Indianapolis Times, Volume 42, Number 240, Indianapolis, Marion County, 14 February 1931 — Page 6

PAGE 6

JAMES HALL IS MASTER OF CEREMONIES AT THE INDIANA

Barbara Stanwyck Is a Very Modern Society Girl in ‘lllicit.’ and She Has Her Own Ideas About Life; Colman’s Latest Is at Palace. JAMES HALL, motion picture star, is cow at the Indiana in person as master of ceremonies in the stage presentation entitled “On With the Dance.” He introduces the supporting act, conducts the new stage band and offers a specialty or two of his own. Hall, who is an expert drummer, pianist and all-around musician, )'> an experienced band leader. While still in the military sendee following his return from overseas with the Thirty-sixth division during the T Var, he organized his own band. He kept it together after being discharged from the army. While playing Tor the automobile show at

Oklahoma City in 1919, he was offered a Job with a vaudeville act. He accepted. The Shuberts saw him performing in New York and placed him under contract to dance in their musical productions. For the next six years he was in musical comedy in New York, played in several of the Snubert ‘‘Passing Shows,” another engagement with the Ziegfeld ‘Tollies,” and then became leading man opposite Madge Kennedy in “Poppy,” in which W. C. Fields was the featured comedian. In the early part of 1926 while playing the male lead In ‘‘Merry, Merry,” Hall was seen by Jesse Lasky, who sensed his screen possibilities and invited him to have a screen test. Two days later he was placed under long-term contract and sent to Hollywood. Hall made his screen debut opposite Bebe Daniels in “The Campus Flirt,” since which he has been the busiest leading man in motion pictures. His featured role In “Hell’s Angels” came as the high point of his career. He has played opposite Pola Negri In “Hotel Imperial.” with Betty Bronson in “Ritzy,” with Clara Bow in "The Fleet’s In” and “The Saturday Night Kid,” with Jean Arthur in “Canary Murder Case,” with Colleen Moore in “Smiling Irish Eyes,” with Ruth Taylor in “Just Married,” with Jeanette MacDonald in “Let’s Go Native,” with Bebe Daniels in five pictures, with Vilma Banky in “Thus Is Heaven,” with Joan Bennett in “Maybe It’s Love,” with Helen Kane in “Dangerous Nan McGrew,” and in “Paramount on Parade.” Clara Bow’s picture," No Limit” is on the same bill with Hall’s debut at the Indiana. BUM •‘ILLICIT” OPEN AT TIIE APOLLO "Illicit,” heralded as a daring portrayal of love and marriage opened today at the Apoiio Theater for one week's engagement. Produced by Warner Brothers, •‘lllicit,” features Barbara Stanwyck, who will be remembered for her performances in “Ladies of Leisure.” Miss Stanwyck has the role of Anne Vincent, young ultra-modern society matron, who is the daughter of divorced parents, and who has ideas of her own regarding love and marriage. She contends that sweethearts make better lovers than husbands and for that reason refuses to marry the man with whom she is deeply in love and feels content In living with him in disregards to conventionalities. James Rennie has the role of Dick Ives, the young lover. Miss Stanwyck does not care what the gossips might have to say, but after listening to the pleas of her lover’s millionaire father, played by Claude Gillingwater and her lover himself, she consents to the marriage. After a year of married life, the husband’s ardar has gradually started to cool. He still loved his young bride, but in a more or less matter of fact fashion; a taken for granted attitude wfls now very much in evidence- This is the one sRt uation that Barbara had dreaded. Her plan, heartaches and what she does—proves or disproves her prenuptial theories. Others in the cast are Charles Butterworth, Joan Blondell, Nathalie Moorehead, and Ricardo Cortez. Short subjects Including Vitaphone Varieties and Fox Movietone news round out the program. r n a PALACE OFFERS COLMAN’S LATEST Every producer in Hollywood has tried at some time or another to entice Frederick Lonsdale, the eminent English dramatist, to write screen stories dialogue for motion pictures. Lonsdale, who is a typical Britisher, refused to leave England; said he didn’t like motion pictures, and although he agreed to the adaptation of his stage plays to the screen, refused to write anything directly for the "talkies.” Then Samuel Goldwyn, dean of motion picture producers, went to London on one of his vacation trips. He saw Lonsdale and induced him to come to Hollywood. That he was particularly asked to write for Ronald Colman, a fellow countryman and an old friend, was one of - the inducements offered. Goldwyn returned to New York and Lonsdale agreed to follow. Indeed, he boarded the boat at Liverpool, only to get off at Cherbourg. He had changed his mind. Innumerable trans-Atlantic telephone conversations followed. At last. Lonsdale took ship for New York, and finally landed in Hollywood The result, ten months later, Is the comedy drama. Ronald Colman's latest picture, “The Devil to Pay,” which comes to the Palace theater on Saturday. It is the first screen story that Frederick Lons-

CHSJDZ3I BEGINNING WITH THE BIG MIDNITE SHOW SA S Y the LID LIFTERS Featuring Miss Frankie (Red) Moore, Late Star of The Bohemians; Miss Billie Laverne. Late Star of the StateCongress; Miss Margie Bennet, Late Star of the Empire; Bobbie Farley, the Southern Blue Singer; Maryjo, the Beautiful Personality Girl; Jennie Reese, Pep, Speed and Snap; Elaine Steine—Just a Little Kiss Like That. WONDERFUL CHORUS AND** 0 f2|P| Q GOOD LOOKING WIIUIIUU DANCING UlllLO

dale has ever written directly for picture production. A part of the story was written in Hollywood, a portion in New York, and the balance in London. Evelyn Laye brought the first installment with her from London to Hollywood; Colman brought another later, and the last of the story was brought to Hollywood by Lonsdale himself. When the picture had been in production ten days, Samuel Goldwyn saw the scenes that had been filmed. Myrna Loy was cast as the actress, the third of an interesting triangle, the vpteran English actor Frederick Kerr, was brought from New York to play Colman’s father, and Florence Britton was engaged to play his sister. David Torrence, who played the detective in “Raffles,” was cast for the role of Mr. Hope, screen father of Miss Young. The smart atmosphere of a London social season, and action in such widely varying settings as a palatial home, a princely ball room, an amusement park, end at the Derby race course, furnish an atmospheric and highly interesting background. The sophisticated philosophy of these higher social regions is revealed in witty and screamingly funny lines, while all concerned are captivated by the charming personality, the audacity and gaiety of the society playboy, temporarily a prodigal son, but with no fatted calf sacrificed in his honor. The balance of the program will include Hal Roach’s “Our Gang” kids In their newest all talking comedy, "Little Daddy,” a Metro-Goldwyn-Mayer Colortone Revue starring Benny Rubin, entitled "The Crazy House,” anew Krazy Kat cartoon and the Hearst Metrotone News. 808 GREAT PICTURE REMAINS AT CIRCLE “Cimarron,” the all-talking film production based on the Edna Ferber novel of the same name, starts its second and final week at the Circle theater today. It was decided to postpone the opening of “Scandal Sheet” on account of the phenomenal popularity of "Cimarron.” Richard Dix has the chief role as the nomadic attorney-editor, Yancey Cravat, who moves his family from Wichita, Kansas to Osage, Oklahoma, shortly after the land rush of 1889. He helps to build up the community and then leaves his family to go into other newlyopened territory as a leader in progress. Throughout the film, his wife remains in Osage to carry on the work he has started with his militant newspaper, the Oklahoma Wigwam. Occasionally, he returns for a while, but he seldom remains at home long. The doings of his wife and his own exploits up until the present day make up the story. One of the highlights of the picture is the Oklahoma land rush of 1889, which is depicted in the early scenes of “Cimarron.” It presents the rush of hundreds of settlers on horseback, afoot, and in all types of vehicles to take possession of the twenty million acres of territory thrown open by decree of President Harrison. The charge began at a signal fired by government troops at a given hour. Thirty cameras were used in the filming of this episode. Besides Richard Dix. the large cast includes Irene Dunne, as his wife; Estelle Taylor, Nance O’Neil, William Collier Jr., Roscoe Ates, George E. Stone, Stanley Fields, Robert McWade, Edna May Oliver, Otto Hoffman, William Janney and Eugene Jackson. A Dale Young organ solo and short films are on the same program at the Circle. a b n “SIN TAKES A HOLIDAY,” AT THE OHIO THEATER The Ohio theater’s new screen program for the week which started Saturday is headed by Constance Bennett in "Sin Takes a Holiday,” a Pathe all-talking picture written by Robert Milton and Dorothy Cairns. Horace Jackson, who handled the screen dialogue for "Paris Bound,” Holiday,” and other films, wrote the dialogue for the current production. Paul Stein directed. Constance Bennett appears as a plain, unattractive girl secretary of a rich, philandering lawyer, who persuades her to marry him so that he might escape the attentions of a designing woman- There is no love wasted between them, and the husband agrees to pay her a large sum of money each year and maintain her in fine style in Paris. He, however, reserves the right to remain in New York, free to carry on his love affairs safely. She goes abroad alone and creates a sensation when she blossoms out as a woman of wealth, fashion, and beauty.

AMUSEMENTS

1— Barbara Stanwyck in a scene from “Illicit,” now at the Apollo. 2 Ronald Colman has the lead in “The Devil to Pay,” opening at the Palace today. 3 Clara Bow and Norman Foster in “No Limit,” now the screen feature at the Indiana.

Valentine Dance Is Announced Gary Gross Will Remain at the Indiana Ballroom. ARY GROSS will forsake the role as orchestra director which he has successfully filled on the Indiana Roof Ballroom for the past two wifeks, to become Postmaster during the early part of the evening at the ballroom’s Valentine dancing party, tonight. He will present every patron of the ballroom with a Valentine before again assuming his position in front of the orchestra. Outstanding on the ballroom's schedule for the coming week is a Pre-Lenten dance to be given Tuesday evening by the Mothers Club of Cathedral high school. Jac Broderick, local dance masters, will present would-be dancers with the usual Tuesday night’s instructions from 7:30 to 8:30 prior to the Pre-Lenten frolic. The Sunnyside Guild’s annual charity ball will be given on the Roof, Monday, Feb. 23. The proceeds from this year’s dance will bring relief to a number of persons suffering from tuberculosis in their own homes.

New Events in Music

Sigma Alpha lota fraternity of Arthur Jordan Conservator y of Music will have a musicale at the home of Mrs. Inez Shirley, Feb. 18. Subject of the program will be “Robert Schumann,” and Mrs. T. P. Woodson will talk on the life of the composei. Dorothy Bartholomew, Ruth Gant, Mrs. G. H. Rubush, Thelma Bosworth, Helen Thoms and Mildred Sweeney will give the program, Louise Edwards, pupil of Norma J. Antibus, and Luella Hopkins, pupil of Edwin Jones, are contributing to the program of the Heath Memorial church benefit on Wednesday night. Frances Beik of the dramatic art department of the Jordan Conservatory will present her studnets, Ruth Wagner and James Kittle, in a playlet before Lebanon Woman’s Department Club at the Country Club Wednesday, Feb. 18. Martha Pittenger, Helen Lloyd and Marie Lenahan, pupils of Frances Beik of the conservatory, will play “The Conflict,” by Erdman, for the Ladies* Aid Society of Grace Methodist Episcopal church Wednesday afternoon, Feb. 25, in the church parlors. Mrs. J. D. Carrel of Lebanon will entertain at the Ulen Country Club Thursday, when Frances Beik of the Jordan Conservatory will present Marian Fehrenbach, James Kittle, Anna Marie Zimmerman, Grace Mullon, Gordon Bringle, Melvin Berryman and Norman Young in “Put It Away ’til Spring.” Georgia Baumann will accompany on the piano. Members of the Phi Sigma Mu fraternity in the conservatory will serve as ushers for the Kochanski concert of the Civic Music association, February 16. Fourth recital of Russian under direction of Bomar Cramer, will be given on Friday evening, Feb. 20. at the Odeon. The subject will be Rachmaninoff and his music will be presented by Earle Howe Jones. Marie Zorn, and Mr. Cramer, Sara Elizabeth Miller and Frances Benner and a trio, Maude Custer, violin; Consuelo Couchman, cello; Bomar Cramer, piano. Rosemary Keogh, pupil of Norma Antibus of the dramatic art department of the conservatory read at the home of Mrs. Carsten, 70 North Addison street, Friday, for women of the Washington M. E. church. A studio recital will be given in the main building of the conservatory, 1204 North Delaware street, Saturday. Feb. 21, at 2:30. Louise Manville, Delmer Hylton, Robert Middleton, Margaret Harbaugh, Robert Crapo/Edna Louise McDermet, Wayne Carmichael, Mary Marjories Kensler, Dorothy Louise Talbott, Martha Ann Hill, Phyllis Daseke, Wilbur Miller, Janet Marie Murphy, Robert Herwitz, Ruthellen Goodman, June Carlisle, Robert Seeger, Mary Margaret Dyar and Mary Mildred Wilder are pupils of William Schwenger. Fanetta Hitz Brady, Marie Zorn, Lillian Carr Green, Florence Keepers ner, Jeanette Gardiner, Iva Eidson Lewis, Paul Lindstaedt, Lucile WagDuckwall and Gertrude Whelan will take part* -

THE INDIANAPOLIS TIMES

I—Judith Lowry, long a favorite of the Stuart Walker Company, will have one of the leading roles in “It’s a Wise Child.” which Walker brings to English’s, Feb. 20 and 21.

Civic Will Present a Shocker ‘Rope’s End’ Will Open Soon for Six Nights Only. WORD has been received from the Civic Theater that the opening of “Rope’s End” has been postponed from Saturday night, Feb. 21, to Monday, Feb. 23. This is out of courtesy to Stuart Walker, who will be playing “It’s a Wise Child” at English’s on the scheduled opening date. This will mean that only six Instead of the usual seven performances will be presented, as “Rope's End” will close on Saturday night, Feb. 28. "Rope’s End” is a play about a murder which was committed solely for the thrill of the deed and which was considered by its perpetrators as undetectable. The audience is at all times fully aware of the identity of the criminals, but the actors on the stage go through the first two acts and all but one. departs without knowing that the crime has been committed and the victim concealed in a chest which is in plain sight fipon the stage. The play is in three acts and takes place in the London apartment of two Oxford undergraduates who have become morbidly minded from the study of too much halfbaked psychology. Their counter-parts in real life have occasionally come to note in the public press under similar circumstances in this country.

New Dances

A VARIED assortment of stunts, special nights and contests are promised dancers at the Lyric ballroom beginning this week by Erroll Mushrush, manager. “A Surprise Night” is announced for Monday evening. Mushrush has many unusual stunts on this event and prizes for the winners. Tuesday night will feature a “Kino Dance,” which is being revived from last year’s events as being one of the most popular with local dance fans. I The big feature for Wedensday night is a "Souvenir Dance.” A worth-while souvenir is to be given each of the dancers in the ballroom during the evening’s events. The latest photographs of popular screen stars will be given away on Thursday night when a “Movie Ball” is to be the stunt. “Lucky Night” on Friday evening is the announcement. A guessing contest is to be put on and prizes awarded to the winners of the various guessing stunts. Curtis Thompson and his dance orchestra are featuring several new arrangements of popular tunes this week. Several soloists are to be featured on various evenings.

AMUSEMENTS

ENGLISH LAST TIMES 2:20 AND 8:20 ;rju^onder~Sh<>wofth*^ 20-New Mysteries-20

4 Jack Holt has the lead in “The Last Parade,” now at the Lyric. r> —Richard Dix is making himself famous for his work in “Cimmaron,” 5 Richard Dix is making himself famous for his work in “Cimarron,” now in its second week at the Circle. 6 Constance Bennett is seen in “Sin Takes a Holiday,” now at the Ohio,

2 Baby Rose Marie opens today as the feature of the Lyric vaudeville bill. 3 James Hall is now guest master of ceremonies at the Indiana,

ROUNDING ROUND T H EAT ER S ™* h h™ ! 5

LET us face the problem honestly of having the greatest symphony orchestras with world famous conductors come to Indianapolis. The fact is that it cost over a thousand dollars in cold cash, meaning a loss of real money, to bring the Detroit symphony here by Mrs. Nancy Martens. We did not turn out in sufficient numbers to pay for that great concert by thousands of dollars. And Mrs. Martens is facing just as serious a loss with the Minneapolis symphony next Tuesday night at English’s. This orchestra and its conductor, Henri Verbrugghen, are recognized a* one of the leading symphonies in this country.

Last Thursday in Washington, D. C., this orchestra with its great conductor, gave the same program he will give here before an audience that included the wife of the President of the United States, the sister of the Vice-President, members of the diplomatic corps, social leaders as well as thousands of lovers of music. Mrs. Martens can not afford to bring these great orchestras at a big loss, to Indianapolis. It isn’t fair to ask her. The point is this—is we desire to have the great symphonies come in person to Indianapolis enough people will have to buy tickets or enough public spirited people will have to guarantee Mrs. Martens against loss. But there is plenty of time up to Tuesday night to fill every seat at English’s. The way to do that is to buy tickets. I believe that the future of great orchestral concerts in Indianapolis depends upon the story the box office tells next Tuesday night at English’s. Now is the time to act. If we fail, then we haven't any one to blame But ourselves. Remember, we did not act early enough to get the New York Theatre Guild plays here or the New York Dramatic League productions. This is no time to confuse Issues. We want great orchestral music or we don’t. That’s the question and the box office is the only answer. B B B I have before me a letter from a well-known stock producer who wants to come to English’s for the spring and summer. But before he takes the plunge, he wants to know if worth while stock productions will be supported in Indianapolis. Let me know if you want stock. When Charles Berkell was planning a return to this city, your response was great. Now we have another producer who promises a great company and many plays new to Indianapolis. What’s your answer?

Booked Here

Announcement comes from the management of the Lyric today that after months of negotiations they have succeeded in booking for a personal appearance for one week “The Two Black Crows,” who are better known to radio, record, musical comedy and talking picture fans as Moran and Mack. “The Two Black Crows” will be the headline attraction at the Lyric beginning Saturday, Feb. 21.

DANCE with HAROLD CORK’S CORKERS at the DANCE CASINO SOUTHEASTERN and EMERSON AVENUES Cash Prize to Holder of Lucky Ticket

Air Interview

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Henri Verbrugghen

Thousands of people will be interested in the fact that Henri Verbrugghen, famous conductor of the Cincinnati symphony, has accepted the invitation of the Indianapolis Times to be interviewed by Walter D. Hickman next Tuesday at 1 p. m. during his regular weekly talk over WGBF. Mrs. Nancy Martens, who is presenting the great conductor and his orchestra at English’s next Tuesday night, was more than willing for this famous man to be interviewed.

Jackie Has Long Contract

The popular trend for “kid” pictures has prompted Paramount to sign Jackie Coogan to a long-term contract. His first assignment will be, the title role in "Huckleberry Finn.”

Antlers f.' J.N ~ Ttl4 C,lNltifC' " ;HQ6m

DINE AND DANCE —WITH— Chic Myers and His Recording Orchestra “VALENTINE PARTY”— Norman Nasset, Archelline Chambers, Judy Sullivan, Leslie Cahill— Convert Charge— Wednesday, 50c; Saturday, (1; Sunday, 150

AMUSEMENTS

COLONIAL ILLINOIS AND NEW YORK STS, A DAZZLINtT, SPARKLING MUSICIAL REVUE Original Comedy—Catchy Songs BEAITY CHORL'jS O* BjI'NWAY ON THE SCREEN ALL-TALKING FEATURE MIDNIGHT FBOLIC TONIGHT

Minneapolis Symphony Orchestra Will Include ‘Bolero’ in Its Program at English’s on Tuesday Night: Baby Rose Marie Returns Here. TWENTY-ONE different nation.-! arc represented in the personnel of eighty-five musicians who comprise the Minneapolis Symphony orchestra which will play at EnglUru’s Tuesday night under the direction of Nancy Martens. Despite their foreign extraction, virtually all are American citizens, the conductor, Henri Verbrugghen, having completed his own naturalization last October. "There is no more democratic institution than a symphony orchestra,” Mr. Verbrugghen says. With certain nations having world reputations for artists playing certain instruments, a symphony orchestra almost of necessity mus‘

include numerous citizens of foreign lands. Germans are known all over the world as the best brass i instrument players. Frenchmen i can not be excelled, musicians declare, in playing woodwind instruments. Czechoslovakia furnishes the best bass players in the world. Nationals from these three countries, as well as from America, are found in numbers in the Minneapolis symphony, as well as nationals of Albania, Austria, Belgium, Canada, England, Holland, Iceland, Italy, Mexico. Poland, Rumania, Russia, Scotland, Sweden and Wales. When the Minneapolis symphony assembled for its first rehearsal of its twenty-seventh season last October, one of the new members was found wandering around, apparently unable to find his place. One of the older members smiled with relief and replied rapidly. He had just arrived from Munich, Bavaria, where he had played in the Munich symphony. He did not understand much English and could not ascertain where he was to sit. The veteran member, himself a German, quickly gave him his instructions. Once seated, however, the universal language of music made it easy for him to get along. As one writer has said, “A bar of Beethoven makes the whole world kin.” The Minneapolis Symphony orchestra is rated generally as one of the five greatest organizations of its kind in the world. a b BABY ROSE MARIE ON LYRIC BILL Entertainment from over the footlights and living screen which opens at the Lyric 4oday for the coming week holds a host of widely diversified features. Baby Rose Marie, NBC radio starlet, heads the six-act RKO vaudeville with “The Last Parade,” heralded as a drama cf gangland as the screen event. Baby Rose Marie has been brought back to the Lyric because many have requested it. She is probably the youngest entertainer ever to receive the acclaim that has been accordd her wherever she appears, both on the air and on the stage. Five other RKO acts include mostly comedy offerings. “Manoeuvers” presented by the two troupers, Clyde Hooper and Harvey Gatchett, is said to be one of the funniest comedy sketches in vaudeville. A comedy surprise is to be offered by Alice and Sonny La Mont with Mother and Dad. Harry Ward and Joe Vafo are two

I MARTENS CONCERTS, INC. ENGLISH —Toes. Eve., 8:30 o’clock Minneapolis Symphony IIENRI VERBRUGGHEN, CONDUCTOR HEAR THIS NOTEWORTHY PROGRAM BACH—Prelude and Fugue BEETHOVEN—Symphony No. 7 STRAUSS—“Transfiguration and Death" RAVEL—“Bolero” PRICES—SI.OO. 51.50, 52.00, 52.50, 53.00 SEAT SALE—MARTENS OFFICE—LI. 8921—Baldwin Piano Cos.

ENGLISH Feb. 2o-21 ■* ■ 19 i n MAT. SAT., FEB. 21 THE STUART WALKER COMPANY AMERICA’S FOREMOST REPERTORY ORGANIZATION DAVID BEtASCO’S COMEDY HIT “IT’S A WISE CHILD” BY LAURENCE JOHNSON Direct from its sensational engagement at the I Taft Auditorium in Cincinnati with production and I cast intact. | Helen Claire, Victor Jory, .Aldrich Bowker, Judith Lowry, Fred Stewart, Eleanor Shaler, William Lawson, Robert Bruce, Annabel Nation, Raymond Jonee. Staged Under Personal Direction of Stuart Walker vau I Evenings, 51.50, 51.00, 75c and 50c mih | Saturday Matinee, 51.00, 75c and 50c The Sparkling Comedy That Ran a Solid Year on Broadway.

LV-i -iU febmmmi Darling of the Air Br ROSE MARIE In his PERSON mmtm ancor in All New Song Program life for nw „ _ of lore. Hooper & Gatchett In a comedy riot “Maneouvres” Mm and Sonny La Mont with Mother and Dad „ SAUL FREED FOUR 25® wit h Kay and Grant tui WARD and VAW “Vagabond* with Comedy” p. m. MILLS and BOBBIE ‘English Comedy Stars” KRAMq , One of the JACKw HOLT 1,000 most thrill- . _ 'fONri MOOM Seats ing talkies CONSTMC€i.CUMM?NtK XI K ht * Lookee ! Lookee ! Next Saturday IN I THE TWO BLACK CROWS I IN PERSON 1 MORAN and MACK | PERSON

musicians. One Is a harpist and the other a violinist. Mills and Bobbie are billed “The Rare Pair,” and are English comedy artists who have recenth been Imported to this country from the musical halls over there. The Saul Freed Foursome have been booked to give this show a lively beginning. Kay and Grant are featured entertainers in this quar- ; tet. Jack Holt, screen star, appears in anew and quite agreeable role as the central character in Columbia’s gangster picture, "The Last Parade.” He portrays the kingpin racketeer in a large city. Tom Moore, another favorite of long standing, is cast as the lifelong friend, and the girl, loved by both men, Is played by Constance Cummings. Dramatic conflict is Increased further because one of the men becomes involved in rackets, while the other is a policeman. How this affects their attitude toward each other forms another angle of the story, which Is said to contain episodes as sensationia! as front page headlines. a a b MRS. COFFIN TO GIVE A LECTURE Sunday afternoon at 3 o'clock a: the John Herron Art Institute Mrs Lenora Coffin, of the faculty of Musical Appreciation in the Indianapolis Schools, will give an illustrated talk on the musical program to be given by the Minneapolis Symphony Orchestra Tuesday evening at English’s the third of the evening series of concerts sponsored by the Martens Concerts Inc. The program tomorrow afternoon is open to the public without charge, and will give patrons of music a splendid advance knowledge of the program to be interpreted by the Minneapolis orchestra. Henri Verbrugghen famous conductor directing. The following is the complete program for Tuesday evening’s concert, "Prelude and Fugue, in C sharp minor" (Orchestrated bv Henri Verbruggnen) “Symnhonv No. 7. in A major. Op. 92” Beethoven Poco sostenuto. Vivace Allegretto. Scherzo: Presto. Allegro con brio. Tone Poem—“ Death and Transfiguration" Strauss “Bolero" Rave! Mart Brothers Busy Again The new agreement between Paramount and the Marx Brothers provides for them to make three more pictures, one of them to iy produced in Hollywood.

AMUSEMENTS

:FEB. 14, 1931