Indianapolis Times, Volume 42, Number 161, Indianapolis, Marion County, 14 November 1930 — Page 12

PAGE 12

BULKLEY. NEW OHIO SENATOR, NOT JGH HAT' He’s ‘Silk Stocking’ by Birth But You Can’t Tell It: Drives Own Car. l t>cripp*-H award Xewspaper Alliance WASHINGTON, Nov. 14.—Another millionaire who drives his own car will join Couzens of Michigan and Reed of Pennsylvania when Bob Bulkley, newly elected senator from Ohio, takes his oath next month. Like Couzens and Reed, Bulkley owns several cars, and he has a chauffeur, too, but he prefers his open roadster and he likes to drive it at fifty miles or better when traffic conditions justify this speed. In the recent campaign in Ohio, Bulkley drove his car throughout the state, making six or seven speeches a day. Unlike most Ohio senators in recent years. Bulkley is not of the plain people, but there the resemblance stops. He is a “silk stocking - by birth. Harvard by education, and social-elect by environment and travel. But in his habits and in his slant, on life he is one of the masses. His clothes are unjressed and his manner is modest and unassuming. Has Big Law Practice One talking to Bulkley never would get the impression that on Euclid avenue in Cleveland there stands a substantial office building known as the “Bulkley Building,” or that he lives in one of Cleveland's most exclusive residential sections, or that his law practice is one of the finest in Cleveland. “He is the best equipped man Ohio has sent to the Senate in many years,” Newton D. Baker says. The Ohio farmer and the Ohio laborer did not know Bulkley six months ago. Most of them never had heard of him. For that matter, most of the politicians had forgotten him. Bulkley served in congress from a Cleveland district between 1910 and 1914. He helped to write the federal reserve law. After that he retired to hiS law office. Last summer a group of Clevelanders, Democrats and Republicans, were grieving, during their luncheon, because the prospective crop of senatorial candidates was so poor. None of the Democrats offered a chance of beating Senator McCulloch. “What about Bob Bulkley?” a Democrat suggested. Thereupon Bulkley’s boom was launched. Refused to Show Interest Bulkley himself at first refused to show any interest. He was out of politics and his law business was exacting In the meantime, Bulkley wentto Europe. He got back last June to find the Bulkley boom stronger than ever. He protested again and logically pointed out the objections to his candidacy, chief among them being the fact that he then was comparatively unknown to the mass of Ohioans. He overlooked the fact, however, that most Ohioans were tired of Anti-Saloon League domination of Ohio politics and disgusted at the failure of the prohibition law to prohibit. Bulkley then reluctantly let a newspaper friend persuade him to become a candidate. His election from that moment became a triumphant procession. He campaigned against four seasoned politicians, who promised stricter enforcement of prohibition, for repeal of the prohibition law. He championed the theory of state control and he won the nomination by a substantial majority. When the election campaign began, democratic politicians sought to persuade him to pussyfoot on prohibition. Instead he urged the repeal of prohibition imevery speech. Copper Output Drop Urged NEW YORK. Nov. 14.—Stabilization of the copper-producing industry the world over was sought today through recommendations of the Copper Institute, which would cut production 20.000 tons a month.

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AT LAST A CONCERT DONE JUST RIGHT

Meaning That Mrs. Martens Did a Great Thing in Bringing the Detroit Symphony to Open Her Series. BY WALTER D. HICKMAN THERE is anew musical sunrise in this here town because a wonderful woman has come into her own. Years and years she has struggled for the idea that some day the scats of a theater would be used to welcome the finest artists in music. Under her banner, I mean. Years and years of keeping that ideal made it possible last night at English's for Mrs. Nancy Martens, under ‘Martens Concerts, Inc., to give us the great moment in an orchestral delight. I am still speaking of that “musical sunrise” because I know what this woman has gone through to make possible this glorious night of music. |

Indianapolis was there last night on every floor—meaning the three floors, and they are equally important. There must be three floors filled to absolute capacity if great orchestral concerts are to last in this city. I liked the entire lay of the land last night. First, it brought back English’s as the home of great music. There was a comfortable feeling that there was* a management intent upon giving the nicety of a setting. I can see in my own mmd a great gentleman, seeing that there was a black background done with “sides” that did not offend. Also chairs for the orchestra that did not try to compete with Handel, Schubert and Wagner. More Works of Praise This gentleman has much to do with English's this season. The conductor's stand was brought to that point of complete control. The. regular orchestra pit resembled a scene that makes one want to welcome good music. So much for the management of English’s in giving us for the first time in my experience the home for great orchestra music. Also, there was some real brains operating behind the switchboard. I mean the idea. Why have such brilNant lights in the auditorium? Why be so worried about an individual in the audience? The lights were not brilliant during a number. Rather like the idea around a family fireplace. The audience remained the audience. The orchestra always the orchestra. I want to give credit that the general idea of auditorium lights were properly handled. Now for the orchestra. Now you know by this time that I am telling you about the Detroit Symphony orchestra last night at English’s. When I landed at my seat, I was thankful that the conductor’s stand looked like business and not one of those things which would fall down on a minute’s notice. Ossip Gabrilowitsch was on that stand. He controlled every moment. He had his cello and his

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! bass as well as his harps placed in anew position. There was a bass background present of such magnitude by this arrangement which w'as more satisfactory than I have ever heard. And those marvelous violins! We discovered that when Gabrilowitsch began to develope th3 beauty of Handel’s j “Concerto Grosso in D Minor, Here was only a string orchestra present. No brass. Just strings. And what a satisfying result. That paved the way for the big moment— Schubert’s “Seventh Symphony” in C Major. With definite skill, Gabrilowitsch blended many unsound beauties of tones. There was volume, a faint suggestion of a wandering mind of the composer, then the definite leadership of the conductor bringing back the unforgettable finale. I wish that I could give an accurate picture of this man on the conductor’s stand. Positive intelligence and marvelous response on part of those in the orchestra. Then the parade of those who bought tickets. And then a soothing

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THE INDIANAPOLIS TIMES

something by Vaughn Williams. Then the definite touch of contact with the audience—“ Ride of the Valkyries” from “Die Walkure.” Here was a dashing and a consistent tonal picture of dashing emotion. Sharp, definite, soft, loud—and triumph. Then more Wagner. Prelude and death from "Tristan and Isolde.” This needs no singing for me. It just sings itself when properly done by an orchestra. And Gabrilowitsch saw to that. Perfect! Perfect! Perfect! Then the most human of all things. First—the human appreciation of the audience. Then the conductor taking out another score. Great. And so human and so wise. We wanted to hear more. We had more. What, no encore with a symphony? We had it last night. Marvelous! And I hope while Mrs. Martens sat back, thought, dreamed and maybe cried a little bit, thought this

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—“Did I help a little bit to give this wonderful night to Indianapolis.” I wanted to cry a little bit because I know what this woman has gone through. She has landed after all these years in her own name. A great audience. A great orchestra. A great management that co-operates with a woman who wants to give the best. Watch Mrs. Martens do the great things she has announced. Vilma Banky and Rod La Rocque open tonight for a two-day engagement in "Cherries Are Ripe.” They are in person. At English’s. The Matinee Musicale tonight at Caleb Mills hall presents Frieda Klink in recital. Membership will get you in but tickets may be purchased. Should be a real treat. Open to all. Other theaters today offer: Owen McGiveney, at the Lyric; “Maybe It’s Love,” at the Apollo; “Love in the Rough,” at the Palace; 'Her Wedding Night,” at the Indiana; “A

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BIBLE IS 194 YEARS OLD Nebraska Woman Holds Tome, in Possession of Family Since 1737. By United Press WAUNETA, Neb., Nov. 14.—Mrs. George Theobald of Wauneta is the possessor of a Bible translated by Martin Luther and compiled in 1737.

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The tome has been in the possession of Mrs. Theobald's family for 194 years. It is made of parchment and is bound with wood and leather. It is * ip an excellent state of preservation. Brass bands protect the covers which bear the marks of heavy rings that once hooked the Bible U> the pulpit of some old church.