Indianapolis Times, Volume 42, Number 144, Indianapolis, Marion County, 25 October 1930 — Page 6

PAGE 6

GLORIA SWANSON OPENS IN ‘WHAT A WIDOW’ AT PALACE

‘Monte Carlo’ on Talking Screen and Charlie Davis, With His Band, in ‘Fun-O-Mania’ Are Features Now at the Indiana Theater. SEEKING to launch a worthy successor to “The Trespasser," which was lauded Internationally as one of last year's outstanding screen productions, Gloria Swanson recently completed the most pretentious picture of her career, “What a widow!" a modern comedy. It has been booked for showing at the Palace theater, starting Saturday. Directed by Allan Dwan, ‘What a Widow!” is the stars first comedy offering in several seasons. Yet it has not designed to afford light entertainment without any attempt to please the eye. It has the added interest of a musical background, with the star singing three new songs. Owen Moore is Miss Swansons

leading man in the picture. Lew Cody makes his return to the screen and at the same time his talking picture debut in a strong supporting role. Margaret Livingston has an interesting characterization and others in the cast are Gregory Gaye, Herbert Braggiotti, Adrienne D’Ambricourt, Daphne Pollard, William Holden and Nella Walker. As the title suggests, it concerns the activities of a young and attractive widow who, finding herself with an adequate fortune and a yearning for adventure and romance to make up for years of boredom, sets out for Paris to live and learn. An attorney, a dancer, a Russian violinist and Spanish barytone become enmeshed in her web with sometimes near tragic, but always amusing, results. The sets designed by Paul Nelson of Paris, who was signed as art director at tremendous expense, give expression to a phrase of moaern art. that is new not only to the screen, but also actual architectural practice in America. Miss Swanson’s songs, intriguingly titled “Love Is Like a Song,” "Say Oui, Cherie,” and “You're the One,” are the work of Vincent Youman, composer and producer of "Hit the Deck” in its stage form. They are the first songs he has written directly for the screen. Special orchestrations were written by Dr. Hugo Felix, with Josiah Zuro as musical director recording. The bill will include the new Hal Roach Boy Friends comedy, “Bigger and Better”; the Heart Metrotone news and a Flip the Frog cartoon novelty.

"MONTE CARLO" OPENS AT THE INDIANA Ernst Lubitsch’s new Paramount production, "Monte Carlo,’’ the modern farce with music, opened Friday at the Indiana theater as the featured film attraction. On the stage, Charlie Davis and his band appear in the Publix presentation, Fun-O-Mania.” “Monte Carlo” is the story of the fads and foibles of the wealthy members of royalty who spend much of their time at the gaming tables of Monaco's famous casino. Jeanette MacDonald, who had the romantic feminine lead in "The Love Parade,” Lubitsch’s previous talkie production, is here seen and heard as the sweet-voiced countess who loses heavily at roulette. She decides that her only hope is a marriage with the affluent Claud Allister, a vacuum-brained prince, who is a suitor. Allister is all for the match too, until Jack Buchanan—English musical comedy star—in the role of an amorous count enters the scene. Buchanan loves the countess the moment he sets eyes on her, but somehow he can not effect a meeting with her. Eventually, he bribes her personal hairdresser to leave his job. Jack takes the place of the minion and handles the shears and curling iron so well that Jeanette finds him indispensable. The supporting cast of players, besides the stars Miss MacDonald, Buchanan and Allister. includes Tyler Brooks, Zasu Pitts, Lionel Belmore. John Roche, Albert Conti and Donald Novis. Among the leading songs in the film are "Always in All Ways.’’ "Beyond the Blue Horizon,” "Give Me A Moment, Please" and others. As his weekly band specialty, Charlie Davis presents “Kitty From Kansas City.” The Publix unit show, “Fun-O-Mania,” offers Dick Henderson, known as “England’s Mr. Punch,’’ in person. Henderson, who has appeared on the talking screen as the funny, singing duke in “Golden Dawn” and also • “Man From Blankley's.” is a come an. He has an assisting cas f if Pu >lix performers that consis.. of A1 Norman and Eddie Rio, the Gomez trio, and the Gamby chorus of girls. n an NEW COMEDY NOW AT ArOLLO You may tempo your upper classes with your villainous demitasses, but heaven will protect tie working girl,” sang a heroine from .years back—but Flo and Dot, a unbell heroines played by Winnie Lightner and Irene Delroy in Warner Brothers' natural color comedy,, '’The Life of the Party,” now playing at the Apollo theater are not blessed with such sublime faith. When they decide to do some firstclass gold-digging and need a wardrobe to do it, they work on the, good graces of M. Le Maire. owner of a Fifth avenue gown shop. The poor man not suspecting the wily | two, gives them free reign in his

MUTUAL ALL-STAR BURLESQUE THEATRE 24 60RSE0US GIRLS HD lAUGH PROVOKING COMEDIANS FOLUES of PLEASURE EXTRA ’liiS’ FLO WHITHEY SPECIAL-MIDNIGHT SHOW TONIGHT J^sL

shop, for clothes to wear at a party he is giving. Flo and Dot have ideas of their own, however, and after gathering up full wardrobes they set sail for Havana and once there, form a gold digging corporation. This is only one situation In this rollicking comedy in which these two Broadway babies wisecrack their way through a series of uproarious mixups, including a horse race with Flo as a jockey—a Jail jam and numerous roughneck attacks on unsuspecting sugar daddies. The cast includes Charles Judels, Charles Butterworth, Jack Whiting, Arthur Edmund Carewe, John Davidson and Arthur Hoyt, The fourth edition of the famous Knute Rockne football series entitled “Touchdown,” and Vitaphone Varieties round out the program. tt ti tt BIG NAMES HEAD CIRCLE MOVIE The event which was destined and which has been eagerly awaited by the millions who listen-in to Amos ’n’ Andy is now at hand. The first all-talking motion picture to be made by the greatest stars of radio came to the screen at the Circle theater Friday under the appropriate title, “Check and Double Check.” Taken from the night air adventures of the blackface pair, “Check and Double Check” covers the entire range of the characters offered over the air, plus a stirring story of love among white people that is enacted by such players as Irene Rich, Sue Carol, Charles Morton, Edward Martindel, Rita La Roy and Rail Harolde. “Check and Double Check,” c\lrected by Melville Brown, presents Amos ’n’ Andy and their Fresh Air Taxicab Company of America, Incorpulated, as well as the Kingfish, Lightnin’ and the other Negro characters of the radio. It has been produced, according to reports, in harmony with the lively comedy spirit of the air broadcasts. It offers millions of Amos ’n’ Andy fans their first glimpses of the radio stars in action in a story built, written and directed especially for them. Incidentally, Duke Ellington and his Cotton Club band participate in the film. The surrounding program at the Circle theater includes “Strange as It Seems,” Esther Merman in “Her Future,” and a Dale Young organ solo called “Organ for Sale.” n a tt CHEVALIER now ON OHIO SCREEN “Although “Playboy of Paris,” which opened Friday at the Ohio theater following the completion of a successful engagement at the Indiana the previous week, is not a musical production, Maurice Chevalier sings several new songs in it. The titles of the new numbers are “My Ideal,” “It’s a Great Life if You Don’t Weaken,” and “In the Heart of Old Paree.” Leo Robin wrote the lyrics. Richard A. Whiting and Newell Chase wrote the music. This trio has also composed the majority of the other songs Chevalier has offered on the talking screen, including “Louise,” “Sweeping the Clouds Away,” “My Love Parade," and “You Brought a New Kind of Love to Me.”

In Church Play

. 4 i. 0 if;!:.'.:'. :

Helen Doerr

In the cast of “The Ghost Bird.” which the St. Cecelia Players of Sacred Heart church will present Sunday night at Parish hall Union and Palmer streets, will be Helen Doerr.

AMUSEMENTS

1— Gloria Swanson opens her engagement in “What a Widow,” at the Palace today. 2 Leon Janney has one of the important roles in “The Doorway to Hell,” which is the movie feature on the new bill at the Lyric. 3 Jeanette MacDonald and Jack Buchanan have the chief roles in “Monte Carlo,” now at the Indiana.

Muzio to Open Civic Program Famous Soprano Appears in Recital at Caleb Mills Hall. CLAUDIA MUZIO, soprano, will appear in recital at Caleb Mills hall as the opening artist of the season of the Indianapolis Civic Music Association on Monday night, Nov. 3. It is pointed out by the association that all members must present their membership cards at the door. All membership cards have been mailed and this assures a capacity audience for the six announced concerts. Following sensational appearances in Europe, Muzio came to America. News of her sensational success on these stages led to her Metropolitan engagement. Here she made her American debut in December of 1916, as Tosca. It is reported that her father, suffering the pangs of parental an; iety, stood in the wings “looking like an Italian brigand about to weep.” However, his only cause for weeping was joy, for Claudia Muzio was immediately proclaimed by the critic on the New York Herald as “the greatest Tosca since Temina,” and every one else seemed to agree with him. Her current associations with the opera houses of Chicago (Chicago Civic Opera Company), Rome (Royale Opera), Milan (La Scala), Monte Carlo, Paris, Buenos Aires, San Francisco and Los Angeles, in the great dramatic soprano parts of “Aida,” “L’Amore dei Tre Re,” “Monna Vonna,” “La Prophete,” “II Trovatore,” “Andrea Chenier,” “La Traviata,” “Pagliacci” (conceded to be the greatest Nedda of all times), “Cavalleria Rusticana,” “Turnadot,” “The Lorelei,” “Manon Lescaut,” “La Tosca,” and “La Boheme,” have resulted in each case a personal triumph for Muzio.

MARTENS TO OFFER BIG ARTISTS Ossip Gabrilowitsch, conductor of the Detroit Symphony orchestra which is to give the opening concert of the Martens Concerts, Inc., must be counted among the most fortunate of men. Having won all the glory there was to be won as a pianist, he turned to the orchestra and matched his reputation as a pianist with that as a conductor, and now is able to pursue both of these branches of art, for his position as conductor of the Detroit Symphony orchestra has not compelled him to give up his career as pianist. The program which Gabrilowitsch has selected for the Indianapolis program is an unusual and interesting one, in that two of the numbers programmed have not been heard in Indianapolis, the Sahubert Seventh Symphony and the “Norfolk Rhapsody,” by Williams, anew composition. The complete program, follows: “Concerto Grosso” Handel Symphony No. 7 C Major” Schubert “Norfolk Rhapsody” Williams “Ride of the Valkyries" Wagner “Prelude and Love Death” from “Tristam and Isollde” Wagner Clare Clairbert, famed Belgian coloratura, has begun a series of American concert appearances under the management of Charles L. Wagner, impresario, and will be heard here Nov. 23, the opening Sunday afternoon concert of the Martens concerts. The diva made her American debut with the San Francisco opera company on Sept. 13 in “La Traviata” and was instantly acclaimed the the most brilliant coloratura soprano of the twentieth century. Mme. Clairbert, who comes to this country with a brilliant European record as the star of the Brussels Opera, will be accompanied by Francis de Bourguignon, noted Belgian pianist-composer, and Eugene Lion, celebrated European flutist. Mr. de Bourguignon and Mrs. Lion are concert artists in their own own rank. They were obtained as accompanists to Mme. Clairbert becuase Mr. Wagner wished to surround his new' star with the finest talent available. Following the American debut of Mme. Clairbert in San Francisco she received ten curtain calls, and the stage-door was stormed by nearly a thousand excited opera-goers. Though she is but 28 years old success is not a novelty to Mme. Clairbert. For a number of years she has been a favorite in Europe, but she modestly and gracefully accepted thf fine tribute paid her by the audience of 5,000 people who heard her sing in. San Francisco. This is Mme. Clairbert’s first visit to America and she is thrilled by it. When she stepped from the liner which bore her here she declared that, having seen New York’s famous sky-line, she hoped America would like her so well she would be able to see the entire country, and indications aie that her hope will be fulfilled. TANARUS;

THE INDIANAPOLIS TIMES .

Colleen Moore Will Open English’s

1— Fred Stone and his two talented daughters. Dorothy and Paula Stone, will opyn in “Ripples,” at English’s on Monday night, Nov. 3. 2 Colleen Moore in “On the Loose,” will have the

ROUNDING ROUND THEATERS D. Ith HICKMAN

IT seems to me that the Civic Theater is going to get a splendid start on Saturday night, Nov.'l, when it opens its new season with “The Royal Family.” Here is a corking good show, really fine theater, and you remember I saw the original cast in it a season or two ago. Have received the following data on the opening. Beginning Saturday night, Nov. 1, and continuing each night, except Sunday, of the following week, the Civic Theater will present “The Royal Family.” This play, written by George S. Kaufman and Edna Ferber, is a light comedy of the family life of a famous theatrical dynasty.

Margaret Winslow', Ricca Scott Titus, Elizabeth Hassler and Dorothy Robinson have the important feminine parts. Donald McGibeny, Lauren Stokesberry, Charles Robinson and Chaumeron Aamot are the male principals. The cast, in addition to the above, includes several others of long experience in the theater. It is interesting to note the growing number of former professionals w'ho are appearing in Civic Theater productions. Mr. Aamot, w r ho is the most recent of these, comes from Norway where he had a number of years of professional experience. The cast as announced should be hble to give an excellent introduction to the theater for those who w'ill attend it for the first time at this production. That there will be many new persons in the audience is indicated by the greatly increased advance sale of tickets. This means that the number of tickets available to the general public is somewhat reduced but the management has announced that Saturday matinees will be added if there is a demand for them. Seat reservations can be. made beginning Monday, Oct. 27, at the box office of the Playhouse. an 1 * The Thespis Society at Butler is doing some very fine things this season by presenting on every Wednesday no-on a short play. I rely upon the following from Betty Jane Barrett regarding Thespis: Thespis is a dramatic organization at Butler university. It has a “workshop in the basement of the Arthur Jordan Memorial hail in which it presents its plays. Tills year there will be a one-act play presented every Wednesday noon, and

DANCE! | Everybody’s Going! Come Along! mmmm S Big Doin’s mm HALLOWEEN §§Pi FESTITAL WEEK Special Stunts [( PRIZES Every Night nfif masked'ball nSrP' I’riiM awarded best and fnnfttUk Blest costumes. Grand March, ||f CARNIVAL NIGHT 13J2J Noise makers, favors and T* —WEDNESDAY—MASKED BALL H 51st Infantry, Company H Prizes—Stunts fl? —THCKSDAV— If! MARDI-GRAS BALL In A real | party—Let’s go. ft HALLOWEEN)DANCE W 5 ' More prizes and fun; Grand March. 10:30. Ladles 15C ■ sJvumS? Gentlemen ....25 C yySßest Music

4 Amos ’n’ Andy as they appear in “Check and Double Check,’ now at the Circle. 5 Dorothy Christy and Maurice Chevalier in a scene from “Playboy of Paris,” now at the Ohio. 6 Charles Judels as he appears in “Life of the Party,” which opens today at the Apollo.

honor to open the season at English's on next Friday night. 3—Danny Duncan, comedian, heads his own company in “Old Sweethearts,” opening today at the Lyric.

three major productions presented on some other stage. The noon-tide plays have been produced by Thespis for several years. The first noon-tide play of the year was "Suppressed Desires,’’ by G. C. Cook and Susan Glaspelly. Last Wednesday Thespis presented “The Twelve Pound Look," by Sir James M. Barrie as its noon-tide production. Other noon-tide plays scheduled are: "The Last of the Lowries.” Oct. 29. “The

It Is True The first five of Robert L. Ripley’s “Believe It or Not” Vitaphone Varieties have been completed at the Brooklyn Vitaphone studios. In the fifth of the group, just completed under the personal direction of Murray Roth, director-in-chief, the cartoonist introduced several of his celebrated “queeriosities” and did a number of his “Believe It or Not” drawings.

AMUSEMENTS

The Romance and Story o! Variety Entertainment! KS is real romance in actually seeing celebrities . . . that RKO Yauderings to you ... a glamour that uch entertainment can evoke . . . hing to recall and talk about . . . trehouse of treasured memories . . PING people . . . world-famed for their talent . . . those who inspire i world’s oongs, dances and laughter . . . each name familiar . . . these an be seen at the LYRIC Theater “.very week . . . presented with tin'ivaled talking pictures ... at very popular prices. ’ There is nc Substitute for Vaudeville! CPfTTT HP*! bargain Thrill-loaded % f 1 J [ U prices Melodrama! JB _jp sf A 1 25c A boy—a girl—and a intil i r. M .gang—see this amaz- . cf.. Week Days ing drama of love -On the Stage- outside the law. 1 _ Nothing so stars ■ P tling ever beLj£?Za n *1 45.13E fore ' DANNY DUNCAN \ and Company g few MWA % % In a farce with song and dance I ¥*£& m m | “OLD SWEETHEARTS’’ I jgjß ## w. W The GRAY FAMILY in a miniature musical comedy jragßSatew FID GORDON “Don’t take me seriously" lewis LAYPO and LEE PHy.l “Learning to be an Actor j/ouEf ||j *o* thi? T in Three Lessons” WESTERN FRONT” marie hughes ft and BROTHER I . JKPA b “Grace and Agility” 3f| J&Sk* i* DAVE and 7RESSIE

Bracelet,” Nov. 5. ’’Thursday Evening,” Nov. 12. "The Conflict.” Nov. 19. “Spreading the News,” Nov'. 26. "The Wiley Ones,” Dec. 3. "The Pearls,” Dec. 10. "Dust of the Road.” Dec. 17. "The Poor House,” Jai. 7. “Where the Cross Is Made.” Jan. 14. The first major production of Thespis will be produced at Caleb Mills hall during the latter part of November. A second play will be produced in February and a third the latter part of March. “Adam and Eve,” a three-act comedy by Guy Bolton and George Middleton, will be the first production. Old Stage Play Is Now a Movie “The Man Who Came Back,’’ Far-rell-Gaynor talkie version of the famous old play, went into production this week with Raoul Walsh, directing. Kenneth McKenna heads a strong supporting cast. AMUSEMENTS

COLONIAL ILLINOIS & NEW YORK. Fastest Show in the City. New Ideas in BURLESQUE A fast-stepping show with PATRICIA SALMON The Ziegfeid Nightingale. BUDDY KANE DANNY CARTER-EDITH LAWRENCE Madaline LeFere-Ed Lee-Beatrice Carter Frank Lipp-June Leßoy CHORUS ON RUNWAY s ’YeT ? ru£r| rr nite I Thursday I * nday BIG WHOOPEE SHOW MIDNIGHT HALLOWEEN

‘The Doorway to Hell’ Is Screen Feature on New Bill at the Lyric—Colleen Moore Opens Season at English’s Friday Night. THE DOORWAY TO HELL.” anew Warner Brothers and Vitaphone picture release, augmented by a stage show of six Radio-Keith-Orpheum vaudeville acts, is the entertainment dish to be served by the Lyric to its patrons for one week starting today. This melodramatic story of modern racketeering, that has grown to such proportions since the advent of prohibition, paints, it is said, a realistic picture of the lives and loves of those who live outside the law. Among the featured members of the cast is Lewis Ayres, a young man who skyrocketed to screen fame for his portrayal of Paul in “All Quiet on the Western Front.” Ayres portrays a reckless gang leader, young, handsome and courageous, who by force rises to become a powerful figure of the underworld—a racketeer of the first magnitude, only to meet the vengeance of the gang. ____

Danny Duncan and company of artists present one of the featured turns on the Six Act stage show. “Old Sweethearts” is the title of this farce comedy which also boasts of music, song and dance. The Gray Family, a group of four beautiful girls and their two brothers have to offer a miniature musical comedy revue, featuring comedy, current songs and lively dancing. Madge and Ruth, having been featured at the Everglades Club; Dolly, a Russian dancer, has appeared with Madge Kennedy in “Polly.” Mazie appeared with Alice Brady in New York in “Zander, the Great.” Said to be one of the most eccentric comedians as well as musicians ever to be seen in vaudeville, Fid Gordon is another stellar feature. Laypo and Lee. two knock-about comedy acrobats present a special feature which they choose to call “Learning to be an Actor in Three Lessons.” A bit of “Grace and Agility” on wheels is the forte of Marie Hughes and Brother. One other RKO vaudeville act and the usual short subjects complete the show. a tt a “ON THE LOOSE” TO OPEN ENGLISH’S Colleen Moore, the screen star, having succumbed to the overtures made by Arch Selwyn, the New York producer, has turned her back on Hollywood for awhile, at least, and is now making for herself new friends in a different realm, that of the speaking stage. She will be presented in person at English’s Friday and Saturday by Selwyn in anew comedy-drama, “On the Loose,” by Benjamin Glazer. Out of the many plays submitted, during the last year or so, both the star and Mr. Selwyn felt that the Glazer opus best suited Miss Moore’s talents, for, during the action of the first two acts, she is allowed free play for her comedy gifts, while in the last act, the author has contrived a scene-which rises to a dramatic climax, allowing her an opportunity for exhibiting her emotional powers something after the style of her work in the later episodes of Edna Ferber’s beautiful “So Big,” which, together with “Flaming Youth,” definitely established Col-

• AMUSEMENTS | MARTENS CONCERTS, Inc. | 6 ANNOUNCES Three Evening—CONCEßTS—Three Sunday Afternoon jj i ENGLISH THEATRE . | EVENING CONCERTS | Thursday, November 13 DETROIT SYMPHONY ORCHESTRA I GAR KILO WITCH, Conductor | Thursday, December 4 i GIESEKING, PIANIST | Tuesday, February 17 I MINNEAPOLIS SYMPHONY ORCHESTRA IVERBRUGGHEN, Conductor I SUNDAY AFTERNOON CONCERTS November 23 CLARE CLAIRBERT, Soprano | November 30 I DON COSSACKS, MALE CHORUS, Thirty-six Voices I Singing Horsemen of the Steppes ? March 8 I KREUTZBERG and GEORGI, Dancers TAKE ADVANTAGE OF SEASON REDUCTION Season Prices, 6 Concerts--ss.oo, $6.00, so.oo. @12.00 nd I K Evening Concerts—s3.oo. *4.50, SO.CIO, $7.50, *O.OO 3 Sunday Afternoon Concerts—*l.so. *6.00, *7.50, *9.00 Tickets Now Selling, Martens Office, Baldwin I'iano Cos., 35 Monument Circle FOR INFORMATION TELEPHONE Lincoln 89l EXTRA CONCERT, JANUARY 15, 1931—PADEREWSKI

ENGLISH THEATRE S£K D m OCT. 31-NOV. 1 TWO NITES AND SATURDAY MAT. ‘iiiCNtCHI Him rat (M#Pf&Sofß) is MHHCMttt NIGHTS 50c, SI.OO, $1.50, $2.00, $2.50 MATINEE 50c, SI.OO, $1.50, 52.00 SEATS ON SALE MONDAY MAIL. V™ WEEK of NOV. 3 i' rs CflAftCfcS CULLING HAM Arts °I,o/f AL Mi Hk p*am )}}) > J jtfe Rerun or rue one. //JJ ” .FRED STONE f§ r i/v riia nsw musical tXTR.Av*,oAnxA [/sf > -CRIPPLES" r m w " DOROTHY STONE W A/MD THE LOCAL STAGE OEBUT d* ’ (Uw *PAULA STOHE ~)))))) A\\\U% sCOMPA/iy-OP 100 = EVES.: ORCH., $3.85; BALC. $3.00, $2.50, $2.00 WED. MAT.: ORCH., $2-50; BALC., $2.00, $1.50, SI.OO SAT. MAT.: ORCH., $3.00; BALC., $2.50, $2.00, SLSO GALLERY EVERY PERFORMANCE, sl.oo—Prices Inclnde Tax

OCT. 25, 1930

leen Moore as a cinema star of the first rank. Miss Moore has been studying voice culture for over two years. Thus with a vocal equipment of resonance and quality, and with her pantomimic ability, so thoroughly developed upon the screen, Colleen had no fears when she stepped upon the stage on her opening night some few weeks ago. It is planned to send Miss Moore to London in the spring, to appear in the theater which Selwyn has acquired there m conjunction with Charles Cochrane. The tour she is engaged upon now is a preliminary one, prior to her engagement in New York in one of the Selwyn theaters. tt tt a “RIPPLES” BOOKED FOR WEEK HERE When Charles Dillingham presents his new musical extravaganza. “Ripples,” at English’s the week of Nov. 3, theatergoers will have the opportunity of seeing Fred Stone, who will make his first appearance here since his airplane accident two summers ago. Dorothy Stone is co-starred in this production and looks more beautiful than ever. This Stone vehicle also marks the stage debut of daughter No. 2, Paula Stone, who is pretty, charming and very talented, and bids fair to rival the other Stones for popular acclaim. The supporting cast includes Andrew Tombes, Billy Taylor, Hilda Spong. Cynthia Foley, Charles Collins, Charles Mast, W. J McCarthy, Peggy Bancroft, Gertrude Clemens, a troupe of midgets, the Mary Read Tiller Dancing Girls, and. to say nothing of a bevy of the mast beautiful girls in the world that only Charles Dillingham can provide. Ruggles Starts Work Again Charles Ruggles, on completion of his personal appearance week in Boston, arrived in New York to start work at the Paramount studios in Astoria on a picture playing opposite Claudette Colbert. Not a Gambling Picture Clara Bow and Stuart Erwin, along with cameramen, director, etc:, are on a flying trip to New York to shoot atmospheric scenes for her next picture, “No Limit,” a gambling house picture, by the way!