Indianapolis Times, Volume 47, Number 263, Indianapolis, Marion County, 11 January 1936 — Page 4

PAGE 4

JACK OAKIE AGAIN OUTSTANDING IN 'KING OF BURLESQUE'

V/arner Baxter Lays Aside His Usual Spanish Roles in Film Feature at Lyric Alice Faye Appears in Part of Burlesque Dancer; Mona Barrie ‘Acts’ in Vino Delmar Screen Adaptation of Play. Warner Baxter has laid aside his guitar, taken off his ear rings and comes north of the Rio Grande to play another “42nd Street" role in 'King of Burlesque,” at the Lyric this week. But Jack Oakie, that old picture stealer, does it again—and the show is his. A little hint as to the story should be enough. From the pen of Vina Delmar it is the well-known plot of fickle Broadway. Mr. Baxter and Mr. Oakie start at the bottom, this time as burlesque producers, and go to the top on Broadway with a series of lavish revues. Baxter hits the skids, not through conceit or strong drink in this particular opus, bit because of an improverished Park-av widow whom he marries. The lady, played by Mona Barrie, supports her sister and operasinging boy friend on the show earnings, persuades Mr. Baxter to put on an “arty” revue and, when the show flops, leaves him.

Meanwhile, Alice Faye, as the girl who has loved Mr. Baxter vainly since she danced in his burlesque chorus, goes to London and makes money on the English stage. When she hears of Mr. Baxter’s plight she returns, finances anew show through a down-and-out East Sidcr (Gregory Ratoff), who impersonates a Russian millionaire—evidently not a good Communist —and wins her man. The picture rather hurries through to the finale of the comeback production, which closes the movie as well. And it’s really elegant, even in this day of supermusicals. There are no “colossal” chorus routines, shot from dozens of angles, but the dancing of little Dixie Dunbar and Nick Long Jr., and the singing and piano playing of Fats Waller make the picture something to see. Supporting Court Strong The supporting cast is strong. In fact, every one seems to do better than the stars. Mr. Baxter in a routine performance, and Miss Faye's is somewhat less than that, nor are her singing or dancing particularly exiciting. Jack' Oakie is better even than his usual very good. He pilfers every scene He is in, and not entirely because of the fact that he has all the good lines in the script. Arline Judge, who has the leading comedy role, we should be glad to see more often. Much credit for the picture’s entertainment value should go to Ted Koehler and Lew Pollack for the show's tunes, of which “I'm Shootin’ High” is particularly good, and to Sammy Lee, who directed the dances. The orchestra arrangements are grand. Old Home Week at Lyric It’s Old Home Week on the Lyric stage this week, with Terre Haute’s rotund Johnny Perkins as master of ceremonies and co-featured comedian with the silent Fred Sanborn. Both boys have been here before and the audience today was glad to see them. Johnny has the infectious good nature which is supposed to accompany corpulence, and his droll, offhand story-telling always is good. Sanborn might almost be compared to Harpo Marx, though his style is his own. His act.is the same as on his last appearance; he flits on and off the stage, but stops long enough to do some deft and amusing xylophone playing. A large share of the hour’s vaudeville goes to Park and Clifford, acrobats. They're worth it. Songs by Ruth Petty and dancing by the “Mattison Rhythms” complete the bill. (By J. TANARUS.).

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martens CONCERTS, INC—, •‘srd Concert of Martens Series English—THUßS. EVE.. JAN. 23rd MINNEAPOLIS SYMPHONY ORCHESTRA EUGENE ORMANDY, Conductor —PROGRAM— L- •JlUHLti.'i* ) A nd - F, i l ' , \ in c . mlnor Bark " Byrarhony No. 7. in A major Beethoven 2. Prelude. 'The Afternoon of a Faun" Debussy . Srhrrio 'Queen Mab” from Symphony “Romeo and Juliet” Berliot 5. Ron man la Rhapsody No. 1. la A major Eneseo Seats on Sale Martens Ticket Offire. Boom m. at S3 Mvaument Circle. I'KK 1,4: Sl.lli. 51.63, *2.26, *2.73—TAV INCLUDED

Jack Oakie Is Leader in Film Jack Oakie surrounded by radio and movie entertainers, heads the cast for the “Big Broadcast of

1936,” opening at the Ohio tomorrow. As Lochnivar of the air and part owner of a failing radio station, Mr. Oakie injects such well-known stars as Ray Noble and his orchestra, Amos and Andy, Bing Crosby, Burns and Allen, Charles Ruggles, Mary Boland,

~ i

Jack Oakie

Lyda Roberti and Wenda Barrie into the plot to save the station and provide a riot of fun. Marines are needed to save the company, marooned on an island. Television is employed at the main station in order that Mr. Oakie may win the radio award posted by Miss Roberti. The picture provides swift movement, interspersed with comedy and plenty of songs and music by Mr. Crosby and the orchestra.

Bomar Cramer Adds Variety In bringing to Indianapolis the first all-Chopin recital in a decade, Bomar Cramer, in his concert at English’s tomorrow afternoon, is to present a program wisely chosen to display the varied styles found in the Polish master’s works. Though all of Chopin’s music bears the stamp of his individual expression, it is cast .n many musical forms. The fantasies and ballads, each of which is represented in tomorrows program, almost may be said to be of the composer’s own invention. Though the forms and names existed before Chopin, modem conception of these types is based on his treatment. With preludes, mazurkas and etudes (ta name only three) Chopin has influenced scores of later composers. First Appearance Here Mr. Cramer, whose performance tomorrow is his first and perhaps his only appearance here this season is well known as an interpreter of Chopin’s music. His concert plans for the remainder of the season are tentative, but probably are to include a series of recitals in Texas in the spring, and concerts in Mexico City next summer. According to present arrangements. Mr. Cramer’s appearances in Mexico are to include one as solosit with the National Symphony Orchestra under direction of Carlos Chavez.

Indianapolis Symphony Orchestra Concert Tuesday, Jan. 14, 8:15 P. M. MURAT THEATRE Soloist LOUISE ESSEX Cellist Tickets on Sale at 120 E. Ohio St. Prices 75c, SI.OO. $1.50, Tax Included For Reservations Phone Riley 4153 Between 9 A. M. and 12 Noon

Fans Eager for 'Romeo and Juliet" —'Rose Marie" Coming, Too

/•/ . -nmni ■ $ mPIi ??> * Jkjj .. m jH|^K :

Hollywood Rejects Child Character 'Snooney;" Creator Turns Down 'Hard Boiled" Film Roles

Little “Snooney” is in Hollywood, but no one wants her. Snooney is an outcast waif, so pathetic and timid that you sympathize with her and want to take her home. However, cold, relentless movie moguls refuse to befriend her. They want to spoil her—make her a gangster’s moll, a hard-boiled woman of the world or another Mae West. But that’s not for Snooney, who is made of sterner stuff. She is heard in the soulful ‘‘Oh, Mitter Warig” plea of Snooney on Fred Waring’s weekly radio broadcast. It’s a voice that reaches through the loudspeaker and grips listeners. Heartstrings have been pulled by a human interest story of a mother that sacrificed everything —career glory and wealth—to give her daughter every chance in the world. That is the true story of Snooney and her mother. Barbara Is Tough Out of character, Snooney is BarBara Blain. Hard and exacting, she harbors utmost disrespect for movie producers. She asks no quarter and returns none, demanding only that her child character be granted an opportunity to live on the screen. Miss Blair wants to be a homeless, pitiful feminine replica of Charlie Chaplin; producers want her to be another Glenda Farrell, a Joan Blondell or a second Mae West. She is no child as is implied by the feeble voice heard on the radio. Ten years ago she won the Miss Jersey City beauty title. She was adjudged the “girl with the most beautiful form in the United States,” but she is not proud of the distinction and never has billed herself as a beauty contest winner. She has appeared on the stage with her Snooney act. She Backs Snooney The originator of the child character insists she has something in Snooney and is going to make the picture in Hollywood if she has to pay for it herself. Miss Blair has been impolite to Hollywood. She has insulted producers and berated directors, but still she was paid SISOO a week, although she never has appeared on .the screen. In her dealings with film magnates, she has exemplified the type they want her to be on the screen, but she has ruled thumbs down on the idea. “The first thing I thought was crazy in Hollywood was the screen test,” Miss Blair said. “They gave me a script to read which was an insult to my intelligence. I told them that even for a test it was lousy. “I asked them if they paid someone to write that stuff, and they told me to write my own. So I wrote something kidding the whole idea of a screen test. “I told them how silly it was for so many people standing around watching me as if the world depended on it. Then they wanted me to become a second Mae West. I told them to stop right there. “They offered me a Joan Blondell, and I refused. They held up production a while, and. Miss Blondell finally starred in the picture. “Then. I was to take a part with Edward G. Robinson in a play called •Dark Tower,’ and because they were paying me SISOO a week, I agreed. CSpEEpZEQiiewl fAI T‘l 7, [•] L Hits. HELL HOLE OF MADNESS! ,ALL FOR A WOMAN’S LOVE! JOHN WAYNE in His 1936 Western Hit “LAWLESS RANGE” mim LAST day: KDMIA'D LOUR "THI'NIIKB IX THE SIGHT*' PLIB—“LRt 'EM HATE IT”

THE INDIANAPOLIS TIMES

WHERE, WHAT, WHEN APOLLO Return engagement of “The Littlest Rebel” with Shirley Tcmpie, John Boles and Jack Holt at 11, 1.1:51, 2:42, 4:33, 6:24, 8:15 and 10:06. CIRCLE “Dangerous.” featuring Bette Davis. Franchot Tone and Margaret Lindsay, at 11:45, 1:50, 3:55, 6, 8 and 10:00. INDIANA “The Magnificent Obsession.” film on Lloyd C. Douglas' novel, with Irene Dunne, Robert, Taylor, Betty Furness, at 11:30, 1:35, 3:40, 5:45. 7:50 and 9:55. LOEW’S “Ah, Wilderness!” with Lionel Barrymore, Wallace Beery, Aline MacMahon and Eric Linden, at 12:33, 3:43, 6:53 and 10. Also “If You Could Only Cook” with Herbert Marshall and Jean Arthur, at 11:09, 2:15, 5:25 and 8:39. LYRIC “King of Burlesque,” with Warner Baxter. Alice Faye and Jack Oakie at 11:10, 2, 4:50, 7:40 and 10:30. Vaudeville at 1. 3:50, 6:40 and 9:30. OHIO “Let ’Em Have It” at 10:30. 1:12, 4:11, 7:10 and 10:09. Also “Thunder in the Night” at 12:05, 3:04, 6:03, 9:03.

They ballyhooed me so much I knew audiences would hate me. “The way they started to build me up one would have thought people all over the country were tearing down marquees to see me. After three days I had enough. “Finally they said I could do my Snooney act. That is, they said, ‘Do a little Snooney,’ as though I could turn it on and off like a faucet. I was under contract to Warner Brothers and asked for my release. “I went to Fox. They wanted me to be hard-boiled, and I knew that if I did I would kill Snooney. Paramount wanted me to sign a sevenyear contract, and I told them I didn’t want to get married, I wanted to act.” Thus it is not hard to see why Miss Blair was a difficult person with whom to do business. She grew to hate producers during the year and a half she was in Hollywood, and producers cringed when she entered the door. “Another thing I didn’t like about Hollywood,” she says, “was that executives believed young ladies should treat them with great respect. They want you to say ‘Oh, you wonderful Mr. So-and So!’ and I don't go for that stuff. “Once I entered an executive’s office and he sat at his desk surveying me. ‘What's the matter with you; are you crippled? Why don’t you stand up when a lady walks into the room?’ I asked. I thought he'd break a blood vessel, but he stumbled to his feet and wasn’t a bit bigger than he was sitting down.” Little wonder producers saw in this explosive and impulsive blond another hard-boiled siren of the screen; a second Mae West, Blondell SH^flGnnnqHQLlJ H Iff 8 S Jr ■ ■ I ■Mi “ROUND AND ROUND” | j Featuring Fred Sanborn i| “The Speerhles* Comic” fl | Johnny Perkins ] I “Indiana's Own Ton of Fun" I I Plus other Big Acts! H

or Farrell. She • retorted she wouldn’t even be the first of any of them, let alone the second. She remains steadfast to an ideal and until they see it her way there will be no Barbara Blair on the screen. During her stay in the film colony Miss Blair anonymously conducted a daily column in which she often critisized herself. She has returned to New York with her Snooney act, waiting for Hollywood to come to terms. Born near Paris, Miss Blair came to the United States when 3 years old. She was educated in three convents and after her appearance in the Jersey City contest she played in a road company of a George M. Cohan show; worked in vaudeville with Herman Timberg; starred in George White’s Scandals; worked on Rudy Valles’s radio proguam, and then had a Snooney act of her own.

Wendy Barrie Tells How to Gain Weight Times Special HOLLYWOOD, Jan. 11.—Slender girls easily may add weight by following the formula of Wendy Barrie, who gained eight pounds in three weeks. Miss Barrie, appearing opposite Gene Raymond in “Don’t Bet on Love,” recommends two quarts of goat’s milk daily. The second part of the formula may be the hardest —cutting down on cigarets. Recruit Given Role Moroni Olsen, one of the screen’s recent recruits from the stage, has been given an important role with Richard Dix in "Mother Lode.”

MM Wilderness’ I \W WALLACE BEERY fi \\S LIONEL BARRYMORE | Al AND GREAT CAST If NNB HERBERT MARSHALL I JEAN ARTHUR W “IF YOU COULD M/ EXTRA! "^4 sar AUDIOSCOPIKS

ENGAGEMENT/ mi , TIMPII LITTLE IT APOLLO

Emmas I,l’d* JS EXCLUSIVE BURLESQUE Theatre „ idd n le t Ruth WILSON, Nancy MORRIS, Dorthy MEACHUM, Edna WILLIAMS, Betty OLSON and Lucille ABBEY l QUEENS BURLESQUE GET UP A PARTY AND ATTEND OUR BIG MIDNIGHT SHOW TONIGHT

COLO Nl U RLISK MIDNITE 4HPW 4AT.

Movie fans are on edge for the release of the film story of “Romeo and Juliet” in which Norma Shearer (left) is starred with Leslie Howard. An event of no less importance is the showing of “Rose Marie,” the second of the Jeannette MacDon-ald-Nelson Eddy operettas. The two stars are shown strolling across the M-G-M lot with Director W. S. Van Dyke. Both “Romeo and Juliet,” and “Rose Marie,” are scheduled .for early showings at Loew’s theater.

Gable Remembers $5-a-Day Struggle Times Special HOLLYWOOD, Jan. 11.—There Ls a cherished sheet of paper in Clark Gable’s dressing room which reminds the screen star that he has advanced a long way in pictures. It is documentary proof that Gable once was a film actor at $5 a day. He found it in a p;le of dustcovered papers on his desk and framed it, placing it over his dressing table with the inscription, “Just a Reminder—Mr. Gable.” The paper is a voucher sheet for a day’s work in 1924 when he was one .of 58 extras in “Sporting Venus,” which starred Blanche Sweet. Gwen Lee also received $5 as an extra that day.

anas Bette is on a /

Guy Kibbee Cast in Lead for Next Movie Program to Return Shirley Temple University Professor Claims Child Star Reaches Heights Through Her ‘Unconscious’ Acting; Rates High in Intelligence. Time* Special HOLLYWOOD. Jan. 11.—Picture producers for Shirley Temple, box office attraction of 1935, are going to strike while the iron is hot. Hard on the trail of “The Littlest Rebel,” the film moguls have cast America's darling in the forthcoming “Captain January,” with Guy Kibbee in the title role. Little Miss Shirley is to portray another of the intelligent roles which have captivated American audiences and built her up as the screen's most talented child star.

Some people have maintained that Shirley is merely a well-trained little actress without insight into what she was doing. Consciously, she is a sweet-tempered baby with unusually keen perception; unconsciously, she is a genius. These are the observations of Dr. Neil D. Warren of the psychology department of the University of California, made without the knowledge of the child actress. Dr. Warren asserts that the remarkable quality of her genius is indicated in her complete lack of affectation. When she finishes a scene she becomes a little child, interested solely in her dolls and games. Dr. Warren noted with particular interest the result of the Benet intelligence test given Shirley by authorities of Leland Stanford University. The average rating for children her age is 100 and in the graduated ratings 135 is considered that of a genius. Shirley crashed through with the amazing score of 155. In addition to her English vocabulary of 750 words, which is far above average, Shirley converses freely in French, of which she knows 300 words. She has been assigned to 2A grade in the special school studio. Her parents, wishing her to remain a sweet, natural child, guard against her developing into a wizened infant prodigy and have directed her educational program toward a sensible limiting of her mentality. “Shirley has two personalities—herself and the character she plays —and is a natural interpreter of stories,” says Dr. Warren. The boy who can recite from memory all the batting averages of the baseball players in the big leagues is not a genius. He concentrates his entire mental energy on that one subject. Miss Temple is interested in life and people and is interested in all that transpires about her.”

WEST SIDE rn - L 1— 2702 W. 10th St. V. I I r - Double Feature -J 1 7 ' * Noah Beery “STORMY” “MARY JANES PA” Sun. Double Feature—Jane Withers “THIS IS THE LIFE” “RENDEZVOUS” n Ii W. Wash. & Belmont DoimOriT Charles Laughton “MUTINY ON THE BOUNTY” Sun. Double Feature —Jack Benny “IT’S IN THE AIR” “THE THREE MUSKETEERS” pv i | 2540 W. Mich. St. I J/\ I N j Double Feature !_✓/ \ I-/ l Edmund Lowe “WANDERER of the WASTELAND” “THUNDER IN THE NIGHT” Sun. Double Feature Kay Francis “I FOUND STELLA PARISH” “KID MILLIONS” NORTH SIDE |— v I —T"7 Illinois at 3tth IV I I / Double Feature IXI 1 Gary Cooper “PETER IBBETSON” “THE GIRL FRIEND” Pun, Double Feature— —*lark Benny “IT’S IN THE AIR” “HANDS ACROSS THE TABLE” • I , 72nd A College J ntOWn Double F'eature v - / r' 1 TT 1 1 Wheeler * Woolsey “THE RAINMAKERS” “FIGHTING YOUTH” Sun. Dble. Feature —Barbara Stanwyck “RED SALUTE” “39 STEPS” / r—> . a SOth and Illinois tinrrirk Double Feature VJVU I I IV- !>. Torn Brown “FRECKLES” “ATLANTIC ADVENTURE" Sun. Double Feature—Lionel Barrymore “The Return of Peter Grimm” “I LIVE FOR LOVE” p >—* a • St. Clair A Ft. Wayne ( I /“l | If* Double Feature J l . >— I V-J ■ I John Carrol “HI GAUCHO” CARTOON—TRAVEL TALK Sun. Dotihle Featnre —.Jane Withers “THIS IS THE LIFE” “BARBARY COAST” n. r— w 30th at Northw't’n. IV X Double Feature 1 x x Kent Taylor “WITHOUT REGRET” “HAPPINESS C. O. D.” Sun. Double F'eature —Bing Crosby “TWO FOR TONIGHT” “CHARLIE CHAN IN SHANGHAI” —T“ II , , Talbot 4 22nd I fl I T| Double F'eature i a t. . Will Rogers “Steamboat Round the Bend” “The Farmer Takes a Wife” Sun. Double Feature—Paul Muni “DR. SOCRATES” “3 KIDS' AND A QUEEN” C if I I#th A College btrottord Walter Connolly “FATHER BROWN. DETECTIVE” “CLEARING THE RANGE” Sun. Double Feature —Claudette Colbert “SHE MARRIED HER BOSS” “Man on the Flying Trapeze” K A A Noble A Mm. /V\ Double F'eature George Raft “EVERY NIGHT AT EIGHT” “LITTLE BIG SHOT” Sun. Double Feature—Mae West “GOIN* TO TOWN” “SHE MARRIED HER BOSS” PIT A K A 2361 Station St. UKtAM ®*- bu George O Brien “THUNDER MOUNTAIN” “SHE GETS HER MAN” Sunday—W'allace Beery “O’SHAUGHNESSYS BOY" March of Time—Color Cartoon. EAST SIDE r} I\f f\ I I Dearborn at l*th KIV UL I hln Margaret Liitdmjr “PERSONAL MAID’S SECRET” “VIRGINIA JUDGE” Double Feature—Dick Powell “THANKS A MILLION” *l. FOUND STELLA PARRISH”

JAN. 11, 1936

He attributes Shirley's proliflo versatility not to what generally is known as subconscious power, but rather, to the mystery of the unconscious. The following case is cited as an example. Director David Butler was giving instructions to the technicians and players. Every one in the range of his voice with the exception of Shirley Temple was listening with expressions of intent concentration. Shirley, seated 30 feet in the air at the top of a circular stairway, was smiling down across the big stage to a spot where her stand-in and studio playmate, Mary Lou Isleib, was playing a game. Apparently, she was ignoring the director's instructions. “All right, let’s go,” called Mr. Butler. “Ready, Shirley?" “Okay,” she answered, and descended the stairway, reciting amusing dialogue and performing an intricate dance step that depended for its perfect rhythm on the co-ordi-nation of her voice and the tap of her shoes on the iron steps “What actually happened.” explained Dr. Warren, “was that Shirley's unconscious mind roved to tha game she enjoys playing, while Butler was giving his directions. But her conscious mind was taking in every word he spoke, and she was absorbed in the scene she was about to make, actually rehearsing it.” . Writes for Movies “Two in the Dark,” starring Walter Abel and Margot Grahame, was written by Gellett Burgess, celebrated for his famous “Goop” stories and pictures.

EAST SIDE -j- | 4020 E. New Fork I I Double F'eature I U.ACCJ'V Paul Muni “DR. SOCRATES” “THUNDER MOUNTAIN” Sun. Double F'eature —Carole Lombard “HANDS ACROSS THE TABLE” “HERE COMES COOKIE” I C*! f't FY"!/“"I Double F'eature I I IV-4 j„m Brown “ANNAPOLIS FAREWELL” “OLD MAN RHYTHM” Sun. Double Feature —.loci McCrea “BARBARY COAST” “THIS IS THE LIFE” TrvTng^^' I I X V " Rochelle Hudson “WAY DOWN EAST” “THIS IS THE LIFE” Sun. Double F'eature—William Powell “RENDEZVOUS” “METROPOLITAN” r- 4630 K. 10th StT r Double F'eature L-l I JWI I M i r h, m Hopkin* “BARBARY COAST” “IT’S IN THE AIR” Sunday—Charles Laughton “MUTINY ON THE BOUNTY” Major Bowes’ Amateur Theater ol the Air ■ I • | , 2116 f;. 10th st. lorn I ton Feature 1 1 Rochelle Hildvou “WAY DOWN EAST” “MUSIC IS MAGIC” Sun. Double Feature—Jack Benny “IT’S IN THE AIR” “HANDS ACROSS THE TABLE* rx I 2936 Fl. lot It SI. rn P T Double Feature 1 1 IX '*' 1 Joe K. Brow n “CIRCUS CLOWN” “SPANISH CAPE MYSTERY” Sun. Double Feature—Ted Dewla “HERE COMES THE BAND” “THE RAINMAKERS” C~ . I IKS E. Wash. St b trcind Double Feature May Robson “3 KIDS AND A QUEEN” “WHAT THIS COUNTRY NEEDS* Sun. Double Feature —Jark Oaki “BIG BROADCAST OF 1936” “THE RED SALUTE” ROXY r " Florin* McKinney “CAPPY RICKS RETURNS” “FIGHTING YOUTH” Sun. Double F'eature —Wallace Beery “O’SHAUGHNESSY’S BOY” “BAD BOY” pt * . til E. Wash. ra ra mount 1 -"’;, 1 ' Balter Kelly “THE VIRGINIA JUDGE” “IVORY HANDLED GUNS” Sun. Double Feature —Joe E. Hrnw| “BRIGHT LIGHTS” “SHE MARRIED HER BOSS” SOUTH SIDE —— Fountain Square Double F'eature Jack Holt “STORM OVER THE ANDES” “HI GAUCHO” Sun. Double F'eature—Jack Benny “IT’S IN THE AIR” “SO RED THE ROSE” pi At F'ountain Squirt Double Feature JU IAJCI O Margaret Lindsay “FLORENTINE DAGGER” “CYCLONE OF THE RANGES” Sun. Double Feature—Dinger Rogers “TOP HAT” “MURDER IN THE FLEET” A I Proipect-Churchm’n AVQ on Double F'eature aevaivsi Edmund Lowe “King Solomon of Broadway” “RIO RATTLER” Sun. Double Feature—Joan Crawford “I LIVE MY LIFE’’ "WANDERER of the WASTELAND” /A * 7 I lies S. Meridian St Urientd! Double Feature Jack Buchanan “BREWSTER’S MILLIONS” “DESERT TRAIL” Sun. ‘Double F'eature—.loan Crawford “I LIVE MY LIFE” “King Solomon of Broadway" f. it 2203 Shelby S*. bartield “ANNAPOLIS FAREWELL” “THE GOOSE AND THE GANDER* Sub. Double Feature—George Raft “EVERY NIGHT AT EIGHT” “O’SHAUGHNESSY’S ROY”