark Gai} , e “MUTINY ON THE BOUNTY” TO BEAT THE BAND” rt s-x-r tOth * Northwestern Preston Foster _ “THE LAST DAYS OF POMPEII” TALBOTT &'■■ retire l LIL/UV A A James Dunn “THE PAYOFF” •THE THREE MUSKETEERS” o. ,e j 19th A College Stratford o'oir “BARS OF HATE” “THE LARAMIE KID” Min * Noble Sr Ma<i. EC C A ■KjrvSSS" “MUTINY AHEAD” l\|s p a as 2361 Station St. l)R LAM Double Feature LFAVLiFAJTI Maureen O'SulllTan “THE BISHOP MISBEHAVES” “THE AFFAIRS OF SUSAN" EAST SIDE R. •. /. § i Darhnrn at loth I V ( I I I Double Featur* 1 * XJ *-* 1 Will Rogers "IN OLD KENTUCKY” “EBISCO KID”

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Ohio Offering Popular Films •Barbary Coast’ and ‘Peter Ibbetson’ Now Showing. Responding to many requests, Tom Muchmore. manager of the Ohio, announces “Barbary Coast” and “Peter Ibbetson” as the theater's current screen offering. These

popular pictures are to be shown for three days, instead of the usual two. Gary Cooper and Ann Harding are starred in the movie version of Du Maurie r s novel of immortal love, a stage lavorite for many years. "Peter Iboetson” was made as a silent pic-

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Ann Harding

ture with Wallace Reid and Elsie Ferguson under the title “Forever.” and the same plot was used for Deems Taylor's most recent opera. In the cast of the present version are Dickie Moore and Virginia Weidler, who play the childhood roles of Peter and Mary, Duchess of Towers. Miriam Hopkins. Edward G. Robinson and Joel McCrea are featured in “Barbary Coast.” a story enacted against the background of San Francisco's notorious waterfront of pioneer days. Renaldo Deportafion Causes Big Dispute By United Press HOLLYWOOD. Feb. 4.—Duncan Renaldo, youthful film actor, virtually was a man without a country today as the possibility loomed that Rumania might not grant him % passport. United States Attorney Pierson Hall said advices from Washington indicated that the Rumanian gov. ernment may bar Renaldo on the ground that he “was not born in Rumania.” "In that event. I don’t see how this government can deport him,” Hall declared. The actor had been ordered deported because of illegal entry, tho government claiming he was born in Rumania while he declared hi* birthplace was in New Jersey. Janet Has Tiny Feet Janet Gaynor is said to have the smallest feet of any film star. This was discovered when she broke the heel of her shoe on a step while working in a scene for “Small Town Girl.” Luckily, Janet had another pair of shoes in her dressing room, size 2. Learns,to Carve Wood While on location at Lake Tahoe, Jeanette MacDonald took lessons ia woodcarving from the Indians. She became quite adept and now as a hobby carves buttons, buckles and clips for her friends. ‘jW Jf"/ Two Show\ if M- MAI REINHARDT'S ProdtidM* f I A MIDSUMMER I I NIGHT’S DREAM em Psi >r wx. sHimnm A ms- Muri. br MramMoni M W V 2:39 end 8:30 'Wg * 'All Sal R.i.rvadb Tel. LI. 9000-9514 B. F. KEITHS THEATRE J' HfPfl for A Mon>h* feLaLvavß 2 | “Hell’s Angels” I Pins CMas. Bickford “EAST OF JAVA” I

EAST SIDE TUXEDO ... ... Marx Bros. , „ A N,GHT AT THE OPERA" THE CASE OF THE LUCKY LEGS” TACOMA 2^r^ William Powell “RENDEZVOUS" "MUSIC IS MAGIC” _ IRVING George Arliss “MISTER HOBO" “A NIGHT AT THE OPERA”_ EMERSON Dick Powell “THANKS A MILLION” “THUNDER IN THE EAST” HAMILTON Kfl-F Dick Powell “THANKS A MILLION” "WHIPSAW" P A R K E R S’ u ix Charles Laughton “MUTINY ON THE BOUNTY” “FOUR STAR BOARDER” STRAND I3^^ Marx Bros. “A NIGHT AT THE OPFRi” “TWO FOR TONIGHT” DOVV 21*1 E- Wash. St. * a Surprise .sight “WOMEN IN THk DARK” “PUR SUP>” Paramount “PETER IBBETSON” "HOT PAPRIKA" SOUTH SIDE FOUNTAIN SQUARE Double Feature Loretta Young “f’RI’Q AnFSa'’ Admiral Byrd's “LITTLE AMERICA” __ rx A \Tl\rn O At Fountain Sonata SANDERS “CALL OF THE WILD’’ “SKY BOUND” Aura * xi Prosoert-Cburehmau VAL () N Double Feature T OLiVO Warren William “THE CASE OF THE LUCKY LEGS'* “LOST OUTPOST” ORIENTAL Pauline Lord “FEATHER IN HER HAT" GARFIELD " V,rlnl * l vlj ' l ' Charle. Laughton “MUTINY ON THE BOUNTY 1 ’ Comedy—News—Cartoon