Indianapolis Times, Volume 47, Number 271, Indianapolis, Marion County, 21 January 1936 — Page 6

PAGE 6

'Midsummer Night's Dream' Music for Film Production Arranged by 'Little Mozart' Erich Wolfgang Korngold, Brought to This Country to Work on Picture Opening at Keith’s Jan. 29, Won Fame as Child Composer. BY JAMES THRASHER “Thr Little Mozart” has come to Hollywood. He is Dr. Ench Wolfgang Korngold, whom Max Reinhardt brought to this country to arrange Mendelssohn s “Midsummer Night's Dream” music for the screen production which opens at Keith’s Jan. 29, and who, at 38, can look back upon a career as a child composer which parallels that of Mozart’s. Not even the prodigious talent of Mendelssohn compares of Dr. Korngold, who wrote a pantomime opera, “The Snow’ Man,” at the age of 11, which was produced at the Vienna Opera House. When he was 13, a trio he had written was scheduled for a London performance. At the last moment the pianist who was to take part failed lo arrive. The child promptly went to the piano and gave a flawless performance.

Two of his operas were produced simultaneously in Berlin and Munich when he was 19. With no less a personage than the world-famed composer, Richard Strauss, as his champion, young Herr Korngold became a sensation. Three years before, the New York Tribune had hailed him as the young man who had “revolutionized Germany's musical world.” Faltered in Face Unlike Mozart and Mendelssohn, however, Dr. Korngold has failed to maintain the lofty pinnacle achieved in his childhood, although he still is an important figure in the world of contemporary music. He has written voluminously, and his most noted mature production is “The Dead City,” an opera which has been widely performed. Maria Jeritza gave her talents to its debut. The entire background of “A Midsummer Night’s Dream” is a youthful one. It was written when Shakespeare was about 30 years old, and of the incidental music, the overture was composed when Mendelssohn was 17. Now its arranger, still this side of middle life, completes the picture. The overture, written for a family performance of the Shakespearan comedy, stands not only as one of most important of its creator's efforts, but as one of the greatest overtures in musical literature. For tonal delineation of a literary text it seldom has been surpassed. Included in Music The remaining incidental music, W’hich Mendelssohn wrote in later life, includes the famous “Scherzo,” “Wedding March” and “Nocturne.” Besides, Dr Korngold has included some of the composer's “Songs Without Words” and portions of the “Scotch” and “Italian” symphonies in his score. The ballets have been designed and directed by Bronislawa Nijinska, sister of the famous Nijinski, and herself a product of the old Russian Imperial Ballei School and Diaghilev's training. The premiere ballerina is Nina Theilade, 20-year-old protege of the late Pavlowa, who is making her first screen appearance. The picture runs for approximately three hours, and is broken by one intermission. “‘A Midsummer Night's Dream’ positively will not be played in any other theater in Indianapolis or vicinity tor six months,” Charles M. Olson, the show’s local booker, declares, “nor will it be played in any city anywhere at less than prevailing prices during that time.” Production Program Includes 14 Movies Times Special NEW YORK, Jan. 21.—Fourteen productions are to result from the association of Erich Pommer, producer, with Alexander Korda and London Films, it was announced here today. Three of these films are to be released through United Artists as Erich Pommer productions, and 11 are to be on the regular schedule of Alexander Korda. Mr. Pommer’s first film as an independent producer h to be "Elizabeth of England.” He then plans to produce “Knight Without Armor,” from the novel by James Hilton, starring Robert Donat and Merle Oberon. The London Films program includes “Things To Come, - ’ and “Tne Man Who Could Work Miracles,” the H. G. Wells screen plays which have been completed. Forthcoming pictures are "Cyrano de Bergerac,” and "Claudius," both starring Charles Laughton: “Randlords,” “Lord Nelson,” “Lawrence of Arabia.’ “Elephant Boy,’ "Forget Me Not," a film starring Marlena Dietrich, and another based on the life of Verdi. Girl Twins' Mother Wins Gift of S2OOO Times Special HOLLYWOOD. Jan. 21.—Mrs. Esker R. Owens of Fort Smith. Ark, is to receive a check for S2OOO from a local film studio. Mrs. Smiths twin baby girls, christened Rcvse and Marie, were the first twins born in 1936 to be given these names, making them eligible for the prize offered in connection with the release of “Rose-Marie.” in which Jeanette MacDonald and Nelson Eddy are co-starred. As the gift announcement was made, the studio mailed a check to Mayor Francis T. Busk of Fort Smith, who is to present it to Mrs. Smith. Co-stars of the picture “Rose-Ma-rie” are to be the children’s godparents.

TONIGHT . . 1 W and Friday LADIES’ NIGHTS M Carl Mfte’?s’ Orc':etlra pM NEXT SUNDAY ONLY / * f3 HORACE HEIDT El KvJ Hl* Alemite llrigadiers KlI —ls—Entertainer*—?s K Bay Ticket* Nntv

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Amateur Hour Brings Chance Paul Regan, at Lyric, Left CCC Camp for Tryout. Paul Regan, impersonator with | the Major Bowes company now ap- . pearing at the Lyric, a few months ago was working in a Cape Cod CCC ! camp. His opportunity came last August when he hitch-hiked to New York, met Major Bowes, and clicked on the radio amateur hour. Twenty-four hours later Paul joined the eastern touring company | in Baltimore, and has been doing impersonations with the unit ever I since. His impersonations were learned over objections of his parents. He locked himself in the attic of his Medford Mass.) home, and, unable J to sing or dance, tried impersonations. It was Edward G. Robinson’s acting in “Little Caesar” that led Paul to believe he might be successful. An outdoor lad, Paul, 18 years old, enjoys football and swimming, likes to travel. It was from obscurity to fame in only seven days for Paul, for now he not only has appeared with success on the Major Bowes’ radio program with the touring company, I but has a movie contract as well. Artist Claims Norway Home But Many Lands Welcome Mme. Eide Norena. Times Special NEW YORK, Jan. 21.—Norway still is home to Mme. Eide Norena, Metropolitan soprano, although she is an artist of such international standing that she would be welcomed in any of a dozen lands. New York, London, Paris, Milan, Amsterdam, Copenhagen, Oslo, Stockholm, Baden-Baden are a few I of the cities that know' her art. The operatic parts she has appeared in j make an imposing list, and her con- ; cert repertory covers all schools of ancient, classical, romantic and modern composition for lyric, dramatic and florid soprano. Mme. Norena’s international career dates from her debut at the Teatro alia Scala in Milan, although she had been singing in Norway and Sweden for several yeax’s. In connection with the Milan debut, the singer tells of her first meeting j with Toscanini. Nervousness Absent “I was not nervous at all,” she I confessed. “Os course, I did not know that Mr. Toscanini was to listen to me or the story would have been different, perhaps. Well, I sang. After the first number a voice j called out from the dark auditorium, i Please sing "Mi chiamano Mimi.” ’ “Naturally, I obliged. At the conclusion my manager announced j that Mr. Toscanini wanted to speak 1 1° me. You can believe me when I I say that my surprise knew no i bounds. The amusing thing is that t hen I became nervous. But it all ; ended well, lor I got a contract that , day.” Mme. Norena’s artistic activities have won for her decorations from i three governments. She wears the ! ribbon of the French Legion of | Honor; she is one of the four or five I women who have been named Chev- ; nlier of Saint Olaf. first class; she lias received the Gold Medal of King Haakon for art (the last two are J Norwegian decorations) and she has been awarded a medal for “Ineenio et Arti” by King Christian of Denmark.

Invited by King King Christian, to whom Mme. Norena had been introduced during an operatic performance in Copenhagen. regretted that she had to leave the next day and could not accept his invitation to come to the castle. "Now i shall never find out what you look like without makeup,” he said. Violetta in Verdi's “Traviata” is Mme. Norena’s favorite operatic role, "because it is human and interesting.” And in the line of sports she is partial to swimming, riding and, especially, skiing. "I used to be a very good ski jumper,” she remarked, "but if you don't keep it up you lose courage. No hills bother me, though.”

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Their Mighty Swords Clash in Lusty Pirate Battle in 'Captain Blood', Coming Friday

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Ohio Program Includes Hits

‘Design for Living’ and ‘Our Daily Bread’ Booked. Starting tomorrow „the Ohio Theater is to show two hits from yesteryear, “Design for Living” and "Our Daily Bread,” the last chosen by the League of '"'ttions as the outstanding picture thT year it was produced. Karen Morley and Tom Kjene are starred in "Our Daily Bread,” which tells the story of the effect of the drouth and other econom c conditions. "Design For Living,” was the first play with which Noel Coward, achieved success. In motion picture form it stars Miriam Hopkins, Fredric March and Gary Cooper. Edward Everett Horton also is in the cast. It was the first of the pictures which gave producers the tip that movie audiences liked light, airy entertainment. It was really the daddy of such films as “It Happened One Night,” and “She Married Her Boss.” This is the second set of attractions in Manager Tom Muchmore’s “greater movie season” at the Ohio.

Anne Shirley Puts Moratorium on Love By Handcuffing Cupid 17-Year-old Screen Actress Demands Clause in Her Contract Prohibiting Marriage—Even Romance. Times Special HOLLYWOOD, Jan. 21.—Perhaps the strangest clause ever inserted in a screen star's contract has been included in Anne Shirley's “ticket”— and at her own request.

It provides that the 17-year-old | star shall neither have a romance nor marry during the life of the! contract, which has five years to! run. And now that all parties have signed, the red-haired Anne must fight against love and reject matrimony until she is 22. “It’s quitjp true,” said Anne, when questioned "about the provision. “I want to spend the next five years in serious picture work, without anything to distract me. By the end of that time, if all goes well, I shall be in a position to provide for mother and myself for life. Then, if I wish, I can start thinking about romance." Although Anne’s name has been connected in recent months with several members of filmdom's younger set, including “Muzzy” Marcellino and Tony Martin, the youthful star insists there is no basis for any; rumors.

Granada to Reopen After Redecorating The redecorated Granada Theater, 1045 Virginia-av, is to reopen Friday night with Ginger Rogers' first starring picture, "In Person.” and Barbara Stanwyck in “Annie Oakley,” as the initial attractions. The management announces a policy of high standard second-run pictures, to be presented on Friday and Saturday nights, with a continuous Sunday show beginning at 1.

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THE INDIANAPOLIS TIMES

Errol Flynn and Basil Rathbone (above) clash in one of the lustiest sword fights ever staged for the movies ir. “Captain Blood,” the pirate picture to open at the Indiana theater Friday. Olivia De Haviland is leading lady and Ross Alexander, Guy Kibbee and Henry Stephenson are included in the cast.

WHERE, WHAT, WHEN APOLLO "Professional Soldier” with Victor McLaelen and Freddie Bartholomew, at 11:38, 1:34, 3:30. 5:3f, 7:40 and 9:36. CIRCLE "The Magnificent Obsession” (carried over from Indiana for second week), with Irene Dunne and Robbert Tavlor. at 11:30. 2:05. 4:40, 7:15 and 9:55. CIVIC "Kind Lady” with Clifford Courtney, Horace Hill 111, Marcella Parry and Cecilia Vonnegut. at 8:30. INDIANA Earl Carroll’s "Vanities.” on stage at 12:40. 3:35. 6:35 and 9:20. On the screen. "Her Master's Voice.” with Edward Everett Horton, at 11:20. 2. 5:10. 7:50 and 10:35. LOEW’S "Anril Blossoms.” world premiere, with Richard Tauber. Jane Baxter, at, 11:15. 1:55. 4:35. 7:15. and 10. Also. “The Lone Wolf Returns,” with Melvyn Douglas, Gail Patrick and Raymond Walburn. at 12:45, 3:26. 6:07 and 8:48. LYRIC Major Bowes’ Amateurs” on stage at 1:04. 3:58 6:52 and 9:37. On screen. "Freshman Love” with Frank McHugh and Patricia Ellis, at 11:40. 2:34. 5:28. 8:13 and 10:37. OHIO Claudette Colbert in "She Married Her Boss,” at 10:30, 1:08, 4:10. 7:04 and 10:06. Also "Chance at Heaven,” at 11:57, 2:59. 5:53 and 8:55.

Dafoe Will Get Special Movie Print of Film to Be Put on 16 mm. for Him. Times Special HOLLYWOOD. Jan. 21.—A single print of the Dionne quintuplets’ first starring picture, “The Country Doctor,” Is to be made on 16mm. film and presented to Dr. Allan Roy Dafoe, their physician, if present plans materialize. The print will go into his private library. It will constitute a token of appreciation of the task he has performed in behalf of the quins, as well as for the sympathetic help he gave those sent to Calander, Ontario, to film the youngsters.

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Kitty Carlisle Comes Out All in One Piece After Doing 'Night at the Opera' With Marx Brothers

BY JOSEPH MITCHELL Times Special Writer NEW YORK, Jan. 21.—Kitty Carlisle, one of the younger successful Hollywood actresses, emerged unseated from the ordeal of working in a moving picture with Groucho, Chico and Harpo Marx, an ordeal she enjoyed because she learned a lot about English literature from Groucho. She is on vacation. Although she helped the Marxes upend and flay the institution of grand opera, she said she expected to see as many operas as possible while here. ' Miss Carlisle is jet-haired and Berlin Honored By Movie Folk Dinner in Hollywood Marks 25 Years as Composer. Times Special HOLLYWOOD, Jan. 21.—Screen notables last night honored Irving Bdriin at a silver jubilee testimonial dinner at the Ambassador Hotel, celebrating the composer’s twentyfifth year as a song writer. Mr. Eerlin arrived in Hollywood last week to attend a preview of “Follow the Fleet,” for which he wrote seven songs. Stars at the dinner paid tribute to the man who, during the past quarter-century, has done much to further their popularity. It was his "Sadie Salome, Go Home” ar.d "Yiddle on the Fiddle” that gave Fannie Brice her start as a popular entertainer. Bert Williams introduced his “Woodman, Woodman, Spare that Tree” in the Follies of 1909. “Always” and “When I Leave the World Behind” did much to promote the popularity of A1 Jolson, who was a guest. Fred Astaire There Other notables present were Fred Astaire, Samuel Briskin, J. R, McDonough, B. B. Kahane, Joseph Schenck, Samuel Goldwyn, Irving Thalberg, Darryl Zanuck, Ernest Lubitsch, Harry Cohn, Winfield Sheehan, Pandro S. Berman and Dwight Taylor and Mark Sandrich, author and director, respectively, of “Follow the Fleet.” Mr. Berlin’s first song, “Marie of Sunny Italy,” was published in 1907. His first hit was “Alexander’s Ragtime Band,” published in 1911. The score of “Top Hat,” which contained five songs, was Berlin's first work for the screen. Jerome Kern, who wrote the score for “Roberta,” was chairman of the committee in charge of the dinner.

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Claudette Colher* “SHE MARRIED HER BOSS’* Plus ’’CHANCE AT JHEAVEN”

brown-eyed and ever since she appeared in black tights in “Champagne, Sec” her legs have been considered one of the finest natural attractions in America. Her four moving pictures have been hits, and in each she sang a song which grew so popular it was a threat to sanity of many citizens. The songs are “Love in Bloom,” “June in January,” “Cocktails for Two” and “Alone,” the song she sings in her current picture with the Marxes, “A Night at the Opera.” Scared of Jokes “I was scared stiff when Paramount lent me to M.-G.-M. for a picture with the Marx brothers,” she said. “People told me they would knock my hat off, throw me down and sit on me. I was told they would play tricks on me, and I have always been terrified by practical jokers. “But they didn’t harm me. The director had his troubles with them. Whenever he could find two the other would be missing. He would send the two that showed up to look for the one that was missing, and then these two would disappear also. “I learned a lot from them. Groucho Marx is a. serious person. He writes a lot for magazines, and I made the mistake of asking him if he wrote those things himself or had a ghost. “He told me all about English literature. You see, I was educated in Switzerland and France and I don’t know much about English literature. I know more about Racine than I do about Shakespeare. We sat on the set for hours and talked about literature. And Harpo told me a lot about Russia. The story of his Russian trip was fascinating. Instead of playing practical jokes on me the Marx brothers taught me a lot about literature and Russia, and I think that’s much nicer.” Stopping With Mother Miss Carlisle is stopping with her mother, Mrs. Hortense Carlisle, in the Ritz Towers. She came here to see about some radio work, but mainly for a vacation, and she does not know how long she is to stay. She said she had passed almost half of her life in Europe and had never seen enough of New York City. She was born in New Orleans. When she was 8 her father, a doctor, died, and her mother took her to Europe for a trip of three months, which lasted 10 years. She has had singing parts in all her moving pictures and while she is here it is possible that executives

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of the Metropolitan Opera Cos. are to hear her voice, a dramatic soprano. Since she has been in Hollywood she has studied singing constantly, and she hopes eventually to sing for the Metropolitan. She spends all her spare time studying music and does not participate in sports. She would like to play tennis, but is too nearsighted. “I was fortunate in making two pictures with Bing Crosby,” she said. “The people came to hear Mr. Crosby, of course, but since I was singing with him they couldn’t miss hearing me, too.” Screen Draws Stage Player John Bryan Is Grandson of W. J. Bryan. Times Special HOLLYWOOD, Jan. 21. The grandson of William Jennings Bryan and son of Ruth Bryan Owen, ambassador to Denmark, is to make his motion picture debut in "Romeo and Juliet.” John Bryan is to play the role of Friar John in the movie production of the Shakespearean classic, in which Norma Shearer and Leslie Howard are to be starred. The young member of the famous family played three years of Shakespeare with Fritz Leiber and Helen Menken, and he also appeared cn Broadway in “The Merchant- of Venice” and “The Passionate Pilgrim.” Mr. Bryan joins a cast which includes John Barrymore, Edna May Oliver, Basil Rathbone, Reginald Denny, C. Aubrey Smith, Maurice Murphy, Violet Kemble Cooper, Ralph Forbes, Henry Kolker and Andy Devine. The young actor came to Hollywood in August. A meeting with Director George Cukor led to a test and his selection by Irving G. Thalberg for the part in the Shakespearean production.

B TO NIGHTS i . , IONS NEIGHBORHOOD THEATERS—)

WEST SIDE

Srp a rr\ t> 2702 W. 10th St. TATE SSnTSA “STRANDED” Comedy—Novelty BELMONT^SiI^ “A NIGHT AT THE OPERA” “STARS OVER BROADWAY” Da T r* 2540 W. MirH St. A I S Y Double Feature Gary Cooper “PETER IBBETSON” “THE GAY DECEPTION’’ NORTH SIDE RI T 7 Illinois at 34th A l Lj Marx Bros. “A NIGHT AT THE OPFRA” News—Cartoon—Comedy UPTOWN Double* r£& # “ V Diek Powell “THANKS A MILLION” “Major Howes' Atrtur Theater of the Air” GARRICK 3 Do h uwr d Fe , ituJ r Joan Crawford “I LIVE MY LIFE” “DR SOCRATES” STrCLAuT * “THE AFFAIRS OF SUSAN*’ "RENDEZVOUS” fj TpY 3 ® th *t Northwestern IvLA Edward Arnold “REMEMBER LAST NIGHT” Comedy—Cartoon TALBOTT O-bVe A 1 l 1 D|ck p owe> , “SHIPMATES FOREVER” “RENDEZVOUS” n. j r i 19th A CNrUege Stratford Double Feature OUatIUIU Nancy Carroll “ATLANTIC ADVENTURE” Mp /~1 o * Nobte 4- Mass. kLLA Donble F ‘ r ' LJ \J KJ CY Bruce c>bo| “NIGHT ALARM” “DANGER TRAILS” r>Th T' A 23*1 *ta**en St. UKLAM Double Feature Charles Laughton “MUTINY ON THE BOUNTY*’ Comedy—News—Short Reels EAST SIDE Rv it #\ w ¥ Dearborn at totli I V (l I. I Double Feature A T U A MargarM Sullivan "SO RED THE ROSE” “STARS. OVER BROADWAY”

.JAN. SI, 1936

Chaplin Now Ready With New Picture In ‘Modern Times' Comedian Again Mocks Use of Film Sound. Time* Special ’HOLLYWOOD. Jan. 21.—There was never any mystery about Production No. 5. It is high time the illusion was stripped away from this Charlie Chaplin’s latest picture, now emerging from its anonymity as “Modern Times.” For the simplest of all reasons—he was a long time producing it and did not want his ideas stolen in the meantime —the actual shooting was enshrouded in secrecy. No one off the lot has seen the picture in its entirety. Out of courtesy a few foreign film celebrities were permitted to view certain sequences during production. Their reports have been conflicting, obscure and to some extent misleading. This quite possibly through no fault of their own. Mr. Chaplin works with a complete story, but without scenario, in the conventional sense of the word. His ideas build as he goes along. They also change. Quite frequently the ending is a secret even to him until the main body of the picture begins to shape up. Mr. Chaplin is capable of making the most drastic alterations after the film has been completed —almost to the extent of transforming it into a different picture. Ending Changed “The Gold Rush” was to have ended tragically. A happy afterthought led to its final pleasing conclusion. “City Lights” was constructed around one concrete idea—the rich man who remembered his friend and savior when drunk and forgot him when sober. During the production of “Modern Times” the only things that could have been reported about it with certainty, even by Mr. Chaplin's associates, was (1) that it would be funny and (2) that Mr. Chaplin would not speak. In consequence, there were multitudinous rumors. There were attempts to characterize Charlie's impish satire in terms of a heavy social document, hints of a political philosophy, long-winded and longworded analyses of his social message. In the light of past performances, this is unfair to Charlie's creation—the wistful, pathetic, prankish Charlie, as arrant an individual as ever existed—Sousseu’s natural man blundering in the incomprehensible mazes of convention, the baffling rules of society: sometimes pathetically striving to fight his way through, more often vainly seeking to conform to fit his erratic feet into the proper path. Theme of Picture It is this man. beset by monsters of efficiency, last in a mechanistic jungle, that affords the theme of Mr. Chaplin’s “Modern Times.” With more direct symbolism than in any of the other pictures the background is an industrial plant, with Charlie’s diminutive figure threading its way through monster cogwheels and nightmare-ish levers, switches, belts and pulleys, vainly trying to understand his function among these monsters, impishly pulling their figurative tails or fleeing for dear life from their menace. Because his reactions are direct, instinctive, natural, his fellowworkers look upon him as a lunatic, while the forces of society, the boss, the law, brush him aside impatiently because, insect that he is, he may yet clog the wheels. Settings Elaborate The settings are more elaborate than in other Chaplin pictures. They are not constructivist; they are rather neo-impressionist. The musical accompaniment was arranged by Mr. Chaplin himself, a3 were the sound effects, an elaboration of the mocking use of sound in “City Lights.” For the rest, the elusive quality of Mr. Chaplin's humor does not lend itself readily to description.

EAST SIDE TUXEDO “-‘•aSs’XJ** “MUTINY ON THE BOUNTY" Selected Short Reels TACOMA Joan Crawford “I LIVE MY LIFE” “HIS NIGHT OUT” IRVING Charles Laurhton a x s vs Clark Gable “MUTINY ON THE BOUNTY” Selected Short Features EMERSON BEIT Marx Bros. “A NIGHT AT THE OPERA” “IN PERSON” HAMIL lON "Doable Feature Marx Bros. “A NIGHT AT THE OPERA” “ANNIE OAKLEY” PARKER *& SKI.™ ' Hilliam Powell “RENDEZVOUS” “CAPPY RICKS RETURN” S T R A N D'”Lf w . Charles Laughton Clark Gable—Franchot Tone “MUTINY ON THE BOUNTY” Major Bowes’ Amateur Theater of the Air RAW 2*-l K Wash. StT“ U A I Double Feaiirrw „nw- ■ ■ ■ Will STEAMBOAT ROUND THE BEND" “POWDER SMOKE RANGE” Paramount _ ‘‘t-ET ’EM HAVE IT” Sly yypheny “Tortoise and the Hare" SOUTH SIDE^ FOUNTAIN SQUARE - Double Feature Jack Oakie “THE Bit. BKOADCASi OF ly” “BARBARY COAST’’ SANDERS "■SSP&.Wr Jeanette McDonald “NAUGHTY MARIETTA” “WE’RE IN THE MONEY" A \T a | *-v ii Prospeet-Chnrchman A V ALUN Double Ff “ r T i iLtVll Burns and Allen “HERE COMES COOKIE” LIVE FOR LOVE” ORIENTAL REDHEADS ON PARADE GARFIELD ~ VJII,II William Powell “RENDEZVOCB” i “HUE.COMES COOKIE"