Indianapolis Times, Volume 42, Number 30, Indianapolis, Marion County, 14 June 1930 — Page 6

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INDIANAPOLIS AMUSEMENT PARKS PLAN MANY EVENTS

Broad Ripple Makes Bid for Swimmers by Opening a New and Modern Bathhouse; Riverside Will Feature Wrestling on Monday and Boxing on Thursday Nights. WITH an almost complete "new dress,’’ Broad Ripple park Is ready to greet the week-end holiday crowds. Expansion and supplementary attractions this season have put the park in a position to care for an unlimited number of patrons at all times. For more than forty years, this park has been established at the same location. Having its inception in a single red lemonade stand in a community picnic grove where each year it was the scene of the Marion county old settlers’ picnic until the present season it has grown gradually into a large amusement park. In the vernacular of the street Broad Ripple is a "natural’’ with its

huge picnic grove which has been brought up to date with modern conveniences for the pleasure of picnickers. Other features of the amusement park include new rides for fun and thrill, new concessions and amusement devices, a big dance pavilion where one can enjoy the privilege of the floor without charge, skating in one of the finest rinks in the state, boating on one of the prettiest stretches of water in White river and other things to amuse, not the least of which is the miniature nine-hole golf course. It is a pitch and putt course with natural hazards which give the golfer actual play o’ what is said to be a very sporty course. As usual, the big swimming pool at the park proves a real attraction to those who take to swimming for their recreation, and this season more than ever swimmers will find the Ripple pool in a class of its own with the acquisition of what Is said to be one of the finest and most convenient bathhouses in the country. This is a complete new building constructed on Spanish lines of architecture of red stucco which lends a pleasing perspective to the big pool. Every convenience to be had has been procured or erected In the new bath house. Up-to-date showers, lavatories, more than 2,000 individual steel lockers and other conveniences have been incorporated in the makeup of the new building. In the women’s section, among other conveniences, will be found electric hair driers. m * * RIVERSIDE TO HAVE SPORT EVENTS Indianapolis school children, just released from studies for the summer, will welcome the announcement that Riverside amusement park is ready to entertain them every afternoon starting today. The big West Thirtieth street fun spot has always been a real summer resort for the local youngsters, the fact that no admission is charged to enter being an added inducement. For the special entertainment of the younger set, the park is continuing the big children's playground, and has added a number of other attractions, among which is the new pony track, which has been laid out right on Thirtieth street alongside the main entrance. Here have been assembled twen-ty-five of the finest little ponies, and there are mounts for all temperaments—the youngster who wishes to emulate Tom Mix and Tony may whoop it up as he sends his "hoss” flying round the inclosure, or the more timid kiddie can be intrusted to a gentle little pony that may be depended to take it on the easy walk. And then there are cute little equippages in which mother or dad can take the whole flock for a spin around the track for the time of their little lives. Sunday afternoon the. usual balloon ascension and parachute leaps will be presented as a free entertainment at the park. Many of the week-end Riverside visitors are expected to inspect the new openair sports arena which has been erected adjoining the north section of the big cement walk that encircles the fun spot. Two events are to be presented here next week —a wrestling show Monday night and a boxing show Thursday night.

Sunday School Lesson

BY WILLIAM E. GILROY, D. D. Editor of The Con*ro)tationall*t CALVARY was the end of the way that reached its final stage in Gethsemane, though the shadow of the cross long before that had loomed over the pathway of our Lord. How clearly Jesus in his earthly life knew from the beginning this end of the way is not made plain in the Scriptures. In fact, tire writers of the New Testament may so easily have read into the records of things that they only understood after the death and resurrection of Jesus that we have no exact means of knowing just what was in the consciousness of Jesus or how vividly He realized what was to be the final sacrifice. Expected His Martyrdom That He understood the probable means of effecting his ministry would seem evident from the fact that He referred to constantly to the fate of the prophets who had gone before Him. He had seen, also, the martyrdom of John the Baptist, and there must always have been in His mind the realization that some such fate was also to be His. The earnestness of His prayer in Gethsemane that the cup might pass would seem, on the other hand, to suggest the hope that his ministry might be fulfilled without going the way of the cross. Possibly in connection with all such speculations it is worth while only to fix our minds on the fact that from the very beginning to the end of the earthly way, the one supreme purpose of Jesus was to do His Father’s will. The idea of His own personal safety or welfare was entirely secondary to that supreme purpose. That He was human and tempted, like as we are, is made sufficiently apparent not cnly in the three great temptations, but in the evidence of struggle and trial throughout His earthly ministry and in the representation of those experiences in which only through agony and prayer did He seem to find strength. Humanity Must Be Felt The fact is that we must feel the humanity in Jesus all the way to the cross. If we lose our sense of the reality of that humanity, we miss the true meaning of His earthly ministry i and sacrifice. 4 If the cross were not real for Him, *LLs bearing of it would have little

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Charlie Davis, master of ceremonies at the Indiana theater for over two years and a half, will return to his old capacity at this theater the week of June 27. Davis has been touring the Publix circuit for the past three months with his own show. His first week at the Indiana is Third Anniversary week for this theater. Acording to the management, the Charlie Davis band are planning big things for that week in order to make it a gala homecoming for their leader. This will all be in conjunction with the regular stage offering, which will include Burns and Kissen, musical comedy favorites; the Darling twins, dancers; “The Rangers,” a male chorus, and “Jazz Lips” Richardson, well-known colored dancer.

Manhunt

Flashing lights, the whine of sirens and speeding automobiles occupied by men carrying sawed-off shotguns created intense night excitement in a little community a few miles from Los Angeles. Telephones rang madly as aroused citizens sought information concerning the hubbub that centered about the railway station. All sorts of theories were advanced until word got around that an escaped convict was being hunted. Then a general search for weapons ensued. The information was correct, so far as it went. A prisoner was being hunted, but it was for a motion picture. All of the excitement was caused by filming of prison break scenes for “Shadow of the Law,” Paramount’s new William Powell starring production. Gary Cooper Has New Picture Gary Cooper's new starring vehicle has been titled “A Man From Wyoming.” It is from a screen play by Albert Shelby Le Vino and John V. A. Weaver, based on a story by Joseph Boncure March and Lew Lipton. In the new picture Cooper plays a captain of army engineers. June Collyer is his leading woman. Rowland V. Lee is directing. In the supporting cast are Regis Toomey, Morgan Farley, E. H. Calvert, Mary Foy, Ed Deering, Wm. B. Davidson and Ben Hall.

| reality for us. Probably in most of our thought and talk of the cross !we very little sense its actuality. i We could hardly speak it so glibly and so dogmatically as we sometimes do if we truly felt its reality in terms of actual suffering. Nor was the physical pain its greatest mark. The law of sacrifice and its mystery are perplexing. The disappointment so one's hopes and the turning back of life into channels of seeming loss and bitterness constitute the most difficult part of the cross. Yet human life in its revelations of sacrifice and martyrdom on behalf of truth and right reveals the fact that it is out. of the darkest and saddest experience of mankind that have edme the most glorious dawns. The scene of Calvary portrayed in our lesson is vivid enough in its detail—the cross in the center of the group with the ironic inscription ‘ This is Jesus, the King of the Jews,” upon the cross to which he was nailed, and the two thieves, one on either side—one railing against him with the mockery with which the base and brutal have always reviled the saint and the | saintly, the other, with that genuine goodness beneath his unfortunate career of evil, recognizing the justice of his own punishment and tuning in his last hour to find communion with the Friend of Sinners j and salvation through his-grace. No detail, however, can make j one appreciate the full horror of I the tragedy or the full glory of the light that came in the dawn j following this darkness. It revo- ! lutionizes man’s thought of himself and of the world when he comes face to face with Christ on the cross and realizes what Calvary meant in the experience of the Man of Sorrows and what it has meant m the economy of the universe. To know Christ and to share the fellowship of his sufferings is to meet Christ with anew sense of courage and power, and if not with an understanding of life's mystery, at least with anew faith that through the mystery there lies a path of honor and goodness and ,truth Jj.-om which the man who seeks. Alvation ca.i not be turned even by suffering or loss, and along which lip finds the way to the deep- : est satisfaction and the highest communion of life.

Pupils to Receive Diplomas Jordan Conservatory to Graduate Large Class. * \ PUPILS of Bernice Van Sickle will give a garden recital in dramatic art in the form of a miniature revue in the garden of the Arthur Jordan Conservatory of Music at 1204 Nortlf Delaware street, Thursday, June 19, at 8 p. m. In the event of rain the program will be given indoors. Virginia Wilking will be master of ceremonies introducing short skits entitled “I Might and I Might Not,” “When Grandma Was a Girl” and “In a Drug Store” and “Riley Group.” The recital will consist of readings, pantomimes, etc. The pupils taking part are Joan Mattix, Helen Whitehead, Emily Yucknot, Rosalind Johnson, Mary Jane Shute, Clarice Overstreet, Winifred Mutchler, Barbara Smith, Betty Lou Moores, Jeanette Pogue, Mora line Walker, Jeanette Gray, Charles Thistlethwaite, Jean Benham, Betty Jean Wheeler, Gloria Fsld, Ruth Clore, Joe Pat Arvin, Josephine Halbing, Margaret Branaman, Betty Marie Starr, Billie Lemen, O’Mary De Schipper and Fanchon F’attig. On Friday evening, June 20, the second annual commencement of the Arthur Jordan Conservatory of Music will be held at the Odeon, 106 East North street at 8:15 o’clock. The public is cordially invited co attend. The following is the program: "Allegro vivace assai” from “Quartet O major” Mozart Conservatory string quartet. Don Watson, violin: Edwin Jones, violin: Thomas Poggiani. viola: Adolph Schellschmtdt. cello. Address. Hilton U. Brown. Member Board Directors of the Foundation. “Bv a Lonelv Forest Pathway” Grilles "The Fountain” Ware "Hills” La Forge Marv Corman. Lillian Flickinger at the piano. Presentation of Degress and diplomas. “Adagio non troppe” from “E flat major Quartet” Mendelssohn "Allegro non tartande.’’ Conservatory string quartet. The graduation class of the Arthur Jordan Conservatory of Music has forty-three members who will receive degrees, diplomas and certificates. > Those receiving bachelor of music degrees in public school music are Marjorie G. Alexander, Barbara L. Bridges, Mary Helen Brook, Eugene Campbell, Leroy K. Decker, Charles J. Geyer, Mary Margaret Hirschman, Komora Jackson, Betty Ruth Martindale, Gladys C. Power, Vivian E. Slagle and Margaret Elizabeth Walker. In piano are Edith Garrison and Imogene Louise Pierson, in organ Gertrude Free. Those receiving diplomas as piano soloist are Frances Benner, Mary Ruth Edwards, and Paul R. Lindstaedt; as voice soloist are Ruth Irene Scott and Dallas Galbraith; as trumpet soloist, Charles M. Jackson and W. Alan Yule. In dramatic art, as Artist Rachel Cawdell, Rose Elwood, Marian L. Fehrenbach, Janet Morris, Opal Reynolds, Helen Louise Small, Helen Frances Starr, Lillyon Snyder, Mary Elizabeth Trabue, Ruth Wagner and Evelyn Ann Wolfard. Mary Rosalind Parr will receive a certificate in dramatic art. E. Wayne Berry, sophomore in cla:swork of the Arthur Jordan Conservatory of Music, gave a piano recital at Columbus, Ind., at the Fii st Presbyterian church on Friday evening, assisted by Hayden Fry-'. Both men are pupils of Eleanora Beauchamp of the Arthur Jordan Conservatory of Music. —i—"Fantasie and Fugen in G Minor”.... —ll—- " Nocturne in E Major” Chopin “Capriccio” Brahms “Etude” Mendelssohn —lll—"Moment Musical” Berry “Improvisation” Berry "Scherzo” Berry —lV—■Minuetto” Prokofieff "Gavotta” Prokofieff ■Minuet” Bizet-Rachmaninoff "Liebesfreud” Kreisler-Rachmaninoff —V—'Blue Danube Waltzes”... Strauss-Chasins For two pianos. .iR. Hayden Frye at second piano) a a a RECITAL TO BE GIVEN FRIDAY Helen Warum Chappell will present her pupils in recital at the Herron Art Institute on next Friday night at 8 o’clock. Program follows: i "Paris est au roi” Old French Helen Chappell, Jr. II “Do iJot Go. My Love" Hageman Lucile Row Ferrei 111 ' Dreams" Wagner Jean Goldsmith. IV "Tomorrow” Strauss A. A. Brooks. V O. That We Two Were Maying" Nevin Frances Lemaux. Martha Adams. VI “Night Is Made of Loveliness".. Stickles Jac Broderick. vn Card Scene “Carmen” Bizet Marv Elizabeth Roselle. Arlene Williams. Kathryn Rinehart. VIII Swiss Echo So —' ..Eckert Myr. Freeman. IX "Hills” Hageman Ruth Mossier Rubens. X Scene from “Cavalleria” Mascagni Jule Fenstermaker. Kathryn Rinehart. XI “Depuis le Jour” (Louise) Charpentier Mrs. Louis Traugott. XII Duet—“ Mignon” Thomas Alma Monninger. Jac Broderick. XIII “Aria.” “Sonnambula" Bellini Mary Ann Hunter.

RIVERSIDE OPEN EVERY AFTERNOON AND NIGHT BALLOON ASCENSION SUNDAY INDIANA’S GREATEST FUN RESORT HAS ADDED TO ITS OTHER SUPREME FEATURES A MAGNIFICENT OPEN-AIR SPORTS ARENA WRESTLING, MONDAY NIGHTS—BONING THIBSDAY NIGHTS—POPULAR PERFORMERS AT POPULAR* PRICES. Call Talbot 23 for Reservation*.

THE INDIANAPOLIS TIMES

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1— Helen Lewis is the new master of ceremonies for the week at the Indiana in the stage show, “Magic Melodics.” 2 Meet the Dauntless Wonder Dog of the movies who is now on view at the Lyric.

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Ralph Forbes When Loew’s Palace presents “The Lady of Scandal” soon, Ralph Forbes will have one of the chief roles. Gang Movie Featured at Lyric ‘Born Reckless’ Has Big Cast, Headed by a Real Star. “T>ORN RECKLESS,” which opens A* at the Lyric today, brings the most sincere and realistic portrayal of the modern gangster that has yet been flashed across the talking screen, it is claimed. Edmond Lowe, who created the swashbuckling “leather neck” roles in “What Price Glory” and “The Cock-Eyed World” appears in the leading role, as the gangster who is eventually compelled by circumstances to “shoot it out” with his best friend. Catherine Dale Owen plays the principal feminine role in “Born Reckless” with Lew Tracy, Warren Hymer, Marguerite Churchill, Frank Alberson, William Harrigan in other feature roles. Eddie Gribbon, Ben Bard, Paul Page, Mike Donlin, and others make up the supporting cast. The picture is an adaptation of Donald Henderson Clark’s novel, “Louis Beretti” with screen play and dialog by Dudley Nichols. Stepanoff, the international dancer and his company of RussianAmerican artists, headline the stage bill of four R-K-O vaudeville attractions. Mr. Stepanoff offers an I artistically blended * panorama of graceful artists, beautiful scenes and unusual dancing synchronized to the rhythmic swing of peasant songs and melodies. Dauntless, the well-known movie dog, which will be remembered as having given several remarkable performances in a number of MetroGoldwyn pictures, is another important feature on this bill. He is accompanied by his owner, who will put him through a group of studio tricks. Sid Lewis, known as “The Clown Prince of Vaudeville,” promises plenty of comedy, as Sid is one of the foremost “nut” comedians of the present day. The remainder o l the show includes one other* vaudeville act, and the usual program of short subjects.

XIV ‘Mon coeur s'ouvre” “Samson ft Dalila” Saint Saens ‘Seguidilla'’ • Carmen” Bizet Rosemary Cook. XV Duet—''Pagliacci” Leoncavallo Jule Fenstermaker. Vaughn Cornish. XVI “Bird of the WfTderness ’ Horsman “O. crudele,” "Don Giovanni” Mozart Alma Monninger. XVII “Guns" O'Hara Prologue—"Pagliacci” Leoncavallo Vaughn CornisV Lucide Row Ferree at the piano.

AMUSEMENTS

ROUNDING ROUND THEATERS D? th ffICKMAN

ABOUT this time of the year The Film Doily of New York invites the movie critics to vote cn the ten best directors. The vote this year is being taken on directors whose pictures have been released between May 1, 1929, and April 30. 1930. The Film Daily is doing a good service in taking this vote, which does demand a lot of time and work. In most cases on my vote, I have based my decision upon one outstanding picture directed by each man. My list of the ten best directors and the picture which gives them that honor, is as follows:

Harry Beaumont because of “Broadway Melody.” Clarence Brown because of “Anna Christie.” Frank Capra because of “Flight.” Sidney Franklin because of “Last of Mrs. Cheyney.” F. W. Murnau because of “Four Devils.” Luther Reed because of “Rio Rita.” King Vidor because of “Hallelujah.” Raoul Walsh because of “The Cock-Eyed World.” 'James Whale because of “Journey’s End.” Robert Z. Leonard because of “The Divorcee.” Os course if the director of “All Quiet on the Western Front” had been included in the list to be voted on, he would have been on my list. a a a In answer to 'the question: Is Elizabeth Patterson, formerly with Stuart Walker here, still in the movies? Miss Patterson is now an acknowledged hit with Richard Bennett in “The Solid South,” a stage play, now in Chicago. This play is expected to stay in Chicago all summer, going to New York the last of August. And Miss Patterson will go with the show. She is announced by Fox in pictures to be released this fall. nan The question is being asked: What can be done to prevent people from talking -n an audience while a talking picture is on? This question has been asked in many letters received by this department. I know that every theater manager is making an honest and intelligent effort to stop this nuisance. I have no patience with such a thing. The best remedy that I know is to go directly to an usher and ask for the chief usher—then make your complaint. Or call an usher to you when he passes. Then you will get action. a a a Have been asked to publish the following: The junior students of the Stephenson School of Expression will give the annual June recital in the Central Universalist church auditorium at New Jersey and Fifteenth streets Thursday evening, June 19, at 8 o’clock. The public is invited without charge. The students presenting the program are: *Betty Jane Handy, Betty Anne Jackson, Hyla J. Doyal, Dean Doyal, Mary E. Barrett, Paul Cooper Jr., Mildred Leggitt, Johnßotz Jr., Allen Beck, Rosemary A. White, Jay Miliser Jr., Stanley Smith, Adele Bardach, Lois Hall, Dorothy Hall, Robert I. Marsh, Jackie Smith, Dorothy Nikirk and Bettielou Hathaway. "Sap From Syracuse” Being Rushed Fully recovered from his recent illness, Jack Oakie is working night and day in the stellar role of “The Sap From Syracuse” at Paramount’s New York studio. Appearing opposite the star is Ginger Rogers, who has picked three important roles into her brief motion picture career. Other notable players assembled by the studio and director, Edward Sutherland, are Veree Teasdale, Betty Starbuck, Granville Bates, Jack Raphael, Sidney Riggs, Bernard Jukes and Malcolm Dunn.

AMUSEMENTS COLONIAL ILLINOIS AND NEW YORK STREETS STARTING TODAY Another Great Show GEO. (BUTTON) FARES and his own big show "NIFTIE GIRLIES” A Peppy—Singing—Dancing BURLESQUE WITH HELEN MORGAN—IRISH SMITH MAXINE AUDREY—FALLS LITTLE CHORUS ON RUNWAY

ON THE SCREEN FROLIC II P. M. TWITE

3 —Paul Rouse had the honor last night of appearing in “The Outsider,” the last production of the season of the Sutherland Players at the Sutherland Presbyterian church.

Facts on Theatre Guild

In an interview given The Observer in London, Miss Theresa Helburn, executive director of The Theatre Guild, said that next season the Guild would produce Shakespeare’s “Much Ado About Nothing” with Alfred Lunt as Benedict and Lynn Fontanne as Beatrice. The production scheme, Miss Helburn explained, had been brought to the Guild by Robert Edmond Jones, who, in addition to designing the settings, has expressed a desire to direct the production. The production date is indefinite but it will come after Maxwell Anderson’s new play “Elizabeth the Queen” in which Mr. Lunt and Miss Fontanne will also appear. The London interviewer asked Miss Helburn if the Guild had had a successful season in New York. She replied. “We have found no big commercial success, but our membership is increasing steadily. The Guild makes an attempt from time to time to test the feeling of the members about the plays that are staged, and the results are extremely interesting.” “Would you ; say that the members dictate the policy” Miss Helburn was asked. “No, for you can not really gauge the public taste,” was her reply.” It must be dictated. The only thing to do is to put on plays that appeal to the board of managers. Os course, the most striking thing has been “Strange Interlude,” which was produced simply for the subscribers. We liked it and thought it would run a few weeks. It has now played to nearly three million dollars.” Miss Helburn also pointed out that the guild’s membership in New York was now 30,000. In Chicago, Philadelphia, Boston, Pittsburgh, Baltimore, Cleveland, Cincinnati, St. Louis, Washington and Detroit the guild approximately has the same number of subscribers as in New York.

Civic Theater

New officers for the coming year i were elected by the board of directors of the Civic Theater at a meeting held recently. They are George M. Bailey, president; Mortimer C. Furscott, vice-president; Mrs. J. A. Goodman, secretary, and John I. Kautz, treasurer. George Somnes has been re-engaged as director. Paramount at Production Peak The Paramount New York plant has reached the highest po.nt of production since its conversion into a sound studio, with three feature units in action and an average of four one-reel short subjects weekly before the cameras. The three features are “Animal Crackers,” starring the Four Marx brothers; “The Sap From Syracuse,” Jack Oakie’s current starring vehicle, and “Heads Up,” the screen musical comedy in which Charles (Buddy) Regers has the stellar role.

AMUSEMENTS INDIANAPOLIS ENTIRE WEEK starting iimr nn MONDAY JUrIL Zll 6 DAYS—6 LOCATIONS WATCH FOR DATE IN YOl'R NEIGHBORHOOD AUSPICES AMERICAN LEGION

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Aids Convention

Miss Elizabeth Cooper

Miss Elizabeth Cooper, 2516 North Alabama street, field secretary, announces the Indiana State Christian Endeavor convention which opens next Thursday night at the Central Christian church. The convention will close on the following Sunday. Hundreds of young people will attend. I 9 Gibbons Is Feature at the Indiana Well Known Radio Talker Is Now on Talking Screen. RADIO'S famous headline hunter, Floyd Gibbons, is to be seen and heard for the first time on the talking screen at the Indiana all week. Gibbons is a nightly feature over WLW radio station, Cincinnati, O. He is also a Literary Digest writer. His appearance on the talking screen is to tell the public of the Byrd South Pole expedition which is coming to the Circle theater in a few weeks. Gibbon’s appearance is"~in conjunction with the regular program which includes Nancy Carroll in “The Devil’s Holiday,” with Phillips Holmes, Paul Lukas, Zazu Pitts and Hobart Bosworth. On the stage is Helen Lewis as mistress of ceremonies with her all-girl band presenting “Magic Melodies.” Corrigan Is New Director Lloyd Corrigan, Paramount director, is in New York for a month’s vacation. Corrigan was recently elevated to the ranks l of talking picture directors after having written original screen stories and adaptations for more than five years.

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.JUNE 14, 1930

Corey Has Two Events Next Week Dance Instructor Will Present Pupils in Recital. ON next Tuesday evening on the lawn of the Indianapolis Propylaeum, Arthur Corey, wellknown dancer and instructor here, will appear in a dance recital. He will be assisted by Myrna Celeffc, Jane Sherer, Florence McShane, Audrey Keifer, Patricia De Prez and others. Musical support will be given oy two well-known pianists, Carl Keifer and Carolyn Ayres Turner. On next Friday night at the Civic Theater. Corey will offer the annual dance recital of his pupils of the Corey College of Fine Arts. * The program will be as follows: PART I—CONCERT lii the Classical Spirit Overture—'Rhapsody in Blue” ..Gershwin Orchestra. "Pan” (Proioguei Pardo Margaret Pcrcival. 'Accomplices” Herbert Bonnie Mae Campbell and Beryl Rae Campbell. ' Frolicking Fawns” Scott The Juveniles. ■Rainbows” Robyn Sung by Arthur Core Danced by Myrna Celrlc. "Sonora" Nathan Marsaret Butterfield. "The Legend of the Serpent and (he Bird" Corcy-Morclll Narrated bv Arthur Corey The Serpent Charles Gwynn A Gold Pheasant White Peacock Dorothy Farr Birdlings Eleanor Amos and Anna Loeser "Dutch Dance” Grieg Betty Amos and Betty May Thompson. "Soul of the East” Tarcngt Myrna Celete. "Golliwog's Escapade’ Debussy Arthur Corev and Margaret Stewart. "The Snow Man” (by request). .Anonymous The Juveniles. "A Geisha Maiden” Kelley Barbara Ann Carpenter. 'Vanity” Hadley Helen Frick. "El Gaucho” Vllloldo Arthur Corey and Myrna Celete. "A Little Porcelain Doll" Liadow Martha Jane Sherer. “Cossack and Fiery Steeds '... .Folk Melody Florence McShane. with Patricia De Prez and Audrey Keller. "A Gypsy Beggar” Bohm Arthur Corey. "Pas De Trois Classiquc” Drigo Mvrna Celete. Martha Jane Sherer and Mercede Miller. "Sylvan Caprice" Beaumont Juniors. 'The Spider" A.\t Eleanor McDonald. "Greek Game” Rubinstein The Corey Dancers. ‘‘Glorified Athletics" (Athenian i d’Ambrosio ATrthur Corev and Myrna Celete. PART lI—THE REVUE In the Musical Comedy Manner Interlude—Selections from the "Student Prince” Romberg Orchestra. "Roles Reserved" Corey Elizabeth Jean Rvbolt introducing Arthur Corey. "Shades of Blue” Handy Arthur Corey. "A Misguided Miss” Anonymous Mvrna Celete. Interrupting Arthur Corey. "Rhythm Dance" McHugh Arthur Corev. Mvrna Celete and the Corey Dancers. "Ambition” Lind Marv Jean Sefton. "Blossom Seely”—An Impression Cascr Elizabeth Jean Rybolt. "Rhyme and Rhythm" ...Bryan and Meyer Juveniles. "Plumage" Gandria Maxine Lambert. "Stylish Steppers" Burke Juniors. "Strut” Koehler and Maxine Margaret Mann. "Swanee Swav" Foster Rosemary Tully. ‘'Poetic Posturing" Brown Florence McShane. "Precision Routine"—After Tiller.... Youmans The Corey Dancers. "Fan Fair” Gounod and Anderson Mvrna Celete. "An Up-To-Date Fairy" Berlin Ethel Braun. introduced bv Mildred Lashbrook and Marv Jean Sefton. “Educate Your Feet” Ager Juiia Nealis. "Song of the Fan” Corcy-Morclll Arthur Corey and Myrna Celete iVocal obligato bv Charles Gwynni “Twingling Toes" Barnes The Corev Dancers. "The Flirt" Wood* Frank May Thompson and Betty May Thompson. "Broadway Brevities” Coslow Florence McShane. “Rainbow Revelries” Conrad The Corey dancers. “The Jewel Box” Corey Sung by Charles Gwynn The Ruby Jeanette Allman Emerald Roslyn Downing .Amethyst Rosemary Scotten Onyx Betty Hurd Turouois Ellen O'Connor Pearl Brenda Shadd Fapnhire June Ulerv Opal Virginia Davis Silver Alice Reed Gold—Danced bv Mvrna Celete The Diamond Juanita Kettler

AMUSEMENTS