Indianapolis Times, Volume 42, Number 54, Indianapolis, Marion County, 12 July 1930 — Page 6

PAGE 6

MLLE. RHEA AND HER DANCERS TOP NEW BILL AT LYRIC

Victor McLaglen Does a Lot of Flirting and Love Making in *on the Level,’ Which Is the Movie Feature at This Vaudeville House. TTICTOR M LAGLEN is the chief member of the cast in 'On the Level,” V which opens today at the Lyric. Mile Rhea and Santoro company, presenting a dancing, singing, music revue, heads the stage bill of vaudeville atars Victor McLaglen is, it is said, perhaps not so rough and ribald in "On the Level” as he was in 'The Cock-Eyed World” and "Hot for Paris,” but he la more amusing. There are moments where he is dramatic and the audience will here be given anew slant on his versatility, it is claimed. McLagen appears as a structural iron workers who indulges in a flir-

tation with a beautiful woman She lures him into a real estate racket and he, in turn, rings his fellow workers in on It. Before they escape from the swindle in which they find themselves enmeshed, they experience a medley of joys and sorrows Lllyan Tashman. famous vamp of the screen, and William Harrigan, well-known stage actor, are featured with McLaglen in this production, directed by Irving Cummings. Rhea & Santoro Company bring to the stage show anew offering in "Divertissements of Vaudeville." Mile. Rhea is said to be a protege of Pavlova, studied dancing in Russia under the tutorage of that famous dancing artist’s personal instructor. Santoro, her partner, is a native of Italy and Is a versatile artist in the line of stepping. Working with dummy horses and attired ui real western garb. Bill Kirk and Grace Lawrence offer one j of the comedy highlights of the pro- | gram, which they choose to call "A Cyclone From the West.” Jesse j James, Buffalo Bill and many other j famous old western characters live j again in the new travesty. Winchester and Ross, a duo of widely known funmakers. introduce j their new and original travesty, | "Wise and Otherwise.” It Is said to be a versatile routine of little bits of every kind of entertainment, including songs, comedy, dancing and mystic apparitions. Pat Lane is held over for a second week. The usual amount of short films, including a Sportlight, talking comedy and scenic reviews, is on the bill. Badger’s Contract Renewed First National Pictures, Inc., an- j nounces that Clarence Badger’s contract with the company has been renewed for a long term. Badger recently directed "The Bad Man,” with Walter Huston and an all-star cast, and has been assigned to di- j rect "The Hot Heiress,” a musical screen play by Herbert Fields, j Richard Rodgers and Lorenz Hart, | in which Ben Lyon and Ona Munson will p'.ay the leads.

Sunday School Lesson

The International Uniform Sands? j School Lesson for Jult 13. Learning from Experience. Gen. 25:i-34; j 7:i-2e: 53:1-1. 13. BY WILLIAM E. GILROY. D. D. Editor of The I'oneregationalist IT is an old saying that experience is the best teacher. But. unfortunately, it is true that much of its teaching comes too late for one to profit by it. There is. however, an experience of individuals, an experience of the race, from which the thoughtful j person of today may profit. If our eyes are sufficiently alert, we are not likely to fall ino the pitfalls into which other already have fallen. • We are not likely t. stake our interest upon some project in which we have seen some me else fail. Asa matter of fa<t. we do profit considerably by such observations of experience in material things, but: man shows too often a strange blindness in perceiving the moral and spiritual efleets of conduct. There is always the hope that in some way in that realm cause and effect will not operate, and that one is going to be more fortunate than those who have found disaster in a particular course. The lives of Jacob and Esau are still somewhat instructive for those who can profit by the story of varied experiences; and we are apt to profit all the more today in as much as our freer reading of the Bible does not induce us longer to feel that we must defend its heroes where their cnar.icters and actions can not be defended. Jacob was certainly not altogether either a k-vely or a lovable character. All that can be said concerning him is that he had some excellent qualities and that upon these qualities there could be built something worth while, even if there were in the man elements of over-reaching and trickery. Esau, while a much more likable character, had in him. however, no clement of stability. He was like a great many other men wo are pleasant enough, and whose lives are not characterized by any particular list of immoralities that one could charge against them, but whose whole attitude and life are immoral because there is no sense of duty or obligation, no linking up of will and chaiacter with things that are worthy and good. The contract between these two men is very marked, and on the whole it is true to life So often the man of energy and devotion is not free from objectionable qualities. His ambition often becomes too zealous in making him overreaching and crafty in dealing with his fellows. When we see these objectionable qualities in the steady and successful, we are apt to prefer the Esaus to the Jacobs. But the biblical story after all chooses for the child of promise and succession the stronger man. The larger story of Jacob, as it is suggested in the whole text of our lesson, shows considerable of the progress that a man with grave faults and grave temptations made in conquering his besetting sins; but the final stage of the story in our lesson shows also how even in spite

COLONIAL Illinois and New York Streets The Fastest Show in Town Starts Today BUTTONS FARES AND LEW FINE In the Feppv BURLESQUE With HELEN MORGAN. IRISH SMITH, FLO RICH. JACK KING and a Splendid Cast CHOKES OX RUNWAY ON THE SCREEN “NORTH OF 49” All-Talking Western Midnite Show Tonlte 11:30

Free Fight Card Will Be Given Riverside Will Be Scene of Ring Battles Tonight. ANOTHER event is in Store for boxing fans at Riverside amusement park tonight, when a free fight card will be presented on the elevated stage in the center of the fun spot. Sixteen of the city's amateur scrappers have been paired up for action, and some redhot mitt tossing is looked for. Sunday afternoon, Lorel Starkey will ascend with the huge Riverside balloon and attempt a series of parachute leaps from the sky. Monday night, Jimmie McLemore will present his regular weekly professional wrestling show in the new Riverside postless sports arena, with Stanley Tinto, Bohemian champion, meeting Leslie (Red) Beers, coach at Purdue university, in the main event. An especial importance attaches to this match, as it is announced the winner will get a shot at the famous Gus Sonnenberg, world’s heavyweight champion, the following week at Riverside. Friday night the regular week. Iy professional boxing show will be held In the arena, with well-known cauliflower performers signed for action. “Happy Times,” the baby monkey which was recently named through a contest held by The Times, is now able to walk and climb, much to the worriment of his mother, and crowds of park visitors constantly surround Monkeyland to get a glimpse of the famous youngster.

of a man’s improvement the trickeries and treacheries of his early life tend to come back upon him, often to his undoing. In the days of his prosperity, with much dependent upon his security, Jacob is face to face with Esau once more under conditions where Esau might well have exacted vengeance and under which Jacob had much to fear. On the whole it is Esau that comes out most nobly in this .part of the story’, and one wonders whether Esau in his carelessness and drifting did not likewise come to a finer and more substantial character than he had at first. No man is ever lost who has such capacity for affection. It was a chastened Jacob who met Esau, but was it not also, a repentant and better spirited Esau who looked back upon the weakness of his own career, not with the disposition to blame Jacob, but with the realization that the chief blame was upon himself? Perhaps we have tended to learn the lessons of experience on its constructive side chiefly from the story of Jacob. It might be worth while to consider, also, all that we may learn from the experience of Esau.

Lon Has as Many Voices as Faces

Here Is a scene from Lon Chaney's latest picture. In this one he talks and 4t is said that he has as many voices as he has faces. It is called “The Unholy Three " and starts Saturday at the Palace.

Film Company Makes Contract It is not surprising that Universal has taken a long term lease On

Kids Learn Movie Ways Side by Side t Tommy Clifford Finds Pal in Daughter of Warden. TWO of the youngest featured players in movisdom are pursuing their careers side by side at the Fox Film Corporation studios. One of them, 11-year-old Tommy Clifford, feels like a veteran, because ihe has already appeared in one •picture, “Song o’ My Heart,” but for all his nonchalance little Tommy is still hazy about the responsibilities !of being a Fox Film featured player. The other, 8-year-old Joan Marie Lawes, daughter of Warden Lewis E. Lawes of Sing Sing prison, hides her wonder at the world of lenses, ‘microphones and movie stars which s 'rrounds her at Movietone City beneath a grown-up poise. When Tommy is not looking with ; wise Irish eyes at the great stars he is borrowing a typewriter in one cf the numerous business offices in erder to answer his fan mail. The Beginning Recently he approached a stenographer in the casting office and asked if he might use the typewriter. "See this?” He showed her a letter. “This is from a man in Ntew York who saw me in ‘Song o’ My Heart.’ He wants me to send him a picture with my name on it. See, he says he wishes he had a boy like me, and wants to know if I behave myself. "I want to answer that man,” Tommy went on seriously, "and ask him for a picture of himself with his name on it. I’ve got to see what my fans look like, haven't I, or I won’t know what to write them.” The joy and delight of Tommy’s days is to be called into the photographic studios to pose for publicity pictures. He is a tireless worker and will wear any two photographers out with his suggestions and numerous poses for the camera. Already he is worried about his "following,” and his aunt, who accompanied him to Hollywood from Ireland, reveals that Tommy scrubs his face and combs his hair more often than he did while attending school in Ireland.

When they put makeup on Joan Marie’s face to pose her for pictures, the little girl felt that she had indeed become a full-fledged movie person But then she was introduced to Tommy, and gazed in awe upon that young man, who could claim to have acted and talked for the screen. Soon her chance will come in “Up the River,’’ to be directed by John Ford from an original story by Maurine Watkins. If Tommy can boast of being an experienced actor, then Joan may boast of having led an unusual life before she became an actress. Bor* inside the prison gates in the warden’s home, Joan has been a friend to prisoners. Her nickname, Cherie, was originated by prisoners. Aside from her schoolmates at Ossining seminary, her only associates were the prisoners, some of whom are also servants in her father’s home. As yet the new addition to the Fox films roster of players has not begun to bother about her numerous and attractive freckles; nor has she decided that her longing for the fat little pony she left behind at Ossining, and her love for her dolls and other toys, are unbecoming to the dignity of a featured player. But, plavers though they are. at regular salaries and with contracts, they’re just kids. Cherie still has to eat her cereal when she’s told to, and Tommy knows that if he fails to eat his spinach he’s likely to be spanked, and spanked properly.

the abilities of Slim Summerville. I After the hit he scored in “All Quiet on the Western Front," and the remarkably funny role he plays j in "The Little Accident,” with I Douglas Fairbanks. Jr., Anita Page and Safly Blane, it was almost a foregone conclusion. After “See America Thirst,” Slim Summerville will be teamed up with Eddie Gribbon in a series of short comedies under the direction of A1 Ray. who signed a Universal contract last week. Author Ready to Work John Wexley, author of “The Last Mile,” still 'urning them away in New York City, celebrated the Fourth of July by arriving in Universal City to do dialog and possibly an original piaster Carl Laemmle

THE INDIANAPOLIS TIMES

1— Bill Kirk of Kirk and Lawrence, now on view at the Lyric. 2 Mile. Rhea and Santora as they appear in a dance in the feature) act at the Lyric.

With Circus

/ ' V j i

Tom Lynch

Here is Tom Lynch, veteran boss hostler with Ringling Brothers and Barnum & Bailey circus, due in Indianapolis Friday, July 25. Lynch has been with the circus fifty-three years.

Circus Facts

Elver want to ask a lot of questions of some body or other when you were at the circus? Things that the program didn’t tell anything about? An agent ahead of the Ringling Bros and Barnum & Bailey circus came to town yesterday to say that it is to exhibit in Indianapolis on Friday, July 25. He was asked to jot down some odd facts about the big show. Here they are: Travels on 100 railroad cars, made up into four trains. Out of 150 places visited in a season less than twenty are played for more than one day. Travels 20,000 miles in a summer. Exhibits more than 1,000 jungle animals in its colossal menagerie, Carries over 1,600 people on tour all of whom are given three meals each day in the circus dining tents. Daily expenses of show between $15,000 and $16,000. Four hundred draught horses carried to move the show. Three hundred ring-stock horses used in performance. Two thousand two hundred stakes driven and pulled each day. A complete new set of canvas used each spring. Tents contain forty-two miles of rope. If you could set the elephants on one another’s heads the topmost would reach to the roof of a thirtystory building. Supposedly “untamable” zebras taught to draw’ floats in the tournament. Does not use local light plant, but carries its own dynamo wagons. As many acts shown in one performance as are given in many theaters in an entire season. One hundred clowns running in age from 18 to 78 years old. Tom I<ynch, boss hostler, 78 years old, has been with the circus fifty-three years. Tallest member of “family,” Nosey, the giraffe, 16 years old, twentyone feet high. Smallest, human member, Major Mite, 23 years old, stands eighteen inches. Opens its season in New York City the last week in March or first week in April. Gives its final performance in someone of the Atlantic seaboard states in late October or early November. The tour of the big show ranges from Montreal in the northeast; Beattie in the northwest; San Diego in the southwest and Tampa in the Southeast. It May Bea Discovery Universal Is on the verge of announcing a "phenom” to play the role of Kid Roberts in “The Leather Pushers.” Douglas Doty has been writing the adaptation of these H. O- Witwer stories, which brought Reginald Denny from obscurity to stardom, and Albert Kelly, who directed ’’The Woman Racket,” with Blancs Sweet and Owen Moore, will direct.

ROUNDING ROUND THEATERS D. lth mcraAN

ONE of the most often asked questions that come to my desk and to me through my radio talks over WKBF is regarding the salary of the movie players. , It is difficult to get the truth on the salary of any star or player because in the past it is generally boosted for publicity purposes. And maybe the salary of any individual is her or his own business whether they are in the movies or not.

Now comes the New Movie magazine which goes on sale at the Woolworth stores next Tuesday in an article, “Looking Into the Stars’ Salary Envelopes.” I have received from The Tower Magazines Inc. of New York the following summary of the article in the New Movie Magazine; The article traces the steady upward climb of movie salaries from 1915, in which year Mary Pickford was Retting the highest salary in moviedom. It was $2,000 a week. Charlie Chaplin was then getting SI,OOO a week; and Francis X. Bushman topped the screen lovers at $750 a week. Five years later, in 1920. the hicnest salaried player was Alla Nazimova, Who was getting $13,000 a week. Mary Pickford at the head of her own company, mace $500,000 that year; Charlie Chaplin made just a shade under a half million; Norma Talrnadge and Anita .Stewart made close to $500,000. Bill Hart ran up the total of $900,000 in earnings in the two years of 1919 and 1920. (In 1915, he had been drawing S3OO a week.) Other highly paid stars of 1920 (earning between SI,OOO and $5,000) were Theda Bara. Marguerite Clark, Pearl White, Pauline Frederick. Elsie Ferguson, Mabel Normand, and Mae Marsh. Charlie Ray was one of the idols of the day, yet his salary was SSOO a week. In 1925, Harold Lloyd was getting $30,000 a week. The big money earners in 1925 were Mary Pickford and Doug Fairbanks at about a million each; Charlie Chaplin, something less, due to slow production, and Norma Talmadge, a million. Some of the big salaries of 1925 were: Tom Mix (the biggest flat salary). $15,000 a week; Rudolph Valentino, SIOO,OOO a picture; Lillian Gish, Gloria Swanson and Thomas Meighan. SB,OOO a week each; Pola Negri, $5,000; Richard Barthelmess. $2,500; Conway Tcarle and Eugene O’Brien topped the leading men with a weekly salary envelope which contained $3,000. Tom Moore was right behind at $2,500. Florence Vidor led the leading women at $2 000. In this year of 1930. the scene has changed considerably. A1 Jolson is riding at the top with yearly earnings running over the $1,000,000 mark. The big six, just behind are Harold Lloyd, Mary Pickford. Douglas Fairbanks, Charlie Chaplin, Gloria Swanson and Norma Talmadge. Two of the hi' hest salaried stars are Dick Barthelmess and John Barrymore. Mr. Barthelmess is averaging well over SB,OOO a week making only two pictures a year. John Barrymore gets $150,000 a picture. Marilyn Miller is said to be getting $200,000 for each Aim; George Arliss draws down $50,000 a picture; Lawrence Tibbett’s salary has been reported to be as high as $75,000 a picture.

The newer generation of stars, the article points out, draws considerably less. Buddy Rogers’ salary is SI,OOO a week; Nancy Carroll is getting $1,200; Gary Cooper. $1,500; Richard Arlen, SI,OOO. A few of the bigger salaries are as follows: George Bancroft. $4,500; Ruth Chatterton. $2,250: William Powell. $1,700; Janet Gavnor. $3,000: Richard Dix. $5,000; Norma SheareT. $5,000: Ramon Novarro, $5,000; Ronald Colman. $5,000; Edmund Lowe, $3,000. The advent of the talkie was followed by the most radical salary upheavel that t ever hit Hollywood, says the article. This is a bad year for Hollywood playefs who are free-lancing. Such favorites as Harrison Ford. Kenneth Harland. Jacqueline Logan. Ricardo Cortez had their earnings cut in half. Bert Lytell. Eugene O’Brien. Leatrice Joy and Estelle Taylor went into vaudeville in order not to cut their earnings. The four yho have probably felt the paymaster’s axe more keenly than any others are Colleen More. Tom Mix, Thomas Meighan and Corinne Griffith. There is a concerted campaign on the part of many of the big studios to release most of their players and cast them on the free lance field. The object of this move is to bring about a general reduction in pay checks. ■ Also, many of the players whom the stadios have retained under contract for tryout purposes, will have proven unsuccessful for talking Picture work and will long long be in demand. The new ones signed up will have to sign at a considerably lower salary than formerly. Some of the younger stars afe getting more money today than before the installation of sound. Joan Crawford has Jumped from SSOO to $2,500 in three years; Conrad Nagel from $2,000 to $3,500: Alice White from S3OO to $1,500: Fay Wrav from S2OO to SI,OOO. and Loretta Young from SIOO to $875. Greta Garbo's salary is more or less of a mvsterv. as most things about her. are. She came from Sweden at a salary of $350. Today, her salary is said to be around $6,000. Clara Bow. long the biggest box office attraction for Paramount is getting $4,000. a comparatively low figure. In view of her popularity.

RIVERSIDE FUN CALENDAR

TONIGHT FREE Boxing show. 8 Redhot amateur scraps. And we mean FREE no gate charge to get into Riverside at any time.

SUNDAY Balloon ascension and parachute leaps by dainty, daring Lorel Starkey, play girl of the skies.

the only dKnscment nark la the City at IndlanapoUa having a oleine grove.

3—Pat Rooney of the well known Rooney family is the chief entertainer In the stage show now at the Indiana.

New Events on Stage

Ted and A1 Wldman, well known blackface comedians who have been seen in vaudeville and musical shows for many years, open a tour of . the Orpheum circuit this month. Their opening date has been announced as Minneapolis. King D, the famous police dog star who has been seen in many Universal pictures, is now making personal appearances in the east. He has been signed for several weeks in the middle west beginning this month. RKO officials have also placed him under contract for picture work in their studios. Princess Zulieka, mentalist extraordinary, who has been creating quite a sensation in movie palaces in the eastern states, comes to the Radio-Keith-Orpheum circuit this season as a star attraction for their theaters. Estelle Taylor, who in private life is Mrs. Jack Dempsey, and who was once a popular screen player, is taking a flyer in the varieties. Miss Taylor is preparing a one-act playlet, which will be sent on tour by RKO in September. Another once popular movie player to desert the studios for the stage is Little Miss Peggy Eames, one of kiddie stars of Hal Roach’s Our Gang comedies. Little Miss Eames has mastered the art of singing and dancing and will be seen in leading RKO vaudeville theaters soon. Harry Keesler, a familiar entertainer to patrons of musical revues, and the two-a-day vaudeville audiences of yesteryears, returns to the varieties via a novelty revue now in production called “A Bachelor’s Romance.” The acr has been routed over the RKO circuit. Lee Morse, the vivacious blues singer, opens her tour of the RKO theater at the Keith-Albee theater in Cincinnati this month.

KEYSTONE AVE. a **™ s INDIANAPOLIS M&k. flO FRIDAY. fjC JULY 4.0 AFTERNOON AND NIGHT jlflllll MARVELS including of GENUINE A N^IONSTER-MOUTHED r > IUBANGI SAVAGES WORLD'S MOST WEIRD LIVING HUMANS FROM AFRICA’S DARKEST DEPTHS (Po*hv*ty Appeoneg m Md*e Ptr*ormotKm of tig Stoat —tr POPULAR DEMAND—HUGO ZACCMINI, Mm SMt from Conno* MORI ACTS-MORI PIOPU—MORI ANIMALS—MOW OR EVERYTHING THAN IVfS IffOfil rwiCT DAILY 2S 9 f M Doon Oo— l & 7 PRS: 'A*"*** • Grew Mtsqgfih G*Ffol Adsnswo* S#oH) ADULTS* 75tt CHIWEN UNDER 12 YIAIS. 30c. GRAND STAND SEATS *eto->g Aomnwon. J! iO TO AU DOWNTOWN TICKET OFFICE CIRCUS DAY AT CLARK & CADE DRUG STORE. CLAYPOOL HOTEL BUILDING.

MONDAY Night another all - star mat show by Jimmie McLemore in the big Riverside postless sports arena. Over 3.000 fana •aw last week's show.

FRIDAY Night the regul a r weekly profess i o n a 1 boxing show. Real fighters and real fights in a real arena. Admission, one thin dime.

Booked Here

Dolores Del Rio The Palace has booked Dolores Del Rio in "The Bad One.” Her leading man Is Edmund Lowe.

Not So Hot

“Bully Beef” and “Kangeroo Steak” make good hot weather fare, if taken externally, according to Paul Terry, creator of the TerryToons. Terry has just completed two new sound cartoons bearing these carnal titles, and both will be released by Educational this month. Terry, in conjunction with his associate, Frank Moser, will continue to dish out these delicious morsels of entertainment at the rate of two a month. Barbara Bedford in Cast The latest addition to the cast of “Adios,” Richard Barthelmess’ next First National and Vitaphone starring picture, is Barbara Bedford, who will play the part of Lupe, a Mexican dancer. Other well-known members of the cast are Mary Astor, Marion Nixon, Janies Rennie, Frank McHugh and Robert Edeson. The picture is being made under the direction of Frank Lloyd.

Beat the Heat in a CTjk ( ooi’- Ml Enjoy the best shows in 4a Ijili sqUar jSSiSa cool' jfiS town in cool comfort—not ■S HjPifcpJW '* s ® > * cold,' just healthfully cool. Bjing the kiddies. in.WS MOST HECTIC. HOT AND HAPPY POLE'HE'S VILD AND PEPPY FIN BORSAY MLYAN TMWUH \ | On the Stage A Rollicking Biot of Fun and Frolic PAT I ANF and Ws How could I I in IT ■ U Own Band, this big Indianapolis’ Own— ln a Brand New Art Jsr-ff r f ist Mile. RHEA and SANTORO . ? _ . and Company lu “A Spectacular .. £., , c.\"h.ip WINCHESTER & ROSS loving that. fn a smashing Comedy Act rollicking KIRK and LAWRENCE play boj . ou j„ Cyclone From the West’’ love him, too! -

.JULY 12, 1930

New Kind of ‘Shot’ Is Found Successful Use of ‘Dolly’ Camera Has Been Accomplished. A WEIRD make dance was perperformed m absolute silence by thirty employes of Paramount’s New York studio when one 6f the longest “dolly’ camera shots ever attempted in a talking picture was | successfully accomplished during the filming of Jack Oakie's starring vehicle. ‘'The Sap from Syracuse.” A sound camera traveled 500 feet In two minutes along the deck of an ocean liner, while behind it tiptoed thirty workmen carrying the three, half-inch electric cables attached to the machine. The camera followed a group of actors from the royal suite of the vessel, along the transverse passage which extended from rail to rail and down the entire length of the promenade deck vith no stops en route. "Dolly shots,” which used to be quite common in silent days when there were no microphones, and cameras were cranked by hand, were practically abandoned with the advent of the talking pictures, due to the extreme difficulty of moving the great camera oooths about the stages. This was overcome to some extent by introduction of "blimps,” Or suitcase sized camera silencers and dolly shots again were made, although their movement was restricted still, due to the fact that microphones, cameras and light reflectors must travel together, dragging their power cables behind them. Desiring to give audiences an impression of. the size of an ocean liner, Director Edward Sutherland solved the problem by mounting a blimo on a small rubber-tired truck together with a microphone, reflector and three man crew. All the cables in the studio were collected, spliced and wound on a drum. When all was in readiness two men pushed the truck after the actors while others stationed in a long line beside the drum, gripped the cable every fifteen feet and tiptoed after the camera. "Sincerity” to Be Filmed Soon William Hurlbut, .author of "Lilies of the Field,” “Chivalry” and “Bride of the Lamb,” all of which have had unusual New York stage successes, has completed the dialog version of John Erskine’s novel, "Sincerity,;’ which Universal will produce under the title "The Lady Surrenders.” John M. Stahl will put this picture in production at Universal City on Wednesday of this week with Conrad Nagel, Genevieve Tobin and Rose Hobart in the principal roles.

BROAD RIPPLE SWIM In Absolutely Cure, Tested Water Where Every Precaution Is Taken to SAFEGUARD Patrons. HEALTH—SAFETY Newest and Finest Sanitary Bath House In Country—Every Convenience—lndividual Steel Lockers —Competent I.lfe Guards. Pool Open 8 A. M. to 10:30 P. M. FREE DANCING FREE SKATING Special Attractions Sunday PONY TRACK FOR KIDDIES Rinehart's Trained Ponies. Gentle —Safe for the Smallest Child.

AMUSEMENTS