Indianapolis Times, Volume 43, Number 207, Indianapolis, Marion County, 7 January 1932 — Page 15

TO A? 1032.

THREE KINDS of LOVE • BY KAY CLEAVER STRAHAN

IfEGIN HEBE TODAY ANN. CECILY, nd MARY FRANCES FENWICK live with their (rrandoarenU, The alstera have been orphaned smus childhood. The ttrandparents-knoa-n as "ROSALIE* and GRAND —have lona since lost their wealth and the household Is supported bv Ann s ana Certlv's earnlnes, tmm-ttp For thta reason. Ann. 28 and PHILTP ECROYD voune lawyer still are pottponina their mariaee thoueh thev . ave been eneaeed eteht years. n ._ nv Cccllv 22 is In love with BARRY Me KEEL, an rneineer. but whenneoronoses she refuses to name the wedding date became she cannot leave Ann with the financial responsibility of the home. Marv-Frances 15. and still in school. > strike up an aconalntance with tAtti, * -nr ARMOUNT stock comnanv actor She meets him .-ecretlv on several occasion*. Marv-r-snces has led him to believe he is 18 years old. He tries to ner.We her to become hi* partner In a vaua.villi* act Phil takes Ann to dinner at a mountain resort. NOW GO ON WITH THE. STORY CHAPTER TWENTY-SIX "vrOU'VE been so good, lately, A Ann said. "And I know you nre working too hard. All that evening work—’* "Do you know, Ann. when you look like this you are so beautiful Jhat I scarcely feci as if I had a might to love you. “When I'm away from you I forPget, at times, how very beautiful CA’ou are—or I decide that perhaps I Km exaggerating it. But tvhen I get jftvith you again—it makes me ifjiumble, dear.” R “Phil! Isn’t that sily? EveryHne says I’m good looking, so I supHposc I must be. But it is no credit E.o me. I didn't make my face. You oKion’t love me just because I’m fapretty, do you, dear?” I “You aren't pretty,” he said. ‘You re supremely beautiful. I loathe pretty women.” “Nothing of the sort. Cecily’s pretty, and you don't loathe her.” “Nor do I think she is pretty. She has a charm about her face; out her features arc far too small *nd her coloring is too delicate to suit me. It won't last as yours lasts, Ann. But let’s leave Cissy out for this ■nc evening. Here we are, just the two of us. Let’s leave every one s lse in the world out for this evening. will you?” I “Wc will, ’ she agreed. “Don’t look dght away,” she went on, “but there's a girl over there who keeps staring at ut>. Just now she said something to the boy with her, and he turned to look. I wonder wheth:r you know her. Phil looked instantly. He nodded o the girl. His face flushed, and *hen he turned it again to Ann there was a suggestion of fright and longer in it. / “What’s the trouble?” she asked. | "Nothing whatever. She works (across the hall from my office —a filing clerk, I believe.” The encounter, at least, was not Philip’s fault. Lctty had told him the had to go with her mother that rvening out to see a poor old blind lady who lived in Forest Grove. “But,” said Ann, “you looked as if you were angry, or embarrassed, or something.” “I was, possibly. You told me not in look just then, but I did and got caught in the act. Also, I was Slightly nnnoyed over the fact that •.people were staring at us and discussing us.” “She docs stare,” said Ann. “She hasn't taken her eyes away from me once since they sat down over there.” “And that,” said he, “is the penalty of beauty, you know. But suppose you stop looking at her, and you won’t know that she is looking at you.” tt a u A NN tried looking again at the -Ol mountain; but it had lost its glow and had become a foroidding thing, in cold blues and whites, as lonely as majesty. “She has such a bright, hard way of staring,” Ann said. “It—it sort of gets on my nerves.” “Shall we allow it to spoil our evening, or shall we forget it?” Ann asked: “How well do you know her, Phil?” “My dear girl ” odd how nothing can be as impatient as patience, heavily stressed —“how well is one apt to know an office associate?” “I thought she worked in the. office across th hall.” “She does. We meet occasionally in the hall or in the elevator. Not long ago she lost the heel of her shoe in the downstairs entrance, and 1 took it around to the shoemaker’s for her. “Since then, she stepped into my

HORIZONTAL YF.ST HR DAY'S ANSWER M Blue grass. 1 In hat coun- | g 'o'a c: I mT/aI frl T TF'aTi~l 12 Snake-like fish. !rv " Hans ' H Pelting to chow? , p|c ag ' D 3 deep-sea fish. fi .Mineral I^igL'.fag 19 Ejected, spring. .EiATiENMB£_A,MHBEIO3 21 PoinL 9 Pertaining to ABJ 23 Part of a the sense of k |3B £QHE Q3 circle hearing. .E?p|HAiP:EDBM E. NiUMBIPJ 24 Flightless 10 Monkey. H|AR ; DBBP AL.I ratite bird. 13 To lubricate. QjCjLiANpnSjARDiBBP: I 'C|A| 25 Barley spiklet. 14 Butt of a cigar NjQ,DBMBMTJNEPBRIAjV EjfSM 27 Any fiat fish. 15 Eggs of fishes. a 16 Brute. |CQAp |£|E|BAlß yTI insect. * 18 Many |TiS ? |PjE. Wiß|) ITIELIRISI 30 Cry of a dove. 20 Stain. 31 Sea eagle. 22 Male progent- 41 Two thousand 58 Sorrowful. 33 Heathen. W tor. pounds. 59 Liabilities. 35 Lion 23 Eucharist 42 Hastened VERTICAL 38 Required, vessel 44 Beasts of 40 Magnifies. 26 Barren. burden. 1 Beaver 43 Male bee. 2S Shade of 46 Male geese. 2 Vandal 45 Projections of difference. 49 To make 3 Colored part locks. 32 Brawler. suitable. of the eye. 46 Aperture. 34 Chum 62 Bird of the 4 Backs of 47 Collection of ► "6 Previous. cuckoo family. necks facts. 37 What river 1s 53 Pertaining to 5 Young fish. 48 To wound with called the a dowpr 6 To weep. a dagger “Pearl River” 55 Honey " Pastry 50 Tiny vpgeof China? gatherer. 8 Exclamation fable. 39 Dark red 56 Moccasin. of sorrow 51 To scatter, * vegetable. 57 To represent 10 Balance due. 64 To perform.

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office one day to sew the hem of her dress—or petticoat—that had ripped.” “Why didn’t she sew it in her own office?” "Because there happened to be about a dozen or more people in her office, and I am alone in mine.” "Oh,” said Ann. The girl had stopped staring and was writing something with a red fountain pen she had borrowed from her escort. “Why didn’t you tell me?” said Ann. ‘Tell you what?” “About the heel, and the ripped hem and all?” Phil pressed his lips together, and straightened them to a smile, and shook his head slowly. He meant, by so openly despairing of Anns intelligence, to shame her; but it seemed not to w'ork that way. “Why didn’t you?” said Ann. “Because I hadn’t an idea that such minutiae would interest you. Also, I forgot it. Are you paying me the doubtful compliment of jealousy, or' what is the object of this inquisition?" The girl gave the note to the waiter. Ann said. “You are jealous of me when no other man is concerned at all.” (The waiter supercilious, stealthy—an erratic combination at best—had started toward their table, had grown ohy, had paused to rearrange some flowers in a vase.) “You are jealous of Cecily and Mary-Frances and Grand and Rosalie.” ‘ v Philip was about to say that her accusation was unjust and untrue, but the waiter spoke first “Everything all right, sir?” Philip said, "Yes. Quite all right.” “Pretty view out east there,” the waiter suggested. M M M ANN looked out east there. Philip said, “Yes.’’ The waiter moved away. "May I see that note, Phil?” Ann said. “Shall I pass it across immediately? Or might I look at. it first?” “Read it yourself, first,” said Ann. “Some nonsense," he frowned, as he unfolded the tight two square inches of paper. He continued frowning as he read: “Darling swetheart man: I didn’t story to you, honestly I didn’t. Call me up when you get home and I’ll explain everything. Your, L. If I think you are mad at me I won t sleep a wink. Call up sure.” Semi-sensibleness was all that was ever claimed for Letty; but occasional cleverness has been claimed for Phil, and an assumption that he was smart enough to make his way in the world. He burned the note, right there in the ash tray, while Ann looked on. "I think I’ll go home,” Ann said. “Darling,” Phil pleaded. "Don’t, please! I’ll explain everything later.” A certain similarity to the wording of the note may be seen. But Ann, who had not read the note, liked the unusual ‘‘darling,’’ and she liked, also, the eager promise to explain. She did not like the connotation of "everything,” so she repeated it. ... “Everything?” Philip had gained time and found himself. "There is nothing to explain,” he said. “After all, I am a lawyer, and I do try to observe some ■ of the ethics of my profession.” "You didn't tell me that she was a client of yours.” "She isn't. But there happens to be another woman with a poor old blind mother—” He stopped. "See here, Ann, I have no right to go into this. “If you insist— But why not take my word for it and trust me? Won’t you please do that, dear?” tt tt a WELL, yes,” said Ann. "Still I do think it is very strange that she should have to write notes about it in a place like this.” “She didn’t have to. She is an extraordinarily silly little girl. She could have stopped in the office for a moment in the morning. I suspect that, the sole reason for her sending the note was to make the boy she is with jealous.” "Or me?” said Ann. "Hardly. She's silly, but not

catty, I believe. At any rate, you aren’t jealous, are you, You Beautiful?” "No,” said Ann. “What’s her name?” "King. Miss King.” "What’s her first name?” "Letty, I believe she said. Hetty —Betty—something of the sort. I really don’t remember. You aren’t eating your pastry, dear. Don’t you care for it? Shall I order something else for you?” "No, thank you. I’ve had all I can eat. Get your check, Phil, and let's go.” • "You’ve changed your mind about the dancing?” he asked hopefully as he beckoned for the waiter. “I'd forgotten. But, unless you want to, I think Id rather go home.” As they went down the lanternhung path toward Philip's car Letty King said to Kenneth Smith, "I’m all in, positively. I’ve got to get in early tonight, and catch up on my sleep. I've kind of got a headache.” tt n tt “TT must mean something,” Phil "*• offered, when he and Ann were safely started toward the city, “that, always, in the end we decide that, better than anything else, we like to be alone together. "We do find something, don’t we, that we can’t find in the hurlyburly of lights and music and people?” He meant it, every word of it. He was furious with Letty. He was grateful to Ann. She purred a gentle response and thought of the pretty frock the filing clerk had worn, and hoped with all her heart that Phil would not notice the slight knocking sound in the engine, or wherever it was. “We do. dear,” he continued. “Together we find peace,” (He certainly would not telephone to Letty this evening if ever. He was fed to the eyebrows with her foolishness.) "and security and—Listen! There goes that knock again.” "Oh no!” Ann protested, and tried graspingly to think of how handsome Phil was, and how wise and good and copiously virtuous. She needed these fortifications, and more, to contend with knooks. Phil was odd about knocks. The most infinitesimal knock closed his senses to all other perceptions. A physician, stethoscope in ears, bending above a loved child,' critically stricken, had nothing on Phil when it came to knocks. "There’s no good saying, ‘Oh, no,’” Phil reprimanded. "There it is again. Listen!” (To Be Continued) SAHARA GROTTO HEAD NAMES COMMITTEES Othniel Hitch Appoiterf as Relief Club President. C. Wilbur Foster, Monarch of Sahara Grotto, made public today appointment of the following committees and Sahara Grotto officers: Othniel Hitch, president of Sahara Relief Club; Chester O. Martin, chairman of the house committee, and Charles J. Walsh and Lewis A. Williams: Charles J. Walsh, finance committee chairman; Carl B. Schey, chairman sick committee; Raymond F. Murray, chairman committee on public information: Michael F. Scully, captain of the drill team; Brewer Clay, band director; Lewis A. Williams, drum corps director: Walter Beauchamp, director of cast; Jess McClure, master of revels; Charles Soules, reception committee chairman: Ray Dille. membership committee chairman; Charles Apostol, banquet committee chairman; Captain Louis Johnson and Assistant Chief Herb Fulmer, safety committee, and Kenneth Amiel, golf club.

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— ii, , I ■ m 1 Above b the original arrangement of four chicken coops, forrtied by 12 fences of equal length. After a storm blew three fences down, a workman put them up again, but instead of four coops he made only three. Each one was of the same size as in the original arrangement. Which fences blew down, and how were ♦her- put back up?

Answer for Yesterday

"fin efe at her sma KEF I NEB IRDS* 'FINE FEATHERS MAKE FINE BIRDS." The letters in the upper two Tines were I respaced to form the expression shown m the lower two lines. ?

TARZAN AT THE EARTH'S CORE

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Gridley, taking one of the warrior’s spears tied Lajo s head-cloth to it and signalled the dirigible. **o-220, ahoy! This is the war fleet of Pellucidar s Emperor, commanded by Ja of Aronoc. Lord Grevstoke. ten Waziri and •tasn Gridley aboard. - ’ A moment later a gun boomed from the rear turren of the 0-220, the first international salute that ever echoed under the eternal sun of the inner world. When its* significance was explained to Ja, he returned the salute.

THE INDIANAPOLIS TIMES

OUR BOARDING HOUSE

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FRECKLES AND HIS FRIENDS

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WASHINGTON TUBES II

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Now the dirigible dropped within speaking distance of the flagship. At Tarzan’s suggestion a sling was lowered. The ape-man and Jason, Thoar and Jana and the Waziri were hoisted aboard. Before leaving. Tarzan requested Ja to proceed toward Korsar. The dirigible would keep in touch with the fleet, meanwhile perfecting plans for the rescue of the Emperor from the enemy dungeons. It fvas a happy reunion for the men of the expedition. marred only by the absence of their still missing first lieutenant.

—By Ahem

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Thoar and Jana were filled with boundless amazement at the giant- dirigible. Being the only woman aboard, Jana was accorded all the formalities of civilization. After presenting the Captain to her, Tarzan, turning to the man of Zoram. said: “And this is Thoar, the brother of The Red Flower.” As Gridley heard that, he almost lost his composure. ‘Her BROTHER!” They had all known it. Why had he been so stupid as not to have understood! Suddenlpthe whole inner world looked brighter to him. Jana might not love him, but Thoar was not her mate.

OUT OUR WAY

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—By Edgar Rice Burroughs

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Slowly above the waters of the Korsar A* moved the 0-220. dropping occasionally to within speaking distance of the fleet. When the distant city of Korsar was sighted, a sling was again lowered and Ja hoisted aboard. Rescue plans were discussed. He was returned to his ship and then Lajo, the Korsar, with his two companions were brought up. Tarzan himself, purposely conducted the three prisoners thrfugh the giant craft and as things were explained to him, Lajo was filled with awe and consternation.

PAGE 15

—By Williams ‘

—By Blosser:

—By Crane

—By Small

—By Martin