Indianapolis Times, Volume 46, Number 8, Indianapolis, Marion County, 21 May 1934 — Page 16

PAGE 16

GARAGE BLAZE GIVES CLEW IN FIREBUG HUNT Remnants of Bag Found Stuffed in Rafters Examined. Charred remnants of a gunny sack found :■ luffed in the rafters of a garage a r 325 Broadway, said to have been set afire Saturday night, were examined today by arson experts who are seeking a pvromaniac. believed to have touched ofT a dozen city fires, recently. Bernard Lynch, nre prevention chief, said he believed the garage blaze was the work of the same man believed responsible for the disastrous $60,000 fire at Thirteenth and Alvord streets, early Saturday. In the early morning blaze, the vacant Talee Mahogany Company factory and ten homes were destroyed. State ana local fire prevention authorities unhestitatinglv pronounced the fire the work of a pyromaniac. Chief Lynch said today 'hat witnesses will be called to his office during the investigation into the suspicious fires. Chief Ly- stated that reports that the suspected ■firebug is a Negro, may not be true. He believes the pvromaniac to be a white mar. Fire in the coke bin of the Frederick Coal Company 1020 East Fortieth street also was being investigated by arson experts today on the theory that it might be the work ol the ‘firebug " The coal company fire occurred yesterday and caused about $1 000 damage John E. Reyburn, 1521 College avenue, told police today that he discovered a Pile of paper burning under a garage in the rear of his home He put the fire out and called police. A barn on the property of Elizabeth Claypool on the Spring Mill road- north of the city, was destroyed by fire late Saturday night. Damage was estimated at more than $1,500 JUDGE KILLS RFC AID IN SHOOTING ACCIDENT Georgia Official Prostrated by Tragedy; Inquiry Is Set. B'l Cnitnt l’r, THOMASVILLE. Ga May 21.—An accidental discharge of a sawed-off shotgun by City Judge Roscoe Luke almost instantly killed Oscar Groover. 55. RFC official and banker, and one of Judge Luke's best friends, as the two prepared to depart from a case in the judge’s automobile last night. A formal inquest to planned today if Judge Luke was able to appear. He was confined in bed suffering from shock. He was prostrated and made no statement except to say when friends first reached the scene. I have accidentally shot my best friend. ' BOY WINS SCHOLARSHIP Wesleyan l\ Honor Won by Henry S. Fauvrr. One of the six scholarships given b' Wesleyan university. Middletown, Conn., will go to Henry S. Fauvre. son of Mr and Mrs. Francis M Fauvrr. 41 West Thirty-second street. Young Fauvre is a senior at Shortridge high school. The $2,000 scholarship is for four years PASSES ANNAPOLIS TEST Greenfield Man Qualifies In Enter United States Naval Academy. B’J Times Spedal WASHINGTON. May 21.—Robert J. Tapscott. Greenfield, has passed the entrance examination for Annapolis Naval Academy, it was announced today by Congressman William H Larrabce. who obtained his appointment. WAKE UP YOUR LIVER BILE—WITHOUT CALOMEL And Y ou'll Jump Out of Bed in the Morning Rarin' to Go If you feel eowr and sunk end the world took* punk, don't -allow a lot of saits, miner * xter, oil, liiatix e randy or chewing guns •nd expert them to make you suddenly aweet and buoyant and full of sunahine. For they can't do it. They only more tha hottela and a mere movement doean t get at the cause. The reason for vour down-and-out feeling is your liver. It should pour out two pounds of i-.quid bile into your rtowe s dai'y. If this bile is not Homing freely, vour food doesn't digest. It just decays in rhs bowela. Gas bloata up your itomach. You have a thick, bad taste and your breath is foul, ■kin often breaks out in Kemishee Your head ache* and you feel down and out. Your whole system is poisoned. It take* those good, old C ARTER'S LITTLE LIVER TILLS to jet these two pound* of bile flowing freely and make you feel "up and up.” Ttiev eonto.n wonderful, harmless, gentle vegetable extract*, amar.ng wren it comes to making the bile flow freeiy. But don't a am for liver pills. Ask for Carter's Little Ijver Tilla. Look for the name Carter * Little Liver Tills on the red label. Resent a substitute. 25c at drugstores. O 1931C.M.C*

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Sylvia Sidney Goes Over With’ a Bang in ‘Thirty-Day Princess' at Circle — B\ WALTER D. HICKMAN

IF you haven t raved over Sylvia Sidney up to this time, you will when you see her in a dual role in Thirty-Day Princess” Here is a movie that made me wish that it would never end. It is .-mart and at times brilliant. Its r-atire is so timed that its dart land home, but no damage is done. It tells the simple httle storv of :he Princess Cattenna of an imaginary kingdom, coming to America to act as the “front” or feminine appeal in putting over a tremendous loan for her country. The princess (Miss Sidney i no ooncr lands in this country than •he royal jaws acquire the mumps. Those behind the loan decide they must find a double for the princess, and they do In Nancy Lane, an actress. played, of course, by Miss Sidney. The make-believe princess is a darling and. of course, she falls desperately in love with Porter Madison 'Cary Grant), a publisher of a paper that at first fought the loan. The second that Sylvia gets her “lamps” focused upon Porter, he becomes her servant Ol course, you will get the jitters when poor sweet little Nancy Lane is nearly exposed. And your heart will ache when you feel that when she is unmasked and the lonely Princess goes back with the fat check. Porter will turn her down. But Hollywood just couldn't let him do that. Here is one Hollywood ending that is all right. Never has Miss Sidney appeared to better advantage than she does in these two roles. Henry Stephenson does a grand .iob of the King. Grant has been ideally cast, as Mr. Madison and Vince Barnet gets a lot of comedy out of the roie of the silly count who was to marry the real princess. It s a modern fairy tale, expertly act°d. photographed and recorded. It s mighty entertaining theater. If you don't like this one, I don't know what you will enjoy. Now at the Circle. a a a Good Variety at Lyric CONSISTENTLY good enterta.nment, at lesat as far as the vaudeville division is concerned, is the order of the day at the Lyric theater this week. A picturization of Edgar Allan Poe's famous tale. The Black Cat.” is the screen attraction. Headlining the bill is Ralph Olsen's company in “Broadway Versus Hollywood.” wherein is displayed some meritorious dancing and a couple of notable impersonations. Mr. Olsen himself contributes imitations of George Arliss and Lionel Barrymore—singing, of all things—and does them creditably, catching the most distinctive mannerisms of each. Chief honors, however, go to the juvenile of the troupe, one of the most lithe and graceful (not to mention limber) young dancers seen here. He accomplishes some amazing contortions with incredible ease. Moreover, he impersonates El Brendel almost perfectly. Other members of the company do a turn of exhibition dancing which is pleasant to watch. The Liazeed troupe of Arabians provide plenty of action in an assortment of gymnastic feats, building human pyramids reaching up into the flies. One of their number supports the combined weight ot the ten other members of the troupe. While adults are returning to the fashion of singing “The Man on the Flying Trapeze the children should

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■The Theatrical World

enjoy watching the monkey on the flying trapeze, the highlight in the ail-simian act of Joe Peanuts and Company. The monkeys have their own orchestra. playing an alleged accompaniment for gyrations of a “tight rope” walker ad a monkey juggler. The adults, too, will admit it's good fun. Other acts are Handres and Mil11s, who are funny in the traditional slapstick manner. Funny, that is, if you like farce. Whitey Roberts shows himself to be an agile tap dancer, even whue skipping a rope. Strigo and Villa contribute guitar playing and a bit of vocalizing. “The Black Cat.” featuring Boris Karloff and Bela Lugosi is supposed to be an eerie spooky mystery picture, but Poe's story makes pretty thin material for a full-length feature. Now at the Lyric. 'By Observer.) ana Looking at Two Movies Sisters under the skin” and “Finishing School.” which comprise the double feature bill now on view' at the Indiana theater, succeed in constituting fairly pleasmable hot weather theater fare. And this, in spite ot the fact that neither are precisely what would be called novel in either theme or treatment. “In Finishing School.” fanciers of Frances Dee will take heart in her simple and natural characterization of the “poor little rich girl” who finds the hypocrisies and deceits of a socially-eiect snob-breeding school impossible of rationalization. Miss Dee finds refuge from the restriction of the school and the neglect of her preoccupied parents in her love of a poor, but upright, young medical student, played by Bruce Cabot. Defying convention, Miss Dee, as is customary in this sort of story, soon finds herself in what is commonly known as “trouble.” Her difficulty, not long secret, incurs the wrathful displeasure of the headmistress, played by Beulah Bondi, and the hysterical consternation of the girl's mother. Billie Burke. Only the timely intervention of Mr. Cabot and her father, played by John Halliday. saves Miss Dee from attempting suicide. In hands less adept than those of Miss Dee. the character of the girl might be less convincing. As it is she ably handles a hackneyed role As her roommate. Ginger Rogers is quite droll as the young sophisticate, making the most of some very

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. THE INDIANAPOLIS TIMES

amusing lines. Billie Burke turns in her usual fine performance as the woman more of a dither over her social standing than concerned with her daughter's welfare. Comparison of “Finishing School” with "Eight Girls in a Boat” is inescapable. The latter was done with infinitely more finesse and honest understanding of a school girl’s problems. “Sisters Under the Skin” is of the familiar triangle type of story, with an extra angle thrown in for good measure. Frank Morgan, as the millionaire tired of all work and no play, claims first honors in this one. Mr. Morgan forsakes big business and a faithful but social-leading wife for a romp in Europe with a show girl, Elissa Landi. some 20 years younger, who also has notions about fidelity. But these notions are strained when they encounter Mr. Morgan's former music teacher, played by Joseph Schildkraut. The latter follows them back to New York, thereby forcing a crisis in Miss Landis situation. She decides to forgo the love of Schildkraut and remain with Mr. Morgan, w'hom she respects and who had raised Schildkraut to prominence as a composer. But Mr. Morgan, with the wisdom of years, understands and simplifies matters by returning to his wife. Mr. Morgan is splendid as the millionaire, who has at last discovered that there may be as much satisfaction in playing a sontat well as there is in negotiating a million dollar loan. His performance is a sympathetic one. Miss Landi is, in her own words, “always the ingenue, sweet and light.” It might be said for the story that in spite of its triteness it is restrained. There is, fortunately, no gun play and the principals happily behave like normal persons and with an extraordinary semblance of rationality. Now at the Indiana. (By observer.)

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BROAD RIPPLE'S COMMENCEMENT SET FOR JUNE 4 Dr. John G. Benson Will Address Graduates in Butler Gym. Dr. John G. Benson, superintendent of the Methodist hospital, will address members of the graduating class of Broad Ripple high school, Monday night, June 4, in the Butler university gymnasium. Baccalaureate services for graduates will be held Sunday. June 3, in the Carrollton Avenue Reformed church, under the direction of the Rev. E. G. Homrighausen. Diplomas will be presented to the following: Margaret Albert, Mary Alley. Ellen Sue Ammerman, Elsie Applegate, Gerald Applegate. John T. Barnett, Gladys Bianton, John Bowen, John Brittenbach, Ona Nell Butler, Edward Campbell, Alberta Clark, Morris Conly, Marjery Davis, Fairetta DeVault, Ledward Drullinger, Eleanor Earle. Dorothy Elliott. Ruth Ferris. Matilda Fischer. Helen Fisher, Paul Fisher, Ruth Glaubke, Dorothy Golden, Margaret Graham. Calvin Golden, Mary Jane Hennessey Charles Herrin, Mary Jean Hoffmeyer. Henry Hohlt, Naomi Hoyt, Imogene Kopp. John Me Anally. Max McCord. Wreatha McKelvey, Jack Perkins, Alice Remy. Vernon Reynolds. Virgie Reynolds. Thomas Robertson, Theckla Roetter. Dan Rowland. Fred Sampsell, Harry Schoeneman, Mildred Scott, Jean Sheard. Donald Simmons, Josephine Skelly, Paul Spaulding, Dorothy Steinmeier, Janet Sutherland, Phil Waggoner, Melvin Ward, Gilbert Weis and John Yelvington.

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