Indianapolis Times, Volume 47, Number 257, Indianapolis, Marion County, 4 January 1936 — Page 4

PAGE 4

HARMONY LANE FITTING TRIBUTE TO FAMED STEPHEN FOSTER

Film Serious Study of Great Composer's Life; Picture In Good Taste Douglass Montgomery Takes Leading Role in Production Now at Zaring and Lends to Role Necessary Temperament for Success. BY JOHN W. THOMPSON Although It isn’t a massive, stupendous or colossal production, "Harmony Lane,” at Zaring’s theater, is a serious and fitting tribute to Stephen Collins Foster, the prolific American composer whose life was as tragic as his songs were gay. A great deal of care has been taken with the manner in which "Harmony Lane” has been filmed. The costumes, settings, properties, all are in taste of the period in which Foster lived and worked. The picture brings to our minds most vividly why Mr. Foster’s songs were so varied in moods, how beautiful his music really is, and why, therefor, Col. J. K. Lilly wanted to build Foster Hall.

Stephen Foster 1s played by Douglass Montgomery (you’ll remember him from "Little Women”) and he lends to Mr. Foster the touch of eccentricity and the love of beauty which are alive in every genius. In "Harmony Lane” Stephen Foster and Henry Kleber, a German music teacher, plan to write a symphony from the time Stephen is a young lad, fingering out his simple melodies on the piano. Stephen’s fami I '' thinks he is lazy, but Susan Pentla and, his sweetheart, urges him to write the songs he loves. They become engaged and Stephen goes to Cincinnati to work for his older brother. There he slaves, trying to forget his music, scribbles out fragments of tunes on his ledger sheets. Finds Joy in Daughter While there, he receives word from Susan that she has married another. He is stunned, finally marries Jane McDowell, a little vixen who has planted the rumors which caused Susan to give up hope for Stephen. The Fosters are not happy. They have a daughter which brings Stephen the first joy he has known in a drab life. HLs association with Christy, the famous minstrel man, brings announcement from Jane that Stephen must leave her, and he is forced to go. This is really the breaking point, for from that time on he lives a failing life. His wife’s demands for more and mo r e money drive him to drink and long, strenuous hours. His tunes, however, sell often enough to give him money for the support of his child. Through it all, Kleber and Chris- j ty, rivals of each other, cheer the \ youth on, but fail to raise him from j the despair into which he has fallen. Two or three times Susan comes j to see him. These are temporary reliefs from the dismal routine Stephen’s life has become. During this period he writes “Beautiful Dreamer” inspired, of courcs, by Susan. Boasts Strong Cast The end comes on the eve of a benefit performance of Christy’s minstrels for Mr. Foster. Susan goes to Stephen’s cheap, untidy hotel room, finds him an alcoholic wreck, makes him promise to come to the performance. He falls against a wash bowl, breaks it and injures himself fatally. “Harmony Lane” boasts an unusually strong cast. Evelyn Venable is the lovely Susan. Adrienne Ames I makes a convincing, if not a likeable, Jane, the woman who stole Stephen from the only girl he ever loved and drove him to ruin. Two of the lesser lights stand out in the production. Joseph Cawthorn as the humorous and loyal Kleber, Stephen’s teacher, is excellent, and William Frawley as Christy gives as fine a comic portrayal as any we have seen recently. Cora Sue Collins is her usual charming self as Foster’s daughter. Church Scene One of Best Clarence Muse plays the part of the old Negro pastor, Joe, about whom Stephen Foster wrote “Old Black Joe.” The scene in the Negro church where the old preacher passes the collection plate, sings spirituals with his congregation, is one of the best ‘ • the film. We will never the episode which representeo Stephen’s inspiration for the song "Oh, Susanna.” He was telling Susan good-bye just before his trip to Cincinnati. She had begun to cry. Suddenly he said. "Oh, Susan, don’t you cry for me.” Quickly he jumped to his feet, crept to the piano and tapped out the tune, fitting in the words. It is well to make motion pictures of nationally loved and respected artists like the man who wrote “My Old Kentucky Home.” “Massa’s in the Cold. Cold Ground,” “Come, Where My Love Lies Dreaming,” "Old Black Joe.” “Swanee River’’ and "Beautiful Dreamer.” We, as Americans, must not forget Stephen Foster. A motion picture like "Harmony Lane” will help us not to. It isn’t perhaps, all that a "memorial” picture could be. but it is well acted, well presented and thoroughly entertaining. Rappaport to Sing at Jewish Center Albert Rappaport, formerly with the Chicago Civic Opera Company, is to be presented in concert at 8 Monday night in Kirshbaum Center by the Indianapolis Section, National Council of Jewish Women. Mr. Rappaport, now a cantor of the Jewish Church, usually opens his programs with a group of religious songs of his own race. In addition to these and Jewish secular music, of which he is a famous interpreter, his repertoire includes arias from the standard operas and oratories, and many examples of the modern art song.

Tl't (■)' Spot of Indiana"'* ~ 1 v TALL TIMBERS fe CAFE and CASINO CLUB I 12 Miles East on Road 67. The Highway Is Open to Our Door. SB DINE and DANCE From 9 Till DAWN Every Ni+e JOHNNY CROWE ’ s “ARISTOCRATS” M we never close BOM.lll CRAMER ENGLISH THEATRE SUNDAY, JAN. 12, at 3:30 Tickets: Gladys Alwes Music Shoppe. S3 Monument Circle, Room 201 Orchestra, $1.10; Balconies, 55c

'Kind Lady' Civic's Next Stage Show Edward Chorodov’s Mystery Thriller to Be Given on Jan. 18. As if we hadn’t had enough chills and shivers this winter, the Civic Theater is going to present as its next production Jan. 18 the Edward Chorodov mystery thriller, “Kind Lady.” Its been some time since the Civic had a real-for-sure mystery drama, although it came close with the mystery comedy, "The Bishop Misbehaves,” earlier this season. “Kind Lady,” was first presented at che Booth Theater in New York in April, with Grace George in the leading role. Playing the role of the kind lady, Mary Herries, is to be Marcella Parry. Horace F. Hill 111 is to be the leading male member of the cast. Conflict Encountered In “Kind Lady,” one encounteis the conflict between the protagonist of Greek classic drama and the powers of evil. The story of "Kind Lady” concerns the charming Mary Herries, whose sympathy and generosity impel her to befriend and open her home to an impoverished young man with a flair for krt. His payment for her kindness is what is intended to chill your heart. The characters in the play include the emotionless Henry Abbott, who has the inborn gift for inspiring sympathy; Peter, a gullible young American; Phylis, his wife; Abbott’s henchman, the ingratiating Edwards, and the loathsome child, Aggie.

WHERE, WHAT, WHEN APOLLO The Man Who Broke the Bank at Monte Carlo” with Ronald Colman, Joan Bennett and Colin Clive at 11. 12:51. 2:42, 4:33, 6:24, 8:15 and 10:06. CIRCLE “Sylvia Scarlett,” with Katharine Hepburn and Brian Aherne, at 11, 1:10, 3:25, 5:35, 7:50. and 10. INDIANA “Colhcciate,” with Joe Penner, Jack Oakie, Prances Langford, GooGoo (Penner’s duck), at 11:50, 1:50, 3:55, 5:55. 7:55, 10 and 12:05. LOEW’S ''Riffraff' with Jean Harlow and Spencer Tracy, at 11. 1:15, 3:30, 5:45, 8. and 10:15. LYRIC Show Them No Mercy.” with Rochelle Hudson, Edward Norris, Cesar Romero and Bruce Cabot at 11:34. 2:21, 5:08, 7:55 and 10:23. Vaudeville at 1:12. 3:59. 6:46 and 9:33. OHIO “Two Fisted,” starring Lee Tracv. at 11:02. 1:45. 3:56, 6:33 and 9:18. Also “Stingaree,” featuring Irene Dunne and Richard Dix, at 11:59. 2:45, 4:53. 7:30 and 10:07.

Light Opera Group to Resume Work Members of the Indianapolis Light Opera Company are to resume rehearsals Monday night at the Irvington School of Music, 5657 E. Washington-st, after a holiday recess. Miss Adelaide Conte, director, announces that the company’s first 1936 offering. “The Mikado,” is to be presented late in February. Singers, especially tenors and altos, may attend Monday night, when a second cast is chosen. Auditions, to be arranged by appointment. are scheduled for Jan. 13, 14 and 15, for selection of a cast for the second presentation of the company, which probably is to be “Trial by Jury.” Friendship Is Started May Robson and Mme. Schu-mann-Heink have a dinner date. They met for the first time at the Will Rogers Memorial Benefit and became instant friends. Mme. Schumann-Heink invited May to visit her in San Diego, and May is going the first day her engagements permit.

Dnee 1/ M Harold c Ev * r J J K T Cork s Sat. A Sun. ll I Orchestra HARBOR Saturday, 50c Couple Before 9:30—75c Couple 9:30 to 12—50 c Couple 12 to 1— -5c Couple After 1. Sunday. 30c Couple. One Block South Munitipal Airport

All Dressed Up for 'Ah, Wilderness'!

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If you were going to run downtown in your “motorbus” back in 1906, you had to dress about like Wallace Beery and Aline MacMahon in the above scene from “Ah, Wilderness,” the film starring Eric Linden, and Lionel Barrymore, which is to open at Loew’s Wednesday along with "If You Could Only Cook” with Herbert Marshall and Jean Arthur.

Leopold Stokowski's Quiet Exit Is Considered Cause for Alarm Rad Boy of Music Leaves Philadelphia Orchestra Minus Fireworks Which Have Marked His Mastery. BY JAMES THRASHER With about as much fireworks as accompanies Lou Gehrig’s "annual spring holdout,” Leopold Stokowski has resigned as conductor of the Philadelphia Orchestra. We had come to expect almost anything from Mr. Stokowski, but whatever he did was sure to done spectacularly. And this quiet exit is almost alarming.

For almost 30 years Leopold Stokowski has been one of the bad boys of American music, as well as one of its greatest masters. He mocked society matrons, he scolded his audiences and defied his directors; he .flung futuristic music in the teeth of a hissing public—yet he put Philadelphia on the map and built up an orchestra which Rachmaninoff hailed as the “finest of all time.” Directed Choir Born in Paris 48 years ago, Stokowski cane from London to be organist and choir director of St. Bartholomew’s in New York in 1905. A summer as director of a series of orchestra concerts in London three years later impelled him to take up the baton as a means of livelihood. In 1909, Cincinnati’s patrons of music decided to reorganize their symphony orchestra, and intrusted its rebuilding to the blond, handsome and unknown young organist. Stokowski worked wonders in his three years stay, but objected to the “petticoat government” on the part of the directors’ wives, and resigned. Philadelphia was virgin musical soil when the new director arrived in the fall of 1912. He found no rich heritage or background, but rather an inferior orchestra which had struggled along many years without much help from its second-rate directors. Stokowoki. however, soon proved his ability to handle and drive his men to new heights of achievement. Stressed Etiquette Stokowski's lessons in concert etiquette are well known. He began by lecturing the late arrivals and untiring chatterers, and finally gave a mock concert in which the curtain rose on the conductor and one cellist, with the orchestra straggling in during the first number and chatting throughout the performance. In 1924, he included Charles G. Dawes’ "Melody” on one program, and in a curtain speech, urged his listeners to vote for the composer and Coolidge. Stokowski was one of the early American champions of Stravinsky’s music. When the Russian’s music began to sound tame, he took up the cause of Schoenberg and Varese, whose "Amerique” shocked the audience with a fire siren included in the orchestration. But the conductor's masterful orchestra transcriptions of Bach’s organ works more than offset these cacophonous excursions. Ormandy Is Capable Eugene Ormandy. unanimously selected by the Philadelphia Orchestra Board as Stokowski’s successor, has shown himself capable of taking over one of the world’s most important musical jobs. A boy violin prodigy, he went to Minneapolis from Roxy’s orchestra five years ago, and there duplicated Stokowski’s feat of building up a magnificent musical organization. His Indianapolis appearance at the head of

rj— tonight—n R CARL MEEKS El Lm and HIS BAND |y £4l “The Talk of the Town” l(| PB 40c All Evening

RED CABLES 1610 Lafayette Rd. BE-1246 Dutton-DeSautelle ORCHESTRA Entertainment Chicken, Steak and Frog Leg Dinners THE BEST OF MIXED DRINKS WE SERVE UEBER LASER BEER

THE INDIANAPOLIS TIMES

this orchestra, on the Marten’s series, Jan. 23. doubtless is to be his last local performance for many years. And what of Stokowski? He is scheduled to conduct 20 concerts by the Philadelphia Orchestra next season, and during the remaining two years of Ormandy’s present contract, to assist the new director as often as his research work will permit. Yet it seems improbable that he is to be allowed to remain in seclusion, even if he wishes. Some years ago he built a home in Hollywood, and is known to be considerably intrigued by the possibilities of symphonies in sound pictures. And then, Toscanini's New York popularity is admittedly waning, and the New York Phil-harmonic-Symphony still is without a permanent director. Ambassador Shows 'Mutiny on Bounty' The year’s most popular picture, “Mutiny on the Bounty,” starts a run at the Ambassador theater today. to continue through Monday. The elaborate production stars Clark Gable. Charles Laughton, Franchot Tone. Herbert Mundin and Eddie Quillan. “Mutiny on the Bounty” tells in movies the Nordorff-Hall novel about the band of mutineers, who, escaping from their tyrannical captain, set him adrift in a small boat and fled to a tropical isle where they set up homes. It was one of last year’s most widely read books. More than 300 native girls were used in the Tahitian scenes. Accompanying “Mutiny on the Bounty”, the Ambassador is showing “Melodies of 1935,” a musical short subject, newsreels and a cartoon.

1 "Neighbor* who invest in li J ‘Collegiate’ take their money's If W worth in laughter!” —Corbin Pairick Siar. JH ■ ft *" ,h JACK fe % PENNER OJUOE ft * SPARKS UUKSTORD P Hfwauu afwtwwoi ■ Flue POPEYE fRfGgW j "The grandest 1 performs nee MraHHf 4jjjs WL of Hepburn's STNjg. • eareer!” BMS N —Thompson. Time* 25c UNTIL * -40 e AFTER • pius >t ajo s BOWES’ Show!

Miss Hudson Makes a Hit in New Film Drops Her Fragile Manner For Machin Gunning Screen Role. We have always thought Rochelle Hudson a sort of timid, fragile heroine, afraid of mica, blood ana such. But we were wrong. You ought to see her with a machine gun, shooting holes through Bruce Cabot in "Show Them No Mercy,” at the Lyric this week. This is a film based on the kidnaping racket, it’s the type of picture which will probably succeed the westerns as the Saturday night melodramas of the future. With a good cast and good production these rattling yarns can ba made to look good to almost anybody. "Show Them No Mercy” starts out with a bang. You don’t slide along through a hallway or survey clouds in the sky while the sound track murmurs Tschaikowsky. Action in Home “Show Them No Mercy” gets right down to business with the first scene showing the rich man’s home where all is confusion and grief because his son has been kidnaped. A ransom letter comes. G-men substitute secretly marked money for the $200,000 provided by the boy’s family. Then the locale switches to a young married couple and their little baby, marooned in the West by the muddy roads. They leave their car, take refuge in a ramshackle house, which, because it is furnished with supplies, the audience immediately knows is to be the hide-out for the kidnapers. After the crooks arrive, they make the man pass some of their ransom money, find out that it has been marked. Things get hot. The baby gets sick. Gunmen refuse medical aid. The police net closes in, three of the men desert the fourth. Two of the three are killed before they •even get started on a getaway. The third returns, kills the one they left behind and then gets filled with lead by the “ferocious” Miss Hudson. One of the Best This Is one of the best thrillers of its kind. There isn’t a real hero among the lot of gunmen, G-men or sweethearts. There isn’t even a real heroine. Maybe that’s what makes the picture so genuinely entertaining. There are few moments when you. could yawn, several when you could laugh, and plenty when you can thoroughly enjoy it. Miss Hudson is in one of her best roles. Bruce Cabot, not seen for some time, makes-a grand "killer”; Cesar Romeo continues on the upward trail with the part of the only crook for whom we had any sympathy. Edward Norris, new leading man, makes a substantial start. The Lyric stage bill this week hasn’t a weak link in it. It reaches the peak with Carl Freed’s Harmonica Harlequins. These nine young men present mouth organ music symphonically, in popular syncopation, and comically. They play instruments varying in size from three inches to three feet, and play them well. Best of their pieces are “The Music Goes Round and Round” and “Tiger Rag.” Tumblers Are Good Another act which almost stops the show is that of the Monroe Brothers in their tumbling stunts. They aren’t the routine, jump-up-on-my-shoulder stunts, but are performed on a tight net, which causes the bumblers to rebound into the air. Dressed as clowns, these rrfen are

Pgjgll^jl Iharlowl ■ “RIFFRAFF” I H SPENCER TRACY B K Next! THE GREAT K AMERICAN COMEDY fl |Hh WILDERNESS” § p^mr^ |f~■'USTTIMES TODAY 1 Richard Tux —Irene Dunne “STINGAREE” Lee Tracy ia “TWO FISTED”

tamnai 23 EXCLUSIVE BURLESQUE Theatre OPENING AT THE BIG MIDNIGHT SHOW TONIGHT CHEERIO 1936 U DIIC °f Singing ID I C Continuous V I I Fw. W4# and Dancing VI I am la w On Sun. 25c, 50c GET UP A PARTY AND ATTEND OUR BIG MIDNIGHT SHOW TONIGHT

Cramer to Give Chopin Concert

In an afternoon concert devoted to Chopin's music. Borrar Cramer to appear at English's. Jan. in the following program: Fantaisie Op 49 fSix Preludes ..Op. 28 fji Wr\ Sonata, a Minor Op. 58 I Nocturne Op. 27 -• Mazurka Cp. 59 Tararitelle Op. 43 Three Etudes Op. 25 Ballade. F Minor Op. 52

Marx Brothers to Start Work All Trips Canceled After Signing New Contract. Timex Special HOLLYWOOD, Jan. 4—Over alleged protests of airlines, steamship and railway companies and booking agents from Budapest to Shanghai, the Marx Brothers are going back to work. The Merry Madcaps have signed a contract to start immediate really funny, their stunts not so intricate as they are amusing. The Balabanow Five present passable accordion music, swell acrobatic dancing by one member of the troup, and one good duet sung by girls; Fid Gordon demonstrates some new ways of getting music out ofa violin and, with his stooge, fair comedy. Sylvia Manon’s company closes the show with a striking bit of adagio dancing, performed by three men in Colonial costumes, against an ornate background, with two girls singing the "Blue Danube Waltz” for accompaniment. (By J. W. TANARUS.)

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preparations on another comedy to follow "A Night at the Opera.” Harpo, in the East, preparing to sail to Europe, has canceled plans for an appearance in Budapest. Chico’s trip to New York, where he intended to visit his daughter, has been postponed. Groucho’s contemplated flight aboard the China Clipper has been indefinitely called off. The program is to keep them busy well into the summer. The funmakers are to converge on the film capital immediately to start work. Following rehearsals, the comedy is to be previewed before visual audiences in the same manner which proved successful in their latest screen hit. Fan Offers Protection Jean Parker has just received her oldest fan letter. It was a normal letter with one exception, a P. S. at the end of the letter stated that Miss Parker should send the writer the bullet inclosed in the letter if she were ever in danger and needed help.

WEST SIDE _ _ _ _ 2703 W. 10th St. v T A I U Double Feature w * ** * “ James Dunn "BAD BOY" "COWBOY BANDIT" Sun. Double Feature—Ginger Rogers "TOP HAT” "CHARLIE CHAN IN SHANGHAI” n — l . . W. Wash. & Belmont Kpl AAf)N I Double Feature ULUTVWMI Charles Bickford “EAST OF JAVA" “WHISPERING SMITH SPEAKS" Sun. Double Feature—Rochelle Hudson “WAY DOWN EAST” “THE PAYOFF” e* * ■ e\/ 2540 W. Mich. St. I } A I *S Y Double Feature “I LIVE FOR LOVE” “WESTERN COURAGE” Sun. Double Feature —Sylvia Sidney “MARY BURNS—FUGITIVE” “THE LAST DAYS OF POMPEII” NORTH~SIDE _ Illinois at 34th * D ] T 7 Special Attraction *N I I Z Saturday Sr Sunday Clark Gable, Chas. T.aiighton and Franchot Tone "MUTINY ON THE BOUNTY” UPTOWN ££S Wl ■ W T T | T John Boles "RED HEADS ON PARADE” “THE ARIZONIAN” Sunday Edward G. Rnhinson-Mirinm Hopkins "BARBARY COAST” a nni/'t/ 30th and Illinois GARRICK T ' r ~ “TWO FISTED” “FALSE PRETENSES” Sun, Double Feature—Claudette Colbert “SHE MARRIED TIER BOSS” “HERE COMES THE BAND” f-r „ St. Clair & Ft. Wayne J TIA IP Double Feature Wl * Nino Martini “HERE’S TO ROMANCE” Cartoon, Musical Sun. Double Feature—Wallace Beery “O’SHAUGHNESSY’S BOY” “MUSIC IS MAGIC” _ _ . . 30th at Northwestern P r X Double Feature '" '* Clive Brook “DRESSED TO THRILL” “WESTERN RANGE WARFARE” Sun. Double Feature—George Raft “EVERY NIGHT AT EIGHT” “DANTE’S INFERNO” TALBOTT I rtUWV I l Dolores Del Rio “I LIVE FOR LOVE” “THE PUBLIC MENACE” Sun. Double Feature —Kay Francis “THE GOOSE AND THE GANDER” “O’SHAUGHNESSY’S BOY” r | 19ih & College StrarrnrH Double Feature gJlldllUlU Charles Rnggleg “RUGGLES OF RED GAP” “STORM OVER THE ANDES” Sun. Double Feature—Tom Brown “ANNAPOLIS FAREWELL” "PUBLIC MENACE” a Noble a Mass. MK C A Double Feature fTIU '- V-r ' Dolores Del Rio “IN CALIENTE” “THE GLASS KEY” Sun. Double Feature—Kay Franeig “THE GOOSE AND THE GANDER” “PUBLIC MENACE” rs w P Ail 2.161 Station St. I )kr A AA Double Fratnre Paul Muni “DR. SOCRATES” “WESTERN JUSTICE” Sunday—Dick Powell “SHIPMATES FOREVER” Comedy and News Reel " EAST SIDE n | \ < ■ | Dearborn at tOth RI vo Li -ssjnar “GUARD THAT GIRL” “THE EAGLE’S BROOD” Sup. Double Feature—Sylvia Sidney “MARY BURNS—FUGITIVE” "THE PAYOFF’ it

JAN. 4, 1936

Apollo Film Wins Praise of Reviewer Ronald Colman ‘Himself’ in ‘Man Who Broke Bank at Monte Carlo.’ It’s been some time since Ronald Colman has had the chance to bo himself—his suave, devil-may-care self. But "The Man Who Broke the Bank at Monte Carlo,” showing at the Appollo, gives him the reins and, like a good horse, he doesn't run away with himself. His moustache is with him again (he shaved it off for “A Tale of Two Cities”) and he is as handsome as ever. He plays the part of Paul Gallard. a former member of Russian royalty who is a taxi driver in America. Pooling the finances of a group of Russian friends, adding his bit. he goes to Monte Carlo. He walks in with an empty suitcase and comes out with 10 million francs, breaking the bank. The Monte Carlo syndicate hires Joan Bennett, as Helen Berkeley, a night club singer, to tag Colman, bring him back to the gambling city, and help him to lose his fortune. He falls for her. proposes marriage and she accepts, providing he will take her to Monte Carlp. Then her love for him overcomes her desire for money and she flees. He, thinking she has gone to Monte Carlo, goes there himself. He soon is gambling again. Helen, finding out that he is at the tables, comes to warn him, but the syndicate men make her prisoner. Paul’s luck mounts, he needs one good card to break the bank a second time. The card is—well, we ll let you find out. The picture is slowed only by the rather stolid acting of the lovely Miss Bennett. (By J. W. TANARUS.)

EAST SIDE TUXEDO "SAnKS* 1 V^,XUL 7,asu PiM , "THE AFFAIRS OF SUSAN” “ALIAS MARY DOLL” Sun. Double Feature—William Powell "RENDEZVOUS” “THIS IS THE LIFE” TACOMA I r-\\*\SlY\r\ George Raft “EVERY NIGHT* AT EIGHT” “MAD LOVE” Sun. Double Feature—Dick Powell “SHIPMATES FOREVER” “Wanderer of the Wasteland" In \/I k I 6507 st. I |C V | |\| C 1 Double Feature I IX T IM\J Chester Morris “PURSUIT” “THUNDER IN THE NIGHT” Sun. Double Feature—Dorothy Wilson “THE LAST DAYS OF POMPEII” “STORMY” EMERSON mr' "BAD BOY” "FOUR HORSES TO KILL” Sun. Double Feature—Dick Powell “SHIPMATES FOREVER” “BIG BROADCAST OF 1936” M .1, 2116 E. 10th St. liamilfOn Doub, Featuru l IUIIIIIMwMI Charles Laughton “MUTINY ON THE BOUNTY” Sun. Double Feature—Jane IV it hers “THIS IS THE LIFE” “TO BEAT THE BAND” PARKER BAStS' /v IX Ul\ Charles Laughton “Barretts of Wimpole Street” "WITHOUT REGRET” Sun. Double Feature—Wallace Beery “O’SHAUGHNESSY’S BOY” “RETURN OF PETER GRIMM” STRAND "MJESJ 1 " w I l\ni TLS Robert Allen “GUARD THAT GIRL” “GEM OF THE OCEAN” Sun. Double Feature—William Powell “RENDEZVOUS” “MUSIC IS MAGIC” and V V 2721 r w "’ ,h "*•* f\ 1) X Y Double Feature W XX * John Boles “RED HEADS ON PARADE” “BORDER BRIGANDS” Sun. Double Feature—Joan Crawford “I LIVE MY LIFE” “SKY BOUND" Paramount 4 •>Jwe'V.£*• T racy ‘ TWO FISTED’’ “WESTERN FRONTIER" Sun. Double Feature lack Benny “BROADWAY MELODY OF 1936* “B *4 BOY” SOLTH SIDE FOUNTAIN SQUARE Double Feature Tom Broun “ANNAPOLIIS FAREWELL” "WESTERN COURAGE” Sun. Double Feature—Charles L-iughfon “MUTINY ON THE BOUNTY" “SILLY SYMPHONY’ CARTOON” f a k. iisene At Fountain Square SANDERS rff’i KLV “ALIBI IKE” “CLEARING THE RANGE” Sun. Double Feature —Ronald Colmatt “CLIVE OF INDIA” “GAY BRIDE” ..... —Prospect-Ch urchman AV A V IN Double Feature “ ” Ricardo Corte. "SPECIAL AGENT” “RIDER OF THE LAW” Sun. Double Feature—Dick Powell “PAGE MISS GLORY” “BAD BOY” /"NtXirh. IT A I " S Meridi n St ORIENTAL “PUBLIC MENACE” “THE GIRL FRIEND” Sun. Double Feature—Will Rogers “Steamboat ’Round the Bend” “BAD BOY” GARFIELD ZXZJT Held Over Bv Request! WILL ROGERS “Steamboat Round the Bend” “King Solomon of Broadway” Sun. Double Feature—Claudette Colbert "SHE MARRIED HER BOSS” “LITTLE BIG SHOT”