Indianapolis Times, Volume 47, Number 272, Indianapolis, Marion County, 22 January 1936 — Page 4

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Fun-Making Cantor Film Coming Here Story of Comedian’s Life Displays Little to Provoke Laughs. BY JOHN W. THOMPSON “When you laugh at me, It’s because you think I'm funny, but when I make you laugh, it’s because I have planned It seriously.” That is what Eddie Cantor wrote me once after I had requested his recipe for humor on the stage. Upon that philosophy Eddie Cantor has built his reputation as a comedian. When he retired from the stage six years ago to devote himself entirely to pictures and radio, Eddie decided he cou’.d do justice to no more than one picture each year. He has stuck to his promise as has no one else in Hollywood, except Charlie Chap’in. Mr. Cantor is to be seen in h.s latest, “Strike Me Pink,” at Loews starting Friday. Believes Actors Smug Mr. Cantor, who like all the leading p.ofessional humorists essentially is a solemn person, believes actors are too smug. “They don’t think enough,” he says, “because they have nothing to worry about.” So Eddie prescribes worry for those who are engaged in the interpretive work of the stage and screen. Eddie’s sideline is writ-ing-articles and books. Eddie once was a ragged little street urchin in Hester-st, New York. He wasn’t well bred. He wasn't even well-fed. But he had a stanch old grandmother who urged him on. And he picked up a few pennies singing and dancing and improvising Jokes for passers-by. At 14 Eddie got a job as clerk in a factory mailing room. A year later he was fired. Won Amateur Prize Although he won first prize in an amateur contest at Miner's Bowery theater, it was as a singing waiter in a Coney Island beer garden that he achieved his first real success. Jimmy Durante was his pianist, and folks ehdured the food to hear Eddie sing and Jimmie play. After working six months, saving tips and all, he got enough money together to buy his grandmother a fur coat. Soon, however, Eddie got his start on the stage. He worked in a vaudeville art featuring Bedini and Arthur at Hammerstcin's Victoria theater. Eddie was thrilled to death, but he didn’t have much to do. During a stage wait once, he volunteered to sing a song, the manager acquiesced and Gus Edwards, who was in the same show, recognized Eddic'3 talent. He offered to give Eddie a job as "Gus Edwards’ discovery,’*’ any time Eddie was out of work. In 1912 Eddie became a member of the “Kid Kabaret” cast. And what a cast it was. Included were George Jcssel, Eddie Buzzell, Georgie Price, Lila Lee and Gregory Kelly, all magic namr to the eyes and ears of thdlheatrical public at that time. Eddie played the part of a black-faced butler. Friend of Will Rogers While touring with this act, Mr. Cantor met Will Rogers and there was born a long friendship. There was a sort of pleasant rivalry between the two as to their philanthropic work, and they took unusual interest in what the other was doing. Eddie is the main support of a boys camp. He is one of the backers of another camp where he, himself, went one summer. During the last few years, due probably to the familiarity of Eddie’s radio broadcasts, the American public has come to better know Mr. Cantor’s family. One of the nicest things about Eddie is Ida, his wire. They have been married happily more than 22 years. And who is there that hasn't heard Eddie remark about the "Cantor Home for Girls,” referring to his five daughters. Not long ago, on one of his broadcasts, Eddie mentioned the name of Janet Cantor, one of the "babies’’ of the family. Afterwards he called her long distance and asked how she liked hearing her name broadcast. In a very grown-up voice Janet answered: "Thanks for the publicity, Pop.” Teaches Girls Thrift Eddie is teaching his daughters to be thrifty, a lesson he learned at the cost of a fortune lost in the stock market crash. His two younger girls, Janet and Marilyn, are. on an allowance of $1.50 a week. When they are in debt they can't get a cent from “Rapa” Cantor. “Stay w nin your bulget,” he warns. “You're not producers yet.” The secret of Eddie’s and Ida’s married bliss is "mutual respect,’ according to Eddie. “If more women in Hollywood would use Ida's tactics, the divorce lawyers would starve,” he says. In “Strike Me Pink," Eddie is supported by Ethel Merman, and Parkyakarkas. his radio stooge, who appears on the screen for the first time. Shows Her Largest Catch Madge Evans returned to Hollywood from San Diego with the biggest fish she caught near the Coronado Islands this season. She went to the Bay City for a rest after completing her role in "Exclusive Story.”

ONE NIGHT ONLY! ■ U| NEXT SUNDAY: HORACE KB HEIDT I/S AM) HIS IT Alemlte Brigadiers H £^B 25 - Eitirtaimrs - 25 Ticket* KOr Inrl. tax, ft p. m . Sunday. After fliat sl.lO. Inrl. w ai.t2~toVi7. ht PIRATIC BAM. VII f.otliee. 15r, lnrl. rherk- KB Cart Meeks Orchestra ■r^l issU K

Trouble, Romance and Laughter Promised in Screen Shows to Open Here Friday

Lt ]p ijki ßjs lpT tL \ fijSl piXs • It looks as though Brian Don- And here’s Eddie Cantor g|^|^wPP lpa| BM& L - m. Igp l lovy and Phyllis Brooks deft (right) helping one of the pedmmßmrSmtir ' 3P£P*7 wWw' 'W§tk W- sis | above) had met serious trouble dlers in his new picture, “Strike *BF • ''®mL W*- B* I j m this scene from “Another Me Pink.” test the pulling I BH vAt *W* ®*WW*i * I Face” which, with Frank Buck's strength of a suspender. Note the If i ; i: If '"" """""" ""' picture. “Fang and Claw'.” is to terrific emotion on Mr. Cantors I’ iMP 'W make up the Circle Theater's pro- face. The picture opens at L' HT JKUp " gram starting Friday. Loew’s Friday. W n * w IlgaPPifflF -iia liii ii it i. k r* t These two romantic looking The gentlemen (below) are not I at ' J&ilfyjF/* If "*/■ fin Mhnn KA C* KA\/ young folk (center) are Lee Sims, from “Mutiny on the Bounty’ k **• *ICI liy ly\\Z/ I lOliy /V\y Jlvsl y f pianist, and Ilomay Bailey, sing- or “Captain Blood.” Herbert v er ’ two of the country's mast Mundin (left) and Warren Willi I ■Lgffgf \A/ *1 \A/’l f c i ‘ Jplwg ' W ails Writer Ot OCreen LiOmDOy at the Lyric starting to look Napoleonic in a scene from I 'OBfr "Charlie Chan's Secret.” at the Apollo Friday. I Assignment to Bring Out Film Lsughs Invites Suicide, f jewelry and m. chevalier owns do: IBr Says Grover Jones, Who Finds Drama Easy. VjarbO S OflOeS ens of blue sweaters, ties and sox. ; Miriam Hopkins continual] Timr special * brushes her hair with her ham - HOLLYWOOD. Jan 22.—“ Handing a movie writer a job writing all [ s-n IJll Mn dames Cagney always drums ner comedy is an invitation to suicide,” declares Grover Jones, who has fin- V'vl IIC WI if WI I ously on a table or desk with h ished the script for Harold Lloyd’s new' picture, “The Milky Way." finger tips while awaiting action. ' ,V &X "It’s the most thankless job ini George Burns and Gracie Alh M Hollywood,” says Mr. Jones. “The | _ ~ . Manx/ Qoonoc A r* Dlax/oH never miss watching each oth<

George Newton Recital Thrills Listeners; Versatility Is Shown Singer Departs From German Numbers to Present His Interpretations of Elizabethan Compositions. Splendor of Elizabethan England’s great literary figures has tended to make us forget the accomplishments of the composers of the period. Yet in the program of songs of Dowland and Purcell, sung by George Newton in his studio recital last night, we heard music which deserves a place among the loveliest works of vocal literature.

WHERE, WHAT, WHEN APOLLO "Professional Soldier,” with Victor McLaglen and Freddie Bartholomew. at 11:42, 1:42, 3:42, 5:42, 7:42 and 9:42. circle “The Maenlflcent Obsession” learned over from Indiana for second week), with Irene Dunne and Robbert Tavlor. at 11:30. 2:05. 4:40. 7:15 and 9:55. INDIANA Earl Carroll's "Vanities.’’ on staae at 12:40. 3:35, fi:3ft and 9:20. On the screen. "Her Master's Voice." with Edward Everett Horton, at 11:20, 2. 5:10. -7:50 and 10:35. LOEW’S “April Blossoms." world premiere, with Richard Tauber. Jane Baxter, at 11:15, 1:55. 4:35. 7:15, and 10. Also, "The Lone Wolf Returns." with Melvvn Douglas. Gail Patrick and Raymond Walburn. at 12:45, 3:26, 6:07 and 8:48. LYRIC Malor Bowes’ Amateurs” on stage at. 1:04, 3:58 652 and 9:37 Cos screen. "Freshman Love" with Frank. McHugh and Patricia Ellis, at 11:40. 2:34. 5:28. 8:13 and 10:37. OHIO “Our Daily Bread” with Karen Morlev and Tom Keene, at 10:30, 1:35. 4:40. 7:45 and 10:36. Also "Design for Living." with Fredric March. Miriam Hopkins and Garv Cooper, at 11:44. 2:49. 5:54 and 9:10.

Roof Features Costume Dance Prizes Offered for Best ‘Pirate’ Dancers. Masquerade ball is to be added to the usual Wednesday waltz and ladies' program at the Indiana Roof tonight, the management has announced. The Roof, working with Indiana Theater, where the picture. “Captain Blood,” is to open Friday, offers prizes to persons appearing tonight at the Roof in the best pirate costumes. Judges for the contest, to be staged at 10:30, are to e Vanities stars. Carl Meeks’ orchestra, under direction of Charles Pierce, is to play for tonight’s dance. This band is to remain at the Roof until Sunday evening, when Horace Heidt and his Brigadiers are to come here for one night. Authority to Speak on Picture Framing Siegfried R. Weng. director of the Dayton Art Institute, is to discuss picture framing at John Herron Art Institute at 8 tonight. The program is sponsored by the Indiana Artists Club. Drinks Hot Lemonade Daily Ida Lupino drinks a glass of hot lemonade before breakfast every morning.

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Songs of Purcell, of which Mr. Newton gave us nine, are almost Schubertian in their expressiveness and beauty of melody. The brief span of the English composer’s life • 1658-1695) parallels, too, the short but incredibly productive life-time of the more famous Viennese. Purcell's music is not “dated.” Written in a forgotten musical environment, hampered again and again by bad poetry, it still has power to move us through that incredible snd deathless quality known as genius. • . . Songs Hold Interest Os historical as well as artistic interest are the Dowland songs, whose nine representatives completed the concert. A contempofary of Shakespeare, Dowland has been called the first composer of solo songs. Ha lived in the period when part singing was the prevailing form of the art and his compositions reveal the influence of the madrigal, in their modal tonality and irregular rhythms. Dowland's accompaniments were written for the lute, the popular fretted instrument of the time, while the Purcell songs were taken from his operas or the incidental music to plays and were composed for performance with the orchestra of his own day. To the piano arrangements of these two mediums, Ramona Wilson, who assisted Mr. Newton last night, brought a fine perception of style, a richness of tone and subtlety of shading that were admirable. Recitals Boost Kinger George Newton is proving, with each successive recital, that he is not only a well-trained and talented singer, but a fine musician as well. The transition from the style of German romantic song writers, whose works have made up his three previous programs this year, to that of old English composers, proved his unquestionable versatility. To each song he undertakes, Mr Newton gives a performance of keen musical perception and command of its emotional and dramatic values. This, coupled with a voice of unusual range and rich color, intelligently employed, has made the singer’s four appearances this season entirely delightful occasions. Again we are grateful to Mr. Newton for the opportunity to hear seldom performed music of such high order. (By J. TANARUS.) Forgets Pick and Shovel Edgar Edwards, the lad taken from a labor gang and given an acting contract;, received a telephone call from his foreman last night asking why he hadn’t been to work. When he explained the foreman gasped and hung up. Mr. Edwards had forgotten to return his pick and shovel.

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THE INDIANAPOLIS TIMES

'Oh! Hang Me, Hang My Story/ Wails Writer of Screen Comedy Assignment to Bring Out Film Laughs Invites Suicide, Says Grover Jones, Who Finds Drama Easy. Timm Rprninl HOLLYWOOD, Jan 22.—“ Handing a movie writer a job writing all comedy is an invitation to suicide,” declares Grover Jones, who has finished the script for Harold Lloyd’s new picture, “The Milky Way.”

"It’s the most thankless job in Hollywood,” says Mr. Jones. "The funnier you are, the less credit you get. The actors get the praise. But fail once, and the attention all is yours.” Because he believes writers must get away from comedy occasionally to save their reputation, Mr. Jones now is doing a drama called "Buffalo Bill,” for Courtney Ryley Cooper. He helped write “Lives of a Benga 1 Lancer,” "The Virginian” and “Lady and Gent.”. "Anybody can write a drama,” says Mr. Jones. "When I have to write one I like to walk into story conference and say ‘l’ve got it!’ Then if T haven't a story, I have ;o make one, anyway. So I tell them a story. "One day I was told to get George Bancroft and ‘sell’ him an idea for a story. I didn’t have a thing in mind. But I backed him into a corner, and told him I had one. So what did I do? I put a kid into the story. And I went on from there. "I got Bancroft bawling like a baby, and he snapped up the story right there. Then all I had to do was to put it on paper. It was ‘Lady and Gent,’ one of the successes of the year. Shuck;, anybody can write a drama. "But comedy is different. It is the hardest thing in the world to write. And what chance do they give you? They tell two other fellows they are supposed to write a drama, and then • give them three weeks. But when they decide they need a few laughs in it, they just call in the funny men and tell them, ‘We need a good funny scene in here that will roll them in the aisles.’ And the funny men are supposed to come through rightthen.” Mr. Jones did comedy writing for “Trouble in Paradise,” “Tom Sawyer,” and “Huckleberry Finn,” and then helped with the script for "The Milky Way.” Organ Recital Set for Fridav # Donald Gilley to Present Mailory Bransford. Donald C. Gilley, head of the organ department of Arthur Jordan Conservatory of Music, is to present Mallory Bransford, Anderson, an advanced pupil, in a graduate recital in Odeon Hall at 8:15 Friday night. The program is open to the public. A graduate of Oberlin conservatory, Mr. Bransford has been studying at the local school toward the master of music degree, with a major in organ.

E 58351 2—BIG FEATURES—2 Here It Is—Don’t Miss It Fredric March, Miriam Hopkins, Gary Cooper, Ed. Everett Horton “DESIGN FOR LIVING” The Prize Picture of 1035 “OUR DAILY BREAD” .* p'ntsntßK * £*■ WEDNESDAY EVE iW r*' *’.JANUARY 19th /Jr ms at a<3o if & MAX RUNHARDTT. PradadMt f I A MIDSUMMER I ft NIGHT'S DREAM I R.; •< A St Wt. SHAHESFIAZI S Vt|.' . A Miu kr MOCSUSOHM B Hfc S 8 SHOWS' DAILY Tk ft. a All Seals Reserved* % %. Tol. LI. 9000-9254 i|k Moil Otdtrt Acer pled B.F. KEITHS THEATRE • Performance* MUTUAL The One gj i Theatre end Only BIIn6SQII6 ,n th ® Exclusive * '"■n"'' Middle West Dimpled Darlings Wllh Bath W ilson and Nancy Morris

Music Still 'Round Proposed trip of Eddie Farley and Mike Riley, composers of “The Music Goes ’Round and Around,” to Hollywood has been postponed indefinitely, it was learned last night. They were ,to have stopped in Indianapolis for 10 minutes early today at Municipal Airport. According to Ben Atwell, Columbia Pictures publicity director, the boys and their band later are to go to the West Coast to make sequences for the forthcoming movie, “Rolling Along,” starring Rochelle Hudson and Harry Richman.

Il Duce Gives Young Player His Picture By United, Preta HOLLYWOOD, Jan. 22.—George Breakston today treasured an autographed photograph of Benito Mussolini, presented him by the local Italian consul on behalf of II Duce. The gift resulted’ from the youngster's performance in “No’ Greater Glory,” which won the International Motion Picture Exposition’s award at Venice for the best film of the past year. Starts Fad for Checks Basil Rathbone started the Hollywood fad of checked sports coats with mauve flannel trousers.

HLAST 2 DAYS “APRIL BLOSSOMS'* "lON E WOLF RETURNS”^ STRIKE ME PINK’”' starts ETHEL MERMAN • F D I It 1 V I PARRI AKARKt S • r K I U A I ! BALLY KIT.ERS • *

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WEST SIDE S T A~T 17 8702 w ’ 10th Bt * A xV 1 Hi James Carney “G MEN” "HERE’S TO ROMANCE” npv ij|/\\Trp ff- Wah. A r Belmont belmont aarssr “THANKS A MILLION” “STORMY” . , „ 854# W. Mich. St. A I \ V Double Feature *• 1 1 Gsry Cooper “PETER IBBETSON” “THE GAY DECEPTION” NORTH SIDE RT rp rj Illinois at 31th A A La Florence Rice “GUARD THAT GIRL” UPTOWN 45 0 d 0r1, ssr “EVERY NIGHT AT EIGHT” GARRICK •SS.MY’afflftsSr VJXTUVniViaa, Ann Souinern “THE GIRL FRIEND” , "HI GAUCHO” nm rtt a fra SL Cisir a Ft. Wayne SI. LLAIR D ® nb,e aisv Jean Marlow “HELL’S ANGEL’S” RADIO REVELERS q rvyr 30th st Northwestern RUA Edward Arnold “REMEMBER LAST NIGHT” Corned; —Cartoon TALBOTT 5® WB£ A iYLUV/ A A j a „e W ithers “THIS IS THE LIFE" “MOONLIGHT ON THE PRAIRIE” , . r a 19th A Colleee Stratford “ATLANTIC ADVENTURE” “DANGER AHEAD’’ _ MECCA WkMEt l!A AJ VI u a Bruce Cabot “NIGHT ALARM" “DANGER TRAILS” nniv 4 si 2301 station St. DREAM cKSffiffiK. “MUTINY ON .THE BOUNTY’’ Comedy—News—Short Reels EAST SIDE RIV 0L I jS*rtle , FeatJre h “*- "NXYADA”

It looks as though Brian Donlevy and Phyllis Brooks (.left above) had met serious trouble in this scene from “Another Face” which, with Frank Buck’s picture, “Fang and Claw,” is to make up the Circle Theater's program starting Friday. These two romantic looking young folk (center) are Lee Sims, pianist, and Ilomay Bailey, singer, two of the country’s most popular artists, anci are to head the stage bill at the Lyric starting Friday. The screen is to offer “Charlie Chan’s Secret.”

Garbo's Shoes Come Off, On Many Scenes Are Played In Stocking Feet. Timm Special HOLLYWOOD, Jan. 22.—Those enjoying relaxation with shoes off have something in common with Greta Garbo. Greta’s habit of removing her shoes, however, is not confined to rest periods. When hei; feet do not show in a scene, she removes her shoes and works without them. Under the same circumstances, Claudette Colbert wears a comfortable pair of mules. Another of Miss Colbert’s idiosyncrasies is to leave a building by the same door she enters. Just as their fellow citizens, movie people have their pecularities. Ruth Chatterton chews gum. Comedian Charlie Ruggles always takes off his coat between scenes, whether he has a minute or an hour to wait. He dons an old gray suede jacket. Charlie also paces up and down while waiting. Bing Sings With Hat On Bing Crosby always broadcasts with his hat on. He likes to ride a bicycle around the Paramount lot. Pies and doughnuts are carried Fred Mac Murray while working in the studios. Actor Mac Murray always eats between meals, and keeps property men busy sending to the studio commissary for snacks. Neither Carol Lombard nor Maurice Chevalier care to appear in public without blue in their costumes. Mias Lombard has sets of sapphire

EAST SIDE TITVriVI 4020 E. New York iUAljii/U Double Feature _ Warner Oland “CHARLIE CHAN IN SHANGHAI” “MANHATTAN MOON” TACOMA “PAGE MISS GLORY” o **'* IRVING ttW * .... 1 U Jack Buchanan “BREWSTER’S MILLIONS” _ "RACING LUCK" EMERSON Marx Brea. “A NIGHT AT THE OPERA” "IN PERSON” HAMILTON Double Feature Marx Bros. “A NIGHT AT THE OPERA” ‘‘ANNIE OAKLEY” PA D K P D •i’3# e. I nth st. AI\IV Ei K Double Feature .. “FACE MISS GLORY'^ BW * 11 STR AND^eS^ Spencer Tracy “DANTE’S INFERNO” Elinor Whitney’s Band Camera Adventures ROXY ’S37SU‘ r " HOT TIP ?*’" "“* “DANTE’S INFERNO” Paramount “I LIVE MY LIFE” “STORMY” SOUTH SIDE FOUNTAIN SQUARE Charles Bickford “EAST OF JAVA’; SANDERS “CARDINAL RICHELIEU” “CONDEMNED TO LIVE” 4 wr 4 a yv a) Proaueet-Churchinan AVALON Double Feature **• v ttif vn Burns and 4Q aa “HERE COMES COOKIE” ORIENTAL ““'*£>2“ “ REDHEADS ON PARADE ' GARFIELD “I UVE FOR LOVE" • •‘WEREWOLF Or LONDON"

And here’s Eddie Cantor (right) helping one of the peddlers in his new picture, "Strike Me Pink,” test the pulling strength of a suspender. Note the terrific emotion on Mr. Cantor's face. The picture opens at Loew’s Friday. The gentlemen (below) are not from “Mutiny on the Bounty” or "Captain Blood.” Herbert Mundin (left) and Warren William, are shown doing their best to look Napoleonic in a scene from "The Widow From Monte Carlo,” at the Apollo Friday.

jewelry and M. Chevalier owns dozens of blue sweaters, ties and sox. Miriam Hopkins continually brushes her hair with her hand. James Cagney always drums nervously on a table or desk with his finger tips while awaiting action. George Burns and Gracie Allen never miss watching each other work, although George never looks at Gracie when he talks to her in a scene.

Fight Film Booked Official pictures of the Joe Louis-Charley Retzlaff “sock and fall” match are to be shown at the Lyric theater with the feature film and stage attraction starting Friday. According to Manager Ted Nicholas, the entire fight action is contained in the film—all 85 seconds of it. The picture, including crowd shots and pictures of dignitaries attending the fight, runs nine minutes.

I LAST 2 DAYS! I I IRENE DUNNE { Vroberi\taylorX m See it from the start A I at 11:30, 2:05,4:40,

sSw Hi Announcing the opening of ! MIKE HANRAHAN? i nc * ! Smartest Buffet | THURSDAY, JANUARY 23, 1936 • 109 North Pennsylvania Street... Riley 0002 j INDIANAPOLIS 1

.JAN. 22, 1936

200 Owners of Theaters at Meeting Legislation Pending Before Congress Scheduled For Discussion. Two hundred members of Associated Theater Owners of Indiana are attending their mid-winter meeting which opened this morning in the Claypool. R. R. Blair, Indianapolis, presided. Evils of "block booking” and advantages of the Pettengill bill, now pending in Congress, are to be discussed by H. M. Richey, general manager of Allied Theaters of Michigan and director of the National Independent Association of Allied Theaters. Mr. Richey is to speak on both luncheon and dinner programs of the convention. Committee meetings and discussion of reports and legislative subjects now confronting the theater industry were on this morning's program. Frank H, Shera, chief state deputy fire marshal, was to speak on fire hazards in theaters and methods of fire prevention. List of Speakers Other speakers include: Maro Wolf, Fred Sanders, Harry Markun, A. C. Zaring and H. A. Galloway, all of Indianapolis: Walter Easley, Greensburg; I. R. Holycross, Anderson; Leonard Sowar, Muncie; Roy Harold, Rushville; Sam Neall, Kokomo; Maurice Rubin, Michigan City; H. P. Vonderschmitt, Bloomington; Alex Manta, Fort Wayne; William Studebakcr, Logansport; George Mailer?, Portland; Bob Scherer, Linton; V. U. Young, Gary, and Oscar Fine, Evansville. Entertainment for wives of members has been arranged by a special committee of Mrs. A. C. Zaring, chairman, assisted by Mrs. Carl Niesse, Mrs. R. R. Bair and Mrs. Louis Markun, Indianapolis; Mrs. Maurice Rubin, Michigan City, and Mrs. H. P. Vonderschmitt, Bloomington. Entertainment is to include a sight-seeing trip in the forenoon and bridge and bingo thia afternoon in the rooms of the Variety Club in the Claypool hotel. Banquet and entertainment, including a floor show, are to be given in the Variety Club room at 6:30.