Indianapolis Times, Volume 47, Number 275, Indianapolis, Marion County, 25 January 1936 — Page 4

PAGE 4

CANTOR TURNS FROM MOUSE TO MAN IN 'STRIKE ME PINK'

Edd ie's Battles With Racketeers Lead Him and Parkyakarkus Through Hectic Scenes; Fewer 'Beauties/ Less Singing

Charlie Chan Still Is Alive — Playing at Lyric in Mystery Film. BY JOHN W. THOMPSON While Eddie Cantor turns from mouse to man, “Strike Me Pink.” his picture this week at Loew’s, comes in like a lamb and goes out like a lion. In this one Eddie is a timid little tailor and handy man at a rough-and-tumble university. He is the butt of many practical jokes and gets paid whenever the students feel like it. They pan nim about his worship of Joyce Lennox, night club Ringer, whose pictures Eddie collects. One of the students, Butch, a dumb half back who is in his seventh year at the school, is loyal to Eddie. Eddie sends for a correspondence course, in character building and mastery of others. The result is that he attempts to hypnotize everyone who crosses his path. Butch’s mother and her young friend, Claribel, come for Butch’s graduation, and when Butch’s mother, who owns an amusement park, hears Eddie’s self mastery gab, she immediately asks him to become manager of her park. Predecessor “Bumped” At the park Eddie finds that the former manager was “bumped off'’ by a group of gangsters who want to put slot machines in 'Dreamland," Ma Carson’s park. Ma allows no gambling on her grounds. The gangsters use Joyce Lennox as a “come-on” for Eddie and he agrees to permit 150 slot machines in the park in order to “save” Joyce’s life in a situation the gang has concocted. When the machines do not pay off every time, Eddie goes to Joyce’s apartment, discovers she is married. There he finds a home recording outfit, makes a record of the confessions of the gangsters, escapes with It. A wild chase on the park merry-go-round ensues, with Eddie winning after he and his bodyguard, Parkyakarkus. are sent up in a balloon and Eddie drops into a practicing trapeze act. Then Eddie discovers that it is Claribel he really loves. Eddie Cantor never has been funnier than in "Strike Me Pink.” For some reason, however, as a picture it didn’t click with us as others of Mr. Cantor’s have. There are not as many of the "gorgeous” Goldwyn girls, not as much good singing, as in "Kid Millions,” for instance. Ethel Merman is presented by herself most of the time and she isn’t as good as she is with Eddie. Eddie sings less than befor°. but his one specialty is excellent. Started by F.arar One of the bright spots on the program is contributed by Sunny O’Dea, a sprightly young girl tap dancer, whom Ward Farar, Loew’s Theater manager, started out in show worjc as the result of an amateur contest he held in Pittsburgh several years ago. She shows promise of becoming one of the screen’s personable hoofers. Parkyakarkus is as funny in his initial film appearance as he is on the radio. Sally Eilers makes Eddie

■MARTENS CONCERTS, Inc.ENGLISH—Sun, Aft., Feb. 9th BARTLETT AND ROBERTSON Recital for Two Pianos SEATS ON SALE Marlemt Ticket Office 33 Monument Circle 81.10, 51.65. 52.20. $2.75. Tax Incl.

fcsijfe For Your Protection We Uraa You To BUY SEATS NOW [■ "A MIDSUMMER > : V M NIGHT'S DREAM" Because oi the universal appeal of this unique attraction, hundreds not num- ‘ ' V Wm bered among our regular patrons are ■fyMß requesting reservations daily. We don't want anyone to be discrp- / pointed but this engagement is strictly / limited in number of performances— Asgand orders for brhets must be filled as received, without ewcvption. We have opened the sale many days * in advance and urge you to secure IraPfflr y->ur reservations at once. Please save <ju us the embarrassment oi having to say "No" when you ask lor tickets. {SHjB Write, phone, or cell et the xxx-office lodorft B. F. KEITH’S THEATRE J 900 Seats at 55c to sl.lO—A Few at % /. ;* 'V V- ’; ** '■fJ'Si'yb V. §& ~v .. I’ rr m r<> * a u u h irf c

THE MOVIES APOLLO — The Widow From Monte Carlo.” Dolores Del Rio and Warren William caper through a jolly intrigue story with Louise Fazenda doing her best talkie work as a scandalmonger, CIRCLE “Another Face.” Surprisingly good little picture about a gangster who has his face changed. and goes to Hollwood as anew man. Introduces Phyllis Brooks, one of the brightest new stars. Also “Fang and Claw,” the film of Frank Buck’s trek and of what he brought back alive. Fair entertainment, with usual shots of galloping game. INDlANA—"Captain Blood.” Errol Flynn and Olivia De Haviland make movie bows in one of the flashiest action dramas yet. Guy Kibbee with beard is camon expert who shouts with glee at bloodshed. LOEW’S—“Strike Me Pink.” Lacks girl interest of other Goldwyn shows, but brings Eddie Cantor in some of his funniest skits. Ethel Merman shouts well in the song numbers. Parkyakarkus is there. LYRlC—“Charlie Chan's Secret” on screen. Warner Oland jaunts through maze of mysterious happenings in usual fashion. New faces in this one. Herbert Mundin captures show. Vaudeville on Lyric stage not up to par this week. Lee Sims plays piano well, as also does Don Zelaya, pprtly gentleman who denounces jazz and plays it well. Smart little donkey and roller skaters are fairly interesting.

a good heroine and Helen Lowell is in her element as Ma Carson. Eddie's best comedy sequences include the time Eddie plays poker with three ghosts and claims one of them is looking at his cards; when he runs into Edward Brophy, sent to kill him. and they find both have been studying the “Man or Mouse?" book; scene of Eddie’s college shop in which he has gim-cracks such as multiple shoe shiners and a contraption for breaking in pipes. And, of course, the wild chase on the merry-go-round which is the peak of the film. The best musical number is “Calabash Pipe." which Mr. Cantor,sings with Miss Merman. Unusual photography by Merritt Gerstad is featured in the “High and Low" number in the picture. “CHARLIE CHAN’S SECRET" No. dear readers. Charlie Chan is not doomed, regardless of what the ads intimate. He is alive and healthy and when last seen in his picture this ve * at the Lyric, he was going home to his large Oriental brood. In the current Chan picture Charlie is hired to track down a missing young man who, had he shown up. would have inherited a fortune. He was supposed to have gone down in a ship disaster, but Charlie gets the idea everything is not jake. Muttering dialogue that sounds like so many telegrams, Charlie tramps about a rambling old home where death just has been a visitor. The old man who died left a fortune and that's what the shouting is all about. Before it’s all over Charlie gets the culprit to waste a bullet on a dummy of Henrietta Crosman, and a knife on a perfectly good mirror, and in his clumsy but sure way, he traps the guilty one who. if we may be allowed to brag, we had suspected from the first the was the only one besides Mr. Chan who wore a black mustache). Miss Crosman is nervous and convincing throughout the picture. Mr. Chan, as usual, hides everything behind his Oriental mask and doesn’t act at all. Herbert Mundin. as the frightened butler, walks off with the picture. Lee Sims and Ilomay Bailey top the list of the Lyric vaudeville acts this w r eek. Mr. Sims plays the piano better than Miss Bailey (really Mrs. Sims) sings. A medley of popular numbers is Mr. Sims’ feature, and he doesn't play "The Music Goes 'Round and Around." A roller skating trio, which opens the show, is thrilling and performs

‘Widow From Monte Carlo’ at Apollo—Circle Has ‘Another Face.’ several daring feats. The act Is billed as the “Three Flames.” That smart little jackass. Uno, is back again' with his master, Red Donohue. This donkey is one of vaudeville’s most intelligent performers. He creates comedy situations equal to and surpassing many man-made schemes. His kicking is top-notch terpsichore and he seems to like it. So did the audience yesterday. A bright spot on the program comes with the stout Don Zelaya, who also plays the piano. He makes quite a speech against jazz, and plays Kreisler's “Funeral March” in a nice jazz tempo arrangement. Then he plays “I’m in the Mood for Love” as Mr. Kreisler might have written it. The less said about the Lynn Burno revue, the better. They don’t ever seem to get going with their act of Indian dances, tap and soprano singing. "ANOTHER FACE” That new menace, Brian Donlevy, gets his face lifted in “Anotntr Face” at the Circle, and like no smart crook, leaves a witness alive and goes to Hollywood, trying to be an actor. But like no intelligent gangster we ever heard of, he lets the most likely “squealer” walk right out of his life. She, the nurse attending while his features were straightened, proves his undoing. A Hollywood press agent discovers who this new actor really is and decides to capture all the glory for himself and his studio. That’s what makes “Another Face” good. And an excellent cast pulls tins story out of the fire. In fact, you are going to be agreeably surprised by the work of this particular group of newcomers. Phyllis Brooks, former artists’ model, is better than Bette Davis, as the heroine. Wallace Ford gives another good performance as the press agent, as does also Alan Hale, in the role of the producer. Here is dandy film entertainment. Frank Buck’s picture, “Fang and Claw” is not quite as gruesome as it sounds, but it is one of the better and more convincing “bring ’em back alive’ pictures. It’s pretty much along the line of others of its type. “WIDOW FROM MONTE CARLO” Dolores Del Rio can act —and well. She shows it for the first time in several months in “The Widow From Monte Carlo.” a natty piece of screen comedy at the Apollo. Warren William stops being a lazy detective long enough to be a hustling suitor in this one. Two old-timers, Louise Fazenda and Herbert Mundin, lend froth to the piece, even though Miss Fazenda. turns out to be a nasty old villianness in the end. Miss Del Rio plays the part of a bored duchess engaged to a stuffy fellow of high birth, who suffers from liver trouble. The duchess slips away from her guardians and secretaries and has several flings with Major Chepstow (William). But the social climber, Mrs. Tprrent, wife of the marmalade king, sees the two together, steals a letter from the duchess to Chepstow, and tries to blackmail the duchess' into coming to Mrs. Torrent’s party. Chepstow runs into an American gangster on the loose, Dopey by name, and Dopey regains the letter The duchess realizes she loves the jaunty major, returns Eric’s ring and all is as it should be. Warren Hymer is at his best as the madcap gangster who crashes a London masquerade party in kilts. Miss Del Rio is dashingly beautiful and Mr. William seems to enjoy himself in a picture for the first time in a year. Ships Fireplace Logs Wallace Beery is having fireplace wood shipped to his new Beverly Hills home from his private island on Silver Lake, in the High Sierras. Two enormous pines were felled by last winter’s snows. He has a crew of workmen cutting the giants into fireplace logs and trucking them to his Beverly home.

/"Mum ONE NIGHT ONLY! ■ IM| TOMORROW wMm HORACE Warn HEIDT IM AND his ■ OB Alemite Brigadiers 25 - Entertainers -25 m[ ZM Ticket* SOc a person, inrl. tax, till (5 p. ni. Hr Sunday. After that JB sl.lO. inrl. “tonight" FAREWELL. PARTY Wfk Carl Meeks Orchestra ■^l 10c All. EVEN IN (■ I I B D 14 lb A | H|f Dance £ Harold Every Cork’s Sat. & Sun. | Orchestra HARBOR Saturday, 50c Couple Before 9:30 15c Couple 9:30 to It—soc Couple 12 to 1— 25c Connie After 1. Sunday. 30c Couple. A CABLES A /§\BEAn'IM6/g\ l Jiftl DUTTON-DeSAUTELLE ORCHESTRA • CHICKEN • STEAK *nd FROG DINNERS THE BEST OF MIXED DRINKS SHBESBBBkBH

THE INDIANAPOLIS TIMES

While We Freeze, Ladies of the Screen Enjoy Picnic

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While Indianapolis was in the grip of sub-zero weather, these three movie girls went on a summery picnic the other day. Molly Lamont, brunet in the center

Dramatic Teachers Smooth Path to Film Success in Hollywood Many of Outstanding Players Found Early Impetus in Teachings of High School, College Instructors. Times Special HOLLYWOOD, Jan. 25.—1f you hope for a movie career, Hollywood experience shows that you profit from instruction by your high school or college dramatic coach. So do not talk back when corrected for failure to say your lines correctly. Hollywood is full of actors and acresseg who. but for their training in high school and colleges under supervision of drama instructors, might never have reached filmdom. For instance, behind careers of—

Bing Crosby, John Howard, Gloria Stuart, Robert Taylor, Frances Farmer, Gary Cooper, Frances Dee and Joel McCrea are the drama mentors who started them on the road to Hollywood. Imagine Bing Crosby falling on his sword as Brutus in “Julius Caesar.” It seemed silly at the time to Bing, but because he willingly took this role and many others in high school and college in Gonzaga, Wash., Bing is busy in Hollywood today. Gary Cooper learned to act while in college in lowa, gradually getting into speaking parts and even leads. Katherine De Mille worked hard as a drama coach at exclusive girls’ schools in Santa Barbara and Montecito, and occasionally took parts herself just'to practice what she taught others. One of the University of California’s student actresses a few years back was Gloria Stuart. From the university she went to work with the Pasadena Community Players, which was her springboard to Hollywood and motion pictures. Both Joel McCrea and Robert Taylor studied in drama classes at Pomona College in California, while Mr. McCrea’s wife, Frances Dee, learned dramatics in the University of Chicago theater. Harold Lloyd was the mainstay of San Diego High School drama classes, sometimes taking as many as four parts in one play. At this same time, after hours, Harold was assistant to John Lane Conners, who had a private school of drama. It was Mr. Connors who gave Mr. Lloyd his dramatic start. Donald Duck Star of Disney Comedy Donald Duck finally has met his match, according to advance reports, in a multitude of youngsters who refuse to be impressed by his theoretical toughness. Donald is to, be a featured player in “Orphans’ Picnic,” the latest Walt Disney Mickey Mouse production. The cartoon comedy has been filmed entirely in technicolor. It is to be shown soon at Loew’s.

r.\FE ROBESON “SANDERS OF THE RIVER” rius Wm. Powell “THE KEY” pLUJfIVg p. GOOD RHQUJ ■■■ ■ J W AI! SeaU R H I S S I Ma 25c H I H Pntii s p. m. '

(above), who seems to be reaching for a Swedish roll, appears in the film “Another Face,” at the Circle this week. The blond on the left (busy with a chicken leg) is Lucille Ball, a young comer,

Jessie Matthews' Dances Win Honor Times Special HOLLYWOOD, Jan. 25.—Jessie Matthews, now appearing as the dancing star of “First a Girl,” has won a reputation with her dancing legs. In “First a Girl,” performances are given to such tunes as “I Can Wiggle My Ears,” “Everything’s in Rhythm With My Heart,” “Half and Half,” “The Little Silkworm” and “Say the Word and It’s Yours.” Miss Matthews made her movie bow last year in “Evergreen,” and since chat time has had her legs compared with those of Claudette Colbert. Marlene Dietrich, Mile. Mistinguette and Florence Desmond. Patsy Kelly Featured Gordon Douglas is to assist William Terhune in directing Patsy Kelly’s first feature-length production, tentatively titled “Kelly the Second.” The supporting cast includes Pert Kelton, Charley Chase, Guinn Williams, Edward Brophy, Harold Huber and Ben Hall.

aAV’iIM & * WIDOW {SkSr'i moniE } *1 CARLO WARREN WILLIAM | DOLORES DEL RIO -Hi APOLLO 2S(f ti 11.6 P.M -25ji.inJ40f AFTEH 6P M.

LOEWS NOW ill BilHljijfiUH “Water Sports” “Honolulu” w.

dsn an*d on”y EXCLUSIVE BURLESQUE Theatre STARTING WITH OUR FAMOUS MIDNIGHT SHOW TONIGHT Ruth Willson, Nancy Morris, Sally Walker, Dorothy Meachtim j GIRLS GO ROUND-N-ROUND GET TP A PARTY AND ATTEND 018 MTDNIGHT SHOW TONIGHT

and the serious lady at the right is Margaret Callahan, who played in “Seven Keys To Baldpate.” Notice the streamlined picnic trailer the girls take on their jaunts.

Appear at Ohio n n ‘Shipmates Forever’ on Double Week-End Bill.

The Dick Powell-Ruby Keeler special, “Shipmates Forever,” and a comedy, “Personal Maid’s Secret,” starring Ruth Donnelly, Margaret Lindsay and Warren

Hull,- are to be week-end features at the Ohio. In “Shipmates Forever,” Mr. Powell plays the part of the son of an admiral. His father wants him to go to the Naval Academy, but he does not care to. and until he finds that his girl friend, Miss Keeler, would like for

Dick Powell

him to wear the blue and white, he does not join. When he does, he makes a man of himself and comes out into the waiting arms of the personable Miss Keeler. There is plenty of vocal music by Mr. Powell and tap dancing by Miss Keeler. Gable Plays Romeo At one time during his early stage career, Clark Gable portrayed Romeo.

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Donkey Head Mask Worn by 'Bottom'

Mr. Cagney Uses Headgear in Film, ‘A Midsummer Night’s Dream.’ Not only a work of art, but a mechanical masterpiece is the donkey's head mask worn by James Cagney as “Bottom" in “A Midsummer Night’s Dream.” The Shakespearan classic is to open Wednesday for a week’s engagement at Keith's. The mask speaks, wags its ears and breathes. This intricate mask, the work of Percy Westmore, was made from a plastic impression of a real donkey’s head. This impression was used as a mold into which plaster was poured. A special mechanical arrangement allows the jaws to open and close with the weight of Mr. Cagney's chin. The result is said to be uncannily life-like. The problem of breathing was solved mechanically. The one objection Mr. Cagney made to his mask was that it was so hot he could wear it only half an hour at a time. Consequently, frequent rest periods were necessary during filming of the picture. Besides Mr. Cagney, the all-star cast includes Joe E. Brown, Dick Powell, Jean Muir, Victor Jory, Verree Teasdale, Anita Louise. Hugh Herbert, Frank McMugh, Mickey Rooney and scores of others. Martens to Return Popular Piano Team Return engagement of the popular British two-piano team of Bartlett and Robinson is to be the next Martens-Concerts attraction, Feb. 9, at English’s. During the eight years since they gave their first two-piano concert, they have become famous throughout Europe and America, giving more than 100 concerts last season. Although Miss Bartlett, in private life Mrs. Robinson, is a Londoner, and her husband a native of Scotland, they are heard in their homelands only during May and June, before they retire from concert work for a six-week vacation, their only one of the year.

WEST SIDE f'-x- a -T-r* 2,03 w -ioth st. S I f\ I f" Double Feature 1 ' ' 1 Betty Davis “FRONT PAGE WOMAN” “SIX GUN JUSTICE” - Run. Clark Gable-Charles Eanghtnn "MUTINY ON THE BOUNTY” Comedy—Novelty | W. Wash. & Belmont nO mfinifir Double Featnre DcllllVjlll Dick p owe ii “THANKS A MILLION” “STORMY” Sun. Double Feature —Will Rogers “Steamboat Round the Bend” “I FOUND STELLA PARISH” p. i |f W 2540 W. Mich. St. I )/\ I A Y Double Feature \ I w/ • Randolph Scott “THE THUNDERING HERD” “THE WATER-FRONT LADY” Sun. Double Feature —Pat O’Brien “STARS OVER BROADWAY” “SANDERS OF THE RIVER” NORTH SIDE p. I "'r~ "7 Illinois et 34th W \ \ / Double Feature IXI I *- Burns A Allen “HERE COMES COOKIE” “THE CRUSADER” Sun. Double Feature —Miriam Hopkins “SPLENDOR” “ANNIE OAKLEY” I | 42nd & College l Intnwn Double Feature l ▼▼ Ii K( , ETPr< .t t Horton “HIS NIGHT OUT” “SKY DEVILS” Sun. Double Feature —George Arllss “TRANSATLANTIC TUNNEL" “NAVY WIFE" , | soth and Illinois I ifirr TK Double Feature VJVJI • I'' l ' Marlon Davies ‘TAGE MISS GLORY” “HIS FAMILY TREE” Sun. Double Feature —Wallace Beery “O’SHAUGHNESSY’S BOY” “THE RAINMAKERS” Q , I * St. Clair & Ft. Wayne jl. Spencer Traey “SKY DEVILS” Radio Guest Stars Sun. Double Feature —Dick Powell “THANKS A MILLION” “RED SALUTE” _ r— vy 30th at Northw’t’n. I— Y Double Feature I ' Maureen O’Sullivan “THE BISHOP MISBEHAVES” “AIR BOUND” Sunday—Triple Feature Jean Stratton Porter’s “FRECKLES” “PERSONAL MAID SECRET” “FISH FROM HELL” -T- I. , Talbot & 22nd I n nnt I Double Feature 1 1 LyV -' 1 1 Tom Brown “FRECKLES” “RED HEADS ON PARADE” Sun. Dble. Feature —Margaret Lindsay “PERSONAL MAID’S SECRET” “The Last Days of Pompeii" f I 19th £ College Strnttord >• *>aturo J l 1 1 1 Clark Gable “CHINA SEAS” “MEN WITHOUT NAMES” Sun. Double Feature —Edward Arnold “DIAMOND JIM” “GOOSE AND THE GANDER" . ii- >•* a Noble £ Mass. /V/lr-l 1 Double Feature ' Dick Powell “BROADWAY MELODY OF 1936” “MEN WITHOUT NAMES” Sun. Double Feature —May Bobson “THREE KIDS AND A QUEEN” “SHANGHAI” ps P A k. A !M * Station Bt.. IJK P A/Vl Double Feature 1 XL " # '* T 1 Warren William “The Case of the Lucky Legs” “MUSIC IS MAGIC" Sun. Joan Crawford-Frank Morgan “I LIVE MY LIFE” Comedy and Short Reels ~EABT~gIDE n| \ /Al I Dearborn at loth KI V ( J I I Double Feature IX I t N/u-i Frank Parker “SWEET SURRENDER” “HOP-ALONG CASSIDY” Sun. Double Feature—Richard Dlx “TRANSATLANTIC TUNNEL” “GRAND EX^T”

.TAN. 25, 1936

WHERE, WHAT, WHEN APOLLO "The Widow Prom Monfe Carlo." with Dolores Del Rio and Warren William, at 11:06. 12 55. 2:44. 4 33. 6:22. 8:11 and 10 00. CIRCLE 'Pane and Claw." with Prank Buck, at 11. 1:50. 4 40. 7:30 and 10 20. Also. “Another Face.' with Brian Donlevy and PhvlliT Brooks, at 12:40. 3:30 6:20 and 9 10. INDIANA • Captain Blood." with Errol Flvnn Olivia De HaviUand and Basil Rathbone. at 11:42. 2:10 4 40 . 7:10 and 9:40. LOEW’S "Strike Me Pink." with Eddie Cantor. Parkvakarkas Sallv Ellers and Ethel Merman, at 11:28. 1 35. 3 42. 5.49. 7:56 and 10:03 LYRIC "Charlie Chan's Secret.” with Warner Oland. on the screen at 11:26. 2:14. 5.02. 7:50 and 10 29 On at tee. one hour of vaudeville, at 1.05. 3:53. 6:41 and 9:29 OHIO "Sanders of the River," with Paul Robeson, at 10:58. 212 .5:26 and 8:50. Also "The Key." with William Powell, at 12 33. 3:47 7:01 and 10:55.

Heidt's Troupe Uses Big Stage Roof Prepares for Sunday Night Appearance. Horace Heidt’s engagement at the Indiana Roof tomorrow night has necessitated enlargement of the stage to accommodate the band's 25 musicians and entertainers. Mr. Heidt and his company are to present a dance and floor show program, starting at 9 tomorrow night. With the Heidt ensemble are to be Alvino Rey, steel guitar olayer; the Radio Ramblers; Art Thorsen, who does imitations of Pop Eye the Sailor; Bob McCoy, bass soloist, a member of the original Desert Song” cast, a male chorus; the Campbell sisters, and Ernie Passoja, who can hit high notes on the trombone. EAST SIDE mmm i 4020 E. w York T uxedo ''Tcl'tZT* “TWO-FISTED” “The Last Days of Pompeii” Sun, Double Feature —Jack Benny “IT’S IN THE AIR” “BARBARY COAST” 2443 E. Wash. S*. I nrnmn Double Fealnre I UCUI IVJ Wallace Beery “O’SHAUGHNESSY’S BOY” "The Goose and the Gander" Sun. Double Feature —Borne anil Allen “The Big Broadcast of 1936” “THE VIRGINIA JUDGE”

I r*> \ /Ik I 5507 E. Wash. St. .fx\/ I I Double Feature II x v ii ’t All-Star Cast “THE THREE MUSKETEERS” “BEGINNER'S LUCK’ Sun. Double Feature—Jack Benny “IT’S IN THE AIR” “I FOUND STELLA PARISH” 4030 E. 40th St. tmerson D l # u h, v^? ,or * Jane Wither* “THIS IS THE LIFE” “TWO FISTED” Sun. Double Feature —Marlon Dariea “PAGE MISS GLORY” “ANNIE OAKLEY” || | . | , 2110 E. 10th St. Hamilton “ss™-/* “THE THREE MUSKETEERS” “TWO FISTED” Sun. Double Feature—Miriam tlopklna “BARBARY COAST” “IN PERSON” rx I 293(5 E. 10th St. 'anKGr* Double Featnre James Cagney “DEVIL DOGS OF THE AIR” "MOONLIGHT ON THE PRAIRIE” Sun. Double Featnre—Hugh Herbert “TO BEAT THE BAND” “THE BISHOP MISBEHAVES" r- , I 1332 E. Wash. Sf JlTfinn Double Feature Lee Tracy “TWO FISTED” “ON THE WAGON” Run. Double Feature—Dick Powell “THANKS A MILLION” “IT’S IN THE AIR” DAW *ni y Wadi t. IX V J I Double Feature Helen Twelvetree# “SPANISH CAPE MYSTERY” “POCATELLA KID” Sun. Double Feature—William Towell "RENDEZVOUS” “THE GOOSE AND THE GANDER” rx .til E. Wash. r a ramount“*r r ? tn r Bette Daria “SPECIAL AGENT” "TRAIL’S END” Sun. Double Feature—Wallace Beery “O’SHAUGHNESSY’S BOY” “DR. SOCRATES’’ gOtJTH SIDE Fountain Square Double Feature Miriam Hopkine “SPLENDOR” “NEVADA” Sun. Double Featnre —Marx Bros. “A NIGHT AT THE OPERA” “FUGITIVE" P* I At Fountain Squara Double Feature Patricia Kill* “A NIGHT AT THE RITZ” “LIGHTNING TRIGGER" Sun. Double Feature—Edward Arnold “DIAMOND JIM" “MARK OF THE VAMPIRE" Grand Reopening GRANADA Theater 1045 Virginia Are. Today and Tomorrow Double Feature Program Barbara Stanwyck “ANNIE OAKLEY” Ginger Roger* “IN PERSON” MaJ. Bowen’ Amateur Theater of the .41 r A I Prnspect-Churchm'n /WO ion Double Feature Paul Muni "DR. SOCRATES” “HARD HOMBRE” San. Doable Feature—Will Roger* “Steam Boat Hound the Bend” “HANDS ACROSS THE TABLE" Pk - .“ lift.-, s. Vrrldian Bt. UrientOl Double Feature Franci* Lederey “THE GAY DECEPTION” “RAINBOW VALLEY” Sun. Double Feature—Fredrie March “DARK ANGEL” “STORM OVER THE ANDES” >■ / • II 2203 Shelby St. IxOrtlP U Double Feature 1 •C.IXJ Kdwilrrt r Horton “HIS NIGHT OUT ’ “DANTE’S INFERNO” Sun. Double Feature—Dick Powell “SHIPMATES FOREVER" “Wanderer of the Wasteland”