Indianapolis Times, Volume 47, Number 260, Indianapolis, Marion County, 8 January 1936 — Page 8

PAGE 8

AH, WILDERNESS!' PRESENTS BIG, HAPPY (AT TIMES) FAMILY

Popular Hit From Stage Opens Today ‘Comedy of Recollection’ by O’Neill Is Loew’s Film Feature. by JOHN W. THOMPSON The Nat Millers are entertaining this week at Loew's. Essie's baked some pics and Lily's turned out another batch of cookies. After dinner we’ll all go out on the front porch and watch a little charade called “Ah, Wilderness!’’ (it’s by a writer named Eugene O’Neill). Arthur's home from Yale and Uncle Sid (s-sh-sh, he's been drinking again) is with us for a while. I don’t know what we’re going to do • with Tommy, he’s grown out of all his clothes, the little imp. And Mildred is becoming quite a lady, wants to go out with the fellows and all that. And Richard, oh my, draw up a chair and we'll tell you all about it . . . It's 1906 when automobiles were really new. Strict is the discipline, religious the attention to taste and manners. Family Is Ordinary Nat Miller owns a newspaper in a small town. He and his wife, Essie, live comfortably, humanly with their family. Arthur’s at the pipe-smoking, turtle-neck sweater stage, just a little bit better than any one else; Mildred is flighty, romantic, yet shy; Tommy is haremscarem, always up to something. Richard, about whom most of the story centers, is at that strangely uncertain age which most males recall with a few regrets and many inward smiles. He is in love with Muriel McComber, the girl across the street, to whom he sends copies of Swinburne’s poems. He doesn't exactly understand philosophy but he knows it must be beautiful, so he buries himself in it. At the Miller home lives Lily, Nat’s spinster sister, who is in love with Uncle Sid. But Uncle Sid. between jobs a resident at the Miller home, repeatedly ruins his chances with Lily by consistent binges. Father Comes on Scene Muriel’s father, irked by the poetic love messages from Richard to his daughter, appears at the Miller home, armed with a note to Richard from Muriel telling her youthful lover she never wants to see him again. Richard, despondent, decides on “something desperate,” and the day is pretty well washed out for the family when Richard isn’t home by 10:30 that night. He finally comes home drunk. One can imagine the horror of such a situation. Richard had made a date with a blond down at the Pleasant Beach House. She had taken five dollars from him. poured strong drinks into him, kicked him out. Next day Nat straightens things out with Richard, has the famous heart-to-heart talk with him. Muriel slips out of her room where her father has kept her in punishment because of her correspondence with Richard, and the two re-plight th"ir troth. Richard gets his first kiss and is thrown into a trance. But It Ends Happily The play ends happily, with Sid and Lily on the front porch, in love again, sipping lemonade which Sid has secretly spiked. Richard and Muriel are arm-in-arm beneath the trees, and Mildred is in “heaven” with her first beau. Nat and Essie agree that theirs may not be the spring of love, but winter isn't such a bad season either. There can be little doubt that “Ah, Wilderness!” is one of the few truly great motion pictures ever produced. It has captured, almost completely, the spirit of O'Neill, the summery, fragrant texture of comedy woven by a master of the art. Lionel Barrymore does not. as far as we are concerned, play the role 'of Nat with the dramatic fervor which featured George M. Cohan’s portrayal on the stage. But Mr. Barrymore does play it differently, and well. His best scenes are the father-and-son sequence and with Wallace Beery (as Uncle Sid) when the two come home from the picnic a little on the damp side. Mr. Beery Convincing Mr. Beery is marvellously convincing as Uncle Sid. No one can be the kind-hearted fool that Beery plays quite as well as he can. It’s a sort of “Min and Bill” role, with added restraint and better comedy. Too much can not be said about Eric Linden's portrayal of the lovesick Richard, whose head is in the clouds so much that he often stumbles. Mr. Linden has deftly stretched and pulled this part, thrown it out of joint enough to give it emphasis and prominence among the others. His best scene is the one in which he gives his high school valedictorian address. Cecilia Parker’s picture debut, is made in the part of the sensible, sweet and iovely Muriel, who knows how things should be. much better than her boy friend Richard. But her devotion to him sometimes sways that good sense. Good in Roles Aline MacMahon makes an ideal Lily. Her scenes are crammed with pathetic comedy. Spring Byington is at her best in the role of Essie, Nat’s devoted wife. She displays a freshness we hadn’t thought her capable of showing. Most hilarious of all the picture’s fun is the episode depicting Richard's high school graduation exercises. The girls clad in white frocks and the boys in tight-fitting black suit-.*, sing their class seng to the tune of “The Blue Danube.” A boy struggles through a clarinet solo which is a work of art. A girl sings lustily and none too well. Sev-eral-pupils recite ludicrously funny poetry. Richard tops it all v.: ;h his speech. Any man who ever slipped in back of the barn when a boy to smoke 4 a corn-silk cigarette: any woman who ever smudged her mouth with red candy “lip-stick"; everv person who ever really lived the tempestous, laughable, pathetic days of adolescence, owes it to himseif to see thla “comedy of recollection.” It starts at Loew’s today. With it is “If You Could Only Cook.” starring Jean Arthur and Herbert Marshall, and a novelty short subject, “Audioscopiks.”

What's the Matter Jack? Hell Be at Lyric Friday

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Indianapolis Symphony Concert to Bring Former Pupil, Teacher Conductor Ferdinand Schaefer Played Important Role in Developing Genius of Miss Essex, Cellist. A former pupil and teacher are to appear as soloist and conductor at Tuesday night’s Indianapolis Symphony Orchestra concert when Louise Essex, cellist, piays the Saint-Saens A Minor Concerto with the orchestra under the baton of Ferdinand Schaefer.

Mr. Schaefer was Miss Essex’ first instructor and, incidentally, she was his first cello pupil. Being a violinist, he felt unqualified to teach any other instrument, but finally gave in to her mother’s pleadings, and lessons began. It was only a few months, according to Mr. Schaefer, until Miss Essex’ genius became apparent, and he determined that she should receive training from a master of the instrument. Accordingly, he arranged for her to go tq Boston for lessons under the famous cellist, Alvin Schroeder. Studied in Leipzig When Miss Essex was 17, Mr. Schaefer asked his friend Julius Klengel to accept her as his pupil in the Leipzig Conservatory. She studied there several years, and was honored by selection as the only musician from the entire student body to appear as soloist with the Leipzig Symphony Orchestra. Immediately after leaving Germany, Miss Essex enrolled in the Paris Conservatory as a pupil cf Diran Alexanian. There the world famous cellist, Pablo Casals, enthusiastically stated his belief in her genius. Mr. Schaefer and Miss Essex vie with each other in exchange of compliments and expressions of high regard. Proud of His Part The veteran orchestra leader, loath to admit the important part he has played in the young artist’s career, expressed his gratitude for her loyalty to her first teacher, and said. “I am proud of having had a hand in shaping her original destiny to become America’s outstanding woman cellist. "I am particularly happy to appear with Mr. Schaefer.” Miss Essex said, “because of the high personal and musical regard which I hold for him.” His faith in her and the help he gave so freely, she maintains, contributed much to the courage she needed to attain success. Vina Delmar Writes Colbert Film Play Timm Special HOLLYWOOD, Jan. B.—Vina Delmar. among whose many successes is “Bad Girl,” has gone into seclusion to write an original film story for Claudette Colbert. Miss Delmar has written directly for the screen only a few times. She has been engaged by Ernst Lubitsch. who is seeking stories written especially for individual stars. 45 Given Contracts as Film Show Girls Timex Special HOLLYWOOD. Jan. B.—Of the hundreds of candidates tested for featured show girl and dancing parts in “The Great Ziegfeld” with William Powell. Myrna Loy and Luise Ranier, 45 now hold screen contracts. Twenty-two are “glorified American girls” and 23 are movie dancers. It took 19 states, Alaska and Canada to supply them. California leads with 11 girls, while Illinois ranks second with 2 show girls and 3 dancers. New York. Ohio and Oklahoma are next in rank with 3 girls each. Indiana had no representatives in the test. Among stars who are to take roles in the picture are Fanny Brice, Frank Morgan, Virginia Bruce and Gilda Gray. Harriet Hilliard Returns Harriet Hilliard has rejoined her husband. Ozzie Nelson, in New York after completing work in "Follow the Fleet.”

MUTUAL The One ■ Theatre BUS Burlesque CHEERIO 1936 New Comedian* Lovely Dancing Girls

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WHERE, WHAT, WHEN APOLLO The Man Who Broke the Bank at Monte Carlo” with Ronald Colman. Joan Bennett and Colin Clive at 11. 12:51. 2:42. 4:33, 6:24, 8:15 and 10:06. CIRCLE "Sylvia Scarlett. ' with Katharine Hepburn and Brian Aherne, at 11, 1:10, 3:25. 5:35, 7:50. and 10. INDIANA "Collegiate,“ with Joe Penner, Jack Oakie, Prances Langford, GooGoo (Penner's duck), at 11:50, 1.50, 3:55, 5:55. 7:55, 10 and 12:05. LOEW’S "Ah. Wilderness!” with Lionel Barrymore. Wallace Beery. Aline MacMahon and Eric Linden, at 12:33. 3:43. 6:53 and 10. Also "If You Could Only Cook" with Herbert Marshall and Jean Arthur, at 11:09, 2:15. 5:25 and 8:39. LYRIC "Show Them No Mercy." with Rochelle Hudson. Edward Norris. C'esar Romero and Bruce Cabot at 11:34. 2:21. 5:03. 7:55 and 10:23. Vaudeville at 1:12, 3:59. 6:46 and 9:33. OHIO Will Rogers in "Steamboat Around the Bend” at 10:30, 1:30. 4:29, 7:28, 10:02. Also "Little Big Shot” with Jane Withers at 11:51, 2:51, 5:51, 7:50. 8:49.

Roof Ballroom Engages Heidt Maestro to Present Show With Band Jan. 26. Horace Heidt, popular radio maestro, is to bring his 15 Brigadiers to the Indiana Roof for a one-night appearance Jan. 26. The orchestra comes here from the Gold Coast Room of the Drake Hotel, Chicago. With his orchestra, Heidt is to present an entertainment program featuring the Four King Sisters; Lysbeth Hughes, the singing harpist; Radio Ramblers and Romancers. Tom Devine, Roof manager, announces anew policy beginning tonight, whereby there are to be three ladies’ nights, Tuesday, Wednesday and Friday. The new schedule is to be inaugurated with the help of Carl Meek’s Orchestra. Enemies Are Lqvers in Their Next Movie Timex Special HOLLYWOOD, Jan. B.—Walter Abel and Margot Grahame, the two bitter enemies of “The Three Musketeers,” now are united as lovers in the forthcoming mystery drama, “Two in the Dark.” Mr. Abel, as a’Artagnan, and Miss Grahame as the lovely but villainous Milady de Winter, were outstanding in the Dumas classic. Abel came to Hollywood from Broadway, where he starred in many hits, and his current picture is to be his secqnd screen role. “Two in the Dark” is Miss Grahame's fourth picture since she came here from England. Seeks Desert Home It looks as though Palm Springs is to get anew citizen. Robert Taylor has given up his ranch and is spending the week at the winter resort. He is looking for l desert home.

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THE INDIANAPOLIS TIMES

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There seems to be something the matter with Jack Oakie (left above) in this scene from “King of Bufiesque,” which is to open on the Lyric theater screen Friday. With Arline Judge to comfort him, we don’t see any reason for tears. The personable young lady at the right is Ruth Love, one of a group of singers booked for the Lyric’s stage Friday. The show is to be headed by Johnny Perkins, rotund comedian.

Studios of RKO Hard at Work Capacity Production Under Way on 15 Stages. HOLLYWOOD, Jan. B.—The new year strides onto a busy scene at RKO studios where capacity production is in progress on all 15 sound stages. Fred Stone is to appear in the first picture to be released, “Farmer in the Dell,” and Ann Harding starts work on her last picture before sailing for Europe. She is to be starred in another courtroom script, “The Witness Chair.” Anew musical vehicle for the popular Fred Astaire-Ginger Rogers dancing combination is to closely trail “Follow the Fleet,” and is to be filmed under the title, “I Won’t Dance.” Barbara Stanwyck has been assigned the leading role in "Volcano,” and screening is to be started on “Fugitive Gold.” “Puzzle of the Briar Pipe” unites Jan4es Gleason and Helen Broderick in roles of a wise-cracking New York detective and snoopy school teacher, while “Thorobreds All” is to be on location at Flagstaff, Ariz. Other films to go into production this month are “Bunker Bean,” “Plan 16.” “The Balloon Buster” and “Static.”

Gladys Swarthout Rejects Radio Bid Timex Special HOLLYWOOD. Jan. 8. Gladys Swarthout has rejected a 52-week radio contract with NBC so that she may devote her entire time and interest to the screen and concert stage. Miss Swarthout, who makes her film debut in “Rose of the Rancho,” has been heard on the radio many times, presenting her recent screen play over the air and substituting for Grace Moore when Miss Moore was ill. Joan Bennett Signed Times Special HOLLYWOOD, Jan. 8. Joan Bennett has been signed to appear opposite Fred Mac Murray in his next starring role in “13 Hours by Air.” Overhauls Power Cruiser Preston Foster spends leisure time overhauling his power cruiser in Santa Monica Bay.

HUDSON CESAR ROMERO BRUCE CABOT EDWARD NORRIS sTAGtHlUdlEYll!fc CARL FREED And Harmonica Harlequins SYLVIA MANON & CO. Balabanow Five I Fid Gordon

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lowa Artist Coming Here for Lecture Grant Wood Is to Discuss Theories of His Type of Painting. Os particular interest to Hoosier artists is to be the lecture by Grant Wood. lowa regionalist, on the Town Hall program Saturday morning at 11 in the Columbia Club. Last year Mr. Wood criticised Indiana artists as being "local colorists,” paying too much attention to how sunlight filters through trees and not enough to the real characteristics of their native state. Since Mr. Wood was in Indianapolis. when he acted as one of the judges to selec 1 ., paintings for the annual Indiana Artists Exhibition at Herroh Art Museum Institute, artistic trends in Indiana have changed. Sensation at Chicago First notice of Mr. Wood as a revolutionary painter was made when his works became the sensation of the Century of Progress exhibition in Chicago. Such works as “American Gothic,” “Daughters of the Revolution” and “Herbert Hoover's Birthplace” have become wellknown throughout the country. A newer canvas, “Death on the Ridge Road,” is now on exhibition at the Herron museum. Grant Wood studied in Paris before he “discovered” his own country. He struggled with the broad brush methods, the strange fantastic French modes, but found that none suited his desire for an outlet of emotion. When he returned to America, he quickly shed much of the imitativeness acquired in Europe and settled into a style which has not only become his own, but is being copied and imitated by hundreds of American painters. Mr. Wood soon found himself founder of a school of art he chose to call “Regionalism.” Head Art Department lowa University recently established Mr. Wood as the head of its art department, built a mural building to house the output of students under his direction. A drama building to be decorated in true fresco is to provide work for 10 years. Mr. Wood has been commissioned to do a set of canvases to decorate the Agricultural College at Ames University and several postoffice buildings. He has an order from one publisher for an 80,000 word book. The artist is to discuss the theories of his particular type of art at the session Saturday, and is to answer questions following the lecture. A luncheon is to be held in his honor. 'Modern Times , Premiere Fixed

Mrs. Burroughs to Chaplin’s New Film to Open Appear at De Pauw Run Jan. 14. Jane Johnson Burroughs, IndianTimex Special apolis so P rano . is to be Presented HOLLYWOOD, Jan. B.—“ Mo- in recital by the De Pauw University ern Times,” Charlie Chaplin’s first School of Music at Meharry Hall, picture in nearly five years, is to Greencastle, tomorrow night. Walhave its world premiere at the t whit worth is to be the accomRivoli Theater, New York, Jan. 16. panist Arrangements have been com- Mrs. Burroughs’ first local recital pleted for a gala opening, to be fol- 0 j season is to be a program for lowed by popular priced showings. the benefit of the Will Rogers MemFigures of local, national and inter- orial Fund, Jan. 16, in the Marott national note are to attend, as well Hotel ballroom, as prominent figures in the theat- This program, which is to include rical world. songs in five languages, was preIt it not known whether Mr. Chap- pared under the tutelage of Arthur Jin himself will be present, but if Rosenstein, New York teacher, who he is he may be accompanied by recently was engaged as vocal coach Paulette Goddard who plays the by one of the major motion picture leading feminine role. studios. *

if SCREEN’S NEW §§fm|§Li llfßjgilllE3 THRILL “AUDIO SCOPIKS” / m / ONLY LOEWS COULd\ # V t BRING YOU THIS BIG % I J#/ STAR STUDDED PROGRAM * K m “An utterly enrhantintr picture . . . ■ j&SIjBjjSB tender and mellow . . . decidedly worth JIL ; ?gyjajr HgjjP 'frfSSb "A flint that 1* a joy and a treat —a ,yV ! V i W contagiously ehucklesome comedy to I ■ honor and respect and enjoy.” ■HR pp jHB New York World-Telejtram. j^R IlfllllEftMlftl IWlßiWilfiNßll I 1 F, la L Sgh'ter U WALLACE BEERY I 1 TB wy S oob TS LIONEL BARRYMORE I heart !! ALICE MACMAHON I Erie LINDEN • Cecilia Parker ■ screen withlo wS***-- hand reach. H rrp4|yiw K. ‘ I ■ i • I Ilia movies

Trick Dancer Conning With 'Vanities'

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You’d never know it to lock at her here, but Jean Lorraine is one of the stage's funniest trick dancers. She is to appear here with Earl Carroll’s “Vanities” on the Indiana Theater stage Jan. 17.

Tradition Upset When Research Shows Romeo Was Blond Lover Leslie Howard’s Desire to Play Role With Hair ala Natural Prompts Probe Into History of Period. HOLLYWOOD, -lan. 8. Four centuries of tradition are to topple when Romeo “goes blcnc ” in his romantic serenades on the screen. Leslie Howard is to enact the roie of Shakespeare’s great lover in "Romeo and Juliet” without dying his hair or wearing a wig.

It was Howard’s desire to appear in the scenes without altering the color of his hair that sent the studio research department to the Mbraries, where the investigation led to an astounding report and changed long-standing tradition. The original Romeo was far from being the dark type, and in all probability was a blond with blue eyes Many blonds and redheads are found in Verona, resulting from an invasion centuries ago by the Visigoths, light'of hair, who were gradually absorbed by the people of northern Italy. The evidence satisfied Director George Cukor, who agreed that Leslie would not have to be a dark lover when he woos Norma Shearer, cast as Juliet. A brilliant supporting cast includes John Barrymore, Edna May Oliver, Basil Rathbone, C. Aubrey Smith and Andy Devine.

Will Rogers Film Extended One Day “Steamboat ’Around the Bend,” one of the last starring vehicles of the late Will Rogers, is being held over for another day at Ohio theater. "Little Big Shot,” featuring petite Sybil Jason, also is to be shown for the last time today. “Gay Deception” and “The World Moves On” are to form the double bill on the screen tomorrow only.

% Indianapolis Theatre-Goers: due to the ? fflE IITTLEST 4 able to see run, § REBEL” during the regular tive3 0 f 1 we have prevailed upon allow us to bring 1 20th Century-Fox Filmsto alio be „ f the picture hack to the Apoj.xu l ginning next Friday, January 10th. However, in lairneaa t,> all, you, that With Ottar a a ffl ent of "JHE l Timl* will positively one I week only. Yours Sincerely, ..RONALD COLMAN ir% T ■ • M THE MAN WHO BROKE THE BANK AT MONTE CARLO*

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WEST SIDE n m • m p 2T02 W. 10th St. N | A I p. Rouble Feature A XL A A J Edward Arnold ‘■REMEMBER LAST NIGHT” “WAY DOWN EABT”_ BELMONT "WELCOME HOME” "RED HEADS ON PARADE” Da so nr 2510 W. Mich. St. A I N Y Double Feature XA A A Frederick March "THE DARK ANGEL” VIRGINIA JUDGE” NORTH SIDE R| T y Illinois at 34th a * a/ Jean Arthur “PUBLIC MENACE” UPTOWN ”~ Horton “YOUR UNCLE DUDLEY” a nnim/ 30th and Illinois GARRICK c F roUr re “TWO FOR TONIGHT” "THE LAST OUTPOST" riris I A ITT St. Claip & Ft. Wayne SI (.1 AIK Double Feature JA. MJi AAAV pat o . Brlen “THE FRONT PAGE” __ W’ill Osborne Orchestra n nv 30th at Northwestern KhX Double Feature iVAj/Y. Jane Withers "THIS IS THE LIFE” Comedy Novelty TALBOTT CheValier A OLUV 1 1 Jeanette MacDonald "THE MERRY WIDOW” „, .ft 19th Sc Collere Stratford R F 0 p b ur "STRANGERS ALL” "ORCHIDS TO YOU” E C C A z%r* "TOGETHER WE LIVE” "THE PERFECT CLUE” HD 17 AM sution st - L/IVLrtill Delores Del Rio "I LIVE FOR LOVE” Comedy and Short Reels EAST SIDE Ri *r / a Dearborn at 10th I V ( 1 I , I Double Feature 1 ' u 1 Lawrence Tibbett “METROPOLITAN” "THE LASTOUTPOST” TUXEDO “PAGE MISS GLORY” “UNKNOWN WOMAN”

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Varied Note Adds Color to Program Selection for Minneapolis Symphony Concert Announced. Compositions to be played by the Minneapolis Symphony Orchestra at English's on the Martens Concert Series. Jan. 23. show the talent of Conductor Eugene Ormandy in the selection of a varied and interesting program, besides his admitted artistry in its interpretation. • Mr. Ormandy has chosen to open the concert with the Bach Passacaglia and Fugue in C Minor, written for organ and orchestrated by Herman Boesenroth. for more than 20 years librarian and arranger for the Minnepaolis Orchestra. Os the composition Leopold Stokowski has said. “Bach’s Passacaglia is in musij what a great Gothic cathedral is in architecture —the same vast conception; the same soaring mysticism given eternal form.” Favorite to Be Heard Those who heard Mr. Ormandy s reading of the Beethoven Seventh Symphony two years ago will be grateful that he has included it in the coming program. This buoyantly happy work is a welcome addition to any orchestra concert, especially when played by Mr. Ormandy and his men. Claude Debussy is to be represented by the prelude, “The Afternoon of a Faun,” whose colorful yet ethereal score is familiar to most concert goers. Not so well known is the “Queen Mab” Scherzo from Berlioz's “Romeo and Juliet” Symphony, which follows. Based on Mercutio’s speech in the first act of the play, this movement is the most frequently done of the 14 that made up the lengthy work for chorus, soloists and orchestra. The A Major Roumanian Rhapsody by the versatile contemporary Georges Enesco is to close the program. The composer, a violinist, pianist, cellist, organist and conductor as well, has based this work on the folk music of his native Roumania.

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EAST SIDE TACOMA Double Feature Warner Oland “CHARLIE CHAN IN SHANGHAI" "TOGETHER WE LIVE" IRVING Wd*a xi vj KIT Francis "THE GOOSE AND THE GANDER” "KING SOLOMON OP BROADWAY" EMERSON OJt Ul'lui\UV7ii Dick Powell "SHIPMATES FOREVER” "THE BIG BROADCAST OF 1936” HAMILTON WM~ "THUNDER IN THE NIGHT" "THE GAY DECEPTION” _ PAR K E R SSuSA xa an. a_k an. j, ck Cak|e "BIG BROADCAST OF 1936” "POWDER SMOKE RANGE” S T RAND “Thunder in the Night” Duncan Sisterr “Surprised” Camera Adventures Ed. C. Hill—News ROXY •! E- Vasa. sc Special Feature Attractions n . 411 E. Wash. St. Paramount "TWO FOR TONIGHT” IS THE LIFE" SOUTH SIDE FOUNTAIN SQUARE Edward Everett Horton NIGHT OUT’ SANDERS “JSSrtJSgr Jxl.U/L/lW Douslas Fairbanks "PRIVATE LIFE OF DON JUAN” "HEADLINE WOMAN" Aar a I in \l Prospect-Churchman VALON D j*el' e MeCnm* "WOMAN WANTED” _ “TWO FOR TONIGHT" __ ORIENTAL "HERE COMES THE_BAND”_ GARFIELD %£&£ "THE GAY DIVOBCEE”